MOTION CNTRL: INTERVIEW


BY MELISSA TUCKER

PHOTO COURTESY OF MOTION CNTRL

PHOTO COURTESY OF MOTION CNTRL

After dropping their self-titled EP in 2015, Motion Cntrl is back with their latest work titled Envision. On this EP, the mood is darker and better than ever. This duo is all about capturing the beauty of their surroundings, and using that energy to create some amazing music. Allyce and Luke are the geniuses behind the epic electronic sound that stems from Motion Cntrl. Unclear Magazine had the wonderful opportunity to get their perspective on beauty, fashion, and how Envision came to be.

 

Growing up, how did each of you fall in love with music?

LUKE: "Both parents were big fans of music. They had very different tastes but they’re preferences were reasonable. I’ve been hugely influenced by the music they introduced me to." 

ALLYCE: "Similarly, both my parents listened to a lot of music. Some of my first memories with music were when we moved across country for a time and my dad playing 80’s and classic rock on the road trip. I was fascinated."

 

How did you two come up with the name Motion Cntrl?

BOTH: "We actually didn’t have a name when we did our first photoshoot.  We shot by the train tracks downtown, and saw the words 'motion control' on the shocks of one of the trains.  It immediately stuck."

 

How do each of you identify with Motion Cntrl’s music?

LUKE: "It’s where I go musically to explore the more emotive and moody side of songwriting. Allyce has helped me find real beauty in the dark."

ALLYCE: "It’s a very cathartic experience creating the music. It’s an outlet where I’m able to authentically express myself."

 

What can fans expect from the new EP Envision?

BOTH: "It’s deeper and far more serious than our other releases.  It's a reaction to what we were experiencing in the studio, coupled with the strange nature of current times."

 

What inspired In the Dream?

BOTH: "The conviction that everything is really okay in the grand scheme of things."

 

How did the concept for the music video for In the Dream come about?

BOTH: "We wanted the music video to convey the same feelings and message as the song. Our mutual appreciation and relationship with nature inspired our thoughts about a time-lapse video. We discussed our ideas with our friend and filmmaker Brian Ford, and he was able to create a beautiful video for us using footage he captured during his travels."

 

Motion Cntrl appears to be all about pushing boundaries and eliminating binary stereotypes. How will Envision break through the barriers that are set within the music industry?

BOTH: "That’s a really tall order, but we actively try and push those boundaries with our lyrics, and not limit ourselves to any genre. At the core of Envision, we wrote about the human struggle and spirituality, beyond any labels. This new EP hopefully breaks through because different kinds of people can relate to it, and the music is enjoyable. We've had the benefit of working in an age where self distribution is a fact of life. We have a long way to go, but have enjoyed the success that we’ve had."

 

How has LA influenced your writing and creative process?

BOTH: "LA is a mysterious place where the deepest ideas and most superficial experiences collide. That relaxed tension plays out in our music."

 

How do each of you identify beauty in your music and in your lives outside of the studio?

BOTH: "Beauty for us is sentimentality; meditating on the way the connections you have with people who are dear to you infuse experiences with beauty."

 

The LGBTQ+ community seems to have been a big part of your lives. How has this community influenced your music?

BOTH: "The LGBTQ community is the engine of style and culture in our country, it’s impossible not to be influenced."

 

What does fashion mean to each of you?

BOTH: "Fashion is strutting in comfort."

 

How do you guys incorporate your fashion into your music style?

BOTH: "Sleek silhouettes in a noir-ish moody light. The music has inspired the look more than the other way around."

 

Outside of Motion Cntrl, how do each of you spend your days?

BOTH: "Hustling and relaxing."

 

What advice would Motion Cntrl give to fans in order to gain more confidence in seeing the beauty in their own identity?

BOTH: "Read as much history as possible. You'll see more often than not, it’s the outsider that makes the biggest mark."

 

What can fans expect from Motion Cntrl in the future? 

BOTH: "More music."

