GO FOR GOLD: INTERVIEW


by emily harris

photo courtesy of go for gold

photo courtesy of go for gold

Arkansas-based band Go For Gold is a testament that the pop punk scene is constantly evolving. The five-piece is known for catchy hooks and transparent lyricism, as seen in their newest release, their EP, Color Me. Following the release of their album Daydream in 2019, the band is back and better than ever. Singles from the EP, including “At Home,” “Green Light,” and “Tone,” have each surpassed twenty-five thousand streams on Spotify. We sat down with the band and talked about their newest release.

 

Congrats on the release of your newest EP, Color Me! What was it like to release such an extensive body of work during an unprecedented time in the music industry?

Go For Gold: “It was exciting to share this release because of how definitive we feel this EP is for our sound. The pandemic definitely stunted our growth and being unable to play shows really kept us from pushing it the way we normally would. Artists rely on social media content and shows to interact with people. When social interaction is limited in every way, it becomes increasingly more difficult to remain consistent with those interactions and create relationships. We believe that good music will still find ways to circulate though. The longer this release has been out, the more outlets have picked up a song or two and shared them. We just found out yesterday about one of our songs being on rotation on a SiriusXM station.”

 

Can you tell us about how the writing and recording process of Color Me differed from that of your past album and EPs?

GFG: “I think it just felt more natural and refined. Our independent album that released last year was us owning what we were doing and deciding to jump off of that cliff and see what happened. With the EP, we already knew we could create a full release. So, we focused more on quality and direction. We wanted to create an EP where all of the songs were consistent in their feel and had a purpose. A lot of ideas didn’t make the cut.”

 

Your lyrics are known for being a testament to your self-awareness and honesty as artists. How has being so transparent affected the following you have now?

GFG: “If we weren't transparent, I would be surprised if anyone cared about what we’re doing. It seems natural to write about how we feel and what we’ve been through as well. I couldn’t imagine writing any other way. We are here with the intention of connecting and creating relationships with people whether that’s in person or through our music. I think that the entire alternative music scene relies on that transparency as well. It’s a safe haven for anyone who needs it.”

 

You released the first track of the EP, “At Home,” as a single. What led you to start the newest era and the EP itself with this track?

GFG: “We felt that ‘At Home’ was a good mix between what our album sounded like and the more alt-rock/punk rock influenced songs on Color Me. It’s a short and sweet song that has a very direct lyric style. It also is very upbeat which sets the tone for the rest of our EP.”

 

What song off the EP are you most excited to bring into a live-space? Why?

GFG: “I think that ‘Tone’ will end up being the most memorable. It will be the hardest for us to pull off but the song builds so well and ends powerfully. I hope people respond to this song the way that we feel it deserves. ‘Loser’ could also be a fun one live. It’s just an upbeat, exciting song. It’s one you can bang your head to and easily sing along even if you don’t normally listen to us.”

 

How has being rooted in Arkansas affected the pop-punk scene you have found yourselves in?

GFG: “There’s not one. Funny enough, there was one other pop-punk band before we started. Both our drummer and our vocalist were in it. That local group ended and we formed. People have been hearing us and referring to the ‘pop-punk’ scene but we don’t have one. There’s just us. I don’t think any other active groups claim to be pop-punk or even punk rock in Little Rock. Little Rock, Arkansas is relatively very small compared to other ‘big’ cities though. We have a few hardcore bands, a handful of metalcore acts, some true punk/emo groups, and so on. We all are part of the same scene here, I feel like. It’s not out of the ordinary for us to be on a bill with a hardcore band, indie band, and metalcore band all in the same night. I think it being a smaller scale community has allowed all of us to become one large collective as compared to having a bunch of individual scenes. We all support each other here and understand that what’s good for one of us is good for the rest of us. I think that quality of community can get lost in larger cities.”

Color Me, an album by Go For Gold on Spotify

 

You’ve been featured on a multitude of Spotify-curated playlists. As you continue to expand your name as a band, how does it feel like to be amongst other household names like New Found Glory and All Time Low?

GFG: “It’s definitely cool for the people in charge of Apple and Spotify playlists to consider our music to be at a similar level of quality to these very successful acts. I don’t think it changes what we do in any way but it’s reassuring to know that we’re on the right track.”

 

What can we expect from you in the future, both while maintaining social-distancing and when shows eventually start up again?

GFG: “We’re already about halfway done writing for our next release. No matter what the world throws at us next, we’re going to keep moving forward. We’ve got touring opportunities on hold with some pretty awesome bands. As soon as shows become safe again, we’ll be on the road. Until then, we’ll keep making music and videos and whatever else.”

