'CHIT CHAT' / BEACH WEATHER: ALBUM REVIEW


BY NAOMI GRACE

Beach Weather’s sophomore EP titled “CHIT CHAT” is nothing shy of impressive. This EP is a collection of six creatively eclectic songs, different from each other but all staying true to a unified, vibrant sound. Said differently – it never gets boring.  

 

The EP kicks off with the spirited track “CHIT CHAT.” It begins with guitar strums resembling Mac Demarco that fade out and come back within the verse. It sustains a high-energy rhythm throughout the entire song. This describes the flirtatious side of someone that is all too enticing.  However, it plays with the idea of a careless and empty relationship to follow. The percussive line that dances with the rasp in Nick’s voice is practically a living, breathing, singing invitation for a good time.

 

“I thought I told you I really need your sugar.

A rollercoaster I’m going supernova.

 This chit chat is holding me back from you.”

 

The second track is called “HOME MOVIES” and uses sentimental memories of a past relationship to appreciate the simple things in life. It opens with high register, atmospheric electric guitar before it picks up with the pulsating bass in the pre-chorus. The chorus is full of percussive vocals - almost as if he were riffing. My favourite part of this song is the bridge that slowly builds up to the anticipated chorus. This dulcet tune embodies the raw reality of getting over someone.

 

“But now I’m up all night

watching home movies

like you’re lying there with me

but you’re killing the memories.”

 

The third song titled “SOMEONE’S DISASTER” is one that naturally plays in your head all day without getting old. The electric guitar mimics the vocal line. The strains in Nick Santino’s (lead vocalist) voice stylistically resembles Raine Maida from ‘Our Lady Peace.’ The chorus describes two imperfect people searching for something perfect - each other. This song is a personal favourite and would highly recommend you give this sound a listen.

 

“You've been looking for a wreck like me

a perfect catastrophic harmony”

 

“GODDESS” is an attractive pop track that is boarder line romantic. An 80s synth dynamic is the rhythmic foundation for this song. Saxophone is arguably the epitome of forgotten instruments in pop music today, so hats off to the band for the incorporation of the sax solo in this song (AND it sounds great)! Lyrically, it is simple and sophisticated describing just how much he needs this so called “love.”

 

“Don't stop, honey, don't preach

give you everything,

'cause baby you're a goddess.

I don't know what I couldn't see in you, in you”

 

Listener’s attention is immediately captured in the song “TREMORS” with the percussively catchy intro.  Santino has a great voice, but this song doesn’t showcase it.   Fortunately, that’s not a bad thing, because the actual song is so catchy, it doesn’t need a melody that reaches the atmosphere. The turn-around and outro where he sings the word “Tremors” repeatedly becomes a hook that plays in your head long after the song wraps up.

 

“Cause I wont just start it

I need your frequency

And you need somebody, body, body”

 

The suggestively titled “SEX, DRUGS, ETC.” lures listeners to embrace minimal morals. It has an Arctic Monkeys-esque sound with the over-driven background vocals. They jump the octave in the bridge to complete my favourite part of the mix. The slow groove partnered with the bass is dominant relative to the majority of songs on this EP.

 

“Half love half regret,

Dressing up for polorioids and cigarettes.

Socialize, romanticize that life”

 

Beach Weather’s EP strikes up a lot of chit chat (pardon the pun) and of the best kind for those who appreciate alternative music done at best. Nick Santino absolutely kills these pieces with emotion and musical variety, feeling it all. My only issue with this EP is I wish it came out sooner! The boy’s idiosyncratic sound could so easily be released in the heat of summer. You heard it here first - Beach Weather is making it big. 

 

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NATALIE CLARO: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY LEAH FRENCH

PHOTO COURTESY OF NYC MUSIC MANAGEMENT

PHOTO COURTESY OF NYC MUSIC MANAGEMENT

Natalie Claro is a singer who got a big start in the music industry in 2015 when she performed at the Hard Rock Cafe's Acoustic Music Festival. Since then she's gained a mass following across the East Coast. She's known as the "small girl with a big voice," and has been compared to artists such as Amy Winehouse and Hayley Williams. We recently sat down with Natalie to hear more about her music and inspirations!

 

Can you describe the feeling you get when you’re up on stage performing in front of a large audience?

NATALIE: Hype. Just straight and complete hype. I’ve never been one of those teenagers who drink and use drugs so it’s the closest to being high I’ll be able to ever feel. It’s weird, the bigger the crowd the less nervous I am. Small crowds give me an awkward and lacking sensation, while full rooms of cheers amplify my desire to put on a real show. I feed off the audience.

