LANDON CONRATH: INTERVIEW


by alex grainger

photo courtesy of landon contrath

Landon Conrath just dropped his latest single “Science Fiction.” The alt-pop single is the epitome of who he is as an artist – “it’s pure, unfiltered, Landon.” “Science Fiction” is incredibly transparent and a song he holds close to his heart as it shares his experience struggling with depression. It’s a song that came together out of desperation to both understand his own feelings and convey them to others. “Science Fiction” drops ahead of his upcoming album Nothing Matters Anyway set to release September 9th. Read more about “Science Fiction” and Landon Conrath below!



Can you tell us what “Science Fiction” is about?

Landon: “‘Science Fiction is about the worst Fall season of my life. I had never really experienced a low like that in my life. I always thought I was invincible, this was the first time I admitted to myself that I struggled with depression. I think the song can largely be summed up in the line ‘my chemistry owns me.’ I just felt completely captive to my brain. I’ve always carried myself in a really confident way, I like to think I know everything and I keep a pretty good public appearance. This song was about the fear of letting the world in on my ugly secret.”

 

What was the creative process behind “Science Fiction?”

Landon: “This song came FAST. This is the first song I’m releasing that I produced on my own. I had some help from friends with some guitars, but most of the song happened extremely quickly in a two hour window one morning. I made the skeleton of the song and quickly mumbled the melodies over it. Later that same day I brought it to my friend, and long time collaborator, Alex Kimball. We were both super stoked on the song and wrote lyrics immediately.”

 

In what ways does being a former drummer carry into this single? How if at all did it impact the creative process for “Science Fiction?”

Landon: “Drums are so important to me. The drums were the first thing to be laid down in the session for this song. I mostly use programmed drums, which I think surprises a lot of people, but I just love the energy of electronic drums mixed with acoustic samples. There is always a place for recording live drums, but there is something special about the speed that you can just fly at when you are dragging and dropping samples instead of setting up 12-16 microphones to record a full drum set. I truly believe in creative energy, and I think you can miss opportunities when you are stuck checking the gain on each drum and making sure everything is set to perfectly record one of the most complicated instruments.”



Is there a message you are sending to listeners of “Science Fiction?”

Landon: “The lyrics of this song are so pessimistic, there is never really that twist at the end that gives a message of hope to the listener. This is something I internally struggle with all the time. I want to be a place of encouragement and hope for people but I also want to write about my truest self. The world can be a really broken place and it’s hard for me to write songs that loop back to a positive message when that’s not what I am feeling in my own head. I don’t want to send the message that you should ‘skydive out of a cessna’ in order to make your friends notice you. I guess I want people to know that when they see artists, or really anyone, online and think they have this seemingly perfect presence… just know that we all struggle with a lot of the same things.”

 

You mention the lyrics “my chemistry owns me” have stuck with you. Why is this line so meaningful?

Landon: “I kept feeling like a captive to my own brain. It wasn’t even necessarily tied to events happening in my life. An outside perspective looking into my life would think that everything was peachy, I mean a lot of great things were happening! That’s why that line seemed to sum it all up perfectly. It felt like there was literally nothing I could do to make myself feel better, like even if my life was going well the chemicals in my head just wouldn’t let me feel happy.”

 

How therapeutic was this song in the healing and confrontation process? Did it come as a reflection or was the song created within the moment of raw emotion and vulnerability?

Landon: “This was one of the first songs I wrote that really just felt like a thought dump straight from my head. There wasn’t a gimmick, there wasn’t a lyric that was gonna ‘do well on TikTok’ or anything like that. I just desperately wanted to understand my own feelings and communicate them to others. I hold this song near and dear to my heart.”

 

Revealing these transparent emotions and thoughts about the rawest part of ourselves can be extremely nerve racking and difficult. How have you been able to find the courage to express these thoughts with the world?

Landon: “I never had too much of a problem with sharing my emotions. Honestly I can definitely tend to be an oversharer! One of my biggest desires is to be understood as a person, I hate when I feel misunderstood by people. So I think the more that I let people into how I’m feeling, the more they might understand why I do the things I do, etc. Honestly the bigger struggle for me is finding a reason to even share my thoughts with the world in the first place. There are millions of artists in this world and why should my opinion matter more than someone else’s? I’ve kinda just chalked my reason up to pure enjoyment of music, and I might as well just do it cause I love it.”

