'FRAMPTON FORGETS THE WORDS' / PETER FRAMPTON BAND: REVIEW


by emma schoors

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Peter Frampton is one of the most fundamentally underrated guitarists of all time, and his longevity as a musician is on full display with April 23rd’s “Frampton Forgets The Words.

1976 was a defining year for then 26-year-old Peter Frampton. The bright-eyed, golden-haired guitarist was suddenly plastered on the cover of every magazine, and his live double album “Frampton Comes Alive!” was flying off of shelves in every record store imaginable. He really was coming alive in the public eye, and this excitement was evident in every interview he gave. 

“People are buying my life when they’re buying those records. I hate to sound bigheaded or something, but that’s the reality of it. Suddenly, everything you’ve been doing means something,” Frampton admitted to Rolling Stone’s Cameron Crowe that same year. Make no mistake, however. The English musician had been working relentlessly at his craft for over a decade by the time he struck massive popularity as a solo artist: namely in The Herd and Humble Pie. 

It’s not uncommon to hear that Frampton never again lived up to the success that “Frampton Comes Alive!” brought him, and that is precisely why his later work is so overlooked. Frampton didn’t let up musically when the hype surrounding his most popular album subsided. Everything from 1981’s “Breaking All The Rules” to 2010’s “Thank You Mr Churchill” is well-worth listening to, and each and every record tells a unique story, with Frampton’s guitar often acting as a vocal addition to his actual voice. 

Fast forward to 2021, and the beautifully determined musician and his band are back with a new album of tributes: “Frampton Forgets The Words.” Frampton’s Inclusion body myositis muscular disease, which will one day take away his ability to play, isn’t stopping him in the slightest. In fact, it seems to be a driving factor to keep making music for as long as possible. 

Standout tribute “Reckoner,” originally by Radiohead, is equal parts melancholic and alluring. While the original track puts a large emphasis on percussion, Frampton’s version is a captivating, guitar-based interpretation.

Speaking of guitars, a star-studded bunch of guitars are featured on the album; these are included but not limited to Frampton’s 1954 Les Paul Phenix, as well as a 1958 Fender Telecaster, previously used on the musician’s 2019 effort “All Blues.”

Listen to Peter Frampton Forgets The Words on Spotify. Peter Frampton Band · Album · 2021 · 10 songs.

“We call them tributes, because we wouldn’t be doing them if we didn’t have the utmost respect and were huge fans of those artists,” Frampton told the Sun-Times in an April 2021 article, about his performances of songs by the aforementioned Radiohead, George Harrison, Roxy Music, Lenny Kravitz, and more. 

Closing the album is a tribute to Alison Krauss’ “Maybe.” Frampton’s ability to speak with his guitar is perhaps most gorgeously showcased here. The original song’s lyrics come to mind as Frampton gently “sings”:

“Maybe I can stand alone.

Maybe I'm strong as stone.

Even though the bird has flown,

Maybe he'll fly on home.”

“Frampton Forgets The Words” is a stunning record front to back, and it proves what was already so clear about Peter Frampton: his love and admiration for fellow musicians is part of what makes him such an incredible musician himself.  

 

CAMINO: INTERVIEW


by emily harris

photo courtesy of camino

photo courtesy of camino

The debut EP of Camino is here. Burning Fire is nothing short of a journey through the power of soul music — both sonically and lyrically. Commonly referred to as a mix between Lewis Capaldi and Post Malone, Camino has found a perfectly niche sound to rest himself in. The five track EP is nothing short of powerfully eclectic.

Congratulations on the release of your debut EP, Burning Fire! How does it feel to have a complete work out in the world? 

Camino: “Amazing! A long time coming, I’m so pumped I could scream [laughs].”

The EP is named after the first track of the EP, “Burning Fire.” What inspired you to name the EP after the song?

C: “Burning Fire is my favorite song on the EP and I wanted as much attention to go to that song as possible — that’s the honest truth. The song is about my aunt passing away from cancer and me wondering how my uncle, who just lost his wife of 60+ years, must feel. To me burning fire is like everlasting love to me. Like the epitome of missing someone with every fiery passion inside of you.”

 

What was the writing and recording process like for the second track, “Home?

C: “I was lost and didn’t know who I was anymore. I looked myself in the mirror and asked, ‘why am I so unhappy?’ I realized it’s because I had a lot of hate and hurt in my heart. I wanted out. I sat down and got back to the basics of why I started music in the first place, and for me it was a finding-myself-again song. One of my favorites.”

 

The lyrics of “Loving You” are nothing short of a gospel soulful vibe. Can you talk about the backstory behind the lyrics and production of this song?

C: “Yeah, I mean I was in a relationship where I really loved the girl with every fiber of my being and it didn’t work out. I wanted to write about that experience and how it made me feel. ‘I’m just a stranger in my home’ is one of my favorite lyrics from that song because your home is supposed to be your happy place and somewhere to relax. And when she wasn’t there I felt so alone. I had to write about that.”