 

Where do you draw inspiration from when writing new music?

NATALIE: Every song I write fits into its own little genre. I pull general inspiration from artists I look up to but each song on its own just kind of creates its own path.

 

What can listeners expect from your new EP being released this Fall?

NATALIE: A lot of style diversity and lyrics ready to be interpreted to pieces. 

 

What artists inspire you?

NATALIE: This is something I always go way too much into detail with, because my inspirations are very specific. With each age and phase in my life different artists have inspired me in SO many different ways. Michael Jackson made me like to sing when I was 9. Seeing Paramore when I was 14 punched me in the soul and made me want to perform.  Kanye West, Billy Joel, Queen, and Zella Day helped me write and succeed when I was 15. Twenty One Pilots influenced me to be unique. The music industry is a crazy place. I just watch these artists with so much awe, I don’t know who I’d be without studying them. I respect them all whether I like their music or not.

PHOTO COURTESY OF NYC MUSIC MANAGEMENT

PHOTO COURTESY OF NYC MUSIC MANAGEMENT

 

Where would you like to perform in the future?

NATALIE: Madison Square Garden and House of Blues. One day.

 

What’s your favorite song off your EP?

NATALIE: How dare you ask a mother to pick her favorite child? Just kidding, it’s a fantastic question; I just have no clue how to answer. They all hold a special place of importance to me.

 

If your life was a song, what song would it be?

NATALIE: Lane Boy by Twenty One Pilots and Under Cover of Darkness by The Strokes if it means what I think it means. Oh, oh, and Teenagers by My Chemical Romance.

 

What does it feel to be compared to artists like Hayley Williams, Twenty One Pilots, and Amy Winehouse?

NATALIE: HONORED! Like, Amy Winehouse wow. Twenty One Pilots is my favorite band (if it’s not obvious by now, whoops) and Hayley Williams has the most kick*ss vocals ever. She’s a great performer.

 

How do you make your music/style unique? 

NATALIE: I decided one day that I’m just going to do whatever I want. Sometimes I’d be at a crossroad to make a decision, but having a doubt of whether or not it would be “cool” made me change my mind. Being in high school really pressured me that way. But now that I’m homeschooled and graduating early, I have the freedom of not having to worry about fitting in. Something I frequently find myself saying is, “this is really weird, but whatever, I do what I want.” I wear black lipstick all the time and own shirts with rainbows or weird patterns on them and I write anything I want how I want without any regards to whether it’s “normal” or not. It feels great and I wish I were this way sooner. I encourage anyone reading this to try it.

 

Where has been your favorite place to perform so far?

NATALIE: Something about the venue BackBooth in Orlando, Florida is so pleasant. I’ve done two shows there and both times the energy was just positive and cozy. That and performing with The Aquadolls was one of the most rewarding concerts I’ve ever done.

PHOTO COURTESY OF NYC MUSIC MANAGEMENT

PHOTO COURTESY OF NYC MUSIC MANAGEMENT

 

If you would accompany any artist on tour, who would it be and why?

NATALIE: I want to say my favorite band, (because man do they know how to put on a show) but for some reason I’ve also always had this unbreakable desire to share a lineup with Manchester Orchestra. Their music is just WOW. I feel like we share a similarity in certain songs I have and I really think it’d be a good mix. Dream come true would be to perform their song Virgin with them.

 

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'EP1' / BLAME CANDY: ALBUM REVIEW


BY NAOMI GRACE

PHOTO BY TITANIC SINCLAIR

PHOTO BY TITANIC SINCLAIR

Claiming to be a “DIY rock band”, Blame Candy is an uprising band with a sound reminiscent of “The Cure.”  Their premiere EP, EP1, is 14 minutes long and thematically embodies both late 70s rock intertwined with a modern alternative sound. These four songs empower listeners to overcome the ‘social misfit’ stereotype.  

 

The first track titled “LIFE LIKE YOU” is an anthem for those living within the lyrics - those feeling personally attacked by a society that is unsympathetic towards social outcasts. Musically, this song involves a demonstration of simple chord progressions done well. One of its strengths is the catchy hook with the triple eighth notes after the bridge and the ending. Simple arrangement ideas like these intrigue the listener to anticipate what might be next from Blame Candy. The smooch at the end was a nice touch boys!

