BEARS IN TREES: INTERVIEW


by emily harris

photo courtesy of bears in trees

photo courtesy of bears in trees

Bears in Trees is a South London-based band destined to create music with a purpose. The four-piece just released their newest single, “It Gets Better,” a testament to their unique writing style. Cloning themselves as a indie-emo-ukulele pop band, their sound is as unique as their past albums and singles artworks. Callum, the vocals, ukulele, and keys of the band, talked with us about their newest release and the newest era of their music — entitled “Keep Me Safe!”


Congrats on the announcement of your newest single, “It Gets Better!” Can you tell us about the writing and recording process?

Callum: “Thanks so much! We wrote It Gets Better (and the singles that come after it) at the same time as we wrote I Want To Feel Chaotic. We wrote it in the same way we write most of our songs, Nick or Iain write the lyrics (in this case Nick) and then we all jam until we come up with a song that works! We also recorded both the EPs at the same time! We’re really lucky to be able to use a studio regularly so we are able to take our time recording and re-recording, adding bits and taking bits away until we get exactly what we’re looking for! We knew we wanted this track to feel like a bunch of friends playing a song around a campfire, so hopefully it gives off those vibes!”


This single does not shy away from suicide and the prospect of getting better. What do you hope fans gain from this release?

C: “We hope fans realize you can recontextualise a tragic event so it can become constructive and find hope within it.”


As it’s a very dynamic image, what was the inspiration for the single artwork of “It Gets Better?”

C: “We wanted an image that had a feeling of nature, tranquility and campfire-y aesthetics. We wanted not only the music but also the artwork to embody the feeling of sitting round a campfire and singing with your mates.”


This single follows your EP I Want to Feel Chaotic. Although it’s been a short amount of time since its release, what inspired you to release “It Gets Better” now?

C: “We always meant this era to be in two parts. We wrote all the songs at the same time and split them so that the second is an antidote to the first.”


Listen to It Gets Better on Spotify. Bears In Trees · Single · 2020 · 1 songs.

You’re entitling this newest era as “Keep Me Safe.” Can you talk a little bit about the process of naming the era and what is to come out of it?

C: “We choose names based on lyrics that we best think encapsulate the overall theme of the song or era. IWTFC was about dealing with the darkest parts of yourself and relishing in personal instability, whereas Keep Me Safe is about trying to heal and dealing constructively with the themes of the previous era. We also thought that both eras come together to make a full sentence; I Want to Feel Chaotic, (so) Keep Me Safe.”


As Bears in Trees started as a passion project among friends, how has it been having a place within the music industry?

C: “We have always wanted to play in a band and regardless of whether Bears in Trees had been successful we would’ve continued to write and play together! After a couple of years together we realized how amazing it is to be in a band and if we could make Bears in Trees our full-time careers we would be four very happy boys!”


Is there anything you’d like to say to the fans, both new and old?

C: “Hello! If you’ve been here a long time, hey how’s it going? If you're new, stick around, have a listen, and stay for tea… it did wonders for me!”

 

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'TIME' / KAYLEE: REVIEW


by lys ziada

Upcoming artist KAYLEE has been working diligently on her mark as a new artist and it is greatly reflected in her new singles releasing this September.

Her first single, “Time”, released on September 4th, describes Kaylee’s current relationship with time and what it means to her.

The song is introduced with a beautiful guitar riff as Kaylee begins to highlight the limited time we have in life.

As we progress through the song, we hear Kaylee realizes that although it’s said that “good things take time,” she needs to figure her life out now.

Kaylee expresses her coping method of feeling low and lonely by singing “swinging my body in circles, throwing my hands in the air.” This is something that many of us can relate to and it shows more of Kaylee’s humility by showing her audience that she has problems that need coping as well. This is also shown when she sings, “I’m tired of wasting my time, always waiting to get by,” revealing that life is passing her by in this time of confusion and sadness.

For Kaylee, it’s not enough for her to “act like I’m doing alright.” By singing “just trynna have a good time,” Kaylee shows her audience that she wants to figure out her life so that she can be truly happy.

