NIKITAA: INTERVIEW


by pankhuri bhutani

photo courtesy of nikitaa

photo courtesy of nikitaa

Describing her sound as “goddess pop,” this artist hails from Mumbai, India. Garnering over 2.5 million views on her YouTube channel, NIKITAA is an artist to follow! Having a goddess-like persona in all her songs, NIKITAA has won the hearts of millions of people. 

Recently releasing her new track “Clutch,” NIKITAA gained over 1.2 million views in just a span of two months. Being a singer as well as a songwriter, NIKITAA has big plans to pen down songs that shout empowerment, femininity, and power. Having created some magnificent songs, NIKITAA is going way up on the path to success.

To talk about music journey along with her recent single, NIKITAA took out some of her time for an interview with Unclear Magazine!

Hello NIKITAA! Thank you for joining us at Unclear Magazine. Kindly tell us something about yourself.

Nikitaa: “Thank you so much for having me! I’m a singer/songwriter/producer previously based in Los Angeles, and now based out of my hometown Mumbai in India. I like to call my genre of music goddess pop.”

When was the moment you decided to start your journey as a music artist?

N: “I’ve been writing poetry since I was three, started writing lyrics when I was 12. And I’ve had plenty of training of all kinds vocally and musically since early childhood. I remember being three and announcing to my mother that I wanted to be on a stage and perform, but I didn’t take my career as an artist seriously until I was about 19. I threw myself much harder into my vocal training and left the year after for Los Angeles to attend Musicians Institute and then work out of LA! It’s where I found most of the core team I work with now.”

What were the challenges that you faced during this journey and how did you cope up with them?

N: “I think the biggest challenge you face as a woman  —  and specifically a woman of color  —  in this industry is people telling you what to do and how your art should look or sound. I cannot tell you how many times I have had my work praised, only to then be told that in order to be successful I would have to shed everything unique about myself as an artist and about my music (including aspects of my culture, my roots) and fit a cookie cutter mould. The only way to cope with it is putting all your faith in yourself, and your vision. Yes, constructive criticism is important, but it is also important to discern between those that criticize to help and those that criticize to influence and sway you. At the end of the day your uniqueness  —  the things that make you, YOU  —  are your superpower!”

Who do you consider to be the biggest source of inspiration?

N: “I used to have artists that I drew inspiration from, but lately I’ve been drawing inspiration from my friends and the conversations we share. Apart from that, I always love to draw on powerful feminine archetypes  —  the Goddess, the High Priestess, the Wild Woman, etc. I draw inspiration from that resilient and magical feminine energy and symbolism that has stood the test of time.”

If you could choose one word to describe your music, what might it be and why?

N: “I like using the word ethereal. To me, my music is definitely a key aspect of my spirituality. You’ll always find me crafting metaphors around archetypes and Goddesses and the Universe. It’s one of the reasons why I call my sound goddess pop!”

What can the fans expect from your music in the future?

N: “They can definitely expect more of it! I have another single called ‘Goddess’ coming out on July 10, and it is definitely cementing the tone of my brand  —  I want to continue to create empowering, fun, interesting and powerful music.”

What are the things that you put into your mind before creating your music?

N: “Usually if I already have a theme or idea in mind, I start to create a mental storyboard of all the things I associate with that idea or theme  —  colors, sounds, places, memories, feelings. I then approach the song  —  the lyrics, melody and production  —  from that standpoint of invoking and bringing that mental storyboard to life. Sometimes I don’t have a theme in mind and I like to keep my mind as blank as possible. I’ll avoid listening to any music, and to come in with a calm energy. It feels very freeing, like I have the ability to explore and experiment to my heart’s content!”

You recently released your new track “Clutch.” Congratulations on that! What message were you trying to convey through that track?

N: “Thank you so much! I was still in music school in LA when I wrote Clutch. I’m a light-skinned South Asian woman, and I’ve been told very often that I look racially ambiguous. Suddenly, I found myself surrounded by men who started to fetishize me, and fetishize that ambiguity. I viscerally felt them watching me, thinking the way I dressed, talked, walked, everything  —  was for their consumption. I wanted to write a song to let all of those men know that my body is for me. My pleasure is for me. And that if you’re standing here talking to me, it’s because I’m letting you. It felt like an unapologetic reclamation of power to write a song that outright stated what I wanted especially romantically and sensually.”

Lastly, is there any message that you would like to give to your fans?

N: “Thank you all for supporting independent artists like me, and art in general! In times like these  —  with a pandemic and such powerful movements for justice around the world  —  art is something that grounds everybody, brings them joy, and creates a space for us to just feel out our feelings or blow off steam. I feel grateful to be one of the many that can bring you that space. I don’t think anyone can imagine a world without art, and I don’t think any artist can imagine any amount of success without the support of their patrons  —  you guys! I hope you’re all staying safe and doing whatever you feel capable of to help yourself and those around you!”

