Shallow Alcove performing at Wonder Bar in Asbury Park, NJ on May 8, 2025. All photos taken by Emily Teubner.































Shallow Alcove performing at Wonder Bar in Asbury Park, NJ on May 8, 2025. All photos taken by Emily Teubner.
Alex Warren (with special guest Joe Jonas) performing at Irving Plaza in New York City on May 8, 2025. All photos taken by Jessie Eshak.
Billy Idol performing at Dickies Arena in Fort Worth, TX on May 7, 2025. All photos taken by Maia Tharp.
Sara Landry performing at Knockdown Center in New York City on May 3, 2025. All photos taken by Inés Valencia.
Smallpools performing at The Loft in Atlanta, GA on May 3, 2025. All photos taken by Joanna Barronton.
Momma performing at Tulips in Fort Worth, TX on May 3, 2025. All photos taken by Maia Tharp.
Love Spells performing at Union Pool in Brooklyn, NY on May 3, 2025. All photos taken by Maddie Barkocy.
Elderbrook performing at The Rooftop at Pier 17 in New York City on May 2, 2025. All photos taken by Drew Martin.
Orla Gartland performing at Terminal West in Atlanta, GA on May 1, 2025. All photos taken by Joanna Barronton.
Alix Page performing at Troubadour in West Hollywood, CA on April 30, 2025. All photos taken by Alicia Urrea.
Julien Baker and Torres performing at Georgia Theatre in Athens, GA on April 28, 2025. All photos taken by Christoph Vega.
Mallrat performing at Cambridge Room at House of Blues in Dallas, TX on April 29, 2025. All photos taken by Maia Tharp.
Light Up The Blues blue carpet at The Greek Theatre in Los Angeles, CA April 26, 2025.
Featuring: Michelle Knapp, Gary Cole, Dani Bowman, Anthony LoGerfo, Rosa Rivers, Mati Gavriel, Steve Sidney, Taylor McFadden, Nathaniel Rateliff, Abbey Romeo, David Isaacman, Linda Perry, Stephen Stills, Kristen Stills, Keith Wargo, Anne Wargo, Mike Olson, Kelli Seely, Chris Stills and family, Christine Romeo, Jörn Weisbrodt, Rufus Wainwright, Ken Jeong, Erik Paparozzi, Alianna Kalaba, Justin Stills, Cian O'Clery, Emily Frisbe, Max Schwartz, Jesse Katz, Joel Sidney, Joy Louise, John Frizzell, Jenelle Kunz, Chris Price, Aarti Garg, and Subodh Garg
All photos taken by Caroline Brodt.
High Water Festival was nothing short of magical — a vibrant kickoff to the season that lit up Charleston’s Riverfront Park on April 26th and 27th. With twenty acts spread across two stages, this two day celebration brought the spirit of music alive in a way coastal South Carolina won’t soon forget.
From the moment Charleston natives Easy Honey hit the stage, the energy was infectious. Their hometown pride radiated through every smile, riff, and beat, setting the tone for a weekend of non-stop joy. Festival-goers of all ages swayed, danced, and sang their hearts out, creating a collective rhythm that pulsed from the barricades to the back of the field.
The beauty of High Water was in the flow—bouncing between stages felt like surfing a wave of pure musical bliss. No matter the genre or familiarity, each crowd threw themselves wholeheartedly into the experience. It was proof that festivals are sacred ground for music lovers: a space where knowing the lyrics is optional, but feeling the beat is required.
As I roamed the grounds, band loyalty was proudly worn like a badge of honor. Shirts, hats, and tote bags were emblazoned with names like flipturn, Mt. Joy, and Lord Huron. flipturn, in particular, had a strong presence — despite their set coming late on day two, fans were already repping them on day one, a testament to their meteoric rise from Jacksonville’s indie scene to festival fame.
Day two brought a special spark as we saw more women on stage and the vibe was electric. Goldie Boutilier set the tone early, captivating the crowd with her theatrical flair and magnetic stage presence. Later, Trampled by Turtles drew curious onlookers with their eclectic instrument lineup — banjo, mandolin, fiddle, and cello weaving together a sound both timeless and fresh.
And then came the grand finale: Arcade Fire. The band delivered a performance that was not just heard, but felt. With a show full of spectacle and heart, they left the crowd awestruck, ending the weekend on a euphoric high.
Beyond the music, it was the community that truly defined High Water. Everywhere I turned, I saw beaming faces and shared moments of pure joy. Even in the press lounge, a unique camaraderie formed among creatives, all capturing the same sets through different eyes, exchanging inspiration and stories along the way.
