ABIGAIL OSBORN: INTERVIEW


by mariah estran

photo by noah tidmore

photo by noah tidmore

Heartbreak is never fun. This whirlwind of emotions takes time to overcome, a familiar feeling to some, and one that could be hard to forget. But for singer-songwriter Abigail Osborn, she’s giving heartache a much-needed makeover.

“If you're going to break my heart, let’s make it a good time,” she declares in her new single, “Break My Heart.” The three-minute empowerment anthem is taking back control from the ones who did the damage. Through its bubbly-pop nature, the track would enchant anyone to stand-up, and dance through the feelings.

That visual that Osborn paints through her lyrics came to life shortly after the single release. She rented out a pink house in Nashville, gathered ten friends, and filmed a music video. “I wanted to create something that visually looks like how the song feels to me,” she says. “I wanted to get a bunch of my friends together and make a visual of a bunch of girls flipping the script. From heartbreak being sad, victimizing feeling to being like ‘no, we are actually in control of this, and we can make it a good time if we want it to be.'"

“Break My Heart” follows up her raw, nostalgia-filled debut single “Drive All Night.” In just two tracks, she’s shown her versatility. Initially a folk singer, she’s now diving into the universe of pop music. Osborn is finding the balance and is ready to take listeners on a journey through her upcoming discography.

We spoke with the singer on her beginnings, the single “Break My Heart,” how she has worked to develop her sound, her songwriting techniques, and what she hopes listeners take away.

You’ve been writing and playing music for some time. But when did you realize you wanted to pursue music full-time?

Abigail: “I didn’t start writing until I was seventeen. When I was nineteen, I transferred to Belmont University to finish my degree there. I quickly realized (while I was trying to finish my degree there) that music was the only thing I wanted to do. So, I ended up dropping out of Belmont and then started music full-time in the Fall of 2019.”

 

“Break My Heart” is such a bubbly comeback for boys who have a habit of messing with girls’ hearts. What was the creative process like while creating this track?

A: “It was unlike any other one. I had an experience with a boy, and it was the straw that broke the camel’s back. I had the melody come to me while I was almost asleep. So, I brought my voice memo out. I woke up the next day, called one of my co-writers, named Joshoua Nichols. We were in the studio finishing the song together in a matter of a couple of hours. After that, we sent it off to be mixed and mastered, then filmed a music video a week after.”

You’ve recently released the music video to go with the track! What can you tell us about the visual?

A: “I wanted to create something that visually looks like how the song feels to me. It’s the most fun song or the most fun-sounding song I’ve ever written. It just feels empowering. I’m singing about how ‘if someone’s gonna break my heart, they better do it the right way.’ I wanted to get a bunch of my friends together and make a visual of a bunch of girls flipping the script. From heartbreak being sad, victimizing feeling to being like ‘no, we are actually in control of this, and we can make it a good time if we want it to be.’ I rented out this big pink house in Nashville and gathered ten of my girlfriends together. We all dressed in pink and had a little party.”

It’s clear you have this way of developing lyrics that tell a story. Your previous single “Drive All Night” is a perfect example of that. How do you keep inspired when songwriting?

A: “I am inspired by visual things. I love the idea of experiencing a story and getting to bring other people right into that story with me. I think the best way to do that is by giving a lot of detail. I always have a notes app running on my phone of random details. For ‘Drive All Night,’ specifically, there was this street near the house I was staying at for the summer in Colorado. When lacking inspiration, I’ll go to my notes app and see something like ‘7th street’ and be like, ‘okay, what was the story there?’”

You have this sound that’s pop with an indie-twist that brings in an almost raw type of softness. How have you worked to develop your sound?

A: “That has been a journey for sure! When I was seventeen to about twenty, I was making a lot of folk music. So, I have made a big transition into the pop world, but I’ve stayed true to my storyteller self, I believe. This new sound feels very nostalgic to me, nostalgic-pop. I think it's because of my folk influence. It’s been a journey to find a happy medium between the two. But ‘Drive All Night’ was the first song I made where I was like, ‘okay, this feels like me.' I can have natural elements in the song while they still feel big and powerful.”

