Zinadelphia performing at Theatre of Living Arts in Philadelphia, PA on April 24, 2026. All photos taken by Callie Fitzgibbon.
Miss Grit | New York City
Miss Grit performing at Night Club 101 in New York City on April 24, 2026. All photos taken by Ryan Meehan.
Grace Ives | Minneapolis
Grace Ives performing at 7th St Entry in Minneapolis, MN on April 23, 2026. All photos taken by Juliet Farmer.
Lake Street Dive | Tallahassee
Lake Street Dive (with support from Jackie Evans) performing at The Adderley Amphitheater at Cascades Park in Tallahassee, FL on April 23, 2026. All photos taken by Josie Liederman.
Fit For An Autopsy | Buffalo
Fit For An Autopsy performing at Buffalo RiverWorks in Buffalo, NY on April 21, 2026. All photos taken by Kayla Kreller.
The Happy Fits | Athens
The Happy Fits performing at Georgia Theatre in Athens, GA on April 20, 2026. All photos taken by Joanna Barronton.
Dayseeker | Huntington
There was no slow start to night one of Dayseeker’s Pale Moonlight Tour this past Saturday in Huntington, New York. As I walked through the doors and up the stairs of The Paramount, the energy of the room captivated me immediately, the fans loud and eager, as if the show had already begun.
As the lights dimmed, the crowd exploded, as if they had been waiting forever for this moment. Words appeared on the screen as a dark introduction to the music about to be played, surrounded by red and black visuals with a ring of fire. It was clear things were about to get intense, and the crowd did not hesitate to match that energy.
Voices of the fans rose just as quickly as Rory Rodriguez began to sing the lyrics. The pit opened up early, and crowd surfing was nonstop. By the third song, Silent Planet came out to join them on “Dreamstate,” and the crowd went absolutely insane; you could barely hear the singing over the screaming and excitement from the fans.
From the floor all the way up to the balcony, you could hear the voices of people who had clearly been anticipating this tour. The most important part of a show is how a band connects with its fanbase, and Dayseeker did not fall short of that for one second. The crowd was so loud that it truly felt like they were part of the performance itself.
That energy never let up, even during the slower songs. The pit even stayed open during their mellow moments, with people dancing together while holding up the flashlights on their phones. And then, as soon as the set picked back up and the band took control again, the crowd snapped right back into it.
It was honestly wild to witness, at one point, a fan crowd-surfing in a banana costume while the Macarena broke out in the middle of the mosh pit. It didn’t make sense, but it somehow fit the vibe. I love a good mosh pit and crowd surfing, and this crowd made it hard not to want in. Even without being fully familiar with the music, the energy was convincing enough to make me want to throw down my camera and jump in anyway.
The visuals on stage matched the energy the band wanted to captivate perfectly. Between the fiery reds and dreamlike blues and pinks, each song had a backdrop and, at times, on-screen lyrics that reflected the intensity onstage. The entire aesthetic felt cohesive and intentional.
What stood out most to me about Dayseeker is the vulnerability that runs through their performance and how well it translated into a connection with their audience. Rodriguez spoke openly about a song that helped him cope with the loss of his father, and how many years ago the band was playing to almost no one, struggling to even sell out hometown shows, before expressing how grateful he is to be where they are now. Those moments alone, honesty felt like a major reason the crowd connected with them so deeply. It’s why people go as hard as they do from start to finish.
Not being fully tapped into this genre going in, I can’t say I walked in knowing exactly what to expect from Dayseeker or their fanbase. But I left feeling connected to the show in a way that mirrored seeing one of my favorite bands, fully immersed in the energy between artist and audience for the entirety of the set.
Words and photos by Angel Moon
Ritt Momney | Brooklyn
Ritt Momney (with support from Mercury) performing at Music Hall of Williamsburg in Brooklyn, NY on April 19, 2026. All photos taken by JoAnn Snavely.
RAYE | Philadelphia
RAYE (with support from Absolutely) performing at The Met in Philadelphia, PA on April 19, 2026. All photos taken by Callie Fitzgibbon.
Krooked Kings | Philadelphia
Krooked Kings performing at The Foundry in Philadelphia, PA on April 18, 2026. All photos taken by Callie Fitzgibbon.
AFI | Portland
AFI performing at Roseland Theater in Portland, OR on April 17, 2025. All photos taken by Maddie Stellingwerf.
Marlon Funaki | El Paso
Marlon Funaki performing at Lowbrow Palace in El Paso, TX on April 16, 2026. All photos taken by Isaac Nunez.
Field Medic | Brooklyn
Field Medic performing at Baby's All Right in Brooklyn, NY on April 16, 2026. All photos taken by JoAnn Snavely.
Mother Soki | Philadelphia
Mother Soki performing at PhilaMOCA in Philadelphia, PA on April 15, 2026. All photos taken by Callie Fitzgibbon.
Wet Leg | Pomona
Wet Leg performing at Fox Theater in Pomona, CA on April 15, 2026. All photos taken by Jay Trinh.
Guilt Trip + Malevolence | New Kensington
Guilt Trip and Malevolence (with support from Chamber and Underneath) performing at Preserving Underground in New Kensington, PA on April 11, 2026. All photos taken by Kayla Kreller.
The Runarounds | Cincinnati
Bogart’s was the place to be on April 11th in Cincinnati, Ohio. The Runarounds rolled into Bogart’s for a sweaty, high energy stop on their Minivan Tour, delivering exactly the kind of electrifying indie-rock show their growing fanbase has come to expect.
Before the headliners took the stage, The Takes set the tone with a tight and surprisingly dynamic opening set. Blending indie, folk, and rock influences, their performance built gradually from mellow, atmospheric moments into fuller, driving choruses. By the end of their set, the early crowd had fully locked in, swaying and nodding along, clear evidence that The Takes weren’t just filler, but a strong complement to the night’s lineup.
As the lights dimmed and The Runarounds took the stage, the energy inside Bogart’s shifted instantly. The historic venue known for its intimate, packed in feel proved to be the perfect setting for the band’s sound, loud, punchy, and built for crowd connection.
From the first chord, the band leaned into their strengths: catchy melodies, driving rhythms, and an undeniable sense of momentum. Their live sound felt bigger and grittier than their studio recordings, with crunchy guitars and anthemic hooks that invited constant singalongs. Tracks like “Ghosts” hit especially hard, with fans shouting lyrics back at the stage as if it were already a longtime classic.
What stood out most was their stage presence. The band played with a kind of controlled chaos, tight musicianship underneath, but a loose, infectious energy on top. Between songs, they kept things casual and genuine, reinforcing the sense that this is a group still climbing, still hungry, and fully aware of the crowd growing with them.
By the end of the night, it was clear, this wasn’t just another tour stop. It felt like a band in the middle of a breakout, backed by a crowd that knew they were catching something on the rise.
Words and photos by Serina Epperson
Boys Like Girls | Philadelphia
Boys Like Girls (with support from I DONT KNOW HOW BUT THEY FOUND ME and Arrows in Action) performing at The Met in Philadelphia, PA on April 9, 2026. All photos taken by Cami Liberty.
Boogie T | St. Louis
Boogie T performing at The Sovereign in St. Louis, MO on April 10, 2026. All photos taken by Michelle Zigler.
Avery Cochrane | Philadelphia
Avery Cochrane performing at MilkBoy in Philadelphia, PA on April 9, 2026. All photos taken by Callie Fitzgibbon.