 

“I can’t stay to watch my heart go,

I choose not to let myself go,

No I’m not gonna live my life like you”

 

 

PHOTO BY CORY INGRAM

PHOTO BY CORY INGRAM

The second track of the EP is titled “HUSH.” Complementary to its name, the lead vocals are soft and sultry - almost hypnotic. This is the song of the EP that best showcases the lead singer’s vocal range. Both verses feature a balanced blend of his chest voice and falsetto. When the bass guitar enters in the second verse, this arguably completes this song and drives it to where it wants to be. The song describes him pathetically waiting for his love interest, blinded by the fact that she’s completely uninterested.

 

“I’d give every piece of me to you,

 Just like a fool in love”

 

 

The record titled “WHEN I WAS COOL” seems more lyrically than musically driven. Meaning - that this song began as a cool (pardon the pun) philosophical perspective and the music was added as an after-thought. There is an unconventional chord structure provided as well as a distinct tone in the lead guitar. In all honesty, I don’t quite know what to make of this song other than the chorus. This song describes complacency as almost a good quality inferring that sometimes you are just better off without certain people in your life.

 

“I don’t need anyone who was my friends when I was cool

Where’s everyone who was my friend when I was cool”

 

 

The album ends off with a personal favourite called “TOXIC BOY.” When I first heard this track, my initial thought was ‘wow - these lyrics are ingenious’ and bang-on for all of us who have experienced that “toxic boy” in our lives. Blame Candy adopts the fresh sound of singing extended vowels across measures that tie the song together perfectly.  The smooth vocals provide a nice contrast to the cheeky lyrics being sung.

 

“It's all a game of sympathy,

 He can do what he wants 'cause his life was hard.

 He’ll beat you up then play the victim,

 It's honestly best to stay far away.”

 

 

Blame Candy incorporates their signature repeating guitar riffs throughout the album that is utmost groovy. The strength in the simplicities make the album what it is. Friends, roll down the windows of your car and embrace the musical therapy this band has to offer! Blame Candy’s EP of 2016 is one that demands to be heard. 

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PHOTO BY RYAN JAY

PHOTO BY RYAN JAY


KENZIE MOORE: INTERVIEW


BY JASMINE RODRIGUEZ

PHOTO COURTESY OF THE CATALYST PUBLICITY GROUP

PHOTO COURTESY OF THE CATALYST PUBLICITY GROUP

Kenzie Moore is able to fuse a variety of emotions into a delicately crafted album titled Dear You. Her latest project enamors listeners with stories of unrequited love and words that we often find ourselves locking away in journals. A sense of tranquility and ease washes over listeners when hearing tracks like the heartbreakingly beautiful “Burn.” Kenzie Moore talks with Unclear Magazine about the transition from having an audience of shampoo bottles to fans anticipating releases of her new music, leaving Chicago, and the prospects of a full-length album release. 

 

While you're writing music, do you ever think to yourself about the effect that your music can have on somebody or how it can positively resonate with someone?  

KENZIE: There are definitely a lot of moments where I’m in the studio and I think about the message I’m sending.  I mean, first and foremost, I write what I personally am feeling and/or going through.  But at the same time, knowing that people will be listening to this and hopefully walking away with a positive feeling of “okay, this song really gets me” or “I am going through the exact same thing”.  That really makes working hard all the more rewarding.  

 

As you grow older and gain more experiences, do you think the songs in the Stories EP versus those in "Dear You" show a dynamically different perspective? Did you find yourself experimenting more with lyrics, vocals, and instrumentals on "Dear You”?  

KENZIE: I personally think that the changes are astronomically different between Stories and Dear You.  Not only were they written at totally different times in my life, but I have just really grown as a songwriter since I began this whole journey.  As a musician, there is always room to grow and develop better abilities when you’re in the studio.  I definitely experimented more with all sorts of musical changes for Dear You.  I think you really can hear the difference between the two albums.  When I first started Stories, I didn’t know anything about this industry so I was able to learn so much during that time period.   And then once I started Dear You it was really great to have more knowledge of what really goes into a record.  

 

When I was a teenager I found myself expressing my emotions easier, were you ever afraid of growing up and no longer feeling emotions as strong as you did when you were a teen?  

KENZIE: I have always, ALWAYS had a difficult time expressing emotions.  I have always and will continue humor as a defense mechanism so it will always be difficult to express any feelings.  But, I don't think that's a negative.  In fact, I think the reason why I write such emotional songs is because they are my biggest outlet for these feelings. As for growing up (something I really never plan on doing), I don’t really have a fear of losing strong emotions because I really think that you can find inspiration in almost anything.  Always carry a notebook.  Yes, half the things you write will be crap but it's always good to write down any lick of an idea that you have.  