 

Compared to the folk beginnings you had; do you feel like you are more comfortable in this new pop genre?

A: “I think for a while, I was scared to get out from behind my acoustic guitar. Ever since I have, I think it’s opened up this whole new world for me. It feels empowering and exciting to know that my songs can be bigger than just me and my guitar. I still write a lot of things; I start them out on guitar and piano. As an artist, I feel like I’ve developed confidence quite a bit. I can say things I couldn’t say before. That’s been exciting. I’m still pretty fresh into the musical project and genre I am living in now. But it feels so much more like me than anything else has.”

These two songs have been your introduction while showing listeners your versatility. What do you think these tracks say about you as an artist so far?

A: “I hope that it shows, I’m as real as possible, specifically with my heart. But as an artist, I want to pinpoint specific emotions and communicate them. When I listen to music, my favorite thing is hearing artists that make you feel like you are with them. I feel like I am not the only person that has felt that way.

That is my goal as an artist and a songwriter. By having so much detail in my story, I want people to feel like they are not alone in a feeling. ‘Drive All Night’ is a feel-good song, but I want people to feel brought back to a nostalgic feeling of being in high school and being with their favorite person, and not caring about anything else, being in the moment. I’m hoping to do that more with all these songs coming out after ‘Break My Heart.’”

Lastly, what do you want our readers to know about you as an artist?

A: “I’m just excited to put out stuff that I hope people connect to. Everything I am talking about in my songs is very verbatim, a stream of consciousness. I hope that people can listen to them and feel the honesty of me. Be able to relate and feel like they are right there with me in these stories. I’m excited to put out more. Hopefully, see everybody on the road someday!”

 

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'XING' / DEREK SIMPSON: REVIEW


by mariah estran

photo by bryan warner

photo by bryan warner

On May 12th, bedroom-pop artist Derek Simpson released his single and music video, “XING.” It’s a groovy tune that continues to instill those sensational saucy loops previously found on “U-Turn” and “Hide + Seek.”

But for “XING,” these playful sounds are being heightened with the visual Simpson has directed. The fuzzy footage follows a skateboarder around Long Beach, as scenes cut to the singer dancing freely in numerous fashion statements. The six-minute video plays on the theme of ambiguity. From the unrefined, hazy filming to a psychedelic video splice, there’s no clear definition. And there doesn’t need to be. As Simpson says about the track, “The conversation around gender and gender roles these days has remained pretty serious and rightfully so. We should all have the right to feel safe living in a free expression of our innermost truths. “XING” is my own attempt to carry a different conversation though, a lighter one that shines in celebration of androgyny and a liberating playfulness that comes with the decision to remain outside of any specific definitions.”

Simpson has managed to put that light perspective on the subject while still provoking a conversation. As the footage blurs together, and the singer freely thrusts to the beat, a viewer can’t help but hope for a future with further unrestricted self-expression. 

 

BREANA MARIN: INTERVIEW


by mariah estran

photo courtesy of breana marin

photo courtesy of breana marin

Breana Marin is no stranger to creating impressive hip-hop hooks for other artists. She’s one of the top performers on the BeatStars platform and has gathered millions of views on YouTube. Now, the singer-songwriter is ready to give the world something of her own.

On May 5th, she released her summer-ready single “Work." A delightful tune, which continues to showcase her hook craftsmanship, as pop facets mix with dance-inducing island vibes. It is a track worthy of being queued up while your posse hangs poolside. 

We recently spoke with Breana Marin about her new release. She told us more about her choice to release her work, the production process, how she stays inspired, and what she has planned next.                                                                          

You’ve been creating hip-hop hooks for other artists, been featured on numerous tracks, and have gathered quite the recognition on BeatStars. Now, you’ve released your single “Work.” How did you know it was time to create something of your very own?

Breana: “I love writing hooks for other artists and connecting with indie artists through BeatStars, but I get tons of messages from friends and listeners who just want to hear full songs from me. I’ve actually been working on this upcoming project for two years and I am ready to release it into the world. I think I’m past due on sharing a complete body of work that reflects who I am as an artist and songwriter.”

