MUNN: INTERVIEW


by pankhuri bhutani

photo courtesy of munn

photo courtesy of munn

With more than 115,000 active monthly listeners on his Spotify channel, this artist hails from Indiana. Picking up his first guitar at just the age of fifteen, MUNN is currently set to re-release his iconic track “I Lost Myself” along with a phenomenal music video, this time with affiliations to Atlantic Records. 

The track, which was inspired by the past mistakes that one makes in life, gives out a very subtle and impacting message that these mistakes do not define us in our future. MUNN is definitely one of the most talented upcoming artists in the industry who in no time will have his music successfully reside in everyone’s hearts. 

MUNN reveals insights about his music journey and tells us what the process was like behind “I Lost Myself” in a really fun interview!

Hello MUNN! Thank you for joining us on Unclear. For the people who have yet to be introduced to your music, kindly tell us something about yourself!

MUNN: “Hey guys! Thank you for the opportunity to talk a little about myself and my music! I’m a 21-year-old singer/songwriter based out of Nashville, and have lived there for a year now! I make all my music out of my bedroom alongside my manager and producer Dylan Stiles!”

Was there anything you planned out to do before setting out in the music industry?

M: “Music was never the plan for me growing up. I have always had a strong business mindset and subsequently started a company that I ran for three years and just recently sold. I went to business school for a year and a half before dropping out for music. I always thought I’d spend my life growing companies, but as soon as I found myself making music, I knew it was what I was made to do.”

 

You are about to re-release your track “I Lost Myself,” this time in affiliations with Atlantic Records. Congratulations on that! What was the inspiration behind the track?

M: “Yes, thanks so much! There was quite a bit of inspiration for the song I Lost Myself. I wanted to write something that was both true to myself and my situation, and more importantly, something others could relate to. We’ve all made mistakes, and too often we feel like those mistakes are holding us back. Through this song I hoped to paint the picture of what it is like to be in the middle of this struggle. The struggle of our past mistakes or ‘demons’ still haunting us and ever getting closer to dragging us down, while simultaneously trying to show the people in our lives that we’ve changed  and that our pasts don’t define who we are today.”

 

What was the creative process like and did you face any challenges during the making of the song?

M: “The creative process of this song was pretty interesting! I wrote and recorded the song a few nights before my move to Nashville. The song was actually built and written around the guitar that can be heard throughout the track. I played the guitar on loop and wrote the song in no more than an hour. At the time I was recording out of my bedroom and had minimal equipment for doing so; no sound proofing, fancy microphones or interfaces. It was one of those songs that came together so fast. From writing to recording, it all just felt right. Once in Nashville, my manager/producer, Dylan Stiles, took what I had recorded and added minimal but invaluable production to it. What he added really completed the track. The biggest challenge was easily getting the production around the bridge to flow correctly.”

 

You are about to release a music video as well for the track. How was the experience like filming it?

M: “While filming the music video was super stressful and time consuming, it was one of the most fun experiences I’ve ever had. I can’t speak highly enough of the videographer/director/editor Jake Heidecker and his company Jelly House. He took my vision for the video and truly brought it to life. We spent a couple weeks in planning this video, and even then, still ran into challenges on the filming days. Jake and the rest of the team took on these challenges in stride and were still able to put together this music video even better than we had initially imagined.”

 

If you could choose one word to describe your music, what would it be?

M: “Genuine.”

 

Who are your musical influences?

M: “I have quite a few musical influences. I love writers and artists like JP Saxe, Ed Sheeran, Dermot Kennedy, and Julia Micheals. But to me, Jon Bellion is probably my biggest influence. While my music itself doesn’t reflect a lot from Jon Bellion’s style, it’s his artistry and persona I admire.  His songs are often bluntly honest about his life, but he writes in such a unique fashion that everything about the lyricism feels profound. His entire craft as an artist is really quite beautiful. From his writing, to production style, to vocal abilities, Jon Bellion creates true art.”

 

If you could have the chance to collaborate with any one artist/band of your liking, who might they be and why?

M: “As I'm sure you can guess by my high praise of Jon Bellion, collabing with him would be more than a dream come true. Seeing how he works in the studio and his creative process as a whole is really incredible and something I’d love to be a part of.”

 

Lastly, is there any message that you would like to convey to your fans?