 
 

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CHAPPELL ROAN: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

Chappell Roan is a 19-year-old singer from Springfield, Missouri. Chappell's music is all about loss, love and heartbreak while she puts her piano skills on display for the world to see. She has the mystique of Sia and the vocals of Lana Del Rey. Chappell recently toured as support for Vance Joy and we did an interview with her to learn more about her debut single Good Hurt and her EP entitled School Nights.

 

For those who don’t know you yet, what would you tell them about yourself and your music as a bit of an introduction?

 CHAPPELL: “I would say, well, my name is Chappell Roan. I’m 19. I’m from Springfield, Missouri and I still live there. And… I would say my music is pop, but it’s got like a darker twist to it and more of a haunting type deal. I don’t know, it’s so hard to explain it ‘cause it’s a lot of different things.”

 

Recently you released your first single Good Hurt. As a first impression do you personally think the song represents you really well as an artist?

 CHAPPELL: “I think it represents a part of me. I don’t think it represents… everything about me. It was a co-write, so… and I don’t really co-write much, so that right there kind of takes half away, since I wrote it with another– with a girl, like her perspective as well. I think it is obviously about my personal problems and like my life and stuff, but I think there are other songs on the EP that better represent me.”

 

 When the video for Good Hurt was released, Troye Sivan posted about it. How did it feel getting so much attention for your first music video?

 CHAPPELL: “I mean, Troye Sivan is so sweet. He’s such an amazing person and he’s very inspiring. I really look up to him. He’s helped me out more than once with, like, posting stuff about me. He’s just really, really kind to do that. And it made me feel really good ‘cause his fans are very supportive and loving.”

 

Your EP School Nights was also released recently. How would you describe the overall vibe of it?

 CHAPPELL: “I would say the vibe is… like the beginning and a first glimpse of a story that is yet to come. Like the EP is just the very beginning and a little glimpse of what the album is about.”

 

 What song would you say was the hardest to create on the EP? Or did they all come easily?

 CHAPPELL: “I don’t like writing. Like I really don’t like writing music. It’s just very emotional and like ridiculously hard for me. So they were all equally hard. I mean, I think the hardest one emotionally was Meantime because it’s just… you know, like at the time we didn’t know like who I was at all, and I was in this relationship and I felt like I couldn’t give everything to them. So I was basically saying, ‘Can I love you in the meantime while I figure myself out?’ And also, I just like… did not like Good Hurt when we wrote it. I just was like, ‘I don’t think this is good at all.’ And then over time, like it grew on me and obviously I like it now.”

 

 How long did it take you to create your stage name? Was it hard?

CHAPPELL:
“Honestly, picking my name was the hardest out of everything because it’s like… you’re stuck with it once you pick it. We went through – I’m not kidding – thousands of names, and I always kept coming back to Chappell because it’s a family name. And I found out I couldn’t just be ‘Chappell,’ ‘cause that’s what I originally had wanted, so I picked Chappell Roan.”

 

 You’re currently on tour as support for Vance Joy. Is this your first tour?

 CHAPPELL: “This is my first tour! It’s a whirlwind. It’s crazy, but Vance Joy’s the sweetest person ever, so he makes it seem fun.”

 

 Is it hard to get used to all the traveling?

 CHAPPELL: “Yes. I am constantly tired. It’s like gearing up for a family vacation and you’re like so excited, so you pack and everything and you’re so prepared… It’s like that every day. It’s like so tiring, but it’s so fun.”

 

PHOTO BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

 What’s it like performing for the crowds every night?

 CHAPPELL: “It’s incredible. Vance Joy and Amy Shark’s fan bases… they are just so loving and open to my music. You know, ‘cause they didn’t come to see me, they came to see Vance, and they’re so accepting of me and it just makes me feel really loved. So I feel amazing, and after my shows I go out and sign posters for people and that’s my favorite part. Everybody’s just super sweet.”

 

 Once the tour is wrapped up, is there anything that we can expect from you?