Overall, Kaylee’s song “Time” shares a positive message to her listeners. Her message that she doesn’t want to wait for things to happen, and wants to take her life and time into her own hands is an inspiration and will undoubtedly have an impact on anyone who resonates with these feelings.

 

KID SISTR: INTERVIEW


by chelsey johnstone

PHOTO BY CHRIS R PHOTO

PHOTO BY CHRIS R PHOTO

Fresh, all-women indie band Kid Sistr has taken 2020 to unite young women worldwide using relatable lyricism and detail-oriented music in their first, self-titled EP.

The New York trio composed of 22-year-old Sara Keden (bassist), 22-year-old Sabel (guitarist), and 19-year-old Rebecca Webster (drummer), combine the quirky, experimental sounds of late new aged music, the infectious flow of current pop sounds and the rough-edged, rawness of early punk to create an entirely new genre specific to their unique band.

Before Kid Sistr became the band they are today, all three members spent their childhood surrounded by music in some way, shape or form. Keden says, “[Webster] and I did an after school program together called School of Rock… [Webster] was 10 and I must have been 14 at the time... We were a couple of the few female instrumentalists there at the time so we got really close.” She continues, “We tried to form bands a couple of times during high school and nothing really stuck until I graduated and I went to college at The University of Miami for music. That’s where I met Sabel.”

Sabel adds jokingly, “That’s where the story ends.” To some extent, that statement is true. They met, they vibed and Kid Sistr became Kid Sistr.

Luckily for the group, both Sabel and Keden have experience producing and releasing music. Both women are solo artists as well as a member of the band and have been for quite some time. However, joining a band brought an unexpected sense of freedom to the artists.

During the process of writing their first track, “Little Sister Song”, Sabel says, “I feel like (Keden and I) both had each other to say, ‘yeah, this is fine’. We didn’t really judge anything so we did it without any anxieties about how we were going to be represented [like] if it was our own solo stuff. So it was nice to kind of go down that route and not be scared.”

“Little Sister Song” is not only the first song the group wrote together, but it is also their second most listened to track at over 51,000 streams on Spotify. According to the band, the track has a similar style to the infamous 80s rock group Cheap Trick and promotes an easy-listening atmosphere.  

Accompanying Kid Sistr’s alternative rock style in “Little Sister Song” are lyrics that are tied directly with the band’s personal life and experiences. Webster, Sabel, and Keden are all older sisters to younger sisters. In other words, they each have at least one “kid sister.” The bond Kid Sistr shares with each other being the older sisters within their families became the foundation in which the band was formed; creating what Sabel calls, “the sisterhood orb.”

At the time of “Little Sister Song’s” creation, Sabel says, “Our sisters were kind of going through that feisty period of life where you still have braces and dye your hair at the same time... we kind of just wanted to write about that.” She continues, “That really kind of set the page for what was to come for our marketing and our name and the whole idea of who we are.”

You can hear the specific mentions of one of Keden’s younger sisters, Mary, as well as one of Sabel’s little sisters, Piper, throughout this track.

“Piper takes the train to school with a mirror and a chapstick in hand.”

“Mary puts her lipstick on; she’s praying for a midnight kiss”

 

On May 19th of this year, Kid Sistr released their first lyric video to the track “Little Sister Song”. The video contains an array of short, vintage clips of younger women smiling, laughing, and doing normal pre-teen activities. When asked where all this random footage came from, each member of the band drew a smirk on their face and Keden said, “Get ready for a rockin’ ride! No one has asked me this question and I’m so excited to share it with you.”

The band paired up with Sabel’s boyfriend, Carter, who helps produce a lot of their album. He had the idea of searching through a video footage domain to find old, accessible, uncopywritten content. “I kind of poked around the Prelinger Film Archives and I came across these amazing puberty PSA’s. So basically all of that footage is from vintage videos of girls learning about their periods,” Keden explains.