 

“Fiddle” is unlike any other track of the EP. Why did you choose to place this song on the EP?

C: “Because I want my fans and listeners to hear how diverse the album will really be. Yes, I have the sad ballads and anthemic pop soul records, but I also have these upbeat fun records. It’s one of my favorites, I’ve never heard a song like Fiddle before in my life.”

 

The EP ends with “Better Than Me.” What is it about that track that felt like the perfect ending note?

C: “It’s a ballad. I wanted to end the EP on a soft note and leave you wanting more. It’s so emotional and vulnerable and powerful. It’s a great ending to the EP to tie everything together.”

  

Listen to Burning Fire on Spotify. Camino · Single · 2021 · 5 songs.

There is an obvious soulful pop inspiration throughout the EP. How did you come about finding that sound and creating within it?

C: “Growing up in Mississippi, I was exposed to the blues and soul music early on and I loved the passion, realness and rawness of blues/soul records. I wanted to write songs like that always. Records that make you feel something.”

 

How has the way you approach music changed since the release of your debut single “Riot?”

C: “Drastically. That was more of an experimental time in my career where I was still trying to find my sound and feel comfortable with people hearing what I put out. Still a great song, but at the end of the day it’s not ultimately how I want the world to hear me. This EP is truly me.”

 

What track would you recommend to a new listener?

C: “Burning Fire, no question. If you have ever lost someone close to you or just miss someone in general, this record is perfect. It helped me a lot off the edge. I hope it will do the same for others and give people something they can relate to.”

 

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ALMOST MONDAY: INTERVIEW


by kaylee pickens

photo by nolan peters

photo by nolan peters

Southern California band almost monday is the perfect blend for an upbeat pop dream. From their radio-catchy hooks to their high class production, this trio has evolved into THE band to watch. After forming in high school, members Cole Clisby (guitar), Dawson Daugherty (vocals), and Luke Fabry (bass/keyboard) traded in their teenage angst for alt-pop singles that are surpassing millions of streams. With singles, “come on come on” and “broken people,” almost monday was on the pop radar with no chance of leaving. Not soon after their release of “live forever,” this pop trio unveiled “hailey beebs.” The 3-minute track grooves into 2021 with melodic keys and an infectious downtempo beat that’s hard to resist. almost monday sits down to discuss their newest track, artistic elements, and the band’s future.

How do you think your band has evolved since the release of “broken people?”

Dawson: “I think we have just continued to push ourselves creatively, what we're listening to has changed and I think that it has naturally pushed us into writing differently. Our writing process has always been pretty anything goes so I think we have just continued to follow that instinct.”

What were some hurdles that you overcame as a new band releasing new music? 

Luke: “Starting from scratch as a new band with no music out was pretty tough to navigate for what songs we should be releasing and in what order. It can be kind of difficult to build up the ‘sound’ of the music and the band overall with just releasing one track at a time, but at some point you have to just be decisive and put music out there that you think is good.”

How would you describe “hailey beebs?”

Dawson: “I love this song because of its drastic scene changes through the verse, chorus, and bridge. I think it kind of takes you on a sonic journey of what getting over someone feels like. The verses feel more emotional, introspective, empty, while the chorus feels like an explosion of acceptance, and the bridge kind of feels like both of those ideas melted into one.”

Are there any artistic elements that you repeat in your videos/music? 

Cole: “I think one thing we’ve been aware of when making music or videos is not trying to put out songs or visuals that are too similar to each other. We try to make our releases feel unexpected or different from the last things we put out. Overall though we’ve been shooting some of our recent videos on 16mm and Super 8mm film.”

Listen to hailey beebs on Spotify. almost monday · Single · 2021 · 1 songs.

What was your favorite thing when shooting the “live forever” music video?

Luke: “It was cool being able to run around San Diego and shoot at pretty legendary local spots that we drive by every day. There’s this old dive bar called Captain Keno's which has been around forever in Encinitas. I’ve driven by it a hundred times but never thought once of shooting a video there, so cool that we did.”

What inspired “live forever?”

Cole: “We wrote ‘live forever’ while on a trip we did out to Brooklyn to meet up and work with our producer Simon Oscroft. Musically we wanted to write some hooky/anthemic type indie rock song and a lot of the lyrics are inspired by events during the actual trip while skating around the city and navigating the subway system.”

Do you think quarantine has influenced how your band makes music? 

Dawson: “Not in the way we approach it, but the way we create it. Everyone getting on Zoom calls and trying to write from behind our screens felt so lacking in inspiration and human connection. I think in the past a lot of our work that I'm proud of came from ideas flying left and right in the room with everyone around to experience that little moment of magic.”

What’s one thing you would tell someone who’s never heard your music? 

Luke: “Describing your own music is actually really hard to do because we’re just so close to it. If I had to describe it I would say it has elements of indie pop, alt, and rock with a windows down summer vibe.”

