ALEXINA: INTERVIEW


PHOTO COURTESY OF ALEXINA

PHOTO COURTESY OF ALEXINA

For those who don’t know you yet, what would you tell them about yourself and your music?

Alexina: “I’d tell ‘em that I’m a young girl who grew up in the wilds of Scotland who now resides in London making pop music about the reality of being a 20-something, broke artist and other interesting areas of girl life — elusive friends, going out too much, bad dates, the internet etc. I make all my music with producer Rob Brinkmann in a studio in Battersea, South London — we spend hours inside talking, therapising, experimenting with sounds, recording things in weird ways, constantly listening to new music and watching weird videos on YouTube — the end result is the music we make.”

You just released your debut EP Partying On My Own. Can you tell us a little about the EP and the process creating it?

A: “It’s a monumental moment for me. These songs in a weird way mean everything and nothing to me now — it’s incredible to have them out and for people to message me about how they relate to and understand these pretty sad stories. I wrote these songs in the dark winter of 2018 after a bad break up and produced them last summer — with Rob — during the incredible London heatwave we had. I spent an hour every morning lying on the Common and replaying all the music we’d made the day before walking across the burnt out park to the studio where Rob and I would sit and produce for the next 12 hours. For weeks. It was a wonderful routine and I didn’t have to get on a bus or a tube which was amazing. By the summer I was pretty much over the relationship and wanted to turn these sad, piano ballads into big, anthemic, F-You pop songs which you could put on in your car in stick your head out the window and sing to. Which I think we did. It was an amazing process. I was incredibly happy during that time we spent making the Partying On My Own EP.“

What inspires you while writing music?

PHOTO COURTESY OF ALEXINA

PHOTO COURTESY OF ALEXINA

A: “Words. Real feelings — anything that hits or happens to me I have to write down in a rhyme form on my notes in my phone. Or in my notebook. My notes section is probably the most personal place in my life, it’s like my weird little brain diary which I’m constantly adding to. I normally write on the tube or in my bed. I’m inspired by people and love and friends and books but mainly, by my own weird feelings which I try and translate into stories & songs people can understand. Like, ‘oh she’s in her mid-20s, single and going out too much and all her friends have serious jobs and are moving in together — I’m totally like her. I get her.’ I don’t know, I want to make more REAL pop music.”

Of the songs you currently have released, which one would you say best represents you as an artist?

A: “I would say Partying On My Own — it encompasses everything for me. Lyrics which I feel I’ve got right, a story that tells itself alright and production I could eat, I love it.”

Is there anything else we can expect from you in the future – music videos, shows, etc.?

A: “I’ve just finished producing my second EP - my most favorite body of work (even more so than EP1 if possible) which I’ll be releasing really soon. I’ve also just played my first show with my brilliant band so you can expect a LOT more of that too!”

 

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CLOE WILDER: INTERVIEW


PHOTO COURTESY OF CLOE WILDER

PHOTO COURTESY OF CLOE WILDER

For those who don’t know you yet, what would you tell them about yourself and your music as a bit of an introduction?

Cloe Wilder: “I’m a 13-year-old singer-songwriter, which tends to make people uncomfortable. I’m working at being as vulnerable as possible because I’ve always respected those artists. The first reaction to my music is commonly ‘did you write this?’ — yes! I write everything and I’m very proud of that. I have yet to get an understanding of my music, but I hope to continue shocking people.”


You just released your new single “Save Me”. Can you tell us a little about the song and the inspiration behind it?

C: “This song was listing reasons as to why I understand, but also why I’m okay. My family and friends had never known my music or expression to be that devastating, so as I began to write and release, they began to worry. This song is an acknowledgment to what’s wrong, but also to what’s right.”


Do you find that you have the same process when creating songs or does it change often?

C: “I don’t, which was surprising to me. The more I write, the less consistent the process is. Maybe that will change because this career is so young and fresh.”


What do you hope listeners take from your music?

C: “I want listeners to understand that songwriters don’t only write these songs for themselves, or because they hope it’ll result in fame… and that the majority hope to help you. I wouldn’t write these songs if I didn’t understand or feel them.”


Is there anything else we can expect from you in the near future?

C: “YES. I already feel as though I’ve done so much, but in reality, this is barely the sunrise — that’s what I’ve been told. You can expect consistent singles and an eventual EP!!”

 

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JAMES DROLL: INTERVIEW


PHOTO COURTESY OF JAMES DROLL

PHOTO COURTESY OF JAMES DROLL

When was the moment that you realized you wanted to be a musician?

James: “Honestly that’s a hard one to determine… I’ve always had a passion for music but wasn’t always in a place to believe that my dreams could manifest in reality. If I had to pick, I would say when I made the decision to drop out of school to pursue music in my first band. While that didn’t end the way we had expected, it showed me that I’m willing and able to prioritize music over the ‘more stable’ path.”

