Above & Beyond performing at Forest Hills Stadium in Forest Hills, NY on September 5, 2025. All photos taken by Mike Golembo.
Hopscotch Music Festival | Raleigh
Hopscotch Music Festival featuring Bark Culture, Built to Spill, Earl Sweatshirt, Friendship, Frog, Merce Lemon, Pink Beds, Starcleaner Reunion, Triathalon, villagerrr, Wombo, Yeule, YHWH Nailgun, The Belair Lip Bombs, claire rousay, Frank Hurricane, Fust, Geese, Iceblink, Little Mazarn, William Tyler, Florry, Les Savy Fav, Superchunk, and This Is Lorelei in Raleigh, NC September 4 - 6, 2025. All photos taken by Maddie Barkocy.
Third Eye Blind | New York City
Third Eye Blind performing at Terminal 5 in New York City on September 4, 2025. All photos taken by Andrew Pintado.
Jake Minch | Brooklyn
Jake Minch performing at Baby's All Right in Brooklyn, NY on August 28, 2025. All photos taken by JoAnn Snavely.
Nova Twins | New York City
Nova Twins performing at Rough Trade in New York City on August 23, 2025. All photos taken by Janae Stewart.
Pink Martini | Los Angeles
Pink Martini performing at The Greek Theatre in Los Angeles, CA on August 23, 2025. All photos taken by Caroline Brodt.
Tennis | Los Angeles
Tennis performing at The Greek Theatre in Los Angeles, CA on August 20, 2025. All photos taken by Caroline Brodt.
Attack Attack! | New York City
Attack Attack! performing at Racket in New York City on August 17, 2025. All photos taken by Julie Hubschman.
Wiz Khalifa | Ridgefield
Wiz Khalifa performing at Cascades Amphitheater in Ridgefield, WA on August 14, 2025. All photos taken by Maddie Stellingwerf.
Lydia Night | Brooklyn
Lydia Night performing at Baby's All Right in Brooklyn, NY on August 15, 2025. All photos taken by JoAnn Snavely.
d4vd | Orlando
d4vd delivers an electric show to his Floridian fans. Texas native, d4vd, makes a triumphant return to the tour scene with his all-new Withered Tour at The House of Blues in Disney Springs, Orlando. On August 13th, 2025, rising star d4vd played the second of his two shows in Central Florida as part of his Withered Tour, and I must say, it was not anything short of amazing. By the time the doors opened, fans were excited to see their favorite artist. Fans packed the venue in blood-splattered shirts and bouquets of flowers that mirrored d4vd’s iconic attire featured in many of his music video releases.
When d4vd finally took the stage, the atmosphere changed in an instant. d4vd initially brings an electrifying energy to the crowd, zooming from end-to-end playing classics like “Take Me To The Sun” and new hits like “What Are You Waiting For” from the most recent WITHERED album. From there, the night took on a more somber tone. The stage was clad with decaying Roman-like architecture and flowers blooming out as if it were a form of death and rebirth.
The setlist mainly features older emotional tracks from d4vd’s discography, like “Sleep Well,” “WORTHLESS,” and “Backstreet Girl.” Yet seamlessly blends these with newer somber tracks like “Is This Really Love?”
Performing with the opener, Bryant Barnes, d4vd brings him back onto the stage to perform their collab originally by Barnes, “I’d Rather Pretend,” to the delight of fans of both artists.
In a triumphant finale, d4vd, in a soaring and piercing falsetto, sings the live version of arguably his most popular track so far, “Romantic Homicide.” d4vd is an artist whose voice resonates with those emotionally torn, making him one of the best rising artists of today’s age. He continues to leave his best on stage, and we can’t wait for what he has in store for us next.
Words and photos by Ryan-Samuel Borromeo
Outside Lands | San Francisco
A time was definitely had at Golden Gate Park over the weekend of August 8th - 10th during the highly anticipated San Francisco music festival, Outside Lands. Excited fans filled the area, eager to enjoy an unforgettable experience. This year’s festival featured a packed lineup and top-notch vendors serving some of the best food and drinks available. Lines of people swarmed the merchandise tents, particularly for the acclaimed clothing brand, Golf, created by headlining performer Tyler, The Creator. In front of the merch tent stood a large statue of “Big Poe,” a new persona introduced by the renowned artist to promote his recently released album, DON’T TAP THE GLASS, giving fans a glimpse of what to expect from his performance.
On Day 1, the crowd enjoyed amazing performances on the Land’s End stage from Mannequin Pussy, Thundercat, and Still Woozy, each bringing their own unique style and vibe. Grammy-winning artist Doechii dazzled the audience with an entertaining, heart-pounding theatrical performance that was truly unforgettable — her act alone could have easily closed the night. The evening concluded with an electrifying and sultry performance from the critically acclaimed Doja Cat, who rocked an 80s-inspired glam outfit reminiscent of Janet Jackson and Paula Abdul.
Day 2 featured exciting and high-energy performances from Bay Area native LaRussell and mega star Ludacris, who treated the crowd to his classic hits. UK sensation Bakar delivered a genre-bending performance, proudly singing into a microphone wrapped in the Palestinian flag. Gracie Abrams provided a heartfelt and introspective show that had her fans singing along passionately. The night was capped off by none other than Tyler, The Creator, who moved and danced atop a large shipping container adorned with the words “DON’T TAP THE GLASS.” The crowd erupted in cheers and danced wildly as he performed standout songs from his discography.
On Day 3, the Land’s End crowd was energized as the colorful and critically acclaimed bands, Bleachers and Glass Animals, took the stage. Each performance radiated energy, especially when Glass Animals’ lead singer, Dave Bayley, ventured into the audience to sing some of his lyrics. The night concluded with a soulful, folk-inspired, and haunting performance by the renowned artist Hozier, sending chills through the crowd as they were entranced by him and his band.