M: “There’s so much I would love to say to my fans if only I had the time to say it all. I’m just so thankful for those who have gone out of their way to support me and my music. The music is truly for them, and all the fans down the road. Lastly, as cheesy as it sounds, I want each one of them to know they have a purpose and I care about what they’re going through, whatever that may be.”

 

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NRVS LVRS: INTERVIEW


by pankhuri bhutani

photo courtesy of nrvs lvrs

photo courtesy of nrvs lvrs

Going by the name NRVS LVRS (pronounced Nervous Lovers), Andrew Gomez and Bevin Fernandez are one of the upcoming duos in the industry. With more than 7,500 monthly listeners on their Spotify channel, NRVS LVRS recently released their highly awaited new EP Cult Lite along with their new single, “Little Cults.”

During this heavy time of crisis, this husband-wife duo is using their platform not only to showcase their talents but also to help those effected in this global pandemic. They have decided to donate 50% of all of their Bandcamp digital sales to No Kid Hungry for the duration of the current COVID-19 crisis.

To talk about their music journey and their recent track, “Little Cults,” Andrew and Bevin took out some of their time for an interview with Unclear!

Hello! Thank you for joining us at Unclear Magazine! Kindly tell us something about yourselves.

Andrew: “We’re a married couple living, working, and making music in San Francisco. Our interests include cooking, modular synthesis, photography, and whatever else helps us avoid the feeling that an inevitable and inescapable creeping doom is right behind us.”

When was the moment you decided to start your journey as a music duo? How did the name NRVS LVRS come into existence?

Bevin: “I don’t remember a singular moment, but sometime in 2014 after dating for seven years, we realized we should be making music together, so we started this group as sort of an art project to see what we could create together. We’ve always been a band interested in videos and visuals, and the name NRVS LVRS, which was in a list of band names Andrew found in one of his notebooks, had an appealing visual strength and symmetry to us.”

What were the challenges that you both faced during this journey and how did you cope up with them?

Andrew: “Just the act of making art today is a challenge. Most of us who do it have to work day jobs, so when things get hard, it’s easy to become overwhelmed. With live shows being shut down for the foreseeable future, it’s even harder for musical acts now. It feels silly complaining about any live show at this point in time, but we did a tour in Europe back in 2017, and we had a rough show in front of a packed house somewhere in Germany. Basically, the sound engineer got drunk and mistakenly muted half of our outputs, so the sound was terrible. Afterwards, we packed up, went back to the hotel, and were just really down on ourselves. You can work incredibly hard and prepare but still have it all come undone by one person. It’s a scary feeling when you have 10 other shows ahead of you. But we talked it out, realized that you can’t trip over what you can’t control, got over it, and had some great shows on that tour. The great thing about having a supportive partner is you realize nothing is really that big of a deal, and you can get through anything as long as you stick together.”

Out of all the tracks you both have created, which one is your favorite?

Andrew: “This changes every day, but today it’s ‘Yr Pretty House.’ I feel like Bevin really nailed the lyrics and captured an anger we both had been feeling for a while.”

If you could choose one word to describe your music, what might it be?

Andrew: “Good  —  ‘cause music ultimately can be broken down into two genres, good and bad. And we’re just trying to make good music.”

What are the things that you put into your mind before creating your music?

Bevin: “If we’re working on music, then we’re usually reading a lot, too. reading is probably the single most important thing we do to jumpstart our creativity. Crafting a good book has a lot of similarities with crafting a good song, as both are essentially the art of getting an audience emotionally involved in your storytelling. But books are a bottomless well of inspiration for us. After that, it’s best to not have anything in our minds, no expectations or concrete plans. Create first, and then edit later. It seems like our best stuff comes out when we’re barely paying attention.”

You have recently released your new EP, Cult Lite. Congratulations on that! What was the creative process like with the EP?

Listen to Cult Lite on Spotify. NRVS LVRS · Single · 2020 · 5 songs.

Andrew: “We had a lot of unfinished song ideas before we went to work with Eric Palmquist down in LA. Usually, we have a lot of finished songs before going to record, but this was exciting as Eric pushed us away from the more finished ideas and asked us to work on ideas that were often nothing more than a bassline and a vague vocal melody. We wrote 90% of the EP over the period of a week. It taught us that we can create good ideas out of thin air, and ultimately, we learned to trust ourselves and our instincts more.”

