'SUPERGIRLS' / HILLARY ANNE: REVIEW


by lauren kovolenko

photo courtesy of hillary anne

photo courtesy of hillary anne

What is it like to be transported right back into the 80s? Here you find out from Hillary Anne's newest single, "Supergirls." A true blast from the past, with just the right energy to get your head bopping. Even if you weren't a teenager during this time, Hillary brings a sense of clarity for that feeling. With some melancholy voices in the background, as well as some hip-hop beats and wordplay, we get a sense of modern time too. A well mix of sounds and imagery.

While pandemics do not permit parties at the moment, when we return, you'll want to add this song to your next get together playlist. The last minute of the song brings a sense of nostalgia like the end of Sixteen Candles. That feeling where you feel limitless and free — that is this song. Expect this song to bring you a sense of carefree energy we have all been longing for recently. Being released at just the right time, perhaps it could even encourage us to be as diverse as the sounds on this track.

If you are looking to find any of Hillary's other projects, check her out on Spotify. Here at Unclear Magazine we wish her the absolute best in her career to indeed, be a Supergirl.

 

Listen to Supergirls on Spotify. Hillary Anne · Single · 2021 · 1 songs.


DARK SIDE OF LIGHT: INTERVIEW


by mariah estran

photo courtesy of dark side of light

photo courtesy of dark side of light

Moist, an adjective that has gotten quite the hate due to its ability to make someone squirm the second it rolls of the tongue. However, one alternative duo, Dark Side of Light, gave it a funky makeover by using it as their new song title.

Moist," is the sexy-little-number that introduces their well-developed, eclectic sound, and witty lyricism. They put listeners through a psychedelic trance by integrating groovy bass loops with distorted guitar licks – making a memorable release, to say the least.

Earlier this month, The Dark Side of Light took the song to new heights by dropping a corresponding music video. The visual considers how men handle the concept of femininity. Frontman Nik Frost dons dramatic face paint completed with light-catching jewels as cool-tone hues fill the room. It’s the perfect way to burn themselves within a listener's mind, and they’re just getting started.

We spoke with Dark Side of Light about “Moist," how they have developed their addictive sound, the story behind the music video, and what they are planning next.

You’ve recently released “Moist,” a track that showcases an alluring alternative sound by integrating groovy beats with distorted guitar. What was the creative process like while developing this track?

Dark Side of Light: “We took two drummers and put them into a room together and had them jam to this sick base loop recording it live with a stereo mic. It sounded almost like samba or something which opened up the song to a whole new world. The actual audio at the beginning of the track is us playing live in the rehearsal space. I think what we created is one of the best tracks on the record.”

 

The title of this track is a word many find displeasing. However, you were not scared to go with it! How did you decide this was the name to use?

DSOL: “We're decidedly an alternative project and go, for the most part, for what makes us happy as musicians. The project has never been built around the idea of having any kind of real popular success. If it were to come, great, if not, that's great too. We make dope shit we love. We were having such a difficult time with quarantine at the beginning, we needed to make music and really wanted to do something that we thought was cool. The baseline and the vibe of the song was so dirty, I wanted a raw title that alluded to something that was a bit provocative and mildly offensive. It feels like that word has those attributes and works in those capacities.”

 

You have now released the music video for “Moist."  What was the inspiration for the visual, and how does it reflect the track?

DSOL: “I'm absolutely in love with Grant's drum performance on this track and I wanted to visually feature the groove and the drum fills in the body of the video. There's something called ‘the fulcrum’ that great drummers engage for a feel and this song is a perfect example of a drummer at his best laying down a groove that makes a song work entirely. The base loop was nothing until Grant played on it. As far as the art direction, I've always been into surrealism and that type of psychedelic mode of expression. The band and players are basically in a dead, empty, negative space presenting themselves in these different colored lighting elements. It's all about human performance. There's also a female/male duality that obviously comes into play here which Alaina Wilson and Mollie Adamson helped portray. For centuries, in different variances of hermetic magic and ancient cultures, women are thought to present the moon, the darkness, ‘mystery’ or ‘the unknown’ and men are thought to present the sun, light, ‘knowing.’ I've always thought this was hilarious as these concepts were all conceived by men who did not understand women because they were not women and generally afraid to face their own femininity, making women dark, mysterious creatures. Me, putting on the makeup and purposefully using sequins and metallic make-up as a kind of ode to glamour was a quiet form of purposeful emasculation. We're currently inundated with images of men running rampant in our culture, buying gigantic pick up trucks and guns, beating their chests while they comb their beards. I thought it would be fun to take a different approach to how I presented myself as a man in today's popular culture. During all of my posturing, Grant's just being his cool ass self...”