 

How have you developed your own unique sound, after so many years creating a group sound as a drummer? How is this sound shown in “Science Fiction?”

Landon: “I’ve developed my own sound out of necessity mostly. I can’t play guitar super well, but I found a way to write simple/unique parts and I use a lot of distortion to cover up my impurities [laughs]! Also most of my music has been made in basements instead of studios so I always used programmed drums when I didn’t have the means to record real drums. Combining all these elements lead to a bold/loud sound that relied a lot on punchy guitars/drums and catchy vocal hooks.”

 

What are you most proud of upon the release of “Science Fiction?”

Landon: “I think ‘Science Fiction’ is the purest representation of what I want people to think of sonically when they think of me. I love the chaotic guitars, and FX tracks. There’s even an explosion sample or two in there to add to the noise. It was really great being able to just put down whatever I wanted into the session instead of trying to communicate my ideas through a producer before they hit the computer. This song feels like ‘pure, unfiltered, Landon,’ [laughs].”

 

How did you choose to release “Science Fiction” as a single ahead of your album Nothing Matters Anyway?

Landon: “Immediately when I finished the song, I just knew I wanted it in the hands of the listeners ASAP. The choice to have it as a single mostly came from just wanting everyone to hear it sooner!!”

 

You’re dropping your new album Nothing Matters Anyway on September 9th. What can you tell us about the album?

Landon: “The album happened over such a chaotic time of my life. I signed with Nettwerk and graduated college when a lot of the writing was happening. It also happened over an incredibly long period of time. The songs stem from almost three years of writing and piecing together. Even as I write this response, there are still songs that aren’t completely done. Sometimes when a piece of work takes this long, it doesn’t feel cohesive anymore. But I think this record really just showcases my own internal grappling with how much I let situations in my life have control over how I think. When bad things happen to you, you basically have two options. You can either try and fix things, and deal with the problems you are facing. Or you can turn into apathy and just kinda say, ‘Well, nothing matters anyways!’ I’m trying to find the balance between the two.”

 

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SHIADANNI: INTERVIEW


by tiffany arunarsirakul

photo courtesy of shiadanni

Shiadanni uses music as a form of safety and companionship. EP Facing the Mirror was a spiritual awakening, where Shiadanni was able to "create a self exploration, owning my own truth and finding confidence in balance: darkness and light." Music has always been present in this musician's life, able to enter a world of writing stories about life, heartache, life situations, and much more. With the pandemic came more artistic confidence, such as growing a larger audience in Latin America! We would like you to watch Shiadanni's video for "Melted Gun," which is a female empowerment track. Thank you for your time, Shiadanni!



What was the inspiration on your EP Facing the Mirror?

Shiadanni: “It was mostly a spiritual awakening finding answers within myself, although I was not realizing I was doing this. I simply was feeding my creative need to hear the instruments I love, work and dance together. I was trying to find and feel beauty in the sounds and textures that music can bring. Listening to beautiful instruments such as strings, harp, big bass, is what gives me the absolute pleasure when I’m feeling empty or I’m lacking spark, it was a combination of making that beautiful music and finding the words that speak from my perspective at the time. Until a track is complete I can see the bigger picture and realize if there was a deeper inspiration, which usually appears as a complete language once you see a couple of tracks together. For instance, for this project I realized I was creating a self exploration, owning my truth and finding confidence in balance: darkness and light.”



How did you get into songwriting?

Shiadanni: “I have been making songs since I was ten and started playing acoustic guitar. I have always been very sensitive and experience everything to the fullest. I decided very little i was gonna live this way, so I naturally enjoyed writing, making songs, creating scenarios. All of my songs are from experience and this is why I loved the idea of putting myself physically in different situations just so I can have special stories to write about. Growing up my songs have been changed from singing about love to real heartache to what I am living now, which is facing life with a different eye. Suddenly a heartache never felt more indifferent to me. I guess that’s simply growing up,”




Considering how you were born in Guadalajara, how do you incorporate your roots into your music and art?