She continues to explain that Maragret ‘Marlo’ Thomas, famous actress notorious for her role in the television show It Girl as well as playing Sandra Green, Jennifer Aniston's mother on the television show Friends, made a surprise appearance in one the archived films they found. “In one of the films, (Thomas) was in it and she was talking to the girls and she was like, ‘When I’m on my period, I can still go for a run’. All the girls had like their feathered hair and were laughing... So I chopped up all that footage and put it together and it’s like super cute,” says Keden. 

Whether it is visual stories told within lyric videos or detailed storylines between the words of their songs, Kid Sistr always brings a complete visualization of their music to their listeners.

Another song on their EP that shares a personal story with their fans is “Please Dump Him”. A little bit more of an edgy track with elements of garage punk, Kid Sistr initially wrote this track as a funny way of telling Keden’s sister that her boyfriend is no good and has got to go.

“[Keden’s] sister was dating someone that her family was not quite fond of and basically they really wanted her to break up with him,” Sabel explains. She continues, “There were all these really specific high school, teeny-bop movie, shitty boy things that he was doing.” As all great artists do, they took this situation and set it music.

At first, the group sent the song to Keden’s mom as a joke. “Then Mary [Keden’s sister] found it and broke up with him upon request,” Sabel says. Quickly, Mary’s friends heard it and the song slowly became known. At that point, the group decided to record it and release it.

Although the track is filled with the loud, upbeat attack sounds of punk guitar and drums as well as funny lines about the boyfriend needing gluten free pizza for no apparent reason, Keden believes the track has an underlying importance. She says, “It’s kind of secretly important. The song is hilarious, it's ridiculous, it’s like stupid and funny, but every girl that I know has been in some sort of abusive relationship.”

She continues, “That song makes light of it, but what that kid was doing to my little sister left a severe emotional impact on her because he really manipulated her and just really shit on her all of the time. I’ve been in that place so many times and it’s an important experience to capture and to talk about.” Webster summarizes the track by saying, “It’s a very universal narrative presented in a very universal way.”

For Kid Sistr’s music as a whole, it is important to them for their music to highlight the common experiences of women and all types of individuals that are left unspoken. “Our whole goal is to create music by women for women,” says Keden.

She continues, “For us, It’s definitely about the music and about the art we make, but it’s also about what we can do to create a community that’s accepting of every kind of person and that highlights the experience of people who feel like they are underrepresented.”

One way Kid Sistr shares their influential music with their primary audience is through the app TikTok. Webster states, “I think it’s definitely the mentality of like we are all here for each other; women helping women. I feel like we’ve definitely seen that on TikTok.”

Despite the overwhelming amount of success and praise Kid Sistr gets on TikTok and other social media platforms, they do, as most artists do, experience some types of backlash or questionable comments. Keden says, “We’ve gotten so many comments on our TikTok that are like, ‘oh my god, so happy to see girls walking out and not wearing bikinis and throwing it back’ and like, I can do both!” Sabel interjects, “I took a bikini pic today. I fucking took a butt pic in the mirror today!”

PHOTO BY CHRIS R PHOTO

PHOTO BY CHRIS R PHOTO

There is often controversy in society about the sexualization of women. Although Kid Sistr may not have outwardly sexualized content in their music (thus far), the band fully supports women and their right to expression. “I think that it's important to represent all women and the sexual experience of women... it’s something that we need to talk about and we need to stop, first of all, using the sexuality of women to appease the male gaze and also to displease the male gaze; because it’s either ‘you are doing it for me and I like it’ or ‘you’re doing it for me and I hate you’,” says Keden. For Kid Sistr, it is all about representing those unrepresented.

Kid Sistr is quickly gaining a fan base through their inspiring and relatable music. When you combine the instrumental artistry the band creates with the satisfyingly new outlook the group takes on the power of lyricism, you get a strong, impactful trio unlike any other artist currently on the radio.  Keden says, “I think that music is such a salient and a powering medium for so much great work that a lot of great work could be on our horizon.” We should all be on the lookout.

