'SUNBATHING EP' / EARLY EYES: REVIEW


by shelly decaigny

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We can all use a musical escape right now, and the Minneapolis indie-pop band Early Eyes has delivered. They took a free-spirited approach while creating their latest project, Sunbathing EP. This EP offers listeners a feel-good and mellow vibe. While life has been a lot more tense in recent months, Sunbathing is sort of a retreat to the more carefree pre-pandemic days.

The EP begins with the new single “Wander,” a track that provides a means for lifting the weight of the world and looking forward to more lighthearted days. It sets the stage for the listening experience to come.

Though the heaviness of life can sometimes cloud out optimism, music has a way of bringing positivity and hope back into view. The song “Clarity” helps to do just that. Throughout Minneapolis, and across the country, we have witnessed a revolution. Though we have a lot of work left to do, we can now see hope for a brighter future. The feeling of hope is certainly present in this song.

Listen to Sunbathing on Spotify. Early Eyes · Single · 2020 · 5 songs.

The next track, “Better at Home,” is also relevant to the times we are living in. The lyrics really resonate with me. This song offers a representation of finding the balance between being grateful for all that we have and feeling discouraged by the way things are. 

“Marigolds” is upbeat and refreshing. The song is a reminder of how we can miss what is right in front of us when we get too caught up in the insignificant. Feeling uncomfortable in our own skin can distract us from seeing the people and the world around us. It is an interestingly positive approach to self-reflection.

“Sunbathing,” the title track, is reminiscent of a street dance on a warm Minnesota summer day – a cold drink in your hand and a soft blowing breeze. It is the perfect ending to this delightfully thoughtful EP.

 

SHELDON RILEY: INTERVIEW


by mariah estran

photo courtesy of sheldon riley

photo courtesy of sheldon riley

Back in July, an America's Got Talent audition was a topic of conversation. The performance occurred over a hundred thousand views on YouTube and grew larger on social media. It was an Australian singer by the name of Sheldon Riley that graced the stage in a jaw-dropping crystal veil and hand-made ostrich feather wings. The look captured the attention and needed no introduction. Instead, his haunting vocals spoke for themselves. "When people started to hear me, and they liked it, that gave me this voice," Riley says. "Being a kid that did not speak at all, I was like, 'This is going to be my way to communicate with people.’"

Riley’s popularity spread in the United States due to AGT, but singing competitions are quite familiar to the artist. “I come from a family that couldn’t afford to do anything in this industry,” he explains.  “I’ve grown up on auditions on tv shows.” At fourteen, he joined The X-Factor and made it to the Top 12.

While being coached by pop-singer Adam Lambert, Riley remembers Lambert expressing that his voice was good, but he needed to find himself. “Someone like Adam Lambert, who I am so inspired by, saying my voice is so solid, I didn’t care what people thought of me,” he recalls. “My talent is strong. Now, I need to be confident in what I am wearing and who I am.” After taking time to self-evaluate, he proceeded to The Voice Australia, where he put his unique dismal twists on chart-topping songs like Ariana Grande’s “7 Rings.” Each performance left the audience in awe as they simultaneously wondered what Riley had planned next.

Fans continued to request new music. However, for Riley, the timing didn't feel right. As the singer says, “Music was just for me." But now, at twenty-one, he is armed with the experience and confidence to release his debut single “More Than I." “Writing music now, releasing my first single, it's a big insight as to why I dress the way that I do and sound the way that I do,” he says. The three-minute tune is vulnerable yet a powerful ballad that puts his extraordinary talent on a pedestal. “The song is about hesitation, that fight or flight attitude that I have always had,” the singer says when describing the track. “It’s about coming out, not only in a sense, of me being gay, but coming out as me.” He compares the single to a movie trailer, explaining how it’s a preview of the bigger picture, an upcoming album, and his own story. A fitting parallel, considering the songs cinematic-score likeness, that is wrapped in Riley's angelic vocals as the lyricism recites a heavy scenario. “As a gay person coming out, there’s that moment between coming out and the response of the person you’re coming out to,” he shares. “That dead silence of what they’re going to say."

The awareness of the momentary pause stems from his own experience, as well as from stories he has heard. He confides that he felt secure in coming out to those he loves, and even on television, but acknowledges that not every experience ends in such a positive manner. “It’s not just written for me; it’s written for so many other people that tell me they’ve been kicked out of their homes or abandoned by their families. This song is the reminder that you need to have your own back first before anyone else can.”