Shiadanni: “I never plan on adding my background roots on purpose, doesn’t mean it’s a bad approach, I just simply never plan when I make music. I follow my intuition and create every song in the moment without thinking too much. Many times once I see a video clip, or someone asks me about a specific song or I am in a position where I have to dig more into what the songs mean, I discover what that is as well. My music is created most of the time through my subconscious in finding that instant pleasure. I try to be myself through all the process so there is no doubt the way I speak, the way I use words, the way I see life will come in the sound and lyrics. I am born and raised in Mexico so everything that I do will always have that impact.”




With yourself being based in Montreal, how has your current city influence your music?

Shiadanni: “If I’m honest I don’t spend time in the city, I am someone who never leaves home because I create so much in my solitude. I find I am the most productive and the most creative when I am alone. Although I enjoy giving a show, and more than anything I love making people laugh, I will always prefer to stay and listen to the birds. Speaking French has been a big influence as I sometimes play with it in a lot of my songs. The cold temperatures have impacted of course the way I behave and feel everyday. I definitely struggled a lot trying to fit in, but I was used to that, not only being an immigrant in a different culture was hard but also being an unusual person. I found it really hard to make a friend, so music was that safety and companionship for me.”





How has the pandemic affected and changed your life?

Shiadanni: “For me it was great. I was home making songs like pancakes, learning different things, recording and playing with instruments, sound libraries. I learned to produce during the lockdown so I’m very grateful for it, it gave me an artistic confidence that exploded into many different areas such as the comedy I create on TikTok!”





What was your intended message through your visuals for "Penny Pills" and "Velvet World?”

Shiadanni: “They’re both speaking from a dark part of my mind. ‘Penny Pills’ is a very honest and vulnerable song about it, and velvet world owns that darkness and plays with it, the overall message on these is own your truth, know yourself, we all have different struggles, and I think most people try to avoid, try to block one problem with another, or numb it, you can simply live with them. Speak about it, I didn’t realize until I finished ‘Penny Pills’ that I was speaking so much truth. I didn’t even notice I was that depressed, we just go living automatically and our lives getting distracted, so I think is important to listen to our inner child and let them know that we see and understand and that we will keep pushing and doing our best anyway. I will never be ‘cured,’ I will simply try to enjoy day by day with simple things that bring me joy.”





How has social media impacted and influenced your music career?

Shiadanni: “Everything I have I owe to social media, it was thanks to TikTok my audience grew from Latin America to an international scale. I loved that TikTok cared for authenticity. The more genuine you are the more your content will naturally work as a magnet. Sometimes my purpose can get contaminated as the numbers can play with your mind and tell you if something isn’t viral it means it isn’t working, but that’s simply a lie. As long as you keep going and creating from a point of truth you will get closer to your objectives and the audience you're looking for.

My comedy videos have millions of views, but that’s simply how comedy works. I always knew my type of music would have a more selective audience and that’s something you have to accept as well. It is hard when you live these two roads at the same time because you see that contrast for yourself.”





What is advice you would like to tell our readers?

Shiadanni: “Be authentic, don’t overthink, and keep creating. It doesn’t have to be good. Just create something, and continue with the next thing! Also, take breaks and eat a mango.”





Is there anything upcoming that you can share with our readers?

Shiadanni: “Once this article is out the video for ‘Melted Gun’ will be out as well. I am very excited for this video, this is the continuation from my other track ‘Green Marble.’ I personally like this song a lot as it is a female empowerment track. I remember I was excited while working on it because it gave me a certain magic that transports me to another place, female past lives wanting to break it all. Now speaking through me, I’m very excited to share this with the world.”

 

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MO POP RETURNS AFTER TWO YEAR HIATUS


by isabel dowell

Like many other beloved music festivals, the two-day Mo Pop is ending its pandemic-induced hiatus and will finally be returning for the seventh time to Detroit, Michigan, July 30-31, 2022. With Glass Animals headlining on Saturday and Big Sean on Sunday, this packed line up is not one you will want to miss. 

Mo Pop only has two stages — Grande Stage and Eastown — and staggers their sets, which means fans have the opportunity to see every artist on the line up. This is different from most festivals where you might be forced to pick and choose between your favorite musicians. On top of music, Mo Pop is offering the Craft Bazaar, a line up of 20+ arts and crafts vendors ranging from candles and cosmetics, to vintage clothing and handmade goods, the Mo Arcade, equipped with over thirty classic and new video games, and a slew of food trucks and beverages in the Shipyard to keep you energized throughout the day. 

