BENTA: INTERVIEW


INTRO BY MADDEN LEVIN

INTERVIEW BY CAMI LIBERTY

PHOTO COURTESY OF BENTA

PHOTO COURTESY OF BENTA

From a man with a hidden face, comes incredible music. With his newest single, Road with Seven Lanes, out now, we spoke with him about what sparked his love for music and what he is all about. We think it's particularly interesting how he wrote the previously mentioned single, but I won't spoil that for you! Make sure to keep an eye out for BENTA as he moves along with his musical journey.

 

How did you get your start in music?

BENTA: "I’ve been making music for as long as I can remember. I first started playing seriously when I got into the Suzuki violin program at my school at nine years old. Then I started a rock band at twelve, and we were signed at 15 to a label and management deal. I was writing and producing all of the music for the band in the home studio I built in my parents’ basement. Writing tunes and recording and producing them is not only something I love to do, it’s something I need to do to keep balanced."

 

How would you describe your music in three words?

BENTA: "Dark, melodic, percussive."

 

What is your favorite part about creating music – the writing, recording, performing, or something else?

BENTA: "There’s nothing I love more than performance. Being on stage and sharing the work with an audience. When I write, when I produce, I’m always envisioning the tracks in a live environment."

 

You recently released your new single Road with Seven Lanes – can you tell us a little about it? What was the inspiration behind the song?

BENTA: "I wrote the track in a U-Haul truck, while helping somebody move. I was returning the truck to the U-Haul garage and that beat and melody just came to me, spontaneously, like all good ones typically do. Lyrically, the track is all about moving and motion in life. And particularly, in the modern world, how people might be physically disconnected, but able to be so close and intimate due to modern technological marvels.

 

Of all your songs, which would you say best represents you as an artist?

BENTA: The Radio from my debut EP, Noir. I’m actually a sucker for a simple ballad, with simple chords and a memorable melody. Particularly with that track, I love the sense of depth in the piece, while it maintains a super sparse and minimal production palate."

 

If you could collaborate with anybody on a song, who would it be and why?

BENTA: "At the moment, it’d probably be Sohn or Timbaland on the production side. Respect both of those dudes so much. Each pushing the envelope of sound in such interesting ways for years. Artistically, I’d love to work with London Grammar or do something dark with Lorde. Love an intriguing, haunting female vocal..."

 

Is there anything we can expect from you in the near future?

BENTA: "Yes! Road With Seven Lanes was just released as the lead single from my upcoming EP, Seeks. So we’ve got a video and remixes coming on the backs of the release shortly, followed by the EP. I’m also beginning to play out more in support of the new material. Lastly, I’ve been producing for other really cool artists a bunch more lately, so later this summer and into the fall you’ll see a bunch of Benta remixes and original tracks that I’ve done for and with others!"

 

Download & stream at: smarturl.it/BentaRWSL More Benta: Facebook: http://bit.ly/BentaFB Twitter: http://bit.ly/BentaTW Instagram: http://bit.ly/BentaIG Spotify: http://bit.ly/BentaSP SoundCloud: http://bit.ly/BentaSC

 

FIND BENTA ONLINE

TWITTER     INSTAGRAM     FACEBOOK     YOUTUBE


'ACCOUNTS OF FRIEND AND FOE' / AMONG SAVAGES: ALBUM REVIEW


BY SARAH KEARNS

image1.JPG

Last month, Los Angeles-based artist Among Savages released his sophomore album, Accounts of Friend and Foe, after over three years of work. The album consists of nine tracks, all of which feature a different angle of Among Savages’ alternative sound. And though each is unique in style, the songs work together to create a nostalgic musical experience.

Accounts of Friends and Foe begins with What Goes Around. Made up entirely of short phrases, the rhythm resembles that of a poem. Among Savages’ soft-spoken singing is accompanied by clear, louder drums.

