NOTD: INTERVIEW


by emily harris

photo courtesy of notd

NOTD is a powerhouse Swedish production duo known for their hits "So Close” and “I Wanna Know.” Their newest track, “Never A Good Time,” is with The Band Camino. The almost three minute track is an upbeat, pop energy that is bringing NOTD into a new sonic direction. We had the pleasure of speaking with the duo about the newest project and the future of their discography!

Congrats on the release of your newest single, “Never A Good Time!” What was the writing and recording for this track like? 

NOTD: “Thank you! We’re so happy it’s finally out. We’re big fans of The Band Camino and have had them on our list of dream collaborators for a long time – it was just about finding the right song. When they sent us the demo for ‘'Never A Good Time’ about a year ago, we immediately felt like this was the one. The creative process for us to do most of the production was pretty quick, but everyone is so busy that it ended up taking a while to find a window in both of our schedules to focus on it and wrap it up. We love the end result as it feels like a true blend of the band’s sound and ours.”

 

What inspired you to release this track as the newest single? 

NOTD: “We spent a lot of time during the pandemic digging in to figure out how the NOTD sound can continue to evolve and, in that process, found ourselves listening more and more to artists like The Band Camino and The 1975. We’re very inspired to bring our roots in dance music into the world of alternative pop music and ‘Never A Good Time’ feels like a big step in that direction for us.”

 

This follows the release of another single, “Malibu!” How does “Never A Good Time” follow the upbeat track of “Malibu?” 

NOTD: “‘Malibu’ is an amazing song that our friend Virginia To Vegas sent us and we knew we wanted to be involved in. Looking back that was early on in the process of understanding where we wanted to go next with our sound, and you can definitely hear a mix of alternative and electronic elements in that record. ‘Never A Good Time’ takes that one step further and feels like a natural evolution.”

 

How do you feel your production has evolved since the release of your past hits “So Close” and “I Wanna Know?”

NOTD: “We’ve always wanted to make records that can be played in many different places — be it the club, on the radio, or in your home. That applies to our early records like ‘So Close’ and ‘I Wanna Know’ as much as it applies to this next chapter of our music. As we’ve grown into our career and played our music for fans around the world, our music taste has also evolved. Our productions these days are a reflection of that — staying true to our roots, but incorporating the sounds we love and are inspired by today to try and make something unique.”

 

Who would you coin as your musical inspirations from a production standpoint? 

NOTD: “They’re all over the place [laughs]. Avicii was really the producer who inspired us to start making our own music, individually. But we’re both instrumentalists as well (guitars, keys) and it was bands like Guns N’ Roses back in the day that inspired us to play those instruments.”

 

Can we expect more projects from you soon? 

NOTD: “Yes! We’ll be rolling out our debut EP over the course of the next six months or so. To date we’ve only released singles and putting together a cohesive project has been an exciting new challenge for us.”

 

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BLANKS: INTERVIEW


by emma schoors

photo courtesy of blanks

From the summery synths that line “What You Do To Me” to the understated elegance of “I’m Sorry,” Blanks’ debut album Nothing Lasts Forever And That’s OK is a splash of musical radiance. 

Netherlands-born Simon de Wit, commonly known as Blanks, didn’t conjure up his first full-length LP in a vacuum. Instead, he took to finding the sweet spot between nostalgia and futurism to make his mark in the music world. Mashing tried-and-true 80’s electronics with fresh vocal techniques, “Chasing After Memories” sounds like running after times long gone, while “Ok To Cry” thematically suggests, “Why don’t we dance to a sad song?” The creeping melancholy of growing up is no stranger to being a thematic backdrop for songs, but Blanks approaches it with a certain, hard to find poise.

We caught up with the blooming musician to find out the specifics of how his first album came to fruition, plus what he hopes listeners take away from his new songs. 

Your innovative “STYLESWAP” series has gained massive, worldwide traction. Where did your inspiration to reimagine songs come from?

Blanks: “It happened by accident! At the time I created my 80s cover of ‘Better Now’ by Post Malone, I was listening to a lot of 80s music. On a day of in the studio, I just started playing some chords with a vintage synthesizer, and started singing the lyrics of ‘Better Now’ over it. That sounded so cool I made it into a thing! And the rest is history [laughs]!”