As the full-length album is in the works, Riley has put his emotions and honesty at the forefront. Living in an age where music is easily accessible, artists churn out singles instantly, which has made Riley wonder if they are sincere. “This album to come, there is a story behind everything that I am singing. I want people to take from the single and album that there are people who write music who haven’t got it all, and do have the same feelings that they do,” he expresses. Riley adds that the break-up trope isn’t for him. We experience a variety of pain outside of a media-friendly love story narrative. “I want to relate to an audience that’s been through something that is so much darker than that. I want them to know that there is light at the end of it.”

Listen to More Than I on Spotify. Sheldon Riley · Single · 2020 · 1 songs.

He’s gathered a handful of songs written as a pre-teen back when he stepped into life in the public eye. Even though Riley excelled at these talent competitions, exchanged words with celebrities, and got published on entertainment websites, there was still a side he wasn’t able to tell. “A lot of people have seen me grow up through TV, but what they don’t know is how scary it is when you come off these shows,” he explains. The singer went from stepping out on expensively designed stages in head-to-toe avant-garde costumes to sitting back at home. There was pressure to keep up an expectation that hindered the singer’s mental health. “I did a lot of hiding; I went through a lot of pain and fear,” he says. “Everyone knows everything about me deconstructed through TV. So, I feel like this album is my side of the story.”

Even though the real story is just beginning, listen to "More Than I." You can tell it is honest and full of admirable fearlessness. That same fearlessness that has allowed Riley to perform for the world and be who he is with no hesitation. He’s a tremendous force that needs no justification, which is what he hopes to sustain. “I want my art and my fashion to be what makes me remembered,” he reveals. “I know that what I do and my craft, my music, in the most humble way, I must be pretty good at it because that’s what got me to get talked about in the first place."

As he considers the potential impact of his solo career, he concludes with a few poignant words. “A lot of people out there are so afraid to speak up from themselves and be proud of who they are because it’s scary. But if I can let anyone know anything, what you do can speak just as loudly as the words you could say as well.” 

 

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'SIDEWAYS' / KAYLEE: REVIEW


by emily harris

KAYLEE’s debut EP, Sideways, is finally here! The six track EP, including two unplugged tracks, is an easy escape from the business of your other music. This EP places the listener in a chilled-out and totally vibe state; KAYLEE’s vocals are soft-lending the listener to pay close attention to the lyrics. 

The EP starts out with “Time,” which features quick melodic lyrics that have snappy and quick endings. Its repetition of instrumental brings a sense of sincerity and intimacy in the track. Its raw and honest beginnings and lyrics work beautifully with the slow and methodical instrumental track in the back. The EP starts out with an almost silent killer in “Time.” 

Following is “Here With Me,” a track that starts slow and bridges into poignant and sharp lyrics. It’s almost jazz-like in its deliberate use of piano and strong baselines — not a sound you would expect on this body of work. It’s very easy to get lost in the chill vibe KAYLEE effortlessly creates. 

Listen to Sideways on Spotify. Kaylee · Single · 2020 · 6 songs.

“Forget the Rest” is the third track. The lyrics clearly note a “back and forth” situation and the music mimics it. There is a noticeable repetition, but it mimics that of past songs off the EP. It’s definitely worth listening to a few times over to get the full effect! 

Next is the interlude — “8:38.” This interlude dreamily begins with the second hearing of the piano sequence until light guitar strums come in. Her voice fits the dreamy sequence — almost as a whisper. 

Next comes the unplugged tracks, “Sober” followed by the last track “bitches broken heart.” Both feature the music styling of an acoustic guitar and cajon drum. These create the vibe of a stripped down and honest track, ultimately leaving the EP on a disparaging and self-reflective note.

The EP takes you through the motions of relationships with others and with yourself. Listen to it anywhere you stream your music ! 

 

FLOWERKID: INTERVIEW


by emily harris

photo by levon baird

photo by levon baird

Based in Sydney, Australia, flowerkid has recently released his newest single “miss andry.” Written and produced in response to his hatred and distrust for men, the track is an honest and poignant look into our society. With new singles on the way and an EP in the works, you should be paying close attention to flowerkid and what he does next! 

