STICK FIGURE: ON TOUR


BY JONATHAN SOMMER

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Hailing from Oakland, California, Stick Figure is a chart topping hit reggae funk band. Fronted by Scott Woodruff, they have put out more than five full length records in their time together. Their latest release Set In Stone has hit number one on both Billboard and iTunes Reggae charts. Originally from Duxbury, Massachusetts, Woodruff is a self-taught musician and producer that has now become a major musical figure and is now an integral part of the Levitate Music Festival that is held in Marshfield, Massachusetts every year (feat. Tedeschi Trucks, Nathaniel Rateliff, Rip & more).



Catch them on tour at any of their remaining dates:


4/4   Dallas, TX

4/5   Austin, TX

4/6   Houston, TX

4/7   Corpus Christi, TX

4/11 Minneapolis, MN

4/12 Omaha, NE

4/13 St. Louis, MO

4/13 Nashville, TN

4/18 Denver, CO

4/20 Morrison, CO

5/5   West Palm Beach, FL

5/24 Monterey, CA

7/14 Marshfield, MA

Tickets available here

 

'MANNERS' / JENA ROSE: SINGLE REVIEW


BY EMMA SCHOORS

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Jena Rose’s “Manners” showcases vocal abilities galore while maintaining a simple message of true love.

The song holds a funky pop beat that synchronizes nicely with Rose’s vocal range, of which the lyrics add a groovy edge. The lyrics themselves are tried and true ones of prioritizing personality in a healthy relationship. The chorus booms into slight falsettos and the chant-like consistency of “Just show me your manners.” This line wraps up the tune accurately, the verses reflecting the same simple plea. 

Rose’s singing abilities are truly on display in this track, and any listener can see the complexity that her voice brings to the delicate lyrical content. The instrumentation departs enough from the casual beats that usually accompany these types of vocals, adding a type of cleanness to the tone of the whole song. 

At just 18 years old, Rose is headed down a successful path in the music industry, and one listen to her new track can back that up. 

 

BACK TO THE BEACH FESTIVAL: PREVIEW


BY NAZ MASSARO

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The second annual Back to the Beach Festival, presented by Travis Barker (drummer of Blink 182) and John Feldmann (lead singer of Goldfinger), will be taking place April 27-28 in Huntington Beach.

This beach fest will cater to music fans of all ages. From pop-punk, to ska, to scream-o, there is something for everyone.

In addition to music, there will be endless amount of food vendors and craft beer! They also announced featuring a carnival midway, beach games and more. This is definitely a family event, with enough activities to fill your weekend.

Tickets on sale now at backtothebeachfest.comsingle day ($49.99) and weekend passes ($79.99)  

There are VIP and bundle options. Kids under 10 are free with paid adult admission.

The lineup:

Saturday
Blink-182
Goldfinger with Special Guests
Reel Big Fish
Streetlight Manifesto
The Aquabats
Save Ferris
The English Beat
The Drowns

Sunday
The Used
The Story So Far
Anthony Green
The Wonder Years
Less Than Jake
Story of the Year
Teenage Wrist
Lowlives

For more information on Back To The Beach, visit:

Website: backtothebeachfest.com

Facebook: facebook.com/backtothebeachfest

Instagram: instagram.com/backtothebeachfest

Hashtag: #backtothebeachfest

 

SXSW: ONES TO WATCH (PT. 2)


BY ZOE SALVUCCI

POTTERYPHOTO BY ZOE SALVUCCI

POTTERY

PHOTO BY ZOE SALVUCCI

Every year in Austin, thousands of musicians, filmmakers, entrepreneurs, and fans gather to celebrate and discover the latest trailblazers in each of the three industries. With SXSW 2019 having just wrapped up, here is part two of our artists to watch list.

1. Pottery (CA)

This young five-piece from Montreal only have two releases on their Spotify, but right after SXSW they’re kicking off a US tour supporting Sweden’s Viagra Boys. With post-punk sounds reminiscent of the UK and a look like an American indie band, Pottery is sure to bring their unique energy to audiences across the world.