How would you describe your sound, and has it changed over the years?

B: “I would describe it as indie-pop mixed with 80’s new wave! I’ve always loved the music from the 80’s and 90’s, there’s just something nostalgic about it that warms my heart!”

Are there any specific artists or songs that helped you in forming that signature sound?

B: “Songwriting-wise, I love everything Jon Bellion does! Every song he writes just has a vibe to it that touches my soul! Other artists that really inspired me are Tame Impala, Charlie Puth, and Jeremy Zucker.”

“What You Do To Me” is the captivating lead single from your latest project, Nothing Lasts Forever and That’s OK. What was the songwriting process like for this song?

B: “The songwriting process of ‘What You Do To Me’ was so fun!! I remember writing that chorus over the drums and synths and just listening to it on repeat for a week. I struggled with writing the right verse for the song, but once I had it, I was literally jumping around in the studio [laughs]!”

Speaking of the album, it’s your most ambitious project yet. What was making a full-length LP like?

B: “It was so much fun and took so much more work than I thought it would take at the start [laughs]! My goal with this album was to show my full musical palette. So, besides happy songs, I also started writing slow ballads, like I’m Sorry. I wrote the first song for the album 1.5 years ago. When Covid hit, I started writing more songs, which eventually turned into this album! With more time in the studio, I started working on songwriting and production like I’ve never had before. I really think my best work so far is on this album, and I loved making a body of art with an idea and concept behind it!”

Which song from the record took the longest to write?

B: “‘Dance Like This.’ I just couldn’t figure out a good verse! I seriously wrote 15 verses before I found the perfect sound!! Totally worth it though [laughs]!”

What is the overall message that you hope listeners take from the album?

B: “I hope that if someone puts on the album, the music makes them feel something. Remind them of happy memories, people or special places, maybe even get a little bit melancholic or sentimental, that would be amazing. And the best thing would be if they’d let the album be a soundtrack to some of their new memories!”

Is there anything else you’d like to share with fans?

B: “I love you guys so much and can’t wait to see you all!!”

 

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KARA MARNI: INTERVIEW


by abby samuelson

photo courtesy of kara marni

photo courtesy of kara marni

Representing London’s best in R&B is Kara Marni, producing cool beats and smooth melodies to get anybody dancing. She’s recently released her new EP State of Mine and has such an incredible story behind her work, between mental health struggles and learning how to record and produce on her own during lockdown. She’s learned how to deal with getting out of her head and into her music — bringing her listeners into her vulnerable state that truly captures the raw emotion that she ultimately turns into a strength. We’re excited to share our exclusive interview with her here!

What’s been your favorite song to record so far?

Kara: “‘Trippin’ because it was the first song I recorded myself in #ShedLeopardStudios, AKA my garden, and was super proud that I actually managed to make it sound somewhat professional!”

 

Let’s hear about your track “Over You.” What does Toni Romiti bring to the feature on this single?

K: “I love that Toni displayed her strong female perspective in her verse, ‘Back to brand new, like I never even knew you,’ and flipped a rubbish situation she was put by an ex and used it to empower herself.”

 

Has handling your music career surrounding Covid changed at all?

K: “Yes, during this process I’ve become a lot more self sufficient in all aspects. I’m now able to properly record my song ideas myself; from playing chords on guitar/piano into logic, comping my vocals, mixing and etc. It’s actually been really liberating. Now I can do what I want, when I want, and how I want!  

 

Tell us about your single “2nd Nature.” What is it about and what’s your message you’d like your listeners to hear?

K: “I wrote ‘2nd Nature’ during lockdown about being so comfortable with someone that being around them became addictive. I really wanted to reflect another angle of the song with the video so I played on the title by utilizing three elements of nature — fire, water, and air. And it’s based on how my feminine energy in control of the elements.”

 

What’s your favorite childhood memory from your hometown?

K: “Trips to Kenwood —  a place near me where I spent most my childhood covered in melted ice cream and fizzy drinks, many happy memories there. And also going trips to Camden Town has always been somewhere I’ve associated with one of my idols Amy, and when I walk around I always feel like there is a presence there.”

 

What’s your favorite track on your new EP State of Mine?

