FLATLAND CAVALRY: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY CAMI LIBERTY

PHOTO BY SAMANTHA CROWLEY

PHOTO BY SAMANTHA CROWLEY

Lead vocalist and guitarist Cleto Cordero, electric guitarist Reid Dillion, fiddle player Wesley Hall, bassist Jonathan Saenz, and percussionist Jason Albers make up Flatland Cavalry. On the current release of their sophomore album, Flatland Cavalry wants to fine tune themselves as musicians and storytellers. While still remaining true to what made them stand out years ago, they also want to expand and grow as a band. A main theme that lead vocalist Cleto Cordero sticks to is the whole reality of growing up and figuring out life. It’s scary and often times a harsh reality, but it leads to life lessons learned and maturation. Flatland Cavalry talks about their song writing process and the evolution of their music in their latest interview with Unclear.

This past January you released your latest album Homeland Insecurity. What was the process like creating this album?

FLATLAND CAVALRY: “We recorded Homeland in waves. The first couple batches of songs we recorded on our ‘off’ days, in between touring.  We’d be on the road and come back to Lubbock, TX for a few days and record a song or two at a time over at Amusement Park Studios under the helm of Scott Faris. We soon realized we were running out of time to release the album within the year and our tour schedule was only getting busier, so we decided to block out a few weeks of Studio A at Amusement Park in July 2018. We went in the studio and hammered out the last 6 or 7 songs. That last session really made us a real band, I believe, because everyone in that studio sacrificed their personal lives and time away from loved ones in order to create this new thing. It was grueling having to write and record while being on the road full time but I think we came out ahead as better songwriters, musicians and individuals. It really taught us how to work hard and stay passionate about our craft.”

How would you describe the record in three words?

FC: “Real. Heartfelt. Honest.”

 

What song on the album would you say was the hardest to create?

FC: “Speaking for myself, I think ‘Years From Now’ was the hardest (and easy!) to create. Hard, because it took a three day fast (no food, only water) to bring out the emotion to write it. Easy, because it poured out like water onto the page and only took 15 minutes or so.  After arranging it in the studio we added a super cool long outro and had some of our favorite musicians solo over it. That was something we’ve never tried before on an album. “

 

Which song was the easiest?

FC: “‘Sleeping Alone’. Our producer, Scott Faris, asked me to run through the song a couple times because he needed to check microphone levels. He lied and was recording the whole time. We ended up using the second take.”

Where do you find most inspiration when creating music?

FC: “I carry around a small moleskine notebook with me and anytime I feel raw emotion, or think of a song idea or just anything really, I try to write down as much as I can and try to capture exactly what I’m feeling at the moment. My surroundings and relationships with other people inspire me the most. I’ve also found that solitude is one of the best ways to fish for inspiration.”

 

How would you say your music has evolved over the years?

FC: “We have all grown strides as songwriters and musicians since we started doing this when we were 19 years old, but at the core of it all has remained two things: simple melodies and good stories.”

 

Is there anything else that we can expect from you in the near future?

FC: “We are hoping to release some brand new songs as well as an impactful music video.”

 

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LUNA SHADOWS: INTERVIEW


PHOTO BY LASREN SOTELO

PHOTO BY LASREN SOTELO

When was the moment that you realized you wanted to be a musician?

LUNA SHADOWS: “There’s never been a revelation, it’s something I’ve always just known. The shape has shifted from singer into songwriter into producer and so forth, but the idea has always been there, for as long as I can remember. I had the dream well before I had the means. I’ve always had the interest, the drive, the passion — but it took me a very long time to supplement those things with a skill set, a mission statement, and a real perspective.”"


How would you describe your sound in three words?

LS: “Light, dark, and Californian. I feel the guillotine coming down because you said only three words, but if I were allowed more, I’d say all that sprinkled with a New York cynicism.”


You recently released your latest song “god.drugs.u”. Can you tell us a little about the song and the inspiration behind it?

LS: “Writing ‘god.drugs.u’ was like creating a process of elimination love song. What I mean by that is this: you know when you’re hungry, and you don’t know what you want to eat, but you know it’s not tacos for the third time that day, or spaghetti for the second night in a row, etc…. and eventually, after you’ve gone through the whole list, you realize it’s sushi that you’ve been looking for? That’s this song, but with love as the subject. It’s very difficult to speak about love in an original way. Someone somewhere has already said it all.  This song is me going through the process of finding out what love means to me.

I found myself trying to describe love in a non-cheesy, innovative way, and I naturally started thinking about what it wasn’t for me personally. Not for anyone else, just me. And my experiences of love are very present moment & secular. So the chorus of this song is me crossing off what love is not in order to get to the bottom of what it is. I personally have not found any comfort in spirituality or chemical experiences. So it’s my own diary of earthly ecstasy: ‘what they want in god I found in you, I found a lot/and what they need in drugs, I keep in you, I keep in love.’”


You also released a music video for the song with an all female team – what was it like working on that?