All in all, Outside Lands has a history of delivering great times and creating special moments for everyone attending, and this year was no different. By bringing together some of the top-charting artists of our generation and the best vendors in San Francisco, Outside Lands ensured that audiences enjoyed a weekend they would never forget.
Words and photos by William Smith
Simple Plan | San Francisco
Simple Plan performing at Bill Graham Civic Auditorium in San Francisco, CA on August 12, 2025. All photos taken by Connor Dixon.
benches | Brooklyn
benches performing at Baby's All Right in Brooklyn, NY on August 11, 2025. All photos taken by JoAnn Snavely.
Starjunk95 | Toronto
Starjunk95 is the grooviest intergalactic radio station in the galaxy, and their Toronto show was pure magic. After years of listening, finally seeing them light up the Mod Club stage was unforgettable. From the first beat to the last, the room pulsed with wild, electric energy. Their sound — nostalgic Y2K future funk fused with shimmering city pop — created a fun wave of feel-good grooves that had the crowd dancing all night. They’re in the middle of their North American tour, with upcoming stops in New York, Denver, and San Diego for Niteharts Festival, so don’t miss it — this is one show you’ll never forget.
Words and photos by Ely Diaz
bôa | Philadelphia
bôa performing at Union Transfer in Philadelphia, PA on August 8, 2025. All photos taken by AnnaMarie Otor.
Charlotte Lawrence | New York City
Charlotte Lawrence performing at Bowery Ballroom in New York City on August 7, 2025. All photos taken by Olive Jolley.
The Fray | New York City
The Fray performing at The Rooftop at Pier 17 in New York City on August 5, 2025. All photos taken by Chantel Malin.
Linkin Park | Newark
Linkin Park returned to New Jersey for the first time since 2015, bringing their "From Zero World Tour" to Newark's Prudential Center. With new lead singer Emily Armstrong providing vocals, the band followed up their last Garden State performance—the "Hunting Party Tour" at Atlantic City's Boardwalk Hall — with a powerful and highly anticipated show. Pop-rock group PVRIS opened the night, performing songs from their album Evergreen as well as fan favorites from their debut album, White Noise which celebrated its 10 year anniversary this past November..
As the crowd buzzed with anticipation, the conversations died down the moment the venue lights went dark. A laser beam touched down on center stage as the intro to "Castle of Glass" softly played, building the anticipation. The intro smoothly transitioned into their 2003 hit, "Somewhere I Belong," as the band took the stage one by one. Mike and Emily were the last to appear, and with a mic in hand, Shinoda greeted the crowd: "What's up, you guys? Ready to have some fun tonight?" The venue erupted in cheers as the band launched into their first song of the night.
The energy was relentless. "Lying from You" and the Grammy-winning "Crawling" followed, with the crowd singing every single word. Strobe lights flashed and smoke shot from the rafters as the audience's voices rang out like a chorus, at times drowning out the band. The rest of the night continued with that same intensity; not a single seat was filled as fans stood and rocked out for the entire show. Shinoda showed his appreciation to the crowd, saying "Thank you, thank you Newark. Do you mind if I call you New Jersey?" a moment that was clearly for the fans who know the frustration of constantly being called New York. IYKYK.
The band's performance was a testament to their enduring legacy. Emily's voice was a powerful force, especially on their song "The Emptiness Machine," which closed out Act 1 with a guttural roar. Her command of the stage was undeniable; she frequently held her microphone out to the crowd, allowing them to actively participate and further enhancing the connection between the band and their fans. Throughout the night, they brought out PVRIS lead singer Lynn Gunn to perform "Burn it Down," and Joe Hahn delivered a classic Mr. Hahn solo set. Shinoda made his way down to the barricade to greet fans, rapping lines from his solo track "Petrified" and Fort Minor's iconic hit "Remember the Name," and even gifted a young fan his hat that had been signed by the entire band. Surely a moment this young fan would never forget.
For some, this was their first time experiencing a Linkin Park show, while for others, it was their second, third or tenth plus LP concert. Regardless of how many times fans had seen them before, this performance at the Prudential Center proved one thing: Linkin Park has successfully honored their past while building a thrilling new future. With Emily Armstrong's undeniable stage presence and the band's signature raw energy, it's clear the legacy of Linkin Park is in good hands.
Words and photos by Andrew Pintado
keshi | Atlanta
After two years of gracing the music world with GABRIEL, keshi makes quite an emotional and roaring return on tour with Requiem. On August 2nd, 2025, I had the exciting opportunity to photograph and review the Atlanta show for Requiem. Featuring many hits, new and old, from Keshi’s extensive discography, the Requiem Tour brings us back to many complex emotions, exploring themes of heartbreak, new love, loss, and mortality, making it a deeply personal and relatable experience for the Atlanta audience.
Most notably, keshi, to the surprise and enjoyment of the writer and many attending fans, featured many tonal and acoustic deviations from studio-released music. His songs are the type for attendees to sing and bond together, especially those suffering from significant emotional turmoil. However, with a re-invented vocal performance from keshi, the audience took it with welcoming amusement. Many times, we have been caught off guard singing along only for keshi to prolong a note or change octaves. keshi also displays more of his musical repertoire with multiple guitar solos sprinkled throughout the show.
Overall, there’s a sense of grandness and emotional tension that is palpable. Requiem is a not-to-miss show for seasoned/rookie fans alike. keshi’s stage presence hits just as hard as many of the tracks he has produced over the years — a requiem for what was and what is to transpire in keshi’s bright music career.
Words and photos by Ryan-Samuel Borromeo