 

In your song, "Burn", I found the saddening experience you sing about heartbreakingly beautiful, there's almost a hidden beauty in the suffering one goes through when they find themselves heartbroken. That's why a lot of us bask in The Smiths or other really nihilistic songs. Is there a certain song that makes you feel at ease or comforted in the times you feel inconsolable? 

KENZIE: Wow, thank you so much.  I’m happy you liked the song.  That definitely was probably one of the more emotional songs on the album for sure. For me, whenever I feel sad or upset, I listen to Johnny Cash a lot.  Probably an unhealthy amount, but that can be blamed on my father and his obsession with good music.  Thank you dad for creating a music snob.     

 

As a songwriter, do you find yourself gravitating towards making more sad songs or confidence-boosting anthemic tracks? 

KENZIE: Well, as someone who has written mostly ballads, probably sad songs.  But I love creating both!  I’m not a sad person, I feel the need to clarify that! Haha, it's just easier for me to write those sad ballads because I feel like my voice really excels in those songs.  However, the great thing about confidence boosting tracks and what not, is that the music is so much more uplifting so I tend to have a more fun time in the studio when I’m recording those. 

 

I know of some artists who often write lyrics of situations that are not personal to them, they will write about characters in stories they read or maybe two characters in love from a film. Do you think you must portray honesty and bare your emotions/personal experiences on songs?  Or do you think it is okay to weave stories within your songs that are merely a reflection of fictional situations or dreams?  

KENZIE: Mostly personal experiences. But, once I define the overall message in a song, I definitely pull a lot of extra emotional oomph (if that's the right word) from books I’m reading.  I am a total bookworm so it's hard not to utilize just a little of those fictional love stories to add fluff to my music.  

 

A lot of people usually hide their dreams of being a musician and go on to pursue a normative life of going to college and getting their degree, when in reality that's not what they want to do. How did you persuade yourself to have this persistence to keep following your dream?  

KENZIE: Well, first, let me tell you that it was really hard balancing that normative life while going after my passions.  I graduated from Loyola University in May with a finance degree and I am utterly shocked that I was still able to release this full length only a few short months later.  For me, I didn’t feel as though I was sacrificing anything while I was working on school.  I know that since music was something I thought about everyday, then I really need to do something with it, otherwise I would be miserable.  There were many sleepless nights, frustrating phone calls, but also blissful moments of sheer happiness because I was able to do it.  My biggest push was myself and the feeling I get when I am working on music.  

 

On your YouTube channel, you covered "When We Were Young" by Adele, do you find yourself completely awestruck by Adele? Is she someone that has always inspired you?  

KENZIE: I love Adele. I am her BIGGEST fan. She is one of my biggest inspirations so I was super nervous about trying to cover her.  I think it went well though and I was happy with the results.  I would give anything to work with her, even meet her. 

 

Even the album's title, "Dear You" is almost representative of a letter, the whole album is seemingly you splaying out all the words some people rarely get to hear. It reminds me of how people write their inner-most thoughts when they write in their journals or diaries. "Dear You" is basically you sharing your personal journal to all your listeners, and I completely admire this. Do you find that writing the tracks on the album almost had a therapeutic effect on your life? 

KENZIE: First, thank you so much. Second, I guess for me, since it's really, really difficult for me to open up to anyone, yes.  What I really love about the fact that I am able to release whatever emotions is that I’m able to do it utilizing my passions while also keeping that anonymity to it.  You can hear my story but not the dirty details of whom they are written about.  It's the perfect set up for people who can’t open up.  So, to my fellow hermits, you now can have an outlet! :) 

 

Will we ever catch you going on tour soon, so your fans can finally experience the songs off "Dear You" live?  

KENZIE: I hope to! I was able to perform a few songs last month while opening for Heffron Drive which was amazing! I love being on stage. I don’t have anything planned right now, I’m focusing mostly on this release but I hope to be on the road soon.  Stay tuned!

 

What would you love to see yourself achieving by the end of 2016?  

KENZIE: You know, I just really hope I’m able to share my music with as much of the world as I can.  I really, really love what I do and I’m very lucky to have the ability to do it.  So, I guess I hope that people learn to love Dear You as much as I loved making it.

