JUTES: INTERVIEW

October 27, 2020

intro by madden levin

interview by cami liberty

Molding several different genres together, Jutes creates so hypnotic tunes that truly captivate an audience. We were so excited to catch up with Jutes to talk about his recent EP, A Really Bad Dream. With quite an interesting way to describe his excitement for the EP, we made sure to get to know what it really means for Jutes to release this EP when he did. Check out the exclusive interview below, and let us know what you want to see next!

When was the moment that you knew you wanted to be a musician?

Jutes: “I was depressed living in college residence hating school and feeling like I just wasted so much money. I started writing songs to pass the time and fell in love with it. Writing became my way of escaping the situation I was in. I ended up failing out of school because of it, but it’s all good, we made it work.”

You recently release your new EP A Really Bad Dream. Can you tell us a little about this project and how it started?

J: “I’m so stoked. This project came after a nasty writing block spell I was in. My girl who lives in Canada flew to see me and when she left, I felt like I was myself again and started writing the songs on the EP. I wrote almost the whole project in a week. Guess I just needed a little lovin’, that’s all.”

Listen to A Really Bad Dream on Spotify. Jutes · Single · 2020 · 7 songs.

Did you come across any obstacles when creating the EP or did everything go relatively smooth?

J: “I’d just say time crunches were the only obstacle. Trying to make animations and get mixes done and do cover arts for all the songs and release them almost all as singles only a few weeks apart. It was a lot of running around like a psycho to get it all done, but we did it!”

Of the songs on the EP, which song would you say best represents you as an artist and why?

J: “So tough to say. They’re all different parts of me coming out. I think ‘Movie’ is very all-encompassing since it has emo feels in some of the melodies, but is also hip-hop and pop at the same time. It’s a nice blend of everything I do.”

How would you describe the EP in three words?

J: “PRETTY FUCKING COOL.”

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BENNY FREESTYLES: INTERVIEW

October 24, 2020

by mariah estran

Back in September, rapper Benny Freestyles released a wondrous music video for his recent single "Slow Motion." The two and a quarter minute visual mixes picturesque desert landscapes and previous live show footage cast in a trippy hue effect. It is imagery that continues to express the musician’s uplifting message on truth, love, and freedom.

We spoke with Benny Freestyles about his inspiration behind "Slow Motion," staying positive in his music, and how he continues to create new singles weekly.

You’ve recently released the track “Slow Motion,” what was the story behind this song?

Benny: “‘Slow Motion’ is inspired by the song ‘I Love You Always Forever’ by Donna Lewis. It is one of my all-time favorite songs. I wrote the song about my long term girlfriend and love of my life.”

You created a beautiful music video for “Slow Motion!” What inspired you to create this film?

B: “For this particular video, we wanted to add elements into the visual in a way we never have before. We used real-life iPhone footage, animation, pictures, and a unique editing flow to create a style different from our usual cinematic look.”

You’ve been all about releasing new singles! I saw on Instagram that you’re putting out a song every Friday. What has the creative process been like for you?

B: “Making music is the easy part of all of this. I am constantly producing and writing new music. It is what I focus the majority of my time on. It is something I enjoy doing and I am growing with it every day.”

Each song has this great uplifting energy, and listeners are saying the same thing. When it comes to your songwriting, do you like to showcase a positive outlook that will inspire others?

B: “Yes my music has changed through time, but one thing that has stayed the same is my message. I bring positivity, truth, and love into all of my music.

Will there be an upcoming EP in the works as you continue to release these singles?

B: “Right now I am focused on releasing a single each Friday, I have no plans for a body of work at the moment.”

Lastly, can fans expect another great video to go along with another track sometime soon?

B: “We are constantly working on new videos and always have something lined up. Lots of new creations on the way!”

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'REMOTE' / WALLOWS: REVIEW

October 23, 2020

by emma schoors

“Remote” is uncharted territory for Wallows, and they’re navigating it with style.

Dylan Minnette, Braeden Lemasters, and Cole Preston didn’t physically see each other at all during the recording of their newest EP, which makes its completed form that much more impressive. Instead, they took to FaceTime and the iPhone voice memos app to complete the tracks.