                                                                       

What inspired you while piecing together the lyrics for this single?

B: “All of my songs draw from real-life experiences and ‘Work’ definitely captures my thoughts and feelings during a tough time in my past relationship. It started out with me, a pen, paper, and piano chords. I wrote out everything I was feeling and it evolved into something else entirely.”

                                                                       

This song is such a pleasant mix of pop components with dance-inducing island vibes. What was the production process like while developing this track?                                 

B: “I typically start all of my songs at home, in my pajamas, incense burning, and simple chords on the keyboard. I recorded the full song and sent the vocals over to my producer friend Dylan Graham and totally gave the song a life of its own. He infused island elements and played with the vocals and blew my mind. The version he and his team sent back was everything I didn’t know I wanted.”

                                                                       

From songwriting for major acts like Keyshia Cole and Fifth Harmony to creating hooks for others online, how do you keep yourself creatively motivated?

B: “Staying creatively motivated is a challenge when you have to do it 100% of the time. Sometimes I wake up and can’t bear to hear another song or melody and sometimes I wake up with an urge to sing and spill my guts out in a song. On the mornings that I feel my inspiration tank is low, I avoid music. Instead, I try to get out and live life or express myself in new ways that aren’t music. I love a good DIY project, editing videos and photos, and graphic design. Journaling has been working for me as well lately.”

                                                                       

On Instagram, you are actively sharing advice for others in the music or creative industry. Why is it important to you to guide others who are just stepping into this field?                                                  

B: “I feel called to share tools and tips that I wish I knew when I was first getting started in the music industry. The music business is such a mystery. Everyone keeps to themselves and no one shares their            experiences and knowledge. There also isn’t a strong presence of women in this industry and I want to actively help change that.”

                                                                       

What do you have planned next regarding your music? Will there be more singles or a larger project?

B: “Yes! I have a few more singles on the way and plan on releasing the full project ‘Songs About Us’ sometime this year.”

 

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ALANA MARIA: INTERVIEW


by emily harris

photo by alex blaow

photo by alex blaow

Nineteen year old Atlantic Recording artist Alana Maria is hot off the release of her latest single, “Chargie,” which features Midas the Jagaban. The collaborative track is three minutes and twelve seconds of explosive pop beats, sweet vocals, and deep lyrics. Inspired by the sounds of classic R&B and Neo-soil, Alana’s sound is unlike anything else rising within the industry!

Congrats on the release of your newest single “Chargie!” Can you tell us about the writing process of this track? 

Alana: “The inspiration and making behind ‘Chargie’ is such a cool story. I was originally making a chorus for another artist’s song, it ended up not getting used. So I figured I would use the chorus for one of my own songs. I was traveling to Birmingham in the car with my mum and I was listening to Nines’ album Crabs in the Bucket for the first time and as soon as I heard the track, ‘Ringaling,’ I was instantly caught by the emotional production which made me naturally start singing the chorus! It worked so perfectly and at that point I knew I had to do finish the song, I couldn’t just leave it to waste!!! So I called my producer Mike Brainchild, went in the studio the next day, and created the full song ‘Chargie!!’”

 

This track also features Midas the Jagaban! How did this collaboration come about? 

A: “The collaboration was unexpected! Originally there was no plan for a feature, but after the whole song was complete, my A&R David AClass thought of Midas The Jagaban laying a verse on it. It was such a shock as this isn’t the typical song she releases, but it was done so perfectly!”

 

What was the inspiration behind the single artwork? 

A: “The bright yellow background just encourages the idea of happiness which is exactly what I was trying to explain throughout ‘Chargie.’ Just positive good vibes!”

 

The single has an accompanying music video as well! What was the recording process like? 

A: “The recording process was so much fun!!! It was literally like having a fun day out with friends and just being in the moment. I love video shoots, that’s where my personality comes out the most.”

 

How does “Chargie” differ from the tracks you released earlier this year? 

A: “‘Chargie’ is more of a positive message about love compared to the last two songs I released being about heartbreak. I love the fact it feels as my journey of music has also been a journey of self-healing and finding happiness again!”