 

Why was this song the perfect introduction to who Dark Side of Light is?

DSOL: “The song just feels right: it has these extra bars that don't belong. The chorus is essentially me repeating the word ‘two’ a couple of times over a period of bars that, in a traditional sense, is way too long. It is not ‘traditional’ song writing, it's ‘interesting’ songwriting. It doesn't emanate from subby hip-hop beats or acoustic guitars, it emanates from this dirty ass, rubbery sounding, wicked baseline. Dark Side of Light isn't supposed to be groundbreaking, but it's not supposed to be traditional. It's supposed to be fun and natural and what we find interesting as artists. This song encapsulates these ideas perfectly.”

 

How did the band find such an engaging sound? Who have been some musical inspirations?

DSOL: “Firstly, thank you very much for the compliment. I like to think it's engaging as well. I grew up in the electronic music scene in Europe and when it became vastly popular, lost interest in it and started working with live musicians in a more traditional musical environment. After a lengthy period of time doing that, I temporarily lost interest in it and wanted to do something from a completely different perspective. Two guys staring at each other with guitars, bores the shit outta me. When Grant and I started making music together, we wanted everything to be different, and to answer your question, it is different because everything emanates from drum performances. Grant would sit down to play and I would say, ‘Play some dope shit that you wish you could play to a song that doesn't exist.’ I guess that's why it truly is different. Some of the bands/projects that have informed our sound are Roy Ayers, Massive Attack, Tame Impala, Ariel Pink (not so much now that he's showing up at Trump rallies) CSNY, Beach Fossils, etc.”

 

Lastly, what can you tell us about what you’ve got planned next? An EP or an album?

DSOL: “We are always creating so we definitely have at least two albums of material currently recorded but plan on dropping a six song EP before releasing an LP out of respect for the modern listener's ability to take in new music.”

 

"Meet new L.A. duo Dark Side of Light and stream their first proper single, "Moist," a hypnotic track influenced by trip-hop and downtempo club music." - @Bu...

FIND DARK SIDE OF LIGHT ONLINE

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PEACHY!: INTERVIEW


by meghan brianna

photo courtesy fo peachy!

photo courtesy fo peachy!

Carving out a path for himself in the music industry, Peachy! is a multi-faceted artist and is raging forward into the new year. Initially beginning his career with instrumentals, Peachy! has since branched out and released vocal tracks. With the growing acceptance of non-English tracks, Peachy! incorporates the Korean language into many of his tracks. We had the chance to sit with Peachy! and discuss his upcoming album, his musical upbringing, and the influence of his experiences on his music.

 

For our readers who are unfamiliar with Peachy!, take a moment to introduce yourself!

Peachy!: “Yo! My name’s Peachy!, I’m a musician from Atlanta, and I’m 19 years old. I work across various genres, but I’m best known for my lofi hip hop and pop music.”

 

Starting with the electric guitar, then self-teaching yourself the piano, bass guitar, and ukulele, what led you to learn all of these instruments?

P: “When I was eight years old, I bought myself Guitar Hero 3 using money from doing chores and stuff, and there was a song called One by Metallica on there. I loved the game, but at a certain point, I thought, ‘What if I could play this on a real guitar and not a video game?’ At the time, I was saving up money for a Nintendo DS (the HOTTEST gaming tech at the time) but decided to buy the cheapest electric guitar at my local music store instead. It was fun for a few years; I started ukulele in middle school, borrowing my friends’. Once I started producing music at 14, I was sat down in front of a keyboard or piano quite often, so I thought it was only natural (and beneficial) to pick up the basics. The only one I ever took lessons for was an electric guitar, but my last teacher, Max Eve, was super helpful in giving me the knowledge to transfer what I knew about guitar onto other instruments.”

 

You made your musical debut with instrumentals. At what moment did you know you wanted to start releasing vocal tracks? 

