GOALKEEPER: INTERVIEW


by emily harris

photo courtesy of goalkeeper

photo courtesy of goalkeeper

Homegrown Philadelphia band Goalkeeper are gearing up to release their newest EP, Life in Slow Motion. Members Ryan Beebe, Marc Juliano, and Cody Ritchie have created their sound from the influence of various music genres. Their newest single, “Happy,” is a testament to their ever-changing music dynamic. I had the pleasure of talking with guitarist Marc Juliano about the release! 

 

Congrats on the announcement of your new EP, Life in Slow Motion! Can you tell us about the people you worked with to create this new record? 

Marc: “Thank you so much! We are beyond excited to get the EP out there. So, we worked with Kevin Mahoney of Hit the Lights and Joywave, Will Pugh of Cartel, and Seb Barlow of Neck Deep. Kevin was the producer, Will was the engineer, and Seb mixed/mastered the EP. This was the second EP we got to work on with Kevin so that was super exciting because he became such a close friend of ours and a real believer/support, so to work with him again was an honor. This was the first time for us with Will and Seb and the experience was equally awesome. They were so down to earth, and Will is an engineering and vocal genius. He really showed us how to get a lot of awesome sounds out of the studio and with him and Kevin working on the songs together, there was magic. Helps that they are both great friends too! Seb really brought the EP together in the mixing and mastering. He knew exactly what we wanted and easily made it the biggest sounding EP for us to date. Plus, despite him being in the biggest pop punk band, he still took time to FaceTime with us and just chat and get to know each other. He’s an awesome person and we can’t wait to work with him, Will, and Kevin again!”

 

What music were you inspired by while working on this EP? 

M: “A whole bunch honestly. I know that’s a loaded answer, but seriously. We had pop bands like The Band CAMINO, country artists like Kaylee Bell and Luke Combs, punk bands like The Menzingers and I Am the Avalanche, and of course pop punk bands like Hit the Lights, Cartel, blink-182, New Found Glory, and Neck Deep.”

 

Can you tell us a little bit about the EP artwork and how it fits into the overall theme of the EP? 

M: “We came across the photo from our friend Jesse who was kind enough to let us use it. It’s of the local coffee shop in Ocean City, NJ (Ryan’s hometown) called Readys. We loved the imagery and the colors and just felt like it related. The whole EP is about being stuck in slow motion and feeling as though you are not progressing the way you thought. Maybe you’re hung up on something, need to find motivation to keep going, etc. etc. The empty booth just felt right with the vibe and meaning behind the EP. We also wanted that Americana feel that we believe Jesse captured really well with the photo.”

 

The first single released from this EP is “Happy.” What made you decide to release this as the beginning of the newest era? 

M: “We wanted to come into this new era hitting as hard as we could and felt that ‘Happy’ did that. It showed so much growth for us as a band between the lyrics, melody, and technical playing. We felt it would showcase the energy of the EP and be a strong introduction for what’s to come!”

 

The second single to be released is “Just Say It.” What can you tell us about the writing and recording of this song in particular? 

M: “That one came out so organically it was crazy. Cody (drummer) was the one who wrote the beginning stages of the song. Once Ryan and I heard it we knew it was something special. We felt that it showed all of our influences in a perfect way. We went to our rehearsal space to begin working it out as a full band and within maybe 30-45 minutes the entire structure was there. I remember distinctively that we didn’t have a bridge so we all said just do whatever you feel is right and whoever writes the best thing we will roll with. When we got to the bridge, we literally all played the exact same thing, it was creepy. Obviously, we were stoked and kept it. We did some tweaking in the studio but honestly not much. Even Kevin said it was damn near perfect in the first draft. When we went to record it, we didn’t want to overdo it so it’s pretty stripped down compared to how much we usually stack with tracks. We got to do some really cool stuff with Will in the intro with giving it that vinyl cracking effect and such. Definitely one of our favorites on Life in Slow Motion.”

 

How has your sound evolved since your last EP, Bad Times Don’t Last

M: “I think the best way to describe our sound is more mature. We didn’t want to resort to the basic pop punk clichés with songwriting, so we challenged ourselves to incorporate different genres, musical theory techniques, and maturity in the lyrics with melody and storytelling. I also think we are learning more and more how to sound fuller as a trio which is a big goal for us being that we don’t have another guitarist or use tracks live. Finally, we wanted to be as honest as we could be with our music. We are known for being more positive, but we don’t want to shy away from songs that may have a darker side when the feeling is there.”

 

As you’ve supported large pop punk bands like State Champs and Real Friends, how has your live show adapted with the support of their fans as well? 