“Dig What You Dug” is bass heavy and spotlights Braeden Lemasters’ stunning vocals. The pre-chorus is catchy and has the same general feel as some tracks on “Nothing Happens,” but as soon as the chorus hits, listeners are reminded that Wallows has changed significantly since then. Both versions of the band are equally worth listening to, but one thing is clear. The band is reigning in on what they do best in this EP, and there isn’t one “boring” song. Each track has countless musical complexities that make it memorable and worth giving another listen.

The intro of “Coastlines” is slightly reminiscent of the band’s most popular track, “Are You Bored Yet?” (feat. Clairo). Give it a mere couple seconds, though, and the band’s progression is clear. One of the most hard-hitting yet simplistic lines resides in this track: “Do your words make up what’s on your mind?” One key difference in this EP compared to the band’s earlier work is that it’s a lot more electronic-centric, and it’s pulled off surprisingly well.

Listen to Remote on Spotify. Wallows · Single · 2020 · 6 songs.

“Talk Like That” showcases Dylan Minnette’s vocals, and overall shows the greatened intensity in the band’s sound. Just after the one minute mark the song takes a turn, and it becomes increasingly difficult to comprehend how the band managed to make such a beautifully complex song remotely.

A beautiful and resonating closing song, “Wish Me Luck,” slows things down slightly. This change in tempo is much needed to contrast the high-paced songs that carry the EP. Dreamy is the first word that comes to mind, but that doesn’t cover how stunning the mix of sound and lyricism is. “I don’t wanna lose myself to all my insecurities. If I told you all of them, who would it hurt more? You or me?” Wallows has always been great at writing songs that connect with people, but this track is especially relatable. The fear of inadequacy that so many people often internally feel is navigated effortlessly.

A true test of a band’s strength is their ability to adapt to abrupt changes in the industry and in the world, and Wallows has embraced these changes with ease... though, in the words of “Nobody Gets Me (Like You),” “All the things that made sense suddenly feel different.” The entire EP is deeply exciting, and a much needed breath of fresh air in an increasingly suffocating world.

CHAZ CARDIGAN: INTERVIEW

October 22, 2020

by danielle holian

Kentucky-born musical artist Chaz Cardigan is making his way onto people’s radars with his musical talents after the release of his debut EP Vulnerabilia. Being open about his deepest insecurities and other troubles, he builds each track with a high-energy sound that immediately captures the attention of the listener. His follow-up EP, Holograma, sees a lot of growth that radiates in both his life and music. Moving forward with this new music collection of tracks, there’s a lot of in-depth reflection around his faith, past relationships, self-esteem, and sexuality, purely making sure there’s something for everyone all while being truthful to himself as an artist.

Unclear Magazine caught up with Chaz to discuss the release of his brand-new EP, his background in music, getting a record deal, and much more below.

For our readers, please tell us a bit about your background in music.

Chaz: “Sure! I grew up really fascinated by making things. As a kid I would make a bunch of little inventions out of shoestring or duct tape, or make up story ideas, or dance routines or whatever; I kind of stumbled into music because it was this ultimate way to make something and share it over and over again. I started playing in bands when I was about 10, and I made daily trips to Nashville to study songwriting and production from the time I was 13 until I graduated high school and moved there. I worked a bunch of odd jobs, supplemented my income producing tracks for rappers and pop artists, and I made the first Chaz Cardigan album while I was couch surfing and playing bass in a rock group. After I put that record out things just started moving, I played a ton of shows that just kept getting bigger, and then I signed with Capitol early last year.”

Who or what are your musical influences?

C: “Always changing, but the main handful over my life that stay the same are David Bowie, Imogen Heap, and Kanye West.”

You refer to your songwriting as “cracking the codes to emotion,” how important is it for you to have depth in your music?

C: “I think it’s the only thing you can do if you’re trying to have a career. Anybody can sing, anybody can write a song, anyone can learn to produce music and release it online; you’ve got to share something specific or give some kind of new perspective, or you’re dead in the water.”