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MY SILENT BRAVERY: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY MADDEN LEVIN

PHOTO COURTESY OF THE CATALYST PUBLICITY GROUP

PHOTO COURTESY OF THE CATALYST PUBLICITY GROUP

My Silent Bravery is a singer-songwriter from Massachusetts. "My Silent Bravery" symbolizes the inner strength, perseverance, persistence, and ability to overcome obstacles. He has toured with Daughtry and Kris Allen in the past and more recently has toured with artists Elliot Yamin, Eric Hutchinson, and Blake Lewis. We caught up with My Silent Bravery to hear about his fifth album entitled Breakthrough, future plans and more!

What is the origin of your name?

MSB: The name came about because I was touring under another band name with the initials MSB for a while. Around 2010, my manager at the time suggested we change the band name for marketability and for Google ability. I chose to go with a more commercial name. I wanted to keep the MSB in place, as my fan base was familiar with it and had a connection to it. My friend Caryn suggested My Silent Bravery and I really thought that embodied what the music was about. To me, it symbolizes inner strength, perseverance, persistence and ability to overcome obstacles. I have been dealing with a sports injury over the years and it is a challenge in my life and I continue to work hard to overcome that obstacle. I now try and inspire others to overcome their obstacles through the messages in my music.

 

In the past we saw you have toured successfully with bands like Daughtry, Kris Allen, and more; how were those experiences?

MSB: It's always cool sharing the stage with other artists whose music you enjoy. Daughtry and Kris are both talented artists and good guys to boot.  I particularly enjoyed playing with Daughtry in my hometown of Worcester, MA at one of my favorite venues, Mechanics Hall!

 

What did you achieve most from those tours? Who was your favorite to share the stage with?

MSB: I think touring is a great way to really connect with the fans in person and make new fans. Not only through performing but meet and greets and interactions throughout the tours. I am a big fan of social media, but it’s always cooler meeting fans in person. There have been so many cool artists I have shared the stage with. Daughtry was a great one. Being a huge Bob Marley fan, sharing the stage with and hanging out with the Wailers is up there as well! 

 

What is the story behind the new album, Breakthrough, as a whole?

MSB: I chose ‘Breakthrough’ as the album title because I felt it very much represents the MSB brand and mission of inner strength, perseverance, persistence and ability to overcome obstacles.  I hope listeners can relate to it with their own boundaries that they are trying to breakthrough.  This message has become louder and more pivotal to me as an artist the longer I keep doing music. The music can’t be just about me, it’s about the listeners. 

 

If you had to have one song out of all your albums describe who you are as an artist, which one would it be and why?

MSB: There are two songs that stand out the most for me. I would say that ‘To Give’ featuring Matisyahu is the most meaningful song to date I have written. I am very proud of the message in that song and I make it a point to play it out as often as I can. But I would say that ‘Can’t Quit’ would probably describe me an artist the best. Similar to the band name, the song also symbolizes to me inner strength, perseverance, persistence and the ability to overcome obstacles. For me, to date, it’s my fight song. 

PHOTO COURTESY OF THE CATALYST PUBLICITY GROUP

PHOTO COURTESY OF THE CATALYST PUBLICITY GROUP

 

What song are you most proud of on Breakthrough?

MSB: Tough question to ask an artist! I am proud of the whole record! I am proud of different songs for different reasons. I really like the message in ‘Pick it Up’. I like the worldly vibe of ‘Endless Ecstasy’. I like the vulnerability of ‘Bigger Picture’. I like the pop/catchiness of ‘Warning Signs’ and ‘Drunk off the Sun’. I think you get the idea that I am pretty proud of the whole record! I am still a guy that likes to make records as a whole, not just singles! 

 

Do you prefer writing or recording music?

MSB: I like both, but I would say I probably prefer the writing process more. I love the feeling when you finish writing a song and everything comes together. 

 

We noticed you recently toured with Eric Hutchinson, Elliot Yamin, and Blake Lewis. What is your favorite part about touring?

MSB: There are lots of cool parts of touring. I enjoy performing, hanging with the other artists, and interacting and meeting with the fans. 

 

What has been your biggest milestone so far?

MSB: Right now, releasing my fifth album Breakthrough, feels like a huge milestone!

 

What is coming up in the near future for you?

MSB: I have some more tour dates coming up with Allison Iraheta and Halo Circus in October. I will also be releasing the new single and video for ‘Face to Face’ in the near future. I am also already working on new music! 

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