PRESENCE: INTERVIEW


by mariah estran

photo by christian lanza 

“I started writing as a means of expression — singer-songwriter Presence says about his work. He recalls when he was twelve and wrote his first song for his mother's birthday. It was a preliminary stage full of emotive words of love and admiration. As he grew older, he never lost that vulnerable side. Instead, he grew closer to it.

“When I got to high school, I started posting videos of my songs, and then people resonated with them,” he recalls. “It was this realization of, ‘Oh, okay, people do appreciate honesty and vulnerability.’ So, it is something that I should keep doing, and I have.”

Now, in 2024, Presence is preparing to release his debut album. He’s already dropped his single “SCARED OF THE FALL!” and listeners got a glimpse into his elasticity when it comes to sound. Working alongside producer Sweater Beatz and Gianni Taylor, the pop-punk sound packs a punch as he sings about growing from the personal obstacle of being secluded.

As he’s created his upcoming album, he’s become more confident as an artist — proud of the finished product.

Presence took a moment to tell us more about “SCARED OF THE FALL!,” what it’s been like creating a debut album, and sharing vulnerable stories.

You’ve recently released “SCARED OF THE FALL!” I understand it's the fear of learning how to open up. But what more can you tell us about the story behind the track?

Presence: “I worked with producer Matthew Rad, and we made some super cool stuff. I remember going home; I felt so pumped about what we wrote. Laying in bed that night, I was like, ‘Man, this was a perfect day.’ Then, there was that fear. This serendipity immediately turned into this unnerving feeling of ‘something bad is probably going to happen.’

The last time I remember feeling that was when I had left the country for the first time. I got back home, and I was pumped to tell my dad. On the drive back home, he's like, ‘While you were gone, we didn't want to worry you, but we have to go to a funeral.’ Then, ‘Actually, your mom is taking care of grandma because she's been in the hospital sick. And Uncle Michael, his liver failed, he's in the hospital.’

All of these things happened at once. So, for a long time after that, I became very closed off for an extensive amount of time. I cut off a lot of people in my life and made many decisions that I inevitably regretted.

That's what this song is about. It's that period, also me growing out of that and not realizing I had. I opened up to my co-writer Gianni and Sweaters about what I'm telling you now. Then we wrote ‘SCARED OF THE FALL!’ in a few hours. It was the most therapeutic experience — the process that got me over the hump.”

Your music tackles these deep topics, whether that be heartbreak or even things like depression. Why is it important to share these vulnerable sides with your listeners?

Presence: “I started writing as a means of expression. The first song that I wrote — I was twelve years old, and it was my mom's birthday. So it was like a means of expressing this feeling towards someone that I love.

But even that stems from going to therapy prior — I used to have panic attacks — my therapist used to say, ‘Write down your feelings — that might help out.’

How I started affected the trajectory of what I kept doing — in regards to writing, that's all I knew how to do. When I got to high school, I started posting videos of my songs, and people resonated with them. It was a realization of, ‘Oh, okay,  people appreciate honesty and vulnerability.’ I should keep doing that.”

You’re about to release your debut album. What has it been like creating this larger body of work and working with producers for the first time?

Presence: “For a long time, pre-releasing music, there was a lot of stress because I felt a lot of imposter syndrome.

The process of working with other people and creating this larger body of work — I'm confident enough to say I'm proud. These stories will resonate with people and are worth being told.

I feel better about the music because I've crafted a vision. Writing the songs alone was super healing. Like in the moment, I wasn't thinking about that (the album), I was thinking about making the best song — getting these feelings off my chest. It was super therapeutic writing ‘SCARED OF THE FALL!’ We just repeated that process twelve more times.”

I want to mention your sound. You’ve always had this way of mixing pop with heavier, alternative vibes. But how would you say your sound has evolved?

Presence: “My sound has evolved as I have as a person. Sonically, we wanted to take people through all of these different journeys.  Even though the music is super emotional, it's not all-somber. Each song has its personality, which goes hand in hand with how I feel daily. I don't know who I'm going to be tomorrow.