M: “When we started getting opening slots for these bigger shows in Philly, we really started to see growth as a band. We were seeing strangers from all over say, ‘I bought the tickets because I saw you were opening.’ We met some of our now best friends opening these shows. Plus, it’s really cool to see some people who have seen us multiple times share how they recognized us getting better and better each show. What’s also cool is that we don’t do anything different for the bigger shows or smaller shows. We like to have a set, work out some transitions between songs, and just be as goofy as we can be with the audience. We try to make our set as personal as possible and really connect with the audience. Cody has a ritual where he goes up to each person in the front row and introduces himself and thanks them for coming to the show. One thing we did do is start playing to a metronome live which has helped us stay really tight and have the tempo of the set right and comfortable which then makes it easier for us to do other things like jump around and joke with the audience and each other.”

 

How would you describe your sound to someone who has never heard you? 

M: “Oh, wow, hard one! I would say take the melodies and lyrical structures of classic pop punk and mix them with a modern sound. We like to try and blend bands like blink-182, The Menzingers, Neck Deep, and The Wonder Years. We also joke around and say pop punk with a grittier sounding Mark Hoppus [laughs].”

 

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RILEY CLEMMONS: INTERVIEW


by pankhuri bhutani

photo courtesy of riley clemmons

photo courtesy of riley clemmons

Recently releasing her new track “Over And Over” in collaboration with the talented Lauren Alaina, Riley Clemmons has gained more than 800,000 monthly listeners on her Spotify Channel after the release of her track. The song showcases Alaina’s and Clemmons’ vocals blending perfectly together resulting in a duet that can’t possibly escape the listener’s ears.

Currently under the spotlight for the track, Riley hails from Tennessee. To talk about the creativity process behind the track, insights into her music journey overall and plans on her upcoming collaborations, we chatted with Riley in a short interview!

Hello Riley. Thank you for joining us on Unclear! How would you describe your sound in your own terms?

Riley: “Versatile, authentic, soulful pop.”

You recently released your highly successful new track “Over And Over” with the phenomenal Lauren Alaina. Congratulations on that! How did the collaboration come into existence?

R: “Thank you! My team and I were in talks of creating a duet version of ‘Over And Over.’ My manager came to me with the idea of Lauren being a part of this song. Immediately, it was a resounding yes from me. I was so thrilled when she said yes to being a part of this project. She’s truly incredible, and brought so much power and dynamic to this version of the song.”

What was the creative process like with the track? Did you face any challenges during the making of the song?

R: “I walked into the studio with the title ‘Over And Over’ and a general idea of where I saw the song landing. My co-writers, Jordan Sapp, Ethan Hulse, and Colby Wedgeworth, brilliantly helped me to capture the feeling of the melody, lyric, and production behind this song. We wrote the song in a few hours and sent it around to my team. Immediately it felt like something special, and we recorded it shortly after.”

Did your initial visualization of the track match up with the final outcome?

R: “Absolutely. I think my initial visualization was far surpassed by the final outcome. That’s the best part of collaborating on music.”

What is your usual process for songwriting? Do you need a specific setting to write your lyrics in or are you easily adaptable?

R: “I would say I’m adaptable in the sense that there are a variety of places that I’m inspired to create and write. Usually I’ll start with a title, phrase, or melody that comes to me while driving, working out, doing my makeup, sitting at a piano... you name it. From there, I usually take the idea into the studio and work on it with my producers and co-writers.”

You have more than 800,000 monthly listeners on your Spotify Channel. How does it feel to know that your music has such a high influence?

R: “Honestly, I have no words. Above all else, I’m truly grateful. It’s incredibly motivating to me.”

Having grown up in Tennessee, would you say that your experience living in Nashville affects your own music and your music preferences somehow?

R: “100%. Growing up in Nashville, music always felt like an attainable dream. I was constantly surrounded by creatives and a variety of musical styles. With that said, I tend to pull inspiration from a variety of genres and sounds.”

What’s next for you, Riley? Any projects/collaborations you’re currently working on that you would like to tell your fans about?

R: “New music. So much new music. I’m excited to share, but for now that’s all I can say!”

Lastly, I would like to ask you if there’s anything that you wish to say to your fans from all around the world?

R: “You are loved, and what you bring to the world is beautiful and unique. Be kind to yourself, and show kindness to others.”

 

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'ONLY A SHADOW' / WHITE REAPER: REVIEW


by emma schoors

White Reaper’s recent cover of The Cleaners From Venus’ “Only A Shadow” is equal parts eerie and soulful, and it, much like the rest of the band’s work, is well worth the listen.