Third on the album, and our favorite song, is Getting Older Quicker. Perhaps it’s the upbeat tune, or maybe the catchy melody, but my guess is that our obsession can be traced back to its relatability. Among Savages’ sings about age from the perspective of an adult, “Dope me up, get me high and out of this strange softened place I stand. What I would give to get to back to what I have lost, to feel once again I am a young man.” Even as a seventeen-year-old, I can relate to longing to go back to the earlier years of my youth, as I'm sure we all can.

Accounts of Friend and Foe finishes with Art of Living, the simplest track on the album. Lacking instruments and sound effects, it stands as a testament to all that Among Savages is; undoubtedly raw and beautifully real.

 

FIND AMONG SAVAGES ONLINE

WEBSITE     TWITTER     INSTAGRAM     FACEBOOK     YOUTUBE


'RAINBOW' / KESHA: ALBUM REVIEW


BY DANA GALO

KESHA_cover_un_censored_CD-1400_1400.jpg

Kesha’s latest album Rainbow was definitely one of the most highly anticipated albums of the summer. After releasing singles like Praying and Woman, it was only a matter of time before we started counting down to its release. Once known for her major club hits like Tik Tok and We R Who We R, Kesha took this album in a completely different direction. Instead, Rainbow takes listeners through the emotional journey that began with the singer’s legal battle against producer Dr. Luke, who she claims was physically and mentally abusive towards her; because of this, the world was unsure of whether or not Kesha would ever release any music again. Thankfully she persevered and continued to record more music, because Rainbow is flawless: vulnerable, empowering, and optimistic. Each and every song presents its own authentic and uplifting message. Kesha uses this album to take us through the process of growing, forgiving, and moving on. It’s evident that the collection of songs, ranging from ballads to country pop, all take inspiration from her Nashville roots. Through the course of the album, we hear beautiful slower and instrumental tracks such as Bastards, where the message is quite literally “don't let the bastards get you down.” In the same spirit of self-love, Learn to Let Go, Let Em Talk, and Hymn promote the idea that hate should not affect one’s happiness, but instead teach valuable lessons and encourage inner growth. In her powerful hit single Praying, Kesha makes it clear that she does not wish for revenge or even pity for the trauma she has endured; she is healing. With lyrics that seem to be aimed at her former producer, including “I hope you're somewhere prayin', prayin', I hope your soul is changin', changin' / I hope you find your peace falling on your knees, prayin',” it is extremely clear that she doesn't need Dr. Luke to be successful.

Alternatively, Woman is a fun anthem for not only women, but also equality. This song, complete with a funky sound by the Dap-King Horns, especially resembles the type of music that Kesha was previously known for, music that showcases her values, even if it's somewhat controversial. Her title track, Rainbow, a personal favorite of mine, due to its masterfully upbeat and hopeful vibe was presumably named for what comes after any storm: a rainbow. At the same time, songs like Hunt You Down and Old Flames, featuring Dolly Parton, showcase a very organic twang that Kesha hasn't really explored before. Boots takes a darker and more electronic pop direction and is full of innuendos centered around her love life, while Finding You is a much more straightforward and instrumental song, expressing her desire for a ‘forever’ love. Boogie Feet demonstrates Kesha’s love of dance with the perfect upbeat tempo as she points out the need for “body shakin” and “good vibrations.”

Notably, this album makes many references to childhood, through its lyrics as well as its music videos. For instance, the video for Learn to Let Go depicts Kesha coming face to face with her demons as she connects her present life with her past. In the song Rainbow, she directly states “and deep down, i’m still a child / playful eyes, wild and wild.” Finally, the track list ends on a sillier note with songs like Spaceship, Boogie Feet and Godzilla. Both Spaceship and Godzilla pay tribute to her love of fantasy and childish dreams as she sings about “waiting for her spaceship to come back” and “taking Godzilla to the mall.”  

Overall, the album as an entirety is a fun and positive production that I highly recommend. In reference to her last album, Kesha has truly proven to be a Warrior. With this new maturity and artistic freedom, Kesha has the potential to once again become one of the biggest names in pop culture.

 

BARE TEETH: INTERVIEW


BY KAT VISTI

PHOTO COURTESY OF BARE TEETH

PHOTO COURTESY OF BARE TEETH

The band Bare Teeth are French punk-rockers whom released their newest EP entitled First The Town, Then The World on May 19th. They plan to conquer the world with this new EP. We sat down with Greg from the band for an interview to learn more about them, their EP, and their future plans.