Since the official announcement of Mo Pop's return to the Motor City, their social media has been posting “Meet And Greets” to introduce fans to those listed on their line up. In my personal opinion, a lot of these artists have seen a rise in popularity over the last few years, which means many of them are still new to performing live and have yet to become a household name. Here are some of the artists we are most excited to see at Mo Pop this year:


Wet Leg

Wet Leg — Rhian Teasdale and Hester Chambers — is pretty new to the music scene, overall. They released their first single, “Chaise Longue,” in June 2021, and their quick gain of popularity caused many people to accuse them of being industry plants. This year, their self-titled album, and acknowledgments from many other celebrities — Harry Styles included — put those rumors to rest. This British indie-rock duo won’t be anyone’s secret for long, we hope you can catch them live before they blow up!


Dominic Fike

Dominic Fike saw an insane increase in stardom after appearing on HBO’s Euphoria as Elliot, a main character who poses as a bad influence to those around him, but Fike has been making music for quite a few years now. In the early stages of his career, he caught the attention of many record labels, sparking a bidding war over him and his music. His debut album, What Could Possibly Go Wrong, is a personal favorite of mine and four out of five of my most played songs in 2021 were credited to Dominic Fike. You can count on me to be front and center for this performance.


Horsegirl

Horsegirl — Nora Cheng, Penelope Lowenstein, and Gigi Reece — is a group I was not familiar with before Mo Pop released their lineup, but if you listen to even one of their songs, you will be as hooked as I am. This Chicago-based, indie rock trio, came into popularity almost by a fluke as they are quoted in saying their 2022 single, “Anti Glory,” is one they wrote almost by accident. Everything after that led them to this very moment, now on their own tour and are featured at a number of summer musical festivals. Their music is layered with guitars, drums, and vocals, playing heavily into the indie rock music we all know and love.


Ashe

Best known for her 2019 single, “Moral of the Story,” which was not only featured in the Netflix film, To All the Boys: P.S. I Still Love You, but was also reproduced to include Niall Horan, the California-born singer-songwriter Ashe has been exploding into the music scene ever since. Coming off of a European tour, in the midst of her U.S. tour, and leaving for Australia and New Zealand shortly after, there are more than enough chances to get yourself to an Ashe show!


Daisy World

Daisy Hamel-Buffa, also known as Daisy, is the frontwoman of the R&B-punk band, Daisy World. She is multifaceted, not only being recognized for her music, but has also collaborated with artists like Tyler the Creator and has a line of hand-painted clothing that has been worn by artists from Benny Blanco to Addison Rae. She currently only has three of her own singles out, “SIX TWO,” “SUNDOWN,” and “picnic,” but she absolutely crushes each and everyone. Plus, she has promised that even more tracks will be coming soon! 


Take a listen to Mo Pop’s official playlist and let us know who you are looking forward to seeing!

 

NOBODY LIKES YOU PAT: INTERVIEW


by brittany and everly ormiston

photo by teren mabry

nobody likes you pat is the solo project of Pat Kiloran, an indie-pop singer-songwriter, producer, and multi-instrumentalist. His bright indie-pop anthems are accompanied by rich, charismatic storytelling, and fused with organic production. Songwriting is Pat’s personal journal, which he hopes to look back on when he is 80-years-old. He recently released the single “midwest blues,” which details significant moments throughout Pat’s life that have shaped him into who he is today, and who he hopes to be as the years go on. The music video for the track is self-directed, and is full of breathtaking shots of nature. The simplicity emphasizes the importance of taking a step back, and remembering at the end of the day we are all human. “midwest blues” is included in the track list of Pat’s debut LP imago set to be released on November 18th. The honest stories presented in this body of work will be a soundtrack for listeners to lean on when in the midst of sadness and hardship. Ultimately nothing lasts forever, nothing stays the same.



Why did you decide to pursue a solo project? Why the different direction from MILKK’s pop-rock sound?

Pat: “I think a lot of artists were heavily affected by the pandemic; not only in their daily lives but also creatively. And those things combined led to a lot of change for people. It was no different for me. I felt the need to step out on my own again and create without the need for feedback and approval. I needed something new and more close to home — a sort of diary, if you will.”