White Reaper have established themselves as a truly talented up-and-coming rock band. With gritty vocals and tight guitars provided by lead singer/guitarist Tony Esposito and guitarist Hunter Thompson, they know their way around their equipment, but maintain an effortlessly cool sound. 2019’s “You Deserve Love” was an explosion of catchy, well-structured riffs and memorable lyrics. Bassist Sam Wilkerson’s parts are driven and insanely rad, notably in “Real Long Time” and “Ring.” Rightfully so, the band has been gaining notoriety as one to look out for. Only time will tell where White Reaper is headed, but with the dedication to great music and gripping stage presence that they have, the only reasonable way is up.

“Only A Shadow” is a brilliant balance of dreamy and creepy. Esposito’s voice is unique and well controlled, allowing for seamless note changes: notably directly after the chorus, which rings “She looks like you.” While his vocals fit perfectly into White Reaper’s discography, they fit equally well in this cover. Drummer Nick Wilkerson leads the song with a simple groove, which sets the mood beautifully. Wilkerson has tricks up his sleeve, for sure, as demonstrated by his work in the more upbeat White Reaper songs, but sometimes the most effective part is also the simplest. 

The band is highly creative with their sound, and this cover furthers that theory. If you’re looking for a genuinely fun band with high quality music, look no further than White Reaper.

 

YOUNG LEÓN AND CHARCUTERIE: INTERVIEW


by meghan brianna

photo courtesy of young león and charcuterie

photo courtesy of young león and charcuterie

Seattle based duo Young León and Charcuterie have released seven songs together since their initial collaboration back in 2019. Their most recent release, “Sippn’,” features a laid-back, relaxed vibe. This new single comes after their previous release, “Coastal Café.” “Sippn’” is the type of song you play with the windows down in your car while you drive down to the beach with the salty sea air coming through.

We had the chance to sit down with 1/2 of Young León and Charcuterie to talk about their new release, how they’ve been passing the time, as well as what they look forward to doing when the time is right and it’s safe to resume everyday, normal life.

For our readers who are unfamiliar with yourselves, can you tell us a little about yourselves and how you all started this musical endeavor?

Young León: “Charcuterie (Aaron) and I have actually been friends since middle school. It wasn’t until last year, summer, we had a few friends over who requested I play one of my songs off Soundcloud. Given the positive response from our friends, he hit me up that we should make music together. He promised to make compelling beachy beats while I bring in the lyrics and vocals!“

This new release, “Sippn’,” can you take us through the creative process? What is the meaning behind the song?

YL: “Charcuterie had sent me Sippn’ back in winter. I woke up and played it on my 6am walk to work through Seattle and immediately grasped a chorus and hook. Sometimes a beat just hits you like that, where you vibe with the track so much it just comes to you. I wanted the song to describe a summer evening in Seattle, providing nostalgic, yet energetic feel.”

What inspired your guys’ sound? If you could sum up your guys’ sound in a sentence or so, what would you describe it as?

YL: “A lot of the sound stems from punk rock bands like Green Day / Blink 182 / Beach Boys as well as artists like Kid Cudi, Slightly Stoopid, and Shwayze. In one sentence I’d say, ‘We make music for your beach.”’”

COVID-19 has thrown the world a curveball. What have you guys’ been doing to pass time and keep busy?

YL: “Just been making content! Been spending a lot of time connecting with fans on social media. Made a few TikToks...”

If you could make a small quarantine playlist with your current favorite songs, what would be on the playlist?

YL: “Anything Tame Impala, Dominic Fike — throw in some Electric Guest and Goth Babe.”

What are you guys looking forward to most once the world gets back to “normal?”

YL: “Our first live show!! So many releases to come, we wanna perform!“

If someone who had never listened to you guys and came to your Spotify page, what song would you want them to listen to first?

YL: “I think Sippn’ may be our favorite song. It’s our most professional sounding and really shows the vibe we’re going for. ‘High Tides’ and ‘Yawny’ are a good second and third.”

How would you want fans to listen to your new music if they could create the perfect listening setting?

YL: “Oh man, some songs — perfect for a sunset! Others are great for a party. I imagine listening to Sippn’ on the beach, playing volleyball with a few hard seltzers. Just positive flow.”

To finish this up, do you have a message for your supporters? And do you have a message for those who have yet to discover you?

YL: “As you guys know 2020 has been a ride so far. No matter the work you do (whether it’s work from home, you’re an essential worker, protesting, business owner, etc.) we just want to remind people with our music the importance to recharge before heading back into the groove. We’re lucky enough to keep releasing new music and will continue to bring the fiya.”