High Water Fest wasn’t just an event—it was a reminder of how good life can be when the soundtrack is right. For me, and for Charleston, it was a weekend to remember, and a beautiful celebration of music, connection, and coastal soul.
Words and photos by Joanna Barronton
Machine Head and In Flames (with support from Lacuna Coil, and Unearth) performing at Burton Cummings Theatre in Winnipeg, MB on May 5, 2025. All photos taken by Mikey Jablonski.
Sacramento, California’s newest music venue, Channel 24, had drinkin’ boots rushing to the entrance on Thursday, April 24, 2025. Performing for a sold-out audience, Tucker Wetmore showed concert goers how to giddy on up as he brought his Waves On A Sunset Tour to the golden state. Following opener, Jacob Hackworth, Tucker’s set continued to light up the venue as he took the stage. The cheers and smiles filling the house as he counted down from “3, 2, 1” with the audience — his debut album What Not To going live on the venue’s opening night. Surrounded by his supportive foundation of family and friends on stage, Tucker was proving to be a breath of fresh air for country fans.
Performing “Break First” and “Wine Into Whisky” from his 2025 album What Not To, Tucker’s presence on stage was steadfast and playful as he interacted with the audience. From star-filled eyes to couples dancing in the crowd, Tucker had the energy at an all-time high. Concert goers swayed and brought Tucker to grateful knees as they sang along to his well-known 2024 single “Wind Up Missin’ You” and his popular 2025 singles “3,2,1” and “Casino.” First time concert goers adoringly watched from barricade with personalized signage as Tucker leaped from stage left to stage right, soaking up the energy radiating from the audience.
Stage lighting glimmered in an array of sunburst gold and “Silverado Blue” throughout the entirety of Tucker’s set. “We still got a little time before you gotta go — whatcha say we go down one more road,” was the vibe as Tucker approached the end of his set. Lively performing “Bad Luck Looks Good On Me” from What Not To and sending the house soaring with “Already Had It” from Twisters: The Album, he had blondes and brunettes alike swept up in the enthralling Twister that is Tucker Wetmore. Emerging from the thunder and lightning, like the aftermath of a refreshing spring storm, concert goers undoubtedly left the venue that evening knowing that they just witnessed one of country music’s next rising stars.
Catch Tucker Wetmore on tour, Mothertuckers: tuckerwetmore.com
Words and photos by Andrea Garman
Mogwai performing at Commodore Ballroom in Vancouver, BC on April 24, 2025. All photos taken by Emma-Jane Dotchuk.
FLO performing at The Fillmore in Philadelphia, PA on April 23, 2025. All photos taken by AnnaMarie Otor.
Kevin Atwater brought forth the most ethereal, dream-like performance to West Hollywood’s Troubadour stage on the night of April 23rd. With the release of his most recent project titled Achilles, this tour is meant to celebrate the tenderness of the stories buried beneath the surface of each song. Atwater delivered a night worth reminiscing, filled with hilarious puns, heartbreaking backstories, and soft melodies on guitar.
As a casual listener of Atwater myself, I wasn’t sure what to expect from the show. Though he has played a few shows in Los Angeles before, I have never had the pleasure of seeing him live until now. This show only fueled my desire to see him once more; not only do I love soul-bearing acoustic songs with lyrics that will have your heart strings painfully unlaced, but Atwater was so conscious of the community he’s built. He beamed with excitement as he scanned the crowd for signs to read aloud, and made sure to keep fans engaged by cracking a knock-knock joke while tuning his guitar:
“Knock knock.”
”Who’s there?”
”Broken pencil.”
”Broken pencil who?”
”Who cares... it’s pointless.”
Additionally, he spoke vulnerably about experiences that shaped his identity and his artistry. Right before playing his song called “Call of Duty,” a few tears were shed by fans as he spoke of the story behind it. He spoke of his grandmother and the tragedy that was her death, and the way it affected his mother. He effortlessly transitioned to other songs on the setlist, such as “ferry beer” and “Caleb.” Atwater further shared anecdotes of his personal experiences with one-sided relationships, heartbreak, and family as he closed out his show with “star tripping.”
Though words cannot do it justice, Atwater is definitely worth one’s while to see live. His witty humor and astounding talent is not to be ignored, and his ability to connect with a crowd leaves a lasting impression. His presence lingers long after the final note; to witness Atwater live is to witness something rare and remarkable.
Words and photos by Alicia Urrea
Denzel Curry (with support from Kenny Mason) performing at KEMBA Live! in Columbus, OH on April 22, 2025. All photos taken by William Smith.