Congrats on the release of your newest single, “miss andry!” Can you tell us about the backstory behind this song? 

flowerkid: “‘miss andry’ is a song about distrust, hatred, acceptance and redemption. All my life due to my circumstances, I've always had a lot of distrust for men, which further turned into hatred. I don’t like these feelings I have, as they are such negative emotions. ‘miss andry’ is about realising those emotions, accepting them for what they are, and trying to move forward.”

  

As the song is so personal to you, what was the writing and recording process like? 

f: “I finished ‘miss andry’ in about two hours. It started out very tricky to write, as I hadn’t expressed those feelings before. But once I started, everything just flowed. I started with the production — also very challenging as it was a new genre to me. I then wrote lyrics, tracked vocals, and produced more around those vocals. It turned out to be one of the best songs I’ve ever made.”

 

As you also produced this track, how did you combat being a part of the entire process? 

f: “The mixing process was quite difficult. It took two mixers and about 12 versions of the song for us to be happy with it. But I do enjoy being a part of the entire process, as it is so rewarding when I complete projects.”

 

Can you walk us through the thought process behind the video for “miss andry” and what the filming was like? 

f: “I wanted to capture the anger and feelings behind the track with the music video. We scouted directors and cinematographers and pitched them my ideas. I knew I wanted to be in the video, and we bounced ideas until we came up with a story. The red symbolized the anger for me, along with the vulnerability of the car chase scene. It was one day of filming and about two weeks of editing. Filming for me was long and tiring, but totally rewarding.”

 

Listen to miss andry on Spotify. flowerkid · Single · 2020 · 1 songs.

What was the inspiration behind the single artwork for “miss andry?” 

f: “I knew for the single cover I wanted an artist to carry my ideas, but also express themselves. We eventually came across Hego and he was a perfect match. He added a beautiful combination of my photos and textures he made from random pieces he had. He felt very strongly about the song and completely captured the anger and vulnerability.”

  

This song follows your debut single “Late Night Therapy” and “boy with the winfields and the wild heart.” How do you feel these three songs define you and your sound? 

f: “I define my sound as intense and brutal honesty. I accompany complex ideas with simple story-telling, and I will continue to do so.”

  

Can we expect longer projects from you soon?

f: “Absolutely. After a couple more singles, an EP is in the works. Stay tuned!”

 

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JUTES: INTERVIEW


intro by madden levin

interview by cami liberty

photo by benjamin church

photo by benjamin church

Molding several different genres together, Jutes creates so hypnotic tunes that truly captivate an audience. We were so excited to catch up with Jutes to talk about his recent EP, A Really Bad Dream. With quite an interesting way to describe his excitement for the EP, we made sure to get to know what it really means for Jutes to release this EP when he did. Check out the exclusive interview below, and let us know what you want to see next!

When was the moment that you knew you wanted to be a musician?

Jutes: “I was depressed living in college residence hating school and feeling like I just wasted so much money. I started writing songs to pass the time and fell in love with it. Writing became my way of escaping the situation I was in. I ended up failing out of school because of it, but it’s all good, we made it work.”

 

You recently release your new EP A Really Bad Dream. Can you tell us a little about this project and how it started? 

J: “I’m so stoked. This project came after a nasty writing block spell I was in. My girl who lives in Canada flew to see me and when she left, I felt like I was myself again and started writing the songs on the EP. I wrote almost the whole project in a week. Guess I just needed a little lovin’, that’s all.”

 

Listen to A Really Bad Dream on Spotify. Jutes · Single · 2020 · 7 songs.

Did you come across any obstacles when creating the EP or did everything go relatively smooth?

J: “I’d just say time crunches were the only obstacle. Trying to make animations and get mixes done and do cover arts for all the songs and release them almost all as singles only a few weeks apart. It was a lot of running around like a psycho to get it all done, but we did it!”

 

Of the songs on the EP, which song would you say best represents you as an artist and why? 

J: “So tough to say. They’re all different parts of me coming out. I think ‘Movie’ is very all-encompassing since it has emo feels in some of the melodies, but is also hip-hop and pop at the same time. It’s a nice blend of everything I do.”

 

How would you describe the EP in three words?

J: “PRETTY FUCKING COOL.”

 

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