 

Your brand new EP First the Town, Then the World, was released on May 19th. How would you describe the EP?

GREG: "We are pretty proud of this record and it took almost one year to have it finished. It sums up different influences we have in the band, from pop/punk to thrash/metal, including punk/rock of course!"

 

What is your favorite track off the EP?

GREG: "Speaking for myself, Parted Ways is very personal and I think it’s the fastest song of the record. It’s really hard to pick only one up, as we put a lot of energy on this record and we really tried to do our best on each song."

 

What was your inspiration behind this EP?

GREG: "As the title says, it’s about ambition but we also have to be very humble, as we are an unknown band releasing its first record. From my personal experience, building up your band requires a lot of energy and dedication, but nothing is impossible."

 

What do you personally think makes your band stand out and be unique?

GREG: "Unlike many bands, we are not after labels to put on our music. We even rather use none of them, even if we sound like a punk/rock band. We are not ashamed to claim we love pop/punk bands like Blink 182, but also thrash and metal bands like Pantera or Municipal Waste. It’s not like claiming we are Lagwagon fans and trying to write songs and sound like them… but if you think our songs kinda sound like A Wilhelm Scream or Propagandhi, we will take this like a very good compliment, haha!"

 

If you could collaborate with any other artist who would it be and why?

GREG: "We already had the opportunity to have Steve Rawles of Belvedere as a guest vocalist and Trevor Reilly of A Wilhelm Scream mixed our record, and we are very honored of this. However, musically speaking, I wish we could make music with artists who are not in the same kind of music than us… I don’t know, maybe writing a record with hip hop artists with a very punk energy. Yeah, that would be awesome!!!"

 

What are your future goals?

GREG: "We still have a world to conquer, I guess ! More seriously, we have some shows scheduled in France and Belgium, including Funtime Festival with bands like Adhesive, Venera or FOD. In November, we have to tour in Italy for four shows and we’re still looking for shows and tours for late 2017/early 2018. We also have two music videos in the making and some songs we have to work on for the next record. I hope we can soon play them on stage."

 

FIND BARE TEETH ONLINE 

TWITTER     FACEBOOK     YOUTUBE


'CREATURES' / GLASS HOUSE POINT: SINGLE REVIEW


BY MELISSA TUCKER

If you’re into indie-rock, get ready for Glass House Point. Back in 2013 it all began when the band first got together in Central Florida. In 2017, they are currently on tour until August 27th to promote their single Creatures.  

Glass House Point first released music in 2015, with two singles called Hungry Eyes and Heaven. In 2016, Love Lives in Dark Places was the band’s first album to ever drop. After countless hours of rehearsing, recording, and playing numerous venues, they are ready to release and perform their newest material this year.

Creatures is a song that all music genres can appreciate. The song starts off slow, with raw vocals and poetic lyrics. The guitar plays soothingly as the main instrument, while the story within the song is being told.

The beat progressively gets faster, but it still holds true to the fresh ballad-style piece that it is. There is a message about life and how time goes by in ways we never thought possible. The band tells a story about leaving someone special because time gave the opportunity to move forward.

There are mentions of the importance of finding your way back home. The song ends on a cool beat, as if in the middle of a sentence. Overall, it is a very beautiful piece of music and talks a lot about what life means to the band.

Glass House Point will be playing Creatures on the Think Fast; It’s Gone tour. The tour will be coming to Philadelphia, PA on August 18th in the Dockside Bar at Dave & Busters. Luckily for fans, the band will be stopping at plenty of locations.

Florida, North Carolina, Ohio, New York, and Alabama are just a few of the states that will be able to witness Glass House Point’s epic performances this summer. Make sure to check out the band’s Facebook page, Twitter, and website for updated information on the new single and tour!

 

FIND GLASS HOUSE POINT ONLINE

WEBSITE     TWITTER     INSTAGRAM     FACEBOOK     YOUTUBE