2. Illiterate Light (US)

Virginia-based alternative rock duo Illiterate Light, made up of Jeff Gorman and Jake Cochran, makes up for the lack of members with their explosive sound. Pounding drums and shredding guitar build the rock and roll sound of Illiterate Light, a sound not heard often in modern music.

3. Black Midi (UK)

Black Midi is—or was—London’s best kept secret. They have released no music and only just appeared on social media, but have already done a KEXP session and played numerous shows around London, including support slots for highly acclaimed punk band Shame. Their math-infused punk style is unique in sound and brilliant in execution, and their young faces make it all the more impressive. With a US tour hot off the heels of SXSW, Black Midi is about to take the US by storm.

AVALANCHE PARTYPHOTO BY ZOE SALVUCCI

AVALANCHE PARTY

PHOTO BY ZOE SALVUCCI

4. Avalanche Party (UK)

Seeing Avalanche Party live is an experience like no other. Vocalist Jordan Bell gets right in the audience’s face, meandering throughout the crowd while the band holds down the beat on stage. It’s intense, aggressive, and truly a unique live experience, which is important in leaving a mark on the industry.

5. Godcaster (US)

Split between Brooklyn and Philadelphia, Godcaster is an insane mashup of experimental psychedelic garage rock that consistently leaves audience’s minds blown. Their energy is tangible, their musical chemistry undeniable, and their recent single “She’s a Gun” catchy as hell.

6. Roe (IE)

Hailing from Derry in Northern Ireland, Roe’s solo multi-instrumentalist act is one you have to experience firsthand. With a huge voice and an even larger stage presence, she fills the room with her music and charm.

7. Chai (JP)

CHAIPHOTO BY ZOE SALVUCCI

CHAI

PHOTO BY ZOE SALVUCCI

CHAI, four girls from Tokyo, may have put on the most joyful sets at SXSW. From their latest single “Fashionista” to a cover of “Dancing Queen,” their set of hits made it impossible not to immediately fall in love with them.

8. Jealous of the Birds (UK)

Soulful singer-songwriter Naomi Hamilton made her second SXSW appearance since 2016 this year, hot off the heels of her 2019 release Wisdom Teeth. Performing with a full band now, Jealous of the Birds made quite an impression at South By, one of several Northern Irish acts to make their mark at the festival.

9. DYGL

UK-based, Japan-born DYGL, pronounced day-glow, are your classic indie rock band, but with the catchiest hooks imaginable and the stage presence of a band with twice their experience. With their latest single, “A Paper Dream,” released just days before the festival, 2019 is looking to be a huge year for DYGL.

10. The Nude Party

On a first listen of The Nude Party, you might think you’re listening to a band from 1973, because of their nostalgic style with a modern twist is the latest addition. With their self-titled debut album released only last year, the Nude Party have already made quite a name for themselves in the American garage-rock movement.

11. Sorry Girls (CA)

Montreal duo Sorry Girls is a nostalgia-fueled powerhouse of new wave-reminiscent indie-pop. Following the release of their EP Easier in November, published by Montreal DIY label Arbutus Records, Sorry Girls is likely to have an exciting year in 2019.

 

S. GRANT PARKER: INTERVIEW


BY BRE CURA

PHOTO COURTESY OF S. GRANT PARKER

PHOTO COURTESY OF S. GRANT PARKER

We recently got to chat with S. Grant Parker, a 22-year-old singer/songwriter from Nashville, TN. Currently finishing up school, Parker has masterfully balanced both academics and a promising music career. With two singles currently out on Spotify, Parker tells us a little about his writing process, where he pulls inspiration from, and his “DIY” approach.

 

How did you decide to pursue music?