Did you face any challenges during the process of making the EP?

Andrew: “Oddly enough, this might be the easiest record for us to write. As I said above, we were writing quickly, and it immediately became apparent from the sounds and the lyrics that we were writing a cynical pop record, or our version of one.”

Lastly, is there any message that you would like to give to your fans from around the world?

Bevin: “Wear a mask and be excellent to each other.”

 

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NIKITAA: INTERVIEW


by pankhuri bhutani

photo courtesy of nikitaa

photo courtesy of nikitaa

Describing her sound as “goddess pop,” this artist hails from Mumbai, India. Garnering over 2.5 million views on her YouTube channel, NIKITAA is an artist to follow! Having a goddess-like persona in all her songs, NIKITAA has won the hearts of millions of people. 

Recently releasing her new track “Clutch,” NIKITAA gained over 1.2 million views in just a span of two months. Being a singer as well as a songwriter, NIKITAA has big plans to pen down songs that shout empowerment, femininity, and power. Having created some magnificent songs, NIKITAA is going way up on the path to success.

To talk about music journey along with her recent single, NIKITAA took out some of her time for an interview with Unclear Magazine!

Hello NIKITAA! Thank you for joining us at Unclear Magazine. Kindly tell us something about yourself.

Nikitaa: “Thank you so much for having me! I’m a singer/songwriter/producer previously based in Los Angeles, and now based out of my hometown Mumbai in India. I like to call my genre of music goddess pop.”

When was the moment you decided to start your journey as a music artist?

N: “I’ve been writing poetry since I was three, started writing lyrics when I was 12. And I’ve had plenty of training of all kinds vocally and musically since early childhood. I remember being three and announcing to my mother that I wanted to be on a stage and perform, but I didn’t take my career as an artist seriously until I was about 19. I threw myself much harder into my vocal training and left the year after for Los Angeles to attend Musicians Institute and then work out of LA! It’s where I found most of the core team I work with now.”

What were the challenges that you faced during this journey and how did you cope up with them?

N: “I think the biggest challenge you face as a woman  —  and specifically a woman of color  —  in this industry is people telling you what to do and how your art should look or sound. I cannot tell you how many times I have had my work praised, only to then be told that in order to be successful I would have to shed everything unique about myself as an artist and about my music (including aspects of my culture, my roots) and fit a cookie cutter mould. The only way to cope with it is putting all your faith in yourself, and your vision. Yes, constructive criticism is important, but it is also important to discern between those that criticize to help and those that criticize to influence and sway you. At the end of the day your uniqueness  —  the things that make you, YOU  —  are your superpower!”

Who do you consider to be the biggest source of inspiration?

N: “I used to have artists that I drew inspiration from, but lately I’ve been drawing inspiration from my friends and the conversations we share. Apart from that, I always love to draw on powerful feminine archetypes  —  the Goddess, the High Priestess, the Wild Woman, etc. I draw inspiration from that resilient and magical feminine energy and symbolism that has stood the test of time.”

If you could choose one word to describe your music, what might it be and why?

N: “I like using the word ethereal. To me, my music is definitely a key aspect of my spirituality. You’ll always find me crafting metaphors around archetypes and Goddesses and the Universe. It’s one of the reasons why I call my sound goddess pop!”

What can the fans expect from your music in the future?

N: “They can definitely expect more of it! I have another single called ‘Goddess’ coming out on July 10, and it is definitely cementing the tone of my brand  —  I want to continue to create empowering, fun, interesting and powerful music.”

What are the things that you put into your mind before creating your music?

N: “Usually if I already have a theme or idea in mind, I start to create a mental storyboard of all the things I associate with that idea or theme  —  colors, sounds, places, memories, feelings. I then approach the song  —  the lyrics, melody and production  —  from that standpoint of invoking and bringing that mental storyboard to life. Sometimes I don’t have a theme in mind and I like to keep my mind as blank as possible. I’ll avoid listening to any music, and to come in with a calm energy. It feels very freeing, like I have the ability to explore and experiment to my heart’s content!”

You recently released your new track “Clutch.” Congratulations on that! What message were you trying to convey through that track?