There's an R&B track, a pop-punk track, and a piano ballad. I'm excited to show people what I'm capable of. I boxed myself in for a while — this is what I have to do. Nobody would know if I didn't at least try it.”

 

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HOPE VISTA: INTERVIEW


by abby crabill

photo by maggie friedman

Hope Vista, former lead vocalist of alt-rock band, VISTA, is continuing her music journey by consistently adding new songs to her music portfolio. Her single “Worst for You” is one of the newest additions to the list. The 2000s-inspired track combines with R&B to create a dark pop sound that defines Hope's unique style. She has also become more involved with demoing out and pre-producing her own songs, to ensure the sound is just right. It's safe to say that we can expect a lot of new music from Hope Vista throughout this year.

How did you first start getting interested in creating music?

Hope: “My dad was an incredible jazz guitarist. I used to observe him playing guitar at home, and he was truly a master of his craft. Jazz music was in his soul. I wasn’t interested in playing jazz music as a kid, but I knew music was something I also wanted to do just by watching him. He inspired me to explore this creative craft.”

For those who may not know, how would you describe your current sound?

Hope: “I’ve been calling it ‘phantom pop’ lately. Dark, eerie, rooted in pure pop. Some nostalgic Y2K production thrown in, but still synth based and following pop structures.”

What are some key similarities between your current music, and that of your former band, VISTA? What are some key differences?

Hope: “I don’t really think there are many similarities sonically. VISTA was very alt rock, my solo music is pop-based. VISTA did utilize a lot of synth elements towards the back half of our discography, but it was still established as a subgenre of rock. I don’t really lean that way as a solo artist.”

What is your favorite aspect of creating music/performing?

Hope: “I’ve only played one show since the COVID-19 pandemic, and I genuinely miss performing. I used to tour regularly with VISTA and it was freeing to expel my energy onstage in that capacity. I crave that kind of physical output. But writing, recording, and releasing music is a completely different beast. It’s a more tedious process, but one that’s truly rewarding on a release day when you throw your art into the world. I’ve always felt compelled to write lyrics, but I think experiencing the whole process from idea to release is fun in its entirety.”

Can you tell me a little bit about your newest single, “Worst for You?”

Hope: “It’s a very nostalgic-based kind of pop. I really live in the Y2K pop world, that era of music is one that I digest every day. I studied it growing up because it really defined pop as an entire genre. When I was piecing together the demo for this, I found myself gravitating towards different sonic elements that represented the R&B side of 2000’s pop. So I found my footing there, and tied that in with the story of a college relationship that went wayside. It packaged together really well, and the final product came out to be this super R&B leaning, guitar-driven pop track that’s held together by a strong narrative.”

How would you describe your writing/creating process?

Hope: “In the past year, I’ve started demoing out and producing my own songs. I don’t work on the final production from an engineering perspective, but I’ve been doing all of my own pre-production and songwriting. I’m finding all of these different sounds and piecing together the tracks, writing the melodies and lyrics. I used to write solely with either an acoustic guitar or just a cappella, but I found it incredibly difficult to explain to a producer what type of production I was hearing in my head when I’d write that way. Writing with a guitar or a cappella is incredibly bareboned. I needed to dig deeper than that to identify and solidify my sound now as an artist. So nowadays I sit and demo out the song in full instrumentally, and kind of hum different melodies out loud while I’m putting together those puzzles. The rest falls into place naturally.”

Currently, who are some of your favorite artists to listen to?

Hope: “JoJo, Fletcher, Tate McRae, Kacey Musgraves.”

When you're struggling to create new music, who, or what, motivates you to write?

Hope: “I like to listen to Broadway cast recordings to dig into some refreshing inspiration. Musicals are always written with such depth, and I find it motivating to pull a part the layers and find the root of the music.”

What is the most important thing that you hope your listeners will take away from your music?

Hope: “I’ve always said that I hope listeners find just a little piece of themselves in the music I write. Even if it’s a smidge — something small that connects them to one lyric in particular or the overarching story — that connection point is so important to me.”