 

How has being so young affected the way you approach the music scene? 

A: “Being young always reminds me that people will think I am vulnerable. The main thing I continue to remember is staying humble and staying aware of my surroundings will keep me grounded!”

 

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LIVINGSTON: INTERVIEW


by jordan o’halloran

photo by jimmy fontaine

photo by jimmy fontaine

At only 18, Livingston is already a self-taught producer, songwriter, and singer. On his new EP, An Unlikely Origin Story, we will all be seeing a lot more of him soon.

Livingston started his music career by doing video production and says that film is his first love. With that being said, music came into his life when he wanted to start to convey how he felt despite not having people around to talk with. During the pandemic, he has been holding up and enjoying being with family, but definitely is ready for life to go back to normal.

His single “Hercules” features a collaboration with Jorgen Odegard. Odegard has worked with artists like Justin Bieber and Imagine Dragons and says that working with him was very enjoyable. His lyrics are full of heart, empathy, and he hopes that people learn that they aren’t alone in the world. You can find Livingston doing livestreams, TikTok, and fan building on social media. He will also be doing four live shows with Fitz and the Tantrums in June and July.

What first got you into making music?

Livingston: “I felt that I had a lot to say but not a ton of people around to talk to, so I started finding avenues to express how I felt. At first, it was video production, but when I discovered how accessible music production was, I fell in love with Logic X and started writing songs.”

With the pandemic happening unexpectedly, how are you?

L: “I’m actually really good. Sure, like with anyone, it’s been rough at times with the isolation, but I’m grateful that I’ve been able to spend so much time with my family. I’m going to LA to work on the next record for a month and I’m unbelievably excited.”

On your single “Hercules” you collaborated with Jorgen Odegard. Jorgen has worked with artists like Justin Bieber and Imagine Dragons. Did that feel intimidating? 

L: “Really great experience. Not intimidating, he’s a few years older than me so it’s cool to see how he has bridged to his amount of industry connection and skill at his age. Chloe George also co-wrote the song, and it was crazy to see her have that huge moment with the Ghost Town cover TikTok sound.”

What artists and songs are on your radar right now?

L: “J. Cole, we’re dropping the same day and he’s my favorite artist so I’m excited for The Fall Off. Some Mobb Deep. This cool EDM project called Fred Again... is really interesting.”

You just released your new EP An Unlikely Origin Story. Can you tell us a bit about this project and how it came to be?

L: “This project was the story of my life at the end of high school experiencing extreme change. Even though the stuff I was experiencing was different than my peers, I realize the anxieties and uncertainties that EVERYONE feels during big life changes — going to college, losing and gaining relationships, etc... so I wanted to make a project about those phases of life to provide closure to me and hopefully someone on earth can relate to it.”

Your videos are beautiful. How do you think of your video ideas? Do you explore other creative forms when not working on music?

L: “Thank you so much. Videos are such an important avenue of storytelling, co-writing the ‘Carnival’ video and having a great team being that video to life was such a fun experience, and set the stage for getting to solo write and direct the ‘Superkid’ video. Film has always been my first love, so it’s amazing to bring it into this career. And there’s also times I fail! Went to my team in Austin, shot a big old ambitious video for ‘Hercules,’ and it didn’t pan out like I expected! It’s all a learning process. There are wins and losses, but the trajectory is upwards and I always want to stay involved with that side of things.”

How does your creative process go? Do you write the lyrics first?

L: “A lot of times it’s a concept, word or lyric — other times it’s a chord progression or sample that really moves me. It varies.”

What has been the best performance of your career so far?

L: “The rehearsal I did last night for the four shows I’m playing with Fitz and the Tantrums in June and July. Get your tickets.”

What do you hope people take from your music?

L: “A feeling that they are never alone in the world and that their value comes from within.”

With concerts not being a thing for a while, do you do any livestreams? Connect with fans on social media?

L: “I’ve been livestreaming a lot, doing a ton of TikToks and fan building. It’s been fun. Time for real life though.”

What would you like to say to fans old and new?

L: “Thank you for believing in me, I believe in you, let’s change earth.”

 

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