Clutch, an album by Nikitaa on Spotify

N: “Thank you so much! I was still in music school in LA when I wrote Clutch. I’m a light-skinned South Asian woman, and I’ve been told very often that I look racially ambiguous. Suddenly, I found myself surrounded by men who started to fetishize me, and fetishize that ambiguity. I viscerally felt them watching me, thinking the way I dressed, talked, walked, everything  —  was for their consumption. I wanted to write a song to let all of those men know that my body is for me. My pleasure is for me. And that if you’re standing here talking to me, it’s because I’m letting you. It felt like an unapologetic reclamation of power to write a song that outright stated what I wanted especially romantically and sensually.”

Lastly, is there any message that you would like to give to your fans?

N: “Thank you all for supporting independent artists like me, and art in general! In times like these  —  with a pandemic and such powerful movements for justice around the world  —  art is something that grounds everybody, brings them joy, and creates a space for us to just feel out our feelings or blow off steam. I feel grateful to be one of the many that can bring you that space. I don’t think anyone can imagine a world without art, and I don’t think any artist can imagine any amount of success without the support of their patrons  —  you guys! I hope you’re all staying safe and doing whatever you feel capable of to help yourself and those around you!”

 

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ARMAAN MALIK: INTERVIEW


by pankhuri bhutani

photo courtesy of armaan malik

photo courtesy of armaan malik

Hailing from Mumbai, India, this artist was just eight when he initiated his professional career. He has now transformed into a global sensation, cramming up a lifetime’s worth of achievements at just 24 years of age. Having sung songs in diverse languages like Hindi, Tamil, Gujarati, Bengali along with several others, Armaan Malik has recently entered the world of English music.

Marking his English song debut with the track, “Control,” Armaan has gained over 26 Million views on the music video in just three months time leading him to break international boundaries and worldwide fame. With over 200 Million views on his YouTube channel, Armaan, who is currently signed to Arista Records, has recently dropped his second English track titled “next 2 me” which has already proven to be a hugely successful song.

To talk about his music journey as well as his recent tracks and possible upcoming collaborations, Armaan recently joined us for a really fun and insightful conversation!

Hi Armaan! Thank you for joining us! Kindly tell us about the moment you decided to start your journey as a music artist!

Armaan: “Hey guys! Really great to be talking to y’all! Well, I started my professional journey at the age of eight. I began dubbing and voiceovers for advertisements as well as feature films, that’s how it all started. While working on those projects I happened to meet a lot of amazing film music composers who then, later on, gave me a chance to sing for children’s movies in Bollywood. I had a very clear vision of establishing my own unique identity from a very young age. When you belong to a family steeped in musical excellence, everyone around you expects you to follow the same path and obviously have everything laid out for you along the way. But I knew I wanted to make it on my own mettle and not use my family name to further my career. At the age of nine, I went ahead and submitted my audition to a big Indian singing reality show called SaReGaMaPa Lil’ Champs with only my first name  —  Armaan. I made it to the top 10 of that show too, which in a way catapulted me into early fame. It’s only at the age of 18 that I started my adult playback singing career in Bollywood and never looked back since!”

You recently dropped your debut English track “Control.” Congratulations on that! What was the inspiration behind it?

A: “Thank you! ‘Control’ is a song that describes the push and pull feeling of being trapped in a controlling relationship and how confusing it can be to want in but also want out. It’s inspired by the relationships I’ve seen around me. I always love writing about what’s happening around me, in my friend circle. It instantly relates to the youth, who may be going through a similar thing in their life.”

What was the creative process like with the track? Did you face any challenges during the process of the song?

A: “The whole process of preparing my English music has taken about two years. I have been working on creating a soundscape for my material and getting the right vibe for it. I’m glad that after that whole creative process I could finally release my debut single ‘Control’ earlier this year. Believe it or not, but this particular song was created produced and recorded all in a day, and then it was just the mix and master which happened over some time. A quick fact since you asked me did I face any challenge  —  I have been playing the guitar for very long, but I have never played the bass before, this is my first time playing the bass on my own song and I was pretty nervous! Wayne Wilkins (the producer) actually handed me the bass and just said —  ‘go wild on it!’ and that very ‘wild take’ is the bassline you can hear on the final record right now!”

You’re a music sensation in India! What made you choose this shift to the world of English music?