P: “When I was in high school, I started going to concerts pretty often, seeing acts like Twenty One Pilots, Oceans Ate Alaska, Knuckle Puck, and Pierce The Veil. All these bands had such a powerful stage presence, and the ability to sing lyrics together with your favorite musician was magical to me. It still is, but now I realize it’s also amazing to be able to sing the poetry you’ve written with a crowd of people who’ve received value from your art. I wanted to make a difference and fully express the messages I tried to communicate with fans, so I began using one of the most valuable tools I had but had never used before: my voice. I may not be a great singer, but using my voice has allowed me to be more expressive than ever before and connect with more listeners.”

 

While creating your debut album, We Make Characters That Look Like Us To Feel Less Alone, you were traveling the world, visiting 11 countries. How did that influence your writing? What experiences are you drawing on for your next album? 

P: “One of the largest factors of how comfortable I am while writing is my environment. Since I would produce music using almost no gear during my travels, it gave me the freedom to create wherever I could bring my laptop and headphones. One memory I’ll never forget is making my song ‘This Is What Happens’ while sitting in the grass on the side of a hill in Switzerland, watching the sunset. Inspiration can come from anywhere, and for me, it comes from everywhere. If I’m comfortable and in my element, the artwork I make reflects that.

As for this next album, I’m going to be singing more about myself. Everyone has been faced with something they don’t give nearly enough attention to during the pandemic: themselves. I’m also writing songs that are more positive because I don’t want to release an album that only reminisces on a negative experience. I want to help people find positive thinking in this mess, including myself.”

During your travels, you picked up communicating in several languages, including Korean. What made you choose to include tracks in English, as well as Korean, in your upcoming album? 

P: “Well, English is generally the default for music these days. I spoke Korean for a bit before becoming a nomad due to my upbringing around the Korean community in Atlanta. Language has a large effect on the attitude with which we create and consume music. Over the past few years, it’s become much more acceptable for artists who sing in non-English languages to be mainstream, and I love that. I love that I can release a song, and even if it’s not in the listener’s native language, they can still connect with it while I retain my artistic freedom. It’s an inspiring and fresh experience for the music industry, and I’m glad this album will get to be a part of it.”

 

Listen to Blood! on Spotify. Peachy! · Single · 2020 · 1 songs.

Congratulations on the release of “Blood!.” It’s an absolutely beautiful song. You wrote, produced, mixed, performed, and mastered the song entirely yourself. Take us through the creative process, and how this song came to be.

P:I had this song on my phone as a voice memo for some time before I decided to make a full track out of it. In fact, the intro (that exact voice memo) has nothing to do with the rest of the song. I just liked the way it sounded. A couple of weeks after my return to NYC from Seoul, I rented out a cabin in the woods to get some recording done without noise or distraction. At this point, I had written out the first verse in Korean, but decided to change it to English for the ease of the listener. After being in isolation from civilization, I felt more comfortable to stretch my voice, so I also rewrote a few of the melodies. The album artwork is actually a photo I took in the same woods I recorded the track in.”

 

“Blood!” was your third and final release of 2020. How does “Blood!” compare to the other two?

P: “2020 was a bit of a break for me. In February I released my song Pop Star, which was much closer to what I was used to in the world of bedroom pop. It was also my introduction to properly releasing music in another language.

The second release was part of a lofi compilation album coordinated by Taku, who I’ve known for some time but never properly worked with until then. I love how friendly and genuine he is — in this industry, most people will put on a mask in order to work with you or take advantage of you in some way. Taku had a creative vision that he wanted to achieve, and in seeing that I thought it was a great opportunity to get back into the world of lofi beats for a bit.”

What do you want listeners to take away from listening to “Blood!?”

P: “I love it when listeners can find their own way to connect with my art. It’s very common for me to get messages and hear interpretations of my music that while it was not the intended meaning, it still serves a great purpose. This song was about my struggles with a friendship gone wrong, but who knows what value someone will find in it? Maybe it’ll help them through a breakup, some family issues, or otherwise. The song served a purpose to me, and now I feel it’s the listeners’ time to find what it means to them.”

 

With this upcoming album, is there a theme to encompass the project? 

P: “Strictly speaking, no. I’m working on making happier songs because, despite most of my catalog being sad, I’m quite a happy person! These new songs will focus more on personal issues rather than strictly romantic scenarios. The idea of the album is to ask myself questions about my growth and development as a person, but also to share experiences I’ve rarely written about before, such as my experience with anxiety, panic disorder, and being in the public eye.