K: “‘Sick Of Me,’ my most vulnerable song off State Of Mine. Wrote it during the height of lockdown when I was really struggling being with my thoughts 24/7 with no distractions from being able to go out and do stuff and when my anxiety was thriving. If any of you reading this have also wished you could escape your mind for a bit, then this ones for you.”

 

Who is someone specific you’d like to collaborate with?

K: “Kehlani… she’s an absolute queen.”

 

What’s your favorite part from playing at festivals?

K: “Seeing people know all the words to songs I started off writing at home… will never get old.”

 

Who has inspired you most to get where you are today?

K: “Mummy Marni, she has always taught me to feel the fear and do it anyway and to go after my dreams no matter how unattainable others think it is.”

Can you tell us of any potential projects you have coming up?

K: “I may or may not be releasing something I’ve never done before… an acoustic EP… stay tuned!”

 

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MORGXN: INTERVIEW


by emily harris

photo by emma mead

morgxn is high off the excitement of so many of their projects coming into full fruition. With their newest EP, MERIDIAN: vol 2 coming out November 11th, and a tour supporting Smallpools starting on November 1st, morgxn is finally getting back on the industry grind following the pandemic. We had the pleasure of speaking about all these new projects and what it means for the future!

How does it feel to be putting new music out?

morgxn: “I’ve thought about what would happen if I just didn’t share these songs, and every time one of the songs would basically pull me back. In a way this is more of a statement than it is something I’ve worked on. it is how I fell apart and how I made it through. It is how I watched the world burn and how I burned too. It’s how i made sense of the unknown and how I have no idea what’s on the other side. I’ve obviously released music before, but this one feels urgent. Incomplete and complete at the same time.”

What song off the EP are you most excited for fans to listen to? 

morgxn: “A friend told me ‘BURDEN should come with a trigger warning’ and so for right now… that’s my answer.”

You recently released a lyric video for your new single “DON’T THINK ABOUT IT!” What was the writing process for this song like? 

morgxn: “The song was one of the last songs I wrote at the top of 2020 just before the pandemic hit. I thought it would be my first release on this project that already included most of volume 1 and some seeds of volume 2. I was in a terrible limbo situation that I still haven’t fully articulated, but it’s how I felt writing the song. ‘Don’t tie a string around my neck to keep me grounded’ — it’s the line that sparked the whole journey. To be told how to be/who to be/what to do — especially in this industry — is something I’ll talk more about at some point.”

In August you performed on Jimmy Kimmel with Sara Bareilles! What was that whole experience like for you? 

morgxn: “I mean… a dream? I got to shoot it in the first venue I ever performed a night of my own music and with Sara Bareilles. I did it with a song I released in the pandemic. With 85 million global streams a year later, and culminating in a live performance on TV.”

You’re also heading out on tour with Smallpools! Are you excited to be back on the road again? 

morgxn: “I’ve been rehearsing my set at home and the only audience I have is my dog (who does famously sing along)… but I sometimes feel emotional thinking about the moment we get to actually do it together. It feels like I have no idea what it will be like — like I’ve never played a show before. And I hope it will be something intimate and special when it finally happens.”

Is there any date of the upcoming tour you’re most excited to play? Any city you’ve always wanted to visit? 

morgxn: “I feel like this is setting up any city to feel angry at another city. Every city is special. And I don’t mean that in a Hallmark kind of way — it’s just at this point sharing music and touring the last five years — there is always a special memory with each city. Some big, some small. I’m excited to play Toronto because it’s been so long since I’ve left the US.”

Can we get any hints towards what’s going on the tour setlist? 

morgxn: “I will play ‘translucent’ in any city it is personally requested — otherwise it’s mostly new songs and a special cover.”

 

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WHEELWRIGHT + TEDIOUS & BRIEF: ON TOUR


by kayla kreller

Self-proclaimed coyote boy, Wheelwright (formally of Jared & The Mill), has just embarked on a fall tour and is ready to bring his neo western blend of pop and grunge to cites all across the U.S. Whether you’re a new fan or have been following him since the Jared & The Mill days, you do not want to miss these shows!

Alt-pop artist Tedious & Brief will be joining Wheelwright for the Midwest leg of the tour. As a Chicago native, the show at Shubas Tavern on October 23rd should be extra special for her and we’re excited to be there to capture the night!

You can check out all of the tour dates below and visit wheelwrightphx.com for tickets.

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