THE NIGHT GAME: INTERVIEW


INTRO BY MADDEN LEVIN

INTERVIEW BY CAMI LIBERTY

PHOTO COURTESY OF THE NIGHT GAME

PHOTO COURTESY OF THE NIGHT GAME

The Night Game: a-maybe-not-so-familiar name for a pretty familiar face. Martin Johnson, that of the incredible Boys Like Girls, has branched off in need of an equally fascinating solo project under the new name. The Night Game has already had a ride of sorts, being that he has had the help of talented directors and creators to bring his dream to life, especially for “The Outfield” and “Bad Girls Don’t Cry,” two of The Night Game’s amazing singles. Recently, we caught up with him to discuss this new endeavor and where he hopes to go with the name and music. Below is our exclusive interview, but don’t forget to check out The Night Game on iTunes and in a city near you on tour!

 

When did the idea of creating a solo project first come to mind?

MARTIN: “I was doing a bunch of songs for other people and it started to feel like a job, you know? It started to feel more like – I don’t know, like I love making music for other people and kind of playing a character or whatever it might be, but for me it was like okay… you know, when I was a kid and looking in the mirror with a guitar around my neck and wanted to play, wanted to sing. That was kind of the point and so I didn’t know if I had fallen out of grace with music entirely or if it was like I had nothing left to say… I just knew that I missed playing a lot. So I was like okay, so I stepped into the studio and I was like I’m just gonna write to write, I’m gonna write alone. You know, I cancelled everything on my schedule and just started fussing around, and three years later there was an album.”

 

What does the name ‘The Night Game’ mean to you?

 MARTIN: “Boy… you know, I’m a big Paul Simon fan. It started [off the] Paul Simon song… I think – it’s kind of like, you know, I’m also a huge sports fan. So when the pressure’s on, when the lights come on… this is a Philly publication, right?”

 

Yes!

MARTIN: “I’m walking into town with my tail between my legs… I’m from Boston and I was at the Super Bowl this year. So it’s going to be a sad day, holding onto my pride in Philly this trip.”

 

What do you find is the biggest difference between this project and Boys Like Girls?

MARTIN: “I’m not with my best friends from high school and stuff like that, it feels a little more lonely. But you know, it’s like… it’s a different thing. I’m a little bit older and… when I was in Boys Like Girls I knew everything. Like now I know nothing. When we were doing those records I was so convinced that, ah everything is just right, every decision or choice I make is like… I know with Boys Like Girls it was like the first time doing everything, everything felt so, I don’t know, you felt intimate, unbreakable. It’s a little bit different this time around, it feels a little bit… scarier. But at the end of the day, I started writing these songs with Night Game to be like… have it be just really like an outlet for me to write great songs and play great songs and not worry too much about all the other bullshit. So the more I get sucked into kind of that, you know… it’s tough to play.”

 

What was your reaction when John Mayer reached out to you last year to open for him on his tour?

MARTIN: “I mean it’s pretty cool, like I sort of listened to John Mayer when I was younger a lot. I remember driving around Taunton, Massachusetts just blasting Heavier Things. It was king of like… there was one song out and I got to play like two shows for The Night Game, and we got this email like, ‘Hey, John heard the song, he wants to bring you out.’ At the time, it was [just] the song, I didn’t have a record deal or anything like that. I don’t know, it restored my faith a little bit in the music industry that people still listen to music and care and everything is still on a metric. So when you’re picking the opener you’re looking at ticket sales, and Spotify streams and YouTube, followers… it’s just based on numbers, like it’s literally crunching numbers to the point where the music’s becoming really diluted and I think that, you know, John obviously doesn’t care about that one bit. He just wanted something he liked and I thought that was massively humbling. It was just really, really great.”

 

Your latest song “Bad Girls Don’t Cry” is out now – can you tell us a little about the song and the inspiration behind it?

MARTIN: “Sure – I wrote this little blurb on my Instagram about it and the time that I wrote it I was really struggling to finish the record and really blocked, just playing a ton of poker, I hadn’t drank in a really long time so at the time I was just filling the void by playing poker and smoking a bunch of cigarettes and… I went to Vegas and the trip kind of turned from two nights into four nights, into six nights, and kinda just hiding; looking for answers in the cards. I met this girl in Vegas who maybe had a past she was a little bit ashamed of and a job she didn’t really like to talk about. You know, she wasn’t scared of anything and I just had an interesting night hanging out with her, and she told me… I asked her about her past, and she said, ‘Bad girls don’t cry,’ to me. I was like… major light on moment, when the light above your head blinks on. I was like alright, that’s enough for me to get in the car and go home and work on some tunes. So I kind of got inspired by that and went home and finished the record.”

 

On March 17th you started your headline tour in Seattle. What are you most looking forward to from this tour?