I’d also love to explore the concept of silence in music. Music doesn’t have to be complex to serve a purpose. As someone who values silence, ambiance, and tranquility, I would love to find new ways to implement these ideas into modern music. Our world has more than enough noise.”

 

COVID-19 put a “Do Not Disturb” sign on everyone’s plans for 2020. What were you looking forward to in 2020, and what were you able to accomplish?

P: “I was really looking forward to returning to Indonesia. My first time there didn’t go very well ‘cause of a festival mishap, and I had a trip set up for the spring of 2020. My experience with the festival organizer was horrible but the people, the culture, the coffee, everything about Indonesia I loved and was very excited to come back to. There were other trips I had planned to take, lots of concerts were canceled, and all the isolating at home took a hit so hard on my mental health I really didn’t release much music in 2020. I say all this, but in honesty, I’m still very grateful to have experienced the positive sides of 2020 for me. I still got to travel quite a bit, and I’ve had plenty of time to dive into new hobbies. I didn’t get to see a whole lot of friends, but I don’t regret much of how I spent 2020, if at all.”

 

photo courtesy fo peachy!

photo courtesy fo peachy!

Where do you hope to see yourself in five years? 

P: “This may seem corny, but all I want to be in five years is happy. I don’t know if I’ll still be making music, I don’t know where I’ll be living, what my salary will be, and to be honest, those details don’t matter to me. I still feel I have more to say with my music, so I don’t see myself quitting any time soon, but if that does happen, I imagine it’d be for the best. I’m comfortable with the paycheck I make currently, so I’m not much concerned about growing on social media or maintaining my streaming revenue. As long as I’m happy and I can help people, that’s where I want to be in five years.”

 

I am enthused to see what the future holds for you. To finish off this interview, do you have any words for your fans and listeners, and do you have any words for the people who have yet to discover Peachy!?

P: “My music is constantly changing and evolving, so each song has its own unique flavors! I hope you find some value in my work, and shoot me a message on social media if you do find something you connect with! You can also text me to join my community at +1 (404) 476-6030!”

 

FIND PEACHY! ONLINE

WEBSITE TWITTER INSTAGRAM FACEBOOK


'EVERY WORD' / ANIMAL SUN: REVIEW


by shelly decaigny

photo by keion hayes

photo by keion hayes

Animal Sun’s long awaited single “Every Word” is like a musical invitation to the dance floor. On my first listen the sound felt somehow familiar, and I was immediately drawn in. It certainly made me get up and dance as it played on repeat. The sound is energetic with sort of an 80s vibe, which is also reflected in the neon artwork accompanying this single. But the lyrics tell a bit of a darker story about the torment of a love/hate relationship. That feeling where you love someone who you know isn’t good for you, but you just can’t help yourself. I guess you could call it an anthem of complicated relationships with an upbeat twist.

The video for “Every Word” is shot in a retro diner, which complements the classic sound. The band’s frontman, Steven Blake, is on a date with someone who he is clearly not interested in. The awkward hug, the distant stares, and the failed attempts to make it feel right only make it feel more wrong. He is distracted by constant reminders of the one who still owns his heart.

It is obvious that Animal Sun has worked hard to further develop their sound. In my opinion, this is their best single yet. Check it out, and I think you will agree. My hope is that they will find their way back to the Troubadour stage and play this song live for their adoring fans. I look forward to hearing what’s next for this talented and creative band.

 

Animal Sun 'every word' 👄http://hyperurl.co/streameverywordLyrics:Stumble home from the bar it's getting lateI've been drowning my heart just to feel that I...


'CEASE AND DESIST' / COURTNEY PAIGE NELSON: REVIEW


by emma schoors

photo by chris martinmakeup by fara conley

photo by chris martin

makeup by fara conley

Courtney Paige Nelson’s latest track “Cease And Desist” is a demanding, haunting, and beautifully sung tune with a dark and mysterious audio and visual aesthetic to match. 

Complex and stunning vocal melodies adorning the chorus are one of the highlights of the California-based singer’s fifth single. But while the chorus is a definite strongpoint, the verses have an elegance and simplicity that ties the whole song together nicely. Reminiscent of Billie Eilish’s signature, slightly dark sound, Nelson has also added a completely unique twist with her voice. “Cease And Desist” is powerful, yet maintains a cool and collected undertone through the lyricism and instrumentals. 

If you’re looking for an underrated, up-and-coming singer/songwriter to check out, please consider Courtney Paige Nelson and her work.