 

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ARMAAN MALIK: INTERVIEW


by pankhuri bhutani

photo courtesy of armaan malik

photo courtesy of armaan malik

Hailing from Mumbai, India, this artist was just eight when he initiated his professional career. He has now transformed into a global sensation, cramming up a lifetime’s worth of achievements at just 24 years of age. Having sung songs in diverse languages like Hindi, Tamil, Gujarati, Bengali along with several others, Armaan Malik has recently entered the world of English music.

Marking his English song debut with the track, “Control,” Armaan has gained over 26 Million views on the music video in just three months time leading him to break international boundaries and worldwide fame. With over 200 Million views on his YouTube channel, Armaan, who is currently signed to Arista Records, has recently dropped his second English track titled “next 2 me” which has already proven to be a hugely successful song.

To talk about his music journey as well as his recent tracks and possible upcoming collaborations, Armaan recently joined us for a really fun and insightful conversation!

Hi Armaan! Thank you for joining us! Kindly tell us about the moment you decided to start your journey as a music artist!

Armaan: “Hey guys! Really great to be talking to y’all! Well, I started my professional journey at the age of eight. I began dubbing and voiceovers for advertisements as well as feature films, that’s how it all started. While working on those projects I happened to meet a lot of amazing film music composers who then, later on, gave me a chance to sing for children’s movies in Bollywood. I had a very clear vision of establishing my own unique identity from a very young age. When you belong to a family steeped in musical excellence, everyone around you expects you to follow the same path and obviously have everything laid out for you along the way. But I knew I wanted to make it on my own mettle and not use my family name to further my career. At the age of nine, I went ahead and submitted my audition to a big Indian singing reality show called SaReGaMaPa Lil’ Champs with only my first name  —  Armaan. I made it to the top 10 of that show too, which in a way catapulted me into early fame. It’s only at the age of 18 that I started my adult playback singing career in Bollywood and never looked back since!”

You recently dropped your debut English track “Control.” Congratulations on that! What was the inspiration behind it?

A: “Thank you! ‘Control’ is a song that describes the push and pull feeling of being trapped in a controlling relationship and how confusing it can be to want in but also want out. It’s inspired by the relationships I’ve seen around me. I always love writing about what’s happening around me, in my friend circle. It instantly relates to the youth, who may be going through a similar thing in their life.”

What was the creative process like with the track? Did you face any challenges during the process of the song?

A: “The whole process of preparing my English music has taken about two years. I have been working on creating a soundscape for my material and getting the right vibe for it. I’m glad that after that whole creative process I could finally release my debut single ‘Control’ earlier this year. Believe it or not, but this particular song was created produced and recorded all in a day, and then it was just the mix and master which happened over some time. A quick fact since you asked me did I face any challenge  —  I have been playing the guitar for very long, but I have never played the bass before, this is my first time playing the bass on my own song and I was pretty nervous! Wayne Wilkins (the producer) actually handed me the bass and just said —  ‘go wild on it!’ and that very ‘wild take’ is the bassline you can hear on the final record right now!”

You’re a music sensation in India! What made you choose this shift to the world of English music?

A: “It’s been a childhood dream of mine to sing and write my own songs in English. After seven years of working on Hindi and regional music, I found the right opportunity to make my dreams come true when I met David Massey and signed to Arista Records!”

We have seen a lot of interaction between you and the talented Stephen Puth! Any chance we can see a future collaboration between you two?

A: “Stephen is a great artist and even though we haven’t like hung out properly, we have now become quite close as friends. Yeah, it would be cool to do something with him in the future! We’ve always wanted to jam and write together, I’m waiting till it’s safe to travel and we can meet up!”

photo courtesy of armaan malik

photo courtesy of armaan malik

What can you tell us about your recent track “next 2 me”?

A: “I never planned to release ‘next 2 me’ as my second single, but when I wrote this in lockdown it just made absolute sense to put it out now. I was browsing through the internet one day when I came across this quote: ‘Missing someone isn’t about how long it’s been since you’ve seen them or the amount of time since you’ve talked. It’s about that very moment when you’re doing something and wishing they were right there by your side.’ This quote somewhat hit a chord with me, and inspired me to write ‘next 2 me.’ The global lockdown has been tough on all of us, especially for those who are quarantined away from their loved ones. I wanted to capture that feeling of missing someone and wishing that they were next to you. We may have all the devices in the world to keep us connected, but having that person next to you is a different feeling altogether, something that no digital connection can ever compare to. Now, more than ever, I believe anyone can easily connect to the song.”

What according to you is the best thing that you have achieved so far related to your music?