LS: “Yes, nearly exclusively all female-identifying + queer. It was absolutely awesome and a huge learning experience for me. When I first presented the idea, people around me doubted that I would be able to find enough talented & willing female-identifying skateboarders. Not only did I find them, but I had to turn down about 15 other skaters because every single person I reached out to wanted to do it. So that was my first lesson. And since then, I’ve found that there’s an entire community of female skaters in LA — they host meet ups & group skates etc. (See: @brianaking on insta — her meet ups are truly inclusive & welcoming). It’s truly beautiful & inclusive - and totally the opposite of the skate environment that I grew up around, where teenage boys made fun of me for eating shit on asphalt.

So that was the cast. And the crew was amazing as well — again, didn’t know if I’d be able to find enough girls to fill the BTS roles, but I found them almost immediately.

There is a stereotype that women are emotional — if emotional means empathetic, thoughtful, attentive to detail, passionate about the work, and deeply invested in the result, then this is a fair description of my team. Everyone left set telling me that our shoot was one of their favorite shoots they’d ever been a part of, and that’s something I’m really proud of.”


Where do you find most inspiration when creating music?

LS: “Music itself, really! A lot of my sessions start by listening to music that I like — not just new music, but super old music. Nostalgia tunes. It’s the craziest when you forget about a song and then it re-emerges with new life. I’ve just rediscovered Avril Lavigne, for example. I was obsessed with her when she first came out. Begged my mom to bring me to her concert (something she still jokes about til this day). Her vocals at the end of ‘I’m With You’ are really making me want to write a song with some heart-on-sleeve cries at the end. That’s the kind of thing that gets me going… then once I get going, the road bends in many unexpected directions and I just follow along.”


What do you hope listeners take from your music?

LS: “Whatever they need most. I might’ve had certain intentions, but if they mishear lyrics or cherish an alternate meaning, I support that. Some of my favorite lyrics from my favorite artists were ones that I misheard. As long as the message they get is not hateful, then I support any interpretation of my music.”

 

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JADE HASSOUNÉ: INTERVIEW


INTRO BY KAT VISTI

INTERVIEW BY CAMI LIBERTY

PHOTO BY BARRINGTON ORR

PHOTO BY BARRINGTON ORR

Jade Hassouné, born in Montreal, Quebec, found his love of acting at just 10 years old. Jade’s first big break came when he got casted to star alongside former Hannah Montana Star Emily Osment in ABC family’s CYBERBULLY. After that Jade went on to star as Prince Ahmed for two seasons in CBC’s television series Heartland. His life changed when he was casted as Meliorn in Shadowhunters. Aside from being onscreen, Jade also is the voice of Mason Rana in the video game Starlink: Battle for Atlas. Jade also has a love for music stemming from his mother, inspiring him to release his debut EP entitled Love Letter to a Fandom.

When was the moment that you realized you wanted to pursue acting? 

JADE: “It was when I was 10 years old and I stepped on stage to do a scene. I felt my heart open and fill with a feeling of joy, of ‘right place, right time’ like I was exactly where I was supposed to be. And I knew that’s what I was supposed to do. Later I realized that what I felt was the feeling of joy that connection brings. And so I decided that this was what I wanted to feel forever.”

You starred as Meliorn on Shadowhunters, which recently aired its last season. What are some of your favorite memories from working on the show? 

JADE: “My favorite part is spending time with my friends and laughing. It is really fun that we get to reenact an epic fantasy story too!! I loved it when we were a big group all interacting as the characters. The finally episodes are a great example of that.”

What has been your favorite part about being Meliorn on the show? 

JADE: “Playing a character that is over a hundred years old, who has a broader vision of life than the rest of them, who is somewhat of a prince and feels superior to humans. That was fun!”

What has been the hardest thing to say goodbye to from working on the show? 

JADE: “To know that we wouldn’t be working together in this way again. But we are going to be seeing each other for the summer conventions tour, so it’s not like it was the end of our adventures. Only in one sense.”

In addition to acting, you’re also working on your debut EP Love Letters to a Fandom. What can we expect from the EP? 

JADE: “Yes! You can expect some pop music, filled with some of my deepest feelings and emotions that I don’t normally share. I have written some songs about the experiences my life has had since the ‘Shadowhunters’ fans helped change my life. And how it feels to be on tour and meet amazing people, at conventions and also in a personal way, and how it is to have to say goodbye to them. Falling in love, feeling heartbreak, but feeling love from the shadowfam regardless of the hardships of my life.”

Where do you find most inspiration when writing music? 

JADE: “Love and heartbreak but also from my self-confidence and inner guidance to follow my own path, to do me and remind everyone that what you dream of and how you feel is what is most important, not what people say to you or expect from you.”

Is there anything else we can expect from you in the near future? 

JADE: “Yes! I am creating a platform where I will be connecting with the fans on a more personal level, where we will be collaborating on art projects and where they will be able to share their ideas as to what I should create next. I want to bring people together and create a community for us to continue what we all started. To go with my EP launch, I have created a behind-the-scenes series where they will get to experience my transition from actor to musician, where they will join my inner circle and become part of my life like never before. Stay tuned for the launch of my Patreon page!!!”