 

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VAL ASTAIRE: INTERVIEW


by emily harris

photo by shelby parks

photo by shelby parks

Philadelphia-born Val Astaire has created a music scene onto himself. With the release of his debut album, Fever Dreams, fast approaching, Astaire has been slowing dropping singles, including eerie-sounding “Kiss” and 80s-influenced “Say You Will.” Sonically, Astaire is as unique as his roots, as he’s since moved to Los Angeles to further expand his career. With an upcoming merch line and the prospect of live shows, Astaire is ready to become a constant in your playlists.

 

Your debut album, Fever Dreams, is being released on July 17th. Can you tell us about the process of preparing to release an album, especially under such difficult circumstances?

Val: “Things have definitely taken a back seat as far as the initial roll out and plans for the album's release. Before COVID, the album's intended release date was April 10th. Doing this all DIY, there is no special ops team to really rely on. There’s no play book that says ‘how to release an album mid pandemic’ [laughs]. So, I’ve relied heavily on the album's feel and context. It’s always felt like a summer album and I think at this point, throwing a dart mid-summer and saying ‘okay, that’s our date’ was as good a plan as any.”

 

You recently released the opening track for the album, “runner.” What was the writing process for this song like? Did you know writing it that it would start the album?

V: “Yes! Okay so from the moment Kyle [Blamy] began playing the opening synth arrangement to the song I always felt like I got heavy Blade Runner vibes. So, the working title was always Runner. Which is crazy that the name stuck because I almost never keep the working title for songs. As far as instrumentally I think once we had the vibe and direction it was pretty smooth letting the rest fall in place. Writing the lyrical content was a bit of a different story. Literally. There’s an entirely different version of the song — melody, lyrics, cadence etc. that I had originally performed and recorded. Just before masters I had decided I wasn’t satisfied and completely rewrote the track. But from the get go I think I always had a feeling this song was going to open the record.”

 

You also released a music video for this final single before the full album drops. Can you tell us about the filming process, and what made you create the lyric video you did?

V: “The video for Runner was an idea that I had from the jump. I tend to tie a lot of the visual aspects to the songs as we’re writing them. I have to have a clear vision of the entire mood and setting otherwise it kinda gets lost for me I feel. So, I had always felt like Runner was the track that you put on at 2am, heartbroken from a summer fling but the sadness feels good cause you’re really feeling it kind of thing, and you get in the car and you drive and you know it’ll be fine but it feels damn good to be sad right now... oddly specific but you know the mood [laughs]. So yeah, that was always the feel. When it came to execution, my girlfriend and I taped her phone to the windshield and drove from the apartment to the garage where we shot the album art and time lapsed the video. I felt like putting you in the driver seat and spoon feeding the entire concept was the only way to go. Plus, quarantine limited my options of conceptual art and working with anyone so we did what we had to [laughs]. The idea to make it a cinematic lyric video was actually my girlfriend Brianna’s idea and executed by Kylie Rebecca.”

 

This album comes after the release of your debut EP, Yellow, in 2018. How has your approach to creating such a cohesive sound changed since that first release?

V: “With Yellow, I think a lot of that was testing the waters and seeing what we agreed on sonically. We had these dark, ambient songs that had really been the foundation of the sound since Chris [Curran] and I first began working together. We wrote Fall Apart late one night and felt like we had kind of cracked open this bright little egg of inspiration and so we kind of ran with it. We wrote Rebel and Cry Baby before stumbling on a track like Colours which I think was the most ambitious of the bunch — then closing with something more moody like Speaking Over You. That’s really the only time we had ever really set out to stay within the guidelines and the realm of a ‘sound’ for continuity purposes. Moving forward into Fever Dreams I think we had proved to ourselves that we’ve got that funky pop under our belt and we can use that to our advantage to take this project to another level and lift the mood whenever we need it which is showcased on songs like Sweet Medicine, Problem, Talk, and even Say You Will.”

 

One of the singles off the album, ‘Kiss,’ has a sound unlike anything else you’ve released. What encouraged you to bring about such an eerie sound to the record?

V: “Yeahhhh, Kiss rules. [Laughs] I’m not even shy about loving that song. That song was a total left field idea that was written after the record was finished. I wanted an anthemic sounding track that felt almost uncomfortable. That’s the thing about this project — there really is no water we’re afraid to tread. We try it and sometimes it works and sometimes it doesn’t. Kiss is one of those songs that whether it does or it doesn’t, I don’t care. It’s about mental health and the way I have allowed myself to perceive myself and bully myself for years. The entire idea was written by playing the beat in my legs and singing it to Chris while he simultaneously began punching in the notes. Kyle came in and laid down a bunch of production and Brett [Romnes] topped it off with some live drums and we had ourselves the weirdest song any of us have done.”

 

As you originally reign from Philly and now reside in Los Angeles, how has the music of the east and west coast allowed you to become the artist you are today?