How does it feel knowing your art resonates with so many listeners around the world?

Pat: “Affecting people and causing people to think or to gain new perspectives or to be encouraged or challenged has always been one of the main goals of my work. So, I’m grateful that is something I’m able to do.”



You partnered with MusiCares for the release of “midwest blues.” Can you share a little bit about your journey with this incredible non-profit organization?

Pat: “I was diagnosed with OCD a couple of years ago. At the time, my insurance did not cover the therapy I needed to begin working on it. MusiCares gave me a grant to cover the therapy, which ended up being very needed at the time. I’m grateful for them and what they do.”



Describe your experience of self-directing the music video for “midwest blues.” What was it like having another outlet to express yourself and your artistry?

Pat: “Well, I would say it was more co-direction. My friend Dawson Waters who shot and edited the video was a big part of it, dare I say most of the direction. Even though long form videos are less viable now with the rise of TikTok and Reels, I think music videos are special, in that they can rely more on purpose and feeling behind the song that gives the viewer a much deeper experience than a 10 second video can.”



You will be releasing your debut LP imago in just a few months. What are a few debut albums of other artists you find comfort in?

Pat:College Dropout by Kanye. For Emma, Forever Ago by Bon Iver. The 1975 by The 1975. Worlds by Porter Robinson.”



What influences did you pull from when creating imago?  

Pat: “I would say most of my influences were just from the simplicity of everyday life. The joy, the hardships, the love, and everything in between. If you’re not telling your own story, then what’s the point?”

 

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DEATHBYROMY + PARTY FAVOR: INTERVIEW


by lauren kovolenko

photo courtesy of deathbyromy and party favor

Party Favor and DeathbyRomy are the dynamic duo you didn't know you needed until now. Read on to learn about their creative process behind a new song they have worked on together. Also, get to know them a bit more as individuals — we loved their introspection and conversation. You will want to check these two out!



For those that don't know you, what's your elevator pitch? What got you into the music genre you currently are in?

Party Favor: “Hi, I’m Dylan AKA Party Favor and I make music to lose your mind to and then on a second listen question the universe and your existence. 

I don’t even know if I honestly have a genre. Most of my music would fall under the EDM sub-genre of ‘Trap,’ but I feel like I’m more of just a bass artist. Actually let’s make a new genre, Energy.”

 

Your music can be described as very high energy, how do you bring that energy to the physical stage?

Party Favor: “See!!! Energy is the keyword in this interview, haha. Music for me is how I let loose and free myself from any mental constraints I might have. I feel most comfortable on stage and always have since I was a little kid wanting to be an actor. I think there’s something freeing in putting on a performance and becoming PF on stage and then I can be Dylan when I am back at home.”



Describe yourself in three words. What kind of music would you consider yourself to make?

DeathbyRomy: “I’m raw, honest and unafraid. I make heavy pop.”



What is your favorite milestone in your music career so far?

DeathbyRomy: “Recently getting to go play at a festival in Malta with one of my favorite bands Bring Me The Horizon.”



"Hollow" brings both of your personal music vibes perfectly together. How did you make this happen? What was the creative process behind this track?

Party Favor: “‘Hollow’ started as this demo from my friend and producer Connor Waine and this amazing writer Kole who started this vocal as an idea for me. It wasn’t anything like it is now, but I was able to hear where I wanted to take it. It felt so perfect for the album. It was dark and moody while still feeling epic in scope. I wanted to almost make my version of a Nine Inch Nails song. I immediately thought of Romy, and when we got into the studio together I knew she was the perfect fit. One of my favorite records on the album and I feel like it came together really organically.”

DeathbyRomy: “‘Hollow’ was mostly complete by the time it got to me, but Party Favor and I made sure all vocals were flawless, and ironed those out the added vocal textures to perfection. As soon as I heard the track I was obsessed with the production, so I knew I had to get on it.”





What was the best part about working together? Did you work together in the studio or was it all via online?

Party Favor: “The original versions of the song were all remote, but when it came time to record her vocals, we got together in person here in LA and it was amazing. She has a great energy, look, and artistry. Her personality shines through all of her records. I liked the idea of doing a song with someone who doesn’t typically work on electronic leaning music.”

DeathbyRomy: “Together in the studio, which was great. I