 CHAPPELL: “So once the tour is done I’m going back to LA to finish up the rest of the album. And we haven’t really decided if we’re releasing a single next or if we’re releasing another EP, if we’re releasing an entire album, so… nothing is like decided, but definitely music will come out soon. Early next year!”

 

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SUNSET NEON: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY CAMI LIBERTY

PHOTO COURTESY OF SUNSET NEON

PHOTO COURTESY OF SUNSET NEON

Sunset Neon recently released his debut album Starlight on December 1st. This is a project with multi-genre musician and producer Bret Autrey, whom of which is widely known for his time as Blue StahliSunset Neon came about because Bret wanted to get more of that 80's nostalgia as well as combine multiple genres together that he added into Blue Stahli's sound. We recently caught up with with Bret to find out more about his music and what's next in store for Sunset Neon.

 

Recently you made the transition from rock to electronic. What would you say was the biggest challenge for the change?

BRET: "Well, even though my other project Blue Stahli has quite a lot of rock elements in the vocal albums, it’s always been an electronic project at its core.  Some tracks have been purely electronic and are full of strange cinematic sound design, while production of the heaviest rock tracks are approached like I was putting together an electronic track.  Chopping up guitar takes and treating them like samples, drums made from one shot drum machine samples, chopped up breakbeats, masses of synths and fx chaos everywhere.  Sunset Neon was my way to go even further in the purely electronic direction and explore the dreamier indie pop aspects.  I’d say the biggest challenge was in allowing myself to fully go down that road and not feel the need to introduce the darker elements that pepper a lot of Blue Stahli material during songwriting."

 

Even though the genres are vastly different, do you find any similarities between them when creating new music?

BRET: "Absolutely.  While the sounds are completely divergent, I put them all together in the same way.  Chopped up bits, blown out drum machines, strange synthesis and sample manipulation, etc.  The process is exactly the same, except there wasn’t as much of a guitar focus for these tracks (except for the song Tonight, which has an avalanche of guitar stuff and action movie solos)."

 

You recently released your new album Starlight on December 1st. Can you tell us a little about it?

BRET: Starlight is made to be the lost soundtrack to your favorite obscure straight-to-video VHS movie that was then sampled from warped video tapes and well worn cassettes into a glitching sampler then reconstructed through the lens of nu disco and lo-fi french house."

 

What song of yours do you think best represents you as an artist?

BRET: "That’s tough to pick since Starlight mixes a lot of genres together to create the VHS nostalgia pop that Sunset Neon is aiming for.  Offhand, I’d say You Are the Sun for the way it blends lo-fi dreamy indiepop with flashes of nu disco production and some strange sample mangling."

 

How did you come up with the name ‘Sunset Neon’? Did it take a long time to decide?

BRET: "That was actually the fastest part.  It all came about after I made a song called Sunset Neon under my Blue Stahli project that was a mix of 80s-influenced indie electronic and nu disco.  I immediately wanted to do a full album of tracks in that style and realized I had a few others that never quite fit being Blue Stahli songs.  So naming this project after the Blue Stahli song that’s already released and floating around out there is a way to not only give a nod to Sunset Neon’s genesis, but also link the two projects together in a fun way so if someone is searching for more Sunset Neon, they might stumble onto an entire range of albums from the same guy in an even weirder range of genres."

 

Is there anything else that we can expect from you in the near future?

BRET: "I have a big cinematic movie trailer-style cover of Billy Idol’s Rebel Yell coming out as a single from Blue Stahli.  I wrapped up a big monster of a remix for one artist that should be out soon and am about to kick in on a remix for another awesome band.  The next Blue Stahli album is already demo’ed out and you can expect regular singles from that project to be hitting on a consistent basis.  In addition to those Blue Stahli singles that will soon be popping up, I have some awesome ideas for more Sunset Neon music that you’ll be hearing soon as well!  There were tracks I just ran out of time to include on the album, so there’s just a hell of a lot more music coming your way."