A: “It had been my childhood dream to perform at the prestigious Wembley Arena and the fact that I am the youngest Indian origin singer to do so, and also rank fourth (in the world and best from India) at the SSE Awards Live Act that year, feels unreal! When I was on that stage, I could truly feel the energy and magic of all the legendary artists that have performed there.”

Lastly, is there any message that you would like to convey to your fans?

A: “The journey so far has really been amazing. From a reality show contestant to being a full-fledged playback singer, to being a reality show judge (The Voice, India) and now venturing into the global pop arena, I really feel the journey has been extremely fulfilling and rewarding as an artist! My fans have played a huge role in this journey and just want to thank them for all their undying support and let them know that I love them all. A whole lot of exciting stuff is in store for them with new music, collaborations, and merchandise!”

 

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'REAL LOVE SONG' / NOTHING BUT THIEVES: SINGLE REVIEW


by emma schoors

Real Love Song” is a song about a dirty, rip out the whole of your soul love. 

Rarely do love songs delve into the deep, dark, real territory that Nothing But Thieves have reached into with this song. It almost feels counterproductive to try and explain it in words other than the ones that Conor Mason sings so vulnerably.

“This is a dark song, real dark.

Feral tear off your skin to the bone dark.

I’ll drink myself to death dark.

Do anything to feel your breath on my neck dark.”

The second verse greets listeners with lyrics detailing the depth of destruction that comes with a certain type of love. The kind of love that grips you firmly by the shoulders and convinces you that you need it to breathe. The kind of love that sits in the forefront of your mind at all times, no matter what. The kind of love that is unconditional to a dangerous fault.

“This is a love song, so what?

Did it slide into your heart?”

These two lines have stuck to me like no other lyrics have for a while. There’s a grain of salt I carry with me while listening to love songs, because so many of them are sickeningly sweet. It feels pointless to listen to a love song that doesn’t pull at the heart strings. Well, this one does. It pulls at every last heart string. 

“Got a thing about you, and it won’t go away.”

This song is about a love that won’t go away. There’s a love song (similarly deep, and similarly dark) by The National that references John Hersey’s novel My Petition For More Space. In the novel, Hersey details love in devastatingly accurate terms, terms with a likeness to “Real Love Song.” Terms that sum up the type of love that just won’t go away. “It was not just my hurt look, it was not really a hurt look at all. It was the look of a steep fall.”

A steep fall is what this song feels like. A steep fall into a form of love that’s not often explored because it hurts and it’s hard to write about. Somehow, Nothing But Thieves have turned this dark corner of love into a beautiful tune. That’s the funny thing about music; it can turn even the deepest of cuts into art.

 

NICK WILSON: INTERVIEW


by pankhuri bhutani

photo courtesy of nick wilson

photo courtesy of nick wilson

With over one million monthly listeners on his Spotify channel, Nick Wilson is a 25-year-old singer-songwriter hailing from Buckinghamshire. He recently released his new single “Safe” — a soulful track featuring melancholy lyrics over an electrifying beat.

Having some massively loved tracks like “Miles Apart,” “Think Twice,” “Not Falling Out of Love,” along with several other phenomenal tracks, his recent single “Safe” is one of the many tracks that has been successful in proving Wilson’s extreme vocal and lyrical potential.  

Nick Wilson took out some of his time to talk to us about his recent track and give us insights about his musical journey. 

When was the moment you decided to become a music artist?

Nick: “I’ve always been musical so I think I knew from a young age that I wanted to do something musical, but it wasn’t until I was around 15 years old that I figured it was something I could actually do. I started doing YouTube covers and writing music so I realized being an artist was a viable thing.”

What can you tell us about your recent release “Safe”?

N: “Safe is about the overthinking and over analyzing that causes us to make situations worse; we always tend to blame others or wallow in it instead of realizing that maybe we’re the ones to blame. I wrote it with The Nocturns in about four hours, we just fell in love with the chorus melody and the rest came so easily.”

If you could collaborate with one artist of your liking, who might it be and why?

N: “I think it would have to be John Mayer, because he’s just insanely talented [laughs]. I’d love to just smash out a groove with him, and his song writing is always the right level of interesting and mainstream. I love it.”

What are the things that you always keep in mind before creating your music?

N: “I write music best when it’s from an emotional place so I always like to be in the head space of how I might feel about something and why. You’ve got to be ready to dig deep into emotions if you’re writing about experiences.”

Who do you consider as a source of inspiration for your music?

N: “Lyrically I take a lot of inspiration from Noah Gundersen, he’s an incredible lyricist. Sonically, I love LANY and John Mayer and Phoebe Bridgers so that always finds its way into my sound.”

What is the kind of message that you want to convey through your music?