Are there any projects/performances that we can look forward to from you in the future?

Hope: “I’m planning on releasing a lot of different music this year, aiming for one single a month to stay consistent!”

 

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LOGAN AVIDAN: INTERVIEW


by martina rexrode

photo by didi prieto

With her latest single “CARRIED AWAYLogan Avidan taps into her vulnerable side, opening herself up for listeners to relate to. The NYC-based singer’s influences range from Mazzy Star to SZA, highlighting the feminine power and emotions she focuses on in her own music. This single is her fourth release in just six months and is sure to give listeners an even deeper preview into what to expect from her eventual debut album.

Congratulations on the release of “CARRIED AWAY” and on the music video! What does it mean to have this specific single out for fans to hear?

Logan: “I’m somebody who can get really existential and overthink everything, so this song was a place for me to put all those feelings. I can hold onto a thought or an idea and get so carried away, but there’s always a release or realization at the end. A light at the end of the tunnel. This song is a constant reminder of that.”

It’s an introspective one! What kind of inspiration did you tap into for it? Was it something you found in your everyday life as a working model, actor and musician living in NYC?

Logan: “A lot of the inspiration came from how I was feeling about my relationship with someone. That feeling when you have so much to say but the words aren’t coming out right. Living in NYC can sometimes feel overwhelming, and when I’m overwhelmed that can oddly be inspiring because I’m stepping out of my comfort zone.”

The music video shows a realistic depiction of how someone can get both carried away in a party environment and carried away within their own mind when they’re alone. Can you elaborate on that?

Logan: “The music video shows the viewer that you can get carried away within your mind in any environment. Whether you’re at a party, on vacation, or anywhere that you’re ‘supposed’ to be having fun, you can still get carried away in your own thoughts and feel alienated.”

What can you share with us about the process of creating this music video? Who directed it and what’s their background?

Logan: “My good friend and director Savannah Kodish and I wanted to gather all of our friends for a night out. We told everyone to meet at my brother’s place in the east village where we danced and had some drinks. Then we went to another bar for a bit and then to my friend’s place in Brooklyn. Savannah and her DP Ilona Tuominen basically guided the night. This was the first of three music videos I made with Savannah and there’s more in the works! She’s from Miami, moved to NYC for college and now works as an art director. We have such a fun time working together and I can’t wait to share what else is in store!”

How does this song fit into your full body of work so far?

Logan: “For the production of the song we wanted to capture that early 2000s pop radio sound that I used to listen to growing up. Most of my work pulls inspiration from that sound and era.”

Can we expect it to be on your upcoming debut solo album, Hot And Bothered? What can you share about the album and what can listeners expect from a longer project of yours?

Logan: “‘CARRIED AWAY’ will definitely be on the album! I feel like nothing is ever officially done until it’s out because there’s always room for change and I like to surprise myself.”

Is there one big goal you have for yourself once your album drops? And what’s next for you artistically whether it’s music, acting, or modeling?

Logan: “My goal is to continue learning and growing and letting music guide me to new and unfamiliar roads!”

 

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LIL Q: INTERVIEW


by mariah estran

photo by eric cui

Lil Q’s tracks and electrifying freestyles ignite a distinct ferocity. She’s not scared to speak her mind. Her high-powered bars hit over a hype-inducing thunder of bass and beat.

Who Dat (Make it Clap)” — her debut 2023 single — is that perfect example. She’s a rising talent who’s constantly evolving. By the end of last year, she unveiled “Memories,” a touching tribute to those we have lost, specifically her late brother, Lil Steve.

For the rapper, music has been a way to find her voice. She combated bullying in school by putting her thoughts into her lyrics. It gave her the freedom to be herself while giving her strength during hard times.

Lil Q is continuously elevating her craft. Now, she’s preparing to release more music with plans to evolve her sound — adding more pop moments to her discography.

The rapper tells us more about her released singles, getting into music, inspirations, and what she plans to do next.

You’ve been recording music since you were thirteen — inspired by your late brother. But what about music and your relationship with your brother influenced you to create something of your own?