V: “Philly is where my punk roots live. I think growing up in the skateboarding community and local hardcore scene in Philly it’s where I found acceptance. I felt a part of something. And because of that acceptance I was inspired to do something extraordinary for myself and travel the world playing that music. It wasn’t until I had met Chris though that I really felt like I found my sound. No one ever asked me what I wanted to sound like. I was just a product of that environment. So Chris actually reaching in and helping create my sound opened up an entirely new creative avenue. I’ve always felt more closer to the Leonard Cohen’s and David Bowie’s than I did the Jello Biafra’s in the sense that although my roots were watered in punk, my flowers bloomed in a more conceptually artistic way. I think living in both NYC and LA at the time helped explore that more.”

 

Are there any sneak peeks you can share before the full album drops on July 17th?

photo by shelby parks

photo by shelby parks

Runner, an album by Val Astaire on Spotify

V: “[Laughs] as far as sneak peeks that I can verbally share, yes! So, I’ve begun creating a campaign of alternative album arts and promotional posters for the release. I’ve also been working on designing a merch store that is much more of a clothing line branded as an ‘artist merch collection.’ I’m not trying to push quick prints for profit. It’s so important to me that there is cohesive direction and a part of that includes the physical distribution of product. Aside from that, the other sneak peek is that Sweet Medicine will be the focus track of the album. It’s very much reminiscent of the Yellow EP style of songs and the most upbeat of the releases so far. Sweet Medicine is framed as a love song that quickly shifts narrative by the time the first pre-chorus hits, revealing itself as a call out to big pharma and the ever so present opioid epidemic that so many people face today at the hands of companies and organizations that keep you sick for profit.”

 

As you’re open about your love of live-visuals, can we expect you and your backing guitarist, bassist, and drummer to tour again soon?

V: “Yes, I’m a huge fan of the live aspect of this project. It’s something that I have been so excited to share for so long, but unfortunately due to COVID restrictions all of the live shows we had booked have been postponed or cancelled so we had to improvise. We’ve created six live sessions that we’ll be posting in the next few weeks that showcase the bands live performance in an intimate setting. I’m very proud of how these have come out and what we’ve been able to capture given the circumstances. We’ll be waiting for the official green light on concerts in the future so as to not put anyone’s health in danger but I absolutely cannot wait to take the live concepts we’ve conjured for this album's visuals and share them as a living, breathing machine.”

 

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CHAII: INTERVIEW


by pankhuri bhutani

photo courtesy of chaii

photo courtesy of chaii

Starting her musical journey with her debut single “South,” this New Zealander based Persian artist is one of the upcoming rappers in the industry. With over 35,000 active monthly listeners on her Spotify, CHAII recently released her new track “Trouble,” along with a music video. 

The Frank Keys-produced, self-directed video is the third in a trilogy of visuals that she filmed in Oman and is her most emotional and personal song so far. Having some successful tracks like “South,” “Digebasse” and “Trouble,” CHAII has some bright plans for her future. She was kind enough to take out some of her time to talk to us regarding her music journey! 

Hey! Thank you for joining us on Unclear Magazine! How are you?

CHAII: “Hey, I’m great thanks, thank you for having me.”

When did you decide to start your journey as a music artist?

CHAII: “Ever since school.”

What can you tell us about your new single “Trouble”?

CHAII: “Trouble was produced by my partner Frank Keys. The visual is a re-creation of me as a kid in Middle East while the song is about where I am today. Definitely the most personal song I’ve done so far.”

What’s your dream concert like?

CHAII: “Outdoor. Stage across a lake. I saw a video of a Gipsy Kings concert in London. I fell in love with the setup.”

If you could describe your music with one emotion of yours, which one would you choose?

Trouble, an album by CHAII on Spotify

CHAII: “Adventurous.”

You’re about to release your new music in July. What was the process like with the music?

CHAII: “There’s always something that inspires the direction that my music takes. My July release was inspired by the migration of music artists from Iran to California during the 1970’s Iranian Revolution. The new regime banned artists/actors/musicians from working in those fields. I found that I had an interesting connection to LA, because not only having the western-hip-hop music that I love and grew up listening to, but also, it’s the biggest Persian music hub outside of Iran. Perfect blend of the two.”

Out of all the tracks you have released, which one was the most fun for you?

CHAII: “South. I made the beat in my room one night, even added a live cricket that was stuck in my room wall at the time. I never intended to release, it was just a play around. I was pretty sleepless from the nights of interrupted sleep by the cricket, but yeah [it] was still fun.”