Stay up to date with all things Kid Sistr by following their TikTok @kidsistrband and their instagram @kid_sistr. Streaming of their self-titled EP, Kid Sistr, is available on all major streaming services. 

 

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JACOB ASHER: INTERVIEW


by emily harris

photo courtesy of jacob asher

photo courtesy of jacob asher

Jacob Asher, the solo project of Ben Bailey, the vocals and keyboard of Joywave, is here. The New York based musician just released his newest single and its joining video — “Medusa.” The song is the beginning of his “new baby” and will only allow for him to grow even more. We had the pleasure to talk with him about the release! 

Congrats on the announcement of your newest single, “Medusa!” Can you tell us a little bit about the backstory of the song? 

Jacob Asher: “‘Medusa’ went through several iterations before finding its final form in the version you hear. The last incarnation is largely about texting and driving, how technology is increasingly distracting, and altering our perceptions.”


What was the recording process of this newest release like? 

JA: “The song came to me, in its entirety, while I was falling asleep. Struggling to get up I sang all of its parts into my phone before I forgot them, grabbed my laptop, and made a demo as quickly as I could. The lyrics took some time to iron out, eventually enlisting help from my partner who helped me finish them at a cafe in Kansas City while she was visiting on tour. All of the instrumentation is analog, either from a piano, synth, or drum machine.”


The single artwork is quite unique, to say the least. Can you talk us through how you got this final product? 

JA: “I felt the artwork I chose reflects the vibe of the song. Upon first glance it appears fun, but diving deeper it's quite dangerous. I took this photo in Reno, shoutout Mike Turzanski for the text/design.”


You shot the entire music video for “Medusa” on your iPhone. Can you tell us a little bit about the filming of it all? 

JA: “Filming was an absolute breeze. It took two days with the help of some friends to capture everything. I tried to be as resourceful as I could with props and locations, filming on top of parking garages, at my parent's house, in my garage. Big thanks to Louis Trapani for co-directing/producing with me.”

What inspired you to create a solo project separate from that of our work within Joywave? 

JA: “It was time for me to have my own baby.”


What do you want fans to take from this release?

JA: “I hope it inspires them in any possible way. Unless they are inspired to kill people.”

 

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

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'CONVERSATIONS WITH MYSELF ABOUT YOU' / LOVELYTHEBAND: REVIEW


by emma schoors

lovelytheband’s sophomore album Conversations With Myself About You is the perfect end-of-summer musical treat for this unusual year.

There’s a bit of a contrast between the sound and the subject matter. No doubt about it, the album is upbeat and danceable, but underneath lay a plethora of self-deprecating lyrics. Look no further than the track entitled “Emo”, taking all of us back to our eyeliner-covered, black jean clad middle school years. Heartbreak and self doubt seem to be the main subject matters, but some of the best albums have that theme in common. 

One of the absolute knockout tracks on Conversations With Myself About You is “Buzz Cut.” Released as a single on July 31st, it flaunts a seriously killer chorus. Easy-going seems to be a much needed thread running through the veins of this album; we could all use a genuinely fun album right now, and this album delivers on that. This track is flawlessly recorded, and if there’s one song you need to listen to on this album, it’s this one.

Listen to conversations with myself about you on Spotify. lovelytheband · Album · 2020 · 14 songs.

“idwgtyp” is similarly upbeat, but has a particularly great opening. “I don’t want to go to your party anymore.” The melody is all over the place in the best way possible, jumping between notes quickly and effectively. This kind of experimentation, and how well it’s executed, is what makes the record so worth the listen. Song after song displays this willingness to step out of the box and try something entirely new, whether it be new subject matter or a new kind of sound.

“Love Somebody Else” belongs in a film, point blank. It’s cinematic in all the right ways. Lyrics that hit hard and instrumentals that match the emotions, it’s a truly incredible track. It’s a kind of homage to the main themes of the album: doubt, rejection, confusion, love.

If you’re looking for an album that covers emotion after emotion with grace, Lovelytheband’s latest Conversations With Myself About You is worth taking a chance on. It’s summery, light, and most importantly, it’s easy to relate to.