MARTIN: “I love playing. I love playing, I love singing. It’s been really, really great, we’ve done a few shows so far, hopefully got some of the kinks out. It’s pretty ambitious to do the tour without the album out yet, but it’s fun and I’m just like… I don’t really feel – I came of age in a band in a bus, so I don’t really feel super comfortable being at home, like it’s not what really speaks to me. Being at home doesn’t really feel comfortable, what feels comfortable to me is being in a new city every night and playing the show. It gives me a major feeling of purpose and I thrive in exhaustion because my brain will think too much if I have too much rest. So it works for me good, being back in the van.”

 

Are there any cities that you’re really looking forward to performing in?

MARTIN: “Yeah, I’m psyched for the LA show, the New York show, the Philly show, maybe Chicago, back home in Boston. And then we’re heading over to Germany after which should be fun.”

 

Are you also excited about the upcoming festivals you’re performing at?

MARTIN: “Yeah, I mean I don’t think we’ve done a festival yet with The Night Game, and it’s always fun playing at the big stage. Some of these songs are bold in nature and I think they feel a little more natural to me on a larger stage, and so I’m excited to get into full form.”

 

What makes a festival gig different from a regular gig for you?

MARTIN: “I think it can be a little more stressful, like pushing the gear, and a bunch of other bands, and you wanna look cool in front of the other bands, and make sure you play good and in front of the people. Regular gig, it’s your show. You run the show. It’s like, if you wanna go on 20 minutes late, you go on 20 minutes late. You get a soundcheck, the whole thing. [At festivals], there’s an added stress, but I also like the energy, you feed off the energy of the other people that are playing and if you can disconnect from the fear of messing up or not sounding cool or having bad sound, it’s like great, you get to see a lot of really hot bands play.”

 

We heard that you are releasing your debut album later this year. What can we expect from the record?

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MARTIN: “I mean hopefully some honesty. You know, hopefully some honesty. I’m just excited to be able to tell stories again… telling a couple stories on there, and hopefully something fun that you can relate to and turn on when you’re feeling sad or feeling happy. If you’re taking a long drive or when you’re with your buddies.”

 

Any final words for your fans and our readers?

MARTIN: “I’m really excited for what’s to come and I’m super excited for the shows coming up and… thanks for paying attention.”

 

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'PRESSURE' / TREVOR DOUGLAS: SINGLE REVIEW


BY GRACE SERRAMBANA

Trapping the hearts of acoustic guitar lovers, Trevor Douglas takes his new song, “Pressure”, to heart, which made its debut on February 23rd of this year. While Trevor’s time on American Idol opened doors for him, his music and unique sound truly made way with the audience. Trevor’s charismatic personality shines through his music. With his new single digging into the hearts of listeners, Trevor really shows the struggle of relationship. His lyrics bring people’s relationship clashes to life. Even with the overflowing relatability throughout the song, Trevor does an excellent job of telling a common story with a complex melody. Combining Trevor’s soft voice with a memorable guitar riff creates an unforgettable harmonic atmosphere that will leave the listener wanting more.

 

 

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NOAH KAHAN: INTERVIEW


INTRO BY TAMARA CHAPMAN

INTERVIEW BY CAMI LIBERTY

PHOTO BY PAULA TORRES

PHOTO BY PAULA TORRES

21-year-old singer/songwriter Noah Kahan brings a fresh new face to alternative music. Already having supported LP on tour and soon to be touring with George Ezra, he is quickly skyrocketing his way up in the music industry. Check out the interview below to see his thoughts on collaborating with popular songwriters and his future endeavors!

 

You just finished touring in support of LP – how was it?

"It [was] absolutely amazing. LP is an incredible artist and person and her entire team is a blast to be around. The shows have been almost all been sold out, and her fans are very engaged and supportive of our music as well."

 

Do you have any favorite shows from this run that have stood out based on the crowd’s reaction?

"I loved playing in Boston. All of my high school friends came out and cheered me on. It was just one of those shows where you're totally in love with the crowd and they seem to be totally engaged by you. It was fantastic. I also enjoyed the Brooklyn Steel show in NY a lot. It was right after playing Stephen Colbert so the release of the nerves I felt from the taping made the 2200 capacity, sold out venue feel like nothing. I was just full of excited energy and I think the crowd could feel it."

 

Recently you released your first EP, Hurt Somebody. What was the process like creating the EP?

"The EP was created over about 6 months. I wrote the songs between touring and promo so the process was kind of an escape for me from the craziness of what was going on. I am extraordinarily proud of it."

 

You collaborated with Julia Michaels on the title track of the EP – what was it like working with her?

"When I found out she wanted to be on the song, I was totally over the moon. It is an enormous badge of honor for me to have her stamp of approval on the song, and I believe she brought the track to a very special place."

 

What song on the EP would you say you’re most proud of?

"I am proud of every song, as I feel like they are all incredibly honest, and they all have extremely personal meaning to me. If I had to choose I would probably say Catastrophize."

 

Where do you find most inspiration when creating music?

PHOTO BY PAULA TORRES

PHOTO BY PAULA TORRES

"I find inspiration in everything. In sadness and happiness alike. My mom taught me to use whatever I'm feeling as inspiration for writing. That way, no matter how lost, or unmotivated I am feeling at any given time, I can just write about feeling that way. You can't run out of ideas if running out of ideas is one in itself."

 

In what ways do you hope to continue to evolve as an artist?

"I hope to get better at believing in myself and my craft, and to work on my live show. I really want to take things to the next level."

 

Is there anything else that we can expect from you in the future?

"More music, and much more touring to come!"

 

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'FATHER FATHER' / COLE REDDING: SINGLE REVIEW


BY MELISSA TUCKER

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Since Cole Redding’s Smile and Say Hello released in 2017, the Philadelphia-based singer has come out with a brand-new tune, that is filled with plenty of emotional and meaningful messages, called Father Father. In this extremely personal song, Cole opens up about issues he has had with his father. Fans of this artist love him for his honest and passionate songwriting skills that reflect on all aspects of his life.

Father Father starts off soft, with Cole’s smooth vocals inviting the listener to experience the deep secrets within the relationship he has with his father. His tranquil voice leads us into a seamless beat of drums that enter into the song. For a piece of music about a son and father having a rocky relationship, Cole demonstrates great poise within the tone of his voice. There are many somber lyrics within the song, such as the singer discussing his dad’s “new life” without him.

There are multiple layers of sound within this mesmerizing symphony of string instruments, drums, shakers, guitars, and more. Cole’s vocals soar from the pre-chorus to the first chorus. The main message at the center of the song is to be there for each other, regardless of relations. The chorus also holds powerful background vocals, making the message root even deeper into the heart of the listener.

This piece of music is not about giving up or seeking revenge on a loved one who has hurt you. It is about using the time we have now to mend the wounds that we have received or made. In the second verse of the song, Cole is asking his father if he feels the same pain that he feels about family lost. Cole reaching out to relate with his father makes the second chorus even more heartbreaking. The bridge escalates the momentum of the song, asking his father to reach out and come back into his life.

The final chorus is epic and soulful, filled with a multitude of sentimentally charged vocals that create a greater impact on the listener’s emotions. The excellence found within Father Father is expected of an artist as creatively talented as Cole Redding. He uses music to express his life story in the rawest form possible. Cole pours his memories, good and bad, into his work, and it pays off. Because of Cole’s ability to be so vulnerable, he is able to deliver authentic and beautiful music.  

 

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THE MOWGLI'S: INTERVIEW


INTRO BY TAMARA CHAPMAN

INTERVIEW BY CAMI LIBERTY

PHOTO COURTESY OF THE MOWGLI'S

PHOTO COURTESY OF THE MOWGLI'S

Based out of southern California is one of the most unique bands the music industry has ever seen, The Mowgli’s. Having already made appearances at some of the biggest musical festivals across the country, it’s safe to say that this band is on their way to achieving even more great things. Read the interview below with band member Josh Hogan to learn more about the band's tour experiences, future music plans, and more!

 

You guys are currently on your headlining Real Good Life Tour – how has it been so far connecting with your fans again through shows?

JOSH: "These shows have been very energetic & personal. We’ve tried to break down barriers and really let our fans be a part of the music. The connection feels like it did when we first started touring and there was no radio fame or ego involved."

 

What do you hope people take from your live show? 

JOSH: "We always want people to have a positive night & leave a little happier, & maybe with a new t-shirt over their shoulder."

 

Recently you released your latest single, Real Good Life. Can you tell us a little about the song and the inspiration behind it?

JOSH: "With so much to say, we tried writing a lot last summer and often fell short. Colin & I went into the RGL session with the idea to keep it simple and in line with The Mowgli’s message of love. We’ve always been inspired by stories we hear from our fans & that keeps us going on this path."

 

This song is the first piece of music you have released since becoming an independent band again. Was this a difficult transition for you guys?

JOSH: "The transition has been pretty simple. Having a label helps in a lot of ways, but we’ve got some of the best fans out there & we could go on forever with their support."

 

Do you ever go back and listen to your old music? If so, what are your first thoughts on it?

JOSH: "I was recently listening to our album Kids In Love and my first thoughts were about how great those songs are and the production is perfect for them. It’s interesting being into your own music, but I am. Each record has been very different from the last and I think that’s pretty special. I’m like a proud dad looking back at what we’ve accomplished."

 

How do you think your music has changed over the years?

JOSH: "We have all grown and changed so much over the years, & our music has changed as well. Change is inevitable and I’ve always believed that you have to jump on board with that change or you’ll just be left behind. We try to stay in tune w/ what’s going on in music while trying to make it our own."

 

What can we expect from more of your new music sound-wise?

PHOTO COURTESY OF THE MOWGLI'S

PHOTO COURTESY OF THE MOWGLI'S

JOSH: "We’re working with our friend and producer Rob Ellmore. On a production level, you’ll hear more like Real Good Life as well as some new sounds that you’ll hear on our next release."

 

In what ways do you hope to continue to evolve as a band?

JOSH: "We want to grow and learn and last forever."

 

Are there any other singles and/or an album in the works? 

JOSH: "We [just dropped our song] Kansas City about Colin’s hometown and it’s borderline emo. For now, we might just keep writing and releasing singles. Everything is changing and we’re open to the change."

 

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