 

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'WITHOUT YOU' / ANIMAL SUN: SINGLE REVIEW


by pankhuri bhutani

Formed in 2015, Animal Sun is one of the best upcoming bands in the industry out there. With around 8,000 monthly listeners on their Spotify channel, Animal Sun consists of members Steven Blake and William Alton. Coming out with their debut single, “Girl in Blue,” which was a huge success, Animal Sun recently released their track “Without You” on April, 26th 2020.

Without You, an album by Animal Sun on Spotify

The track is absolutely catchy and filled with energetic vibes. The raw vocals with the thrilling music led to an amalgamation of a fresh perspective to the track. The music seemed intriguing. The song maintained an upbeat energy which was established throughout the duration of the track and the vocals matched perfectly with the melody of the song. 

The chorus elevates the song to the very next level and the song gives an alt-pop vibe all the time. The music is exhilarating and influential in nature. One of the significant features of the song is the guitar solo which comes in right after the second chorus. The guitar riff in the track is phenomenal. All the elements of the songs are perfectly blended and the product — the song is definitely an energy booster which gets the listeners to get on their feet and groove! 

 

SUGAR JOANS: INTERVIEW


by mariah estran

photo by brittany brooks

photo by brittany brooks

Sugar Joans, a name you might be familiar with, an effervescent moniker that possesses a star-worthy attitude. In 2014, the L.A singer found herself on season seven of The Voice, singing in front of chart-topping, celebrity status judges. Except, that’s nowhere close to how her story ends. Fast forward six years, and she’s stepping into her own, releasing soulful tunes that are elevating her into a new era in her career. “I don’t have a day job,” Joans says with wit in her tone. “My day job is being a working musician, but I never thought that I could have my own artistry.”

She has an exquisite resume, one which includes backing vocals for Lorde at Coachella and Billie Eilish at the 2020 Grammy’s. But there is an unignorable ambition her presence exudes, an ambition to show the world that she is more than a captivating voice, she is a songwriter. Joans is aware that she exceeds at singing for television or movies. Projects she's generally done for others. However, at this moment, it’s her time. “It’s been nice. I have all this life experience that has prepared me for the artists' world,” the singer explains. “But now, I am finally letting myself dive into my side of things on a serious level.” That dedication to building her craft has happened over many years, including her childhood.

For Joans, being interested in music was never a sudden epiphany. Imagine a small girl, singing in her room, and at the swing set because that was her. Performing is what felt right. She lightheartedly says: “Honestly, I kind of always thought there was never another option for me.” Growing up in a family full of musicians, which includes her father Joe Pizzulo — who sang with Sergio Mendes — she never once felt forced to follow the same steps. Music just brought her joy, reiterating: “I think it was almost like there was never a Plan B.” Well, Plan A seems to be the right move.

In May, she released “No Patience,” a “breakup anthem” that highlights her striking vocal technique wrapped in a silky smooth R&B-type cadence. “I wrote the song with my best friend and writing partner Svē,” Joans describes. “We met at Berklee College of Music and stayed in touch. She came to visit LA on a trip, and we got in the studio and pumped out the song in three hours.” The track flaunts her style, which she playfully coins: “Clueless meets Destiny’s Child.” Why? Because she was raised in Los Angeles but kept those girl group records on repeat. She’s tweaked those late 90s to 2000’s pop sounds and added a refreshing twist. Creating a single that could easily catch the attention of fans of Billboard charting pop stars.

photo by brittany brooks

photo by brittany brooks

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Although, it’s the strength found in her vulnerability that brings “No Patience” and previous tracks to new heights. Songwriting thrives in that openness, a technique she’s still learning while entering this new phase in her career. “I think in the past two years, I went into this place and learned to love myself differently,” she reveals. “Instead of putting on an air or writing a song from another perspective. I wrote my music from my vulnerability, which was new to me.” Her lyrics are describing empowerment within and rising from the darkest moments by reaching into those emotions. Joans is coming to terms with the fact that each song might represent a personal feeling that she doesn’t have to stay confined in. "Being able to be like 'hey, this is how I am,' but also letting go, and saying, 'this is how I was two weeks ago...' Honestly, I’m not that same girl. I’m evolving."

Her creative candor is resulting in the production of dozens of songs. Currently, Joans plans to release tracks over the next four months and is deciding on whether to produce a full-length or an EP. There’s absolutely no stopping now. “Even during quarantine, I still have my studio set up at home,” she gleefully explains. “I’ve been trying to keep busy and creative as much as possible. I’m just going to keep putting stuff out.”

There might have been a time that the pop singer questioned her songwriting abilities, but now, this is her driving force. It’s given her music the chance to be more than notable vocals and a catchy beat. She’s allowing herself to find comfort in her creations and hopes listeners will too. “If I make music that maybe one person likes, one person feels connected to or it gives them some kind of peace. I feel like I’ve done my job, and I’m very fulfilled just by that.”

 

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