A: “It’s been a childhood dream of mine to sing and write my own songs in English. After seven years of working on Hindi and regional music, I found the right opportunity to make my dreams come true when I met David Massey and signed to Arista Records!”

We have seen a lot of interaction between you and the talented Stephen Puth! Any chance we can see a future collaboration between you two?

A: “Stephen is a great artist and even though we haven’t like hung out properly, we have now become quite close as friends. Yeah, it would be cool to do something with him in the future! We’ve always wanted to jam and write together, I’m waiting till it’s safe to travel and we can meet up!”

photo courtesy of armaan malik

photo courtesy of armaan malik

What can you tell us about your recent track “next 2 me”?

next 2 me, an album by Armaan Malik on Spotify

A: “I never planned to release ‘next 2 me’ as my second single, but when I wrote this in lockdown it just made absolute sense to put it out now. I was browsing through the internet one day when I came across this quote: ‘Missing someone isn’t about how long it’s been since you’ve seen them or the amount of time since you’ve talked. It’s about that very moment when you’re doing something and wishing they were right there by your side.’ This quote somewhat hit a chord with me, and inspired me to write ‘next 2 me.’ The global lockdown has been tough on all of us, especially for those who are quarantined away from their loved ones. I wanted to capture that feeling of missing someone and wishing that they were next to you. We may have all the devices in the world to keep us connected, but having that person next to you is a different feeling altogether, something that no digital connection can ever compare to. Now, more than ever, I believe anyone can easily connect to the song.”

What according to you is the best thing that you have achieved so far related to your music?

A: “It had been my childhood dream to perform at the prestigious Wembley Arena and the fact that I am the youngest Indian origin singer to do so, and also rank fourth (in the world and best from India) at the SSE Awards Live Act that year, feels unreal! When I was on that stage, I could truly feel the energy and magic of all the legendary artists that have performed there.”

Lastly, is there any message that you would like to convey to your fans?

A: “The journey so far has really been amazing. From a reality show contestant to being a full-fledged playback singer, to being a reality show judge (The Voice, India) and now venturing into the global pop arena, I really feel the journey has been extremely fulfilling and rewarding as an artist! My fans have played a huge role in this journey and just want to thank them for all their undying support and let them know that I love them all. A whole lot of exciting stuff is in store for them with new music, collaborations, and merchandise!”

 

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'REAL LOVE SONG' / NOTHING BUT THIEVES: SINGLE REVIEW


by emma schoors

Real Love Song” is a song about a dirty, rip out the whole of your soul love. 

Rarely do love songs delve into the deep, dark, real territory that Nothing But Thieves have reached into with this song. It almost feels counterproductive to try and explain it in words other than the ones that Conor Mason sings so vulnerably.

“This is a dark song, real dark.

Feral tear off your skin to the bone dark.

I’ll drink myself to death dark.

Do anything to feel your breath on my neck dark.”

The second verse greets listeners with lyrics detailing the depth of destruction that comes with a certain type of love. The kind of love that grips you firmly by the shoulders and convinces you that you need it to breathe. The kind of love that sits in the forefront of your mind at all times, no matter what. The kind of love that is unconditional to a dangerous fault.

“This is a love song, so what?

Did it slide into your heart?”

Real Love Song, an album by Nothing But Thieves on Spotify

These two lines have stuck to me like no other lyrics have for a while. There’s a grain of salt I carry with me while listening to love songs, because so many of them are sickeningly sweet. It feels pointless to listen to a love song that doesn’t pull at the heart strings. Well, this one does. It pulls at every last heart string. 

“Got a thing about you, and it won’t go away.”

This song is about a love that won’t go away. There’s a love song (similarly deep, and similarly dark) by The National that references John Hersey’s novel My Petition For More Space. In the novel, Hersey details love in devastatingly accurate terms, terms with a likeness to “Real Love Song.” Terms that sum up the type of love that just won’t go away. “It was not just my hurt look, it was not really a hurt look at all. It was the look of a steep fall.”

A steep fall is what this song feels like. A steep fall into a form of love that’s not often explored because it hurts and it’s hard to write about. Somehow, Nothing But Thieves have turned this dark corner of love into a beautiful tune. That’s the funny thing about music; it can turn even the deepest of cuts into art.