 

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JAMILA WOODS: ON TOUR


BY TÉA VAN ACKEN

PHOTO BY BRADLEY MURRAY

PHOTO BY BRADLEY MURRAY

Jamila Woods is changing the face of poetry, soul music, and music itself with her every word. Woods stands with her shoulders back to stand up for what she believes in. Born and raised in Chicago, her words expand much farther than that with themes of feminism and identity. Woods’ gift with words brought her to publish a poetry book, The Truth About Dolls, as well as the gift of organizing a community of Young Chicago Authors, where she is the Associate Artist Director, holding and participating in workshops for poetry creation. Her voice brings communities empowerment as she is educating and mentoring for those who feel silenced, and building a foundation of strength for “unapologetic blackness, intersectionality, and self-definition” as an editor for “Black Girl Magic”, publications of poetry through The Breakbeats Poetry Volume II. She is also widely known for her voice alongside other artists such as Chance The Rapper, as she can be heard in “Sunday Candyin the album Surf, and “Blessings” from Coloring Book. Not only is it music but poetry as well, Woods makes her authenticity evident as she appears she pours her entire being into her works. Her first soul and hip-hop mixed debut, HEAVN, showcased her unique upbringing in Chicago and the memories of which shaped her into the artist she has become, bringing feelings of nostalgia to the surface and as well were alongside her Chicago fellows NoName, Chance The Rapper, and Saba. Her newest pieces embodied in the new album Legacy! Legacy! allows for herself to shine through and highlight other black artists, honoring the songwriters, poets, musicians and more through titling her songs after them. Not only is Woods honoring these artists, but she is also giving them a voice as she arises the legacies of those who inspired her throughout her journey of organizing communities, publishing her own poetry, and striving through music. The album demonstrated frustration and changes for the white-knuckle fight against racism, inspired by the history of which Woods creates a voice for today’s fight and aspirations. Her soul songs are pieces of her, but also tells the stories of many black artists whose voices were quieted, actively putting her frustrations with inequality and white privilege in the beautiful, fight-song lyrics to music. Jamila Woods does a fine job of keeping these voices alive, recording her melodies to bring sound and justice to our world. Leave it up to the lovely Jamila Woods, honor her fight and her voice, sing alongside one who believes we can make changes on the following dates:


JUN 17 MON

@ Valley Bar

Phoenix, Arizona


JUN 18 TUE

@ Casbah

San Diego, California


JUN 19 WED

@ Constellation Room

Santa Ana, California


JUN 21 FRI

@ El Rey Theatre

Los Angeles, California



JUN 22 SAT

@ Great American Music Hall

San Francisco, California


JUN 23 SUN

@ Cornerstone Brewery

Berkeley, California


JUN 25 TUE

@ Star Theater

Portland, Oregon


JUN 26 WED

@ The Crocodile

Seattle, Washington


JUN 27 THU

@ Biltmore Cabaret

Vancouver, Canada

 

LUCIANA ZOGBI: INTERVIEW


PHOTO COURTESY OF LUCIANA ZOGBI

PHOTO COURTESY OF LUCIANA ZOGBI

For those who don’t know about you yet, what would you tell them about yourself and your music as a bit of an introduction?

LUCIANA: “My name is Luciana Zogbi, I’m a singer, composer and YouTuber. I started my musical career creating my own version of popular songs on YouTube and recently started releasing my own original songs.”

You recently released your latest song “Down By The River.” What was the process like creating the song?

LUCIANA: “I was inspired to write ‘Down by The River’ after a trip to Greece, where I first heard about the Greek legend of Charon. I was visiting a museum when I saw a painting that depicted a burial scene where a man was putting a coin on a dead persons mouth. I asked a guide to explain the meaning behind that ritual and she taught me that in ancient Greece, people believed the coin would be used by the dead to pay Charon for passage to the next life. I then asked, ‘Who’s Charon?’ And she explained that according to Greek mythology, Charon is a ferryman that carries the souls of the newly deceased across the river that divides the world of the living and the dead. He demands payment for that passage and that’s why people were buried with a coin. If they were buried without one, they were doomed to roam the river shore for 100 years. 

When I returned from my trip, I decided to write a song about one of these unfortunate souls who got buried without a coin and had to stay in ‘limbo’.”

You also released a music video for the song. How did you ensure that the video would really make the song come to life?

LUCIANA: “I wanted the video to portray a sense of loneliness that ties in well with the idea of being stuck in limbo. To do that, we decided to have only one character in the video, that roams in solitude through some different landscapes. We also decided to insert drone shots that capture the immensity of the landscape, especially when juxtaposed to our ‘small’ subject.”

What inspires you while writing music?

LUCIANA: “Inspiration can come from so many different sources. Sometimes it’s a conversation you had, or a book you read, or a moment you lived. In the case of my new song ‘Down By The River’, it was a painting.”

Is there anything else we can expect from you in the near future?

LUCIANA: “Yes! I have many new songs coming up and I hope to release a full album next year!”

 

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