Lil Q: “When I was younger, before my brother introduced me to music, I came up in the church.

Then, I started school, and you meet other kids. I started getting bullied. That was the biggest motivation for me — the insecurities, people bullying me, and all that type of stuff.

After that, my brother told me —  he used to try to rap and play around with it — he was like, you need to rap and sing. I used to always be like, I just want to sing, you know, in the church.

So, that's how I started, like me getting bullied, and then my brother.”

How do you feel starting to create music and rapping helped you not be so insecure?

Lil Q: “It gave me a voice, somewhere to put it, instead of just talking to people, going to counselors, or going through it on my own. It gave me something to find myself, so I wouldn't have to keep calling on everybody.

I could put it in my music and see what they think.”

You’ve recently released “Who Dat (Make It Clap),” and it's got this energy that shows your listeners who you are — it's such a good introduction. When creating this track, what was the process like? How did you find what feels right?

Lil Q: “We were in the studio. It was me, my mom, and Dre. BLWYRMND had made the beat, and when he was making the beat, Dre was slapping the bottles together. I was like, ‘Yeah, this is what I like.’”

You just mentioned your mom, and she is such a big supporter of you. How does she feel about your music?

Lil Q: “I feel like she got more comfortable with it! At first, she didn't like me cursing. She didn't like me doing all the little raunchiness or whatever.”

Shortly after your debut single, you also released “Memories,” which is a touching and vulnerable track. It not only shows versatility, but it shows your ability to be open and connect with your listeners about these personal topics.

Lil Q: “Yeah, you could say that. The crazy thing about it is people would think that I made this song right after my brother passed — I made this song before he passed. And that's what is so scary, right? I made this song before he passed.

It’s like me, for real. It made sense to connect with the world because I feel like that's what you're supposed to do. But I didn't even know it was going to connect with me in that type of way. It made it so much deeper.”

How has music given you comfort during these kinds of hard times?

Lil Q: “It's like a good comfort because it's an outlet for me. People don't have no one to talk to. I'm lucky because I’ve got a mom that supports me.

Working with people, telling me, like, ‘You were lucky. My mom does not support me.’ But I'm lucky because I have a mom who’s supported me since day one.”

As for your music, you're inspired by artists such as Meek Mill, Kendrick Lamar, and many others. How does their work inspire you when developing your own sound and flow?

Lil Q: “I just like the way Meek Mill raps, period.

J. Cole, I love his lyrics. You listen to J. Cole's songs — his lyrics are top-notch, and I feel like he's the best rapper right now.”

If you could have a dream collaboration, who would it be with and why?

Lil Q: “I say, Young Jeezy. I like the way he talks.”

I know it's just the beginning, but how would you describe the music you have coming up this year?

Lil Q: “Memphis people know me by, like, you know, hood and hip-hop. But I'm going to bring in a hip-hop, rap/pop type of thing. I wanna make a whole different vibe.”

Are you adding more singing to your work, a mixture of both? What can we expect?

Lil Q: “It’s gonna be both, for sure. I feel like I make my best songs when it's together. I will come out with some more singing and rapping songs. But I don't think I'm gonna go, like, fully singing yet.”

What are you looking forward to in 2024?

Lil Q: “I want to get on the charts and get my streams better this year. And do more stuff like traveling and connecting with myself.”

 

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BLITZ VEGA: INTERVIEW


by martina rexrode

photo by lexi bonin

Formed in 2016, Blitz Vega is composed of Kav Sandhu, Asa Brown, Thom Arizmendi, Greg Gent, Craig Eriksson, and the late Andy Rourke. Since officially launching and releasing music in 2019, the band has been working hard on their debut album Northern Gentlemen. Its title is a nod to a nickname that was comically thrown around in the studio to describe Rourke and it gives the album more meaning than they might’ve ever imagined. Their latest single “Disconnected” is out March 8th and the album drops on April 26th.

Can you put into words what this upcoming single and the eventual album mean to the band?