 
 

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VESPERTEEN: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

Vesperteen is beginning on a US headlining tour throughout the midwest and east coast. The Together For The Winter Tour is closing out an exciting year for Vesperteen which included a 40 date US headlining tour this past summer and support dates for bands like The Griswolds, The Wrecks, and Twenty One Pilots! We sat down with Vesperteen to learn more about the tour life and his new song It Will Never Be Enough.

 

 

 

You just got off tour in support for The Wrecks. How was that?

VESPERTEEN: "It was a ton of fun!! We hit some of my favorite cities. I'd say a fun highlight was doing the Halloween show in Denver."

 

You also just started your headlining Together For The Winter Tour – what cities are you most looking forward to performing in from knowing how the crowds are from your summer tour?

VESPERTEEN: "Man, the crowds are so great in every city. I love the energy that every one of them brings. I do love seeing the cities that we play in and exploring them. NYC has always been a favorite. Probably 'cause it's easy to always see something new and different each time 'cause there's SO much to see."

 

Do you prefer summer or winter tours more?

VESPERTEEN: "Hmmm.. weather wise I probably prefer traveling in the summer. But I'm excited for this winter one cause we get to be Christmas-y!"

 

On December 1st you released your new song It Will Never Be Enough – can you tell us a little about the song and the inspiration behind it?

VESPERTEEN: "Yeah, the song came together pretty quickly. But the theme is something I've been contemplating for some time. It's about feeling like no matter how much I gain or achieve I will never be satisfied. And how I feel like I'm well aware of that but I still can't stop striving and reaching."

 

Coming into the New Year after tour, what can we expect from you?

VESPERTEEN: "In January I will be recording plenty of new music, mostly in LA. I'd love to get as much done there as possible and then hit the road again."

 

PHOTO BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

SEE VESPERTEEN ON TOUR:

December 8 - Pittsburgh, PA @ Stage AE

December 9 - Buffalo, NY @ Iron Works

December 10 - Brooklyn, NY @ Brooklyn Bazaar

December 11 - Philadelphia, PA @ The Voltage Lounge

December 12 - Baltimore, MD @ Metro Gallery

December 13 - Raleigh, NC @ Kings

December 14 - Knoxville, TN @ Open Chord

December 15 - Pontiac, MI @ The Pike Room

 

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SHAED: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY CAMI LIBERTY

PHOTO BY NICOLE MAGO

PHOTO BY NICOLE MAGO

This winter SHAED is out on a co-headlining tour with Foreign AirThis soulful pop trio consists of band members Chelsea Lee (vocalist) and twin brothers Max and Spencer Ernst (producers and multi-instrumentalists). SHAED released their debut EP Just Wanna Seeas well as two new singles entitled Too Much and Lonesome. We sat down with them to learn more about touring and their music.

 

You guys are currently on your co-headlining tour with Foreign Air. What are you most looking forward to on this run of shows?

SHAED: "We've never done a headline tour before so it will be really special meeting true fans and performing for them in a more intimate setting. We also love the Foreign Air guys so it will be fun touring with them."

 

How do you think this tour will be different than your past ones?

SHAED: "A couple things: 1. We've added new songs to the set. 2. Chelsea may or may not be introducing some new colors into her all black wardrobe."

 

What are your favorite things to do when on tour?

SHAED: "EAT! It's our goal to find interesting places to eat in each city."

 

In October you released your single Lonesome. Can you tell us a little about the inspiration behind the song?

SHAED: "We wrote this song while staying at an airbnb in Death Valley - surrounded by desert and mountains on all sides. We wanted the song to feel wide open and expansive like the landscape so we wrote lyrics that wouldn't be confined to a heteronormative relationship."

 

In your own words, how would you describe your style of music?

SHAED: "Strong female vocals, fresh, soulful, electronic pop."

 

What song of yours do you think best represents you guys as a group?

SHAED: "That's really hard to say. We hope that different songs resonate with different people."

 

After the tour, is there anything we can expect? Any new music?

SHAED: "We have been writing and recording tons of new music. New music will be coming your way soon :)"

 
 
 

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