Earlier this year you released your EP, Vulnerabilia. What inspired the EP?

C: “Therapy, honestly. I wrote all of those songs throughout 2018 while I was taking my mental health seriously for the first time and really learning my bad habits and trying to be more a mindful person. Each of those songs was written during or after a panic attack, trying to get to the bottom of myself.”

And where did the idea for your follow-up EP of Holograma, come from?

C: “Holograma is about watching my ideas and my relationships change. After I signed my record deal, the pace of everything just ratcheted up: I was traveling a lot more, I was in my first really serious relationship, and all of the relationships in my life were changing with my team, my family, and my friends. All of the songs I wrote in 2019 had this through line of flux, and looking back at old memories with new context. It’s more of a storytelling record.”

Your music is very visual, how involved are you in the creative process?

C: “Incredibly. I had gotten into college for film, but I couldn’t afford to go, and most of the ideas I have are visual. Connecting with the Bad Robot crew and getting to make videos with them as part of my job is super surreal.”

And you signed your record deal with Capitol earlier this year, how did that come about?

C: “I went to LA for the first time in 2018, and met an A&R at Capitol who was a mutual friend of my manager’s. We really hit it off and talked for a few hours about music and politics and tech. A few months later I played my first show in LA, a few of the Capitol crew were there, and that’s what landed the deal.”

Listen to Holograma on Spotify. Chaz Cardigan · Single · 2020 · 8 songs.

What would you say was your biggest challenge breaking into the music industry?

C: “This is a great question. I think there’s an expectation that artists are supposed to come out of the womb fully developed creatively, and have a really defined vision by the time they’re 16 or 17, and that’s just not how brains or identities work. I’ve noticed that kids who grow up in major entertainment hub cities like LA or New York or London are able to soak in more of the industry, and kind of learn what to parrot very early on, and access to a good network is closer, so there’s never a shortage of wunderkind artists from major cities. I think my biggest challenge was growing up in Kentucky — where there wasn’t really a local music scene — and then having to figure myself out in Nashville — where there wasn’t a scene at the time for what I was making — and without having the grace of meeting people through college, all before social media really exploded and every kid got GarageBand pre-installed on their phones. I really had to scratch and climb in a city where people treated me like I was an alien, and I still only have anything because of friends I climbed with along the way, and I’m seriously so grateful for that experience. It’s been a blast, and I’ve loved it.”

What do you want the listeners to take away from your music?

C: “Nothing lasts, and that’s beautiful; take it all in.”

And finally, what’s one fun fact about yourself for our readers?

C: “I am a massive Star Wars dork. For whatever reason, my brain just keeps a whole quadrant cleared out for weird Star Wars trivia and lore.”

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'CAMERA SHY' / SARA KAYS: REVIEW

October 19, 2020

by emma schoors

Nashville-based singer-songwriter Sara Kays’ latest EP Camera Shy is a collection of beautiful, poetic tracks, all personal enough to connect with listeners in a special and meaningful way.

Listen to Camera Shy on Spotify. Sara Kays · Single · 2020 · 7 songs.

“Home for the Summer” weaves the pain of separation with the beauty of togetherness. Kays’ gorgeous vocals dance around the song as she details the effortlessness of high school, and the difficulty of leaving someone she loves behind as life gets more complicated. This track is gut-wrenching in all the right ways, and displays her true talent for bringing her audience into the story as they listen.

Closing track “I’m Okay Though” delves into Kays’ personal struggles and feelings, such as feeling alone and having to deal with family issues, all the while having to fight inner demons. The bubbly chorus contrasts the dark lyrics perfectly. This vulnerability is what sets Kays apart from many artists, and her willingness to share her struggles will surely resonate with even more listeners in the future.

Sara Kays is an artist to look out for at the very least. Her vocals are stunning, and her lyricism and ability to tell a story is unmatched. Kays’ style of songwriting is a great way of de-stigmatizing discussions around mental health, and makes those listening feel more at home, more accepted, and more willing to share their own stories. If you’re looking for a truly captivating bunch of songs, her latest EP is a great choice.