What are some of your favorite memories from making your EP, don’t say you’re ordinary?

Cole: “In addition to ‘live forever,’ ‘broken people’ was another song we wrote while on that trip out to Brooklyn. Some of my favorite memories are of skating through the city from our Airbnb to and from the studio and experiencing the aura of New York City for the first time.”

Congrats on landing a spot at Bonnaroo! Is there a desired festival/venue that you would like to perform at?

Luke: “I think it would be super cool to play Governors Ball. Such a cool festival and crazy location.”

What’s something that you would want people to know about almost monday’s new music? 

Dawson: “It's a bit of a departure from the first EP in terms of evoking different emotions, and sonically having a distinct color palette. However, I still think it has the classic almost monday DNA that people liked from the first EP. Honestly, just excited for fans to hear it.”

 

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AU/RA: INTERVIEW


by mariah estran

photo courtesy of au/ra

photo courtesy of au/ra

The 18-year-old singer-songwriter Au/Ra gave the world her fiery take on the alt-pop sound with her new single, “Dead Girl."

If you took pop-centric roots and added a hint of darkness, “Dead Girl” would be the result. A tune that would find attention from Dua Lipa fans; while pleasing those who enjoy the gloomier beats of Billie Eilish. It’s a fierce release, one that shows her unique flair, and how she overcomes personal obstacles.

The title is more than a spooky reference. It’s describing the feeling of being out of place and possibly unseen. That visual came to life in her recently released music video for the track. In a zombie-like state, she walks around in a 3D-generated, dystopian universe. Once viewing, she can no longer be unnoticed. She’s here to invite you to her universe.

We got the chance to speak with Au/Ra about “Dead Girl.” She told us more about the track, creating the music video, finding her sound, and what she has planned next.

 

You’ve recently released “Dead Girl,” this nervy alt-pop tune that touches on feelings of being out of place and the anxiety that can stem from that. What made you want to share this story with your listeners?

Au/Ra: “I’ve felt out of place many times in my life, mainly just because of what I’m like as a person — an ambivert weeb. I didn’t want to feel guilty about who I was anymore, and I hated overthinking ‘fitting in’ all the time. The song explores those emotions. I just wanted to feel like I was unapologetically being myself, even if that meant being ‘dead’ to the people that don’t understand me.”

The music video for “Dead Girl” depicts you in an almost zombie state in a video game-type world. It’s very cool! What inspired this visual?

A: “I really just wanted to create some kind of undead outsider heroine with a mission to unite people who feel the same way as her. With it being COVID times, making something animated was the easiest option, so it felt like the perfect moment to create a video game-like world for her to live in. So glad we got to do it!”

 

What was the filming process like considering there was a mix of real footage and digital art?

A: “It was wild. Seeing everything build up from these stills and things we selected or designed, to an actual video game-like world was a dream come true for me (being a bit of a gamer [laughs]).”

You have this great sound that mixes dark melodies with pop elements that create a complementing softness. How have you developed your sound and who inspires you?

A: “Thank you! I think it’s just what I love creating. I’ve grown up listening to a mixture of soft pop and dark electronic music from what my parents would make and listen to around the house, so that kind of just inspired me too. The things I watch and read are also of the darker dystopian genre or anime, so those kinds of stories have inspired my lyrics loads.”

You’re currently working on a project that is set to release soon. What can you tell us about what you’re working on? What can listeners expect? 

A: “It feels so weird officially talking about this — it’s been a long time coming — but yeah! I’m ecstatic. I’ve explored a lot of different corners of my sound, and I can’t wait to hear what my audience and new listeners think.”

 

Before the release of this project, can fans expect more singles?

A: “Hard to say too much, but yes, there’s consistently always something coming up. I’m so excited.”

 

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'RE: INVITE TO THE MOON' / FAERIE: REVIEW


by emma schoors

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Faerie’s “re: invite to the moon” is an otherworldly tune, perfect for the modern day dreamer.

Partnered with Spanish composer VelviV, Faerie’s latest single is inviting yet melancholic, and has a distinctive, addictive quality. If there were ballrooms on Mars, this would be the song echoing through its halls. 

Kicking off with a drum groove and an elegant guitar part, the track is set up with an effective yet minimalistic vibe. There are times when a track beginning with this kind of energy can be boring, and there are times when it is absolutely necessary to the overall aura of the song. This track falls beautifully under the latter. Faerie enters effortlessly soon after, flaunting angelic vocals and hazy, imaginative lyrics. 

Bedroom pop is the genre that comes to mind as the tune builds, and rather than becoming loud, it takes advantage of creative, slightly muffled sounds. Listeners are momentarily entranced by a swell, and are met with fitting lyrics: “It feels so good to fly.”

Flying through “re: invite to the moon” is futuristic and fun, and Faerie is sure to gain substantial momentum as a force in the indie and bedroom pop scenes. 

 

Listen to re: invite to the moon on Spotify. Faerie · Single · 2021 · 1 songs.