N: “I never really want a message to be at the forefront of my music, but I think if I can make people think about situations differently or let them into a world emotionally that they recognize then I’m happy.”

 

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GO FOR GOLD: INTERVIEW


by emily harris

photo courtesy of go for gold

photo courtesy of go for gold

Arkansas-based band Go For Gold is a testament that the pop punk scene is constantly evolving. The five-piece is known for catchy hooks and transparent lyricism, as seen in their newest release, their EP, Color Me. Following the release of their album Daydream in 2019, the band is back and better than ever. Singles from the EP, including “At Home,” “Green Light,” and “Tone,” have each surpassed twenty-five thousand streams on Spotify. We sat down with the band and talked about their newest release.

 

Congrats on the release of your newest EP, Color Me! What was it like to release such an extensive body of work during an unprecedented time in the music industry?

Go For Gold: “It was exciting to share this release because of how definitive we feel this EP is for our sound. The pandemic definitely stunted our growth and being unable to play shows really kept us from pushing it the way we normally would. Artists rely on social media content and shows to interact with people. When social interaction is limited in every way, it becomes increasingly more difficult to remain consistent with those interactions and create relationships. We believe that good music will still find ways to circulate though. The longer this release has been out, the more outlets have picked up a song or two and shared them. We just found out yesterday about one of our songs being on rotation on a SiriusXM station.”

 

Can you tell us about how the writing and recording process of Color Me differed from that of your past album and EPs?

GFG: “I think it just felt more natural and refined. Our independent album that released last year was us owning what we were doing and deciding to jump off of that cliff and see what happened. With the EP, we already knew we could create a full release. So, we focused more on quality and direction. We wanted to create an EP where all of the songs were consistent in their feel and had a purpose. A lot of ideas didn’t make the cut.”

 

Your lyrics are known for being a testament to your self-awareness and honesty as artists. How has being so transparent affected the following you have now?

GFG: “If we weren't transparent, I would be surprised if anyone cared about what we’re doing. It seems natural to write about how we feel and what we’ve been through as well. I couldn’t imagine writing any other way. We are here with the intention of connecting and creating relationships with people whether that’s in person or through our music. I think that the entire alternative music scene relies on that transparency as well. It’s a safe haven for anyone who needs it.”

 

You released the first track of the EP, “At Home,” as a single. What led you to start the newest era and the EP itself with this track?

GFG: “We felt that ‘At Home’ was a good mix between what our album sounded like and the more alt-rock/punk rock influenced songs on Color Me. It’s a short and sweet song that has a very direct lyric style. It also is very upbeat which sets the tone for the rest of our EP.”

 

What song off the EP are you most excited to bring into a live-space? Why?

GFG: “I think that ‘Tone’ will end up being the most memorable. It will be the hardest for us to pull off but the song builds so well and ends powerfully. I hope people respond to this song the way that we feel it deserves. ‘Loser’ could also be a fun one live. It’s just an upbeat, exciting song. It’s one you can bang your head to and easily sing along even if you don’t normally listen to us.”

 

How has being rooted in Arkansas affected the pop-punk scene you have found yourselves in?

GFG: “There’s not one. Funny enough, there was one other pop-punk band before we started. Both our drummer and our vocalist were in it. That local group ended and we formed. People have been hearing us and referring to the ‘pop-punk’ scene but we don’t have one. There’s just us. I don’t think any other active groups claim to be pop-punk or even punk rock in Little Rock. Little Rock, Arkansas is relatively very small compared to other ‘big’ cities though. We have a few hardcore bands, a handful of metalcore acts, some true punk/emo groups, and so on. We all are part of the same scene here, I feel like. It’s not out of the ordinary for us to be on a bill with a hardcore band, indie band, and metalcore band all in the same night. I think it being a smaller scale community has allowed all of us to become one large collective as compared to having a bunch of individual scenes. We all support each other here and understand that what’s good for one of us is good for the rest of us. I think that quality of community can get lost in larger cities.”

 

You’ve been featured on a multitude of Spotify-curated playlists. As you continue to expand your name as a band, how does it feel like to be amongst other household names like New Found Glory and All Time Low?

GFG: “It’s definitely cool for the people in charge of Apple and Spotify playlists to consider our music to be at a similar level of quality to these very successful acts. I don’t think it changes what we do in any way but it’s reassuring to know that we’re on the right track.”

 

What can we expect from you in the future, both while maintaining social-distancing and when shows eventually start up again?

GFG: “We’re already about halfway done writing for our next release. No matter what the world throws at us next, we’re going to keep moving forward. We’ve got touring opportunities on hold with some pretty awesome bands. As soon as shows become safe again, we’ll be on the road. Until then, we’ll keep making music and videos and whatever else.”

 

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