Blitz Vega: “‘Disconnected’ is a special song for us as it all came from Andy’s baseline. We were recording at Big Bad Sound in Los Angeles and Andy came in with the idea on his bass. We then built the song around him. The lyrics were the final part after all the music was recorded.

Northern Gentleman is a nod to Andy. The album means the world to us, it’s the most difficult but enjoyable music project that I’ve ever been part of. The album is a diary of our journey and experiences over the seven years we worked together. The studio sessions were always fun, but we had this thing overshadowing everything we did, knowing Andy was running out of time. It’s what Andy wanted so we are sticking to our promise to him.”

What made you choose “Disconnected” as the first single since 2022?

Blitz Vega: “It just felt natural after listening to the album. We have such a great team working on this for us. They are part of it,  just as much as we are. The feedback was good on ‘Disconnected’ so we are going with it.”

There is a certain nostalgic quality to “Disconnected” that feels reminiscent of classic 90s rock music. How were you able to blend influences from the past into the modern rock scene and avoid creating a song that felt stuck in one specific era?

Blitz Vega: “To be honest, all the music we recorded, we didn’t really think about this at all. We just recorded music we wanted to listen to. It was always spontaneous, always based on feeling and not overthinking. That’s why we loved the recording process so much.”

How does Northern Gentlemen, your debut album, represent the band as a whole?

Blitz Vega: “It’s Blitz Vega, it’s exactly what Andy and I wanted the record to sound like. It’s a perfect representation of the band and where we were in our lives and what we went through to make it. It’s a soundtrack to the last seven years, highs and lows and everything in between.”

Johnny Marr, Andy Rourke’s former bandmate in The Smiths, added his trademark guitar sound to the previously released single “Strong Forever.” How did this reunion/collaboration come about?

Blitz Vega: “It was all down to Andy, those guys have been great friends since they were kids. Andy felt so proud of this band, I guess he reached out to Johnny Marr to add some guitar. I didn’t know much about it, until it happened. But what a moment. We felt privileged to have his guitar on ‘Strong Forever.’”

photo by lexi bonin

Which songs on the album are you the most excited for listeners to hear?

Blitz Vega: “‘Lost Myself’ and ‘High Gravity’ are my favorites. Andy loved those tracks and always chuckled to himself when he was listening to the words. ‘Big Nose’ I’m excited about and ‘Pass The Gun’ with Z-Trip on the decks. But I feel it’s a pretty old skool album, you have to listen to it from start to finish to really get it.”

What kind of challenges did you face within your creative process when writing during the height of the pandemic? What did you learn about yourselves creatively during that time?

Blitz Vega: “Apart from not being able to be in the studio together it was great for me. I could lock myself away and just write and record. I recorded a lot of the vocals and extra guitars in my home studio. I felt I could disappear within myself and truly express everything that was going around my head without any distractions.

I learnt that I need to switch my phone off and lock myself down when I’m writing lyrics and recording vocals, that seems to get the best out of me.”

In the years since the band was launched in 2019, how have you evolved both musically and personally?

Blitz Vega: “Just that I appreciate every single moment of joy that I feel and feel lucky to be able to still make music and have this outlet to express myself. We played our first show without Andy in London on Feb 24th at the Scala. This was the first time I’d been on stage with Blitz Vega since July 2019. It was bittersweet, it felt so good to be back on stage doing what we do. But also not having Andy there was hard. Half way through the set I felt his presence and it made me feel relaxed and enjoy the performance. I just appreciated the fact people had come to see us and support us and they enjoyed the show. If we can do that going forward, then I’m happy.”

What kinds of hopes do you believe Andy would have for the future of Blitz Vega?

Blitz Vega: “Andy was very clear with me about what he wanted. When I was sitting with him in the hospital in New York he made sure I understood his wishes. It was difficult as I really didn’t want to talk about it at the time. I believed he would somehow get better and everything would be okay.

He told me he wanted the album to be released no matter what and he wanted us to take the album on the road. He made me promise him. It meant so much to him.

I haven’t thought about anything else but doing that, that’s all I’m focused on.”

 

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