How would you describe your sound in three words?

J: “Smooth. Real. Ouch.”

You recently released your EP Self Sacrifice. Can you tell us a little about the EP and the inspiration that started it?

J: “Self Sacrifice is a reflection of the last two years of my life. It’s bullet points on a timeline, where I’ve been and where I’m going. There’s a story behind every song but I think I’d prefer the listener to find that for themselves and apply their own lives to the message.”

PHOTO COURTESY OF JAMES DROLL

PHOTO COURTESY OF JAMES DROLL

Which song on the EP would you say was the easiest to create? Which one was the hardest?

J: “I think those two questions exist as the same answer... I Don’t Smoke was definitely a ‘pour out of you’ kind of song and in that sense was very easy. It was hard when I looked down at the page and reflected on the words I had written. It was a very full circle cathartic experience.”

When you aren’t making music what can we find you doing?

J: “Probably home playing video games with my boyfriend or chasing my cats around the house dancing to Kim Petras.”

What do you hope people take away when listening to your music?

J: “Six dollars to buy themselves an iced coffee.”

 

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'PMD' / MARC E. BASSY: ALBUM REVIEW


BY MICHELLE CASTILLO

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I first listened to PMD as I was winding down for the day. The lights in my room were off and the window open letting the light breeze and the gentle sounds of the night in. There were only a handful of songs that were perfect for this mood. Others had the type of beat that would be perfect to play in the background as you’re getting ready for a night out, the rest were just radio-friendly beats that didn’t give any lyrical depth.

PMD, or Postmodern Depression, is Bassy’s third studio album. The Bay Area native had taken the music world by storm a couple years ago with the songs “You and Me” and “Some Kind of Drug”, both with G-Eazy.

In his latest album, songs such as “15 Minutes to Go” and “NASCAR” showcase the R&B talent his fans have come to expect from him. Whereas tracks like “Die Hard” and “Drip” are easy to digest songs that would be fun to hear live.

While this is an R&B album, there are definitely influences from different genres and decades. “Nothing Compares” has a groovy, 70s sound that can be heard throughout the song. “Aquemini” ends with an 8-bit accompanying instrumental reminiscent to the 80s video game music we all know and love. “Die Hard”, the most upbeat track on the album, had some indie rock influence.

A standout track on the album is “Where We’re From”. Completely different to the rest of the album, this soothing song is the perfect addition to any night drive playlist. This song immediately lets you know the exact vibe it wants to give off as it opens with a reverb guitar - smooth, sultry, alluring. The track is about a one-sided love as described with lyrics such as “Don’t say that you want my love / Don’t say you’re not feeling everything that I’m feeling”.

While each track had its own unique sounds, the lyrics for most of this work seemed bland. He’s definitely had strong EPs and mixtapes that have garnered multiple hits, but this album isn’t one of them. Altogether, this wasn’t Bassy’s strongest album, which is disappointing for a longtime fan of his.

 

'DON'T TOUCH THE QUEEN' / KEZAR: MUSIC VIDEO REVIEW


BY MIKAYLA LAWLESS

“Don’t Touch the Queen” is the newest music video to come out of the indie pop band Kezar. It focuses on seven fierce women who come from various professions, from a computer science initiative director at Google, to a film director.

The song was actually inspired by an incident that was witnessed in a club. The band’s front member, Jack Mosbacher, was speaking to a woman when a man who was drunk stumbled up to her and groped her. She immediately punched the man in the face and stated: “Uh-huh. Don’t touch the queen.” It was a wildly empowering moment to experience, and that's when the project was born.

The music video begins with each woman introducing herself, explaining who she is in this world. Each scene shows each woman in her daily life; taking care of the kids or directing a film. Throughout the video, each woman puts on beautiful dresses and gowns, framing their faces with crowns made of flowers or gold. Lyrics such as, “she is a victory, she is a legacy,” give power to the message being made. One specific moment in the video that sparks chills throughout all of its viewers is when all the women confidently place their crowns — made of leaves, flowers, or even pearls — on top of their heads. In comes a wave of confidence, and most importantly, a sense of control. Too often, women are made to feel as though they have no authority over their own lives. They feel as though they cannot change their lives, that they are stuck living as the same person everyday. Wearing their own individual crowns shows their individuality.

The end is definitely one of the most breathtaking pieces of art this video has to offer. All seven women walk up the stairs, a few carrying gasoline and lighters. They ultimately end up in front of a plaque, seemingly having set fire to it. The plaque is meant to symbolize all the hardships they have been through, personal and in society. It is an incredibly moving message of how these seven women decided to take control of their lives in spite of what the universe was throwing at them — and it insists that anyone else can do it, too.