 

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BEN BROWN: INTERVIEW


by mariah estran

photo by sam clarke

photo by sam clarke

Last week, London based singer-songwriter Ben Brown released a new perfect tune to close out the summer season. The groovy track “Socks & Sliders” showcases Brown’s neo-soul pop sound, and the cheeky lyricism might just put a smile on your face.

The song highlights what some call a fashion faux pas, but it’s all about living your best life and leaving that judgment behind. Because let’s be honest, socks and slides are peak comfort footwear.

In celebration of Brown’s fun new single, we spoke with the singer on the latest release, his focus on mental health throughout his songwriting, and what he has planned next.

 

You’ve been releasing singles over the last few years, and you recently released an EP titled Neo Horizon. But what made you decide to jump into the music industry?

Ben: “I have always been obsessed with performing! The feeling I get from seeing people dancing and singing back to me can’t be replicated by anything else – I love directing the energy in the room and making it a party. Whilst I studied Economics at University, I ended up using this time to develop a scene for my music, running five headline shows during my time studying in Leeds, England. For me, music was the only way forward from here.”

Your sound is very bright, uplifting, and the quick-witted lyrics add to that. What inspires you when you go through the songwriting process?

B: “I get inspired by watching videos of some of my favorite guitar players (e.g. Tom Misch, Cory Wong, Nigel Rodgers) getting audiences moving at festivals or gigs, as I normally start with writing the chords because these are the building blocks to the mood created. It is essential that my music has a level of ‘groove’ that you can bop to. Once I have achieved this, the vocal melodies normally come pretty quickly after. Lyrically, I get inspired by songs written about something that most people don’t choose to write about.”

On the topic of your clever lyrics, I want to mention your new single “Socks & Sliders.” What can you tell us about this fun track?

B: “The song is essentially about not caring what people think of socks and sliders because I think they are extremely comfortable and convenient. It sounds stupid as a song topic, I know. But that is exactly the reason why I wrote a song about it! I’ve heard a billion love songs in my life and the lyrics all seem to blend into one. My aim is to create a point of interest in the lyrics that will make some people want to listen even if the music isn’t the sort of thing they normally might listen to.”

When it comes to your music, there’s also a focus on the importance of mental health awareness. Why do you feel this should be present in your craft?

B: “I like to describe my music as ‘feel-good music.’ A lot of people listen to music as an escape from something that might be going on in their life, which I do all the time. Whilst sometimes you may feel like crying along to a heartbreak song (which certainly does have its place), I have found that doing the things you love the most can be the most effective remedy when you are going through hardship. For me, I love listening to (and making) upbeat music, so this is what I do when I’m down. The thought of cheering someone up with my music is the ultimate satisfaction for me, so this is what I aim to do!”

Listening to your singles, I can hear this great funk and R&B flare. As you have grown as an artist, what musicians helped you shape your sound?

B: “I have always listened to a lot of disco music growing up. Nile Rodgers and Earth Wind & Fire were a great introduction for me on how to make music that people can dance to. From there, neo-soul artist and fellow Londoner Tom Misch made a huge impact on my music, with his soulful but funky guitar licks and his way of using jazzy chords so tastefully in music with groove. His album Geography is a masterclass in these, and I studied his guitar playing in it a lot! In regard to vocals alone, there is no one better at making feel-good pop than Bruno Mars. His catchy melodies and runs over funky grooves have been a great example to me of what is possible to achieve in the mainstream market with the styles of music that I love playing.”

On Instagram, you’ve been documenting these awesome street gigs you have been doing for your nearby neighborhood. What gave you this idea to share music outside your front door?

B: “In the UK, we had a national applause every Thursday at 8pm for our National Health Service during the height of lockdown. As everyone was clapping from their doorstep, I thought this was a great opportunity to bring people together and give something to the community whilst still at a safe distance. It seemed to cheer people up – we had around 30-40 people from the street gather round every week and they were super receptive, singing and dancing along! So, I continued doing it for the next ten weeks, playing with up to five other musicians at a time who joined me from the local area. It was so much fun sharing these moments with others and was great to discover some real talent so close to me – I’m sure I will be on stage with them very soon once things are up and running again!”

Lastly, what exciting projects are coming up next? Can listeners expect another EP?

B: “I have five singles lined up over the next six months or so, so I will have new music out pretty regularly from now on! They all share a common theme of positivity or satire written to brighten up your mood, whilst telling each story in completely different contexts and perspectives. I explore and infuse a number of different styles that I love listening to, including disco, soul, R&B and synth-pop.”

 

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