Parker:Well, I grew up in a musical family, singing with my two brothers and my dad everywhere we could. My dad has always been a worship leader at churches, so I was exposed to a capella gospel music really early on. I played in bands in high school and such, but nothing crazy serious. I think the moment that it moved from a hobby to taking it seriously occurred right before I graduated high school. I wasn’t planning on going to college, and if I had to, I would’ve gotten some business degree or something. However, Lipscomb University in Nashville announced a Contemporary Music program, led by Charlie Peacock (look him up !!), and I couldn’t pass up the opportunity to study with him.”

 

What has your journey in the industry been like so far?

Parker: “It’s honestly kinda funny to think about myself as being part of “the industry”. With today’s world of streaming and self-starting, “the industry” has expanded to anyone who has a laptop and $10. I’ve spent most of my time in the DIY scene, which means booking my own tours, recording on my own dime, but also getting to do whatever I want creatively. I like the freedom there. It’s definitely difficult, and just because it’s accessible does NOT mean you’re guaranteed success. I’ve been lucky, though. The people I have met and worked with have been encouraging and honest people. Everyone is on the same team!

 

You recently went on a tour in December, tell us what that was like!

Parker: “OH MAN OH MAN. The greatest. I love touring so much. And touring with your best friends is even better. Jac and Carly are amazing, and I felt so at home with them no matter where we were. I actually didn’t know Carly at all before the tour (Jac and I met in school and have been best pals for a while), but when just the two of us had to drive 12 hours to Houston to meet Jac at the beginning (of tour), we got a head start on our friendship :’). Back to the tour though! We played mostly house shows, which are so much fun. Everyone is like a big ole family sitting in a living room together.”

 

So, you have two singles out right now; can you tell us a bit about “No Fire” and “Late Love”?

Parker: “No Fire was a mess. My production team and I went through 3 or 4 recorded arrangements, and when we settled on one, went through like 18 mixes (poor Benjamin...), and finally scrapped the whole thing to start over. I was fed up with it, I guess. I just wanted the song to be released. SO, I bought a cheap tape recorder meant for classrooms in the 90’s and tracked it in one take in my bedroom. I decided to just let the song and performance speak for themselves, because the recording quality is TERRIBLE. Late Love was a bit different. We tracked that once, then scrapped everything but the bass part and built it back up. It was just my engineer and myself in the studio for most of the recording process, which was super freeing and fun.”

 

What inspires you while writing music?

Parker: “I think I start with real life situations, and then let the song find its own way. My songs aren’t necessarily autobiographical, but they certainly begin there. Both (the sound and lyrics) are equally important. I don’t want to say something in a song that I’m not 100% sure of, and I don’t want to play something when I know there is something better out there. (When writing music) I start with real life situations, and then let the song find its own way I think I’m still on my way to finding my style. The more I write, the deeper I dig into my own pool of creativity.”

 

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Do you see your personal taste in music influencing the pieces you write and perform?

Parker: “I try to write and perform like my heroes, but my individuality keeps me from ripping them off, if that makes sense. One of the biggest influences on the way I conduct the business side is Nordista Freeze (look him up too!). We’ve been best friends since little league baseball, and he is the DIY KING in Nashville. Sonically speaking, Zac Swann, Jac Thompson, Blake Mills, Taylor Goldsmith, Dave Rawlings & Gillian Welch, and Harry Styles. Just to name a few.

Blake Mills is my all-time favorite artist for SURE. He changed the way I think about lyric writing, arranging, guitar playing, and nearly every other aspect of my own musicianship. I listen to his records on a weekly basis at the very least. I’m also a huge fan of Dawes, Henry Jamison, Cass McCombs, Vulfpeck, Kurt Vile, and that new Kacey Musgraves record is KILLER.”

 

Parker assures us that more music is on the way! (And to keep an eye open for upcoming shows!!) Besides singing and songwriting, Parker is also a gifted guitar player. Evident in both “No Fire” and “Late Love”, his use of electric and acoustic guitar produces a poetic combination of both modern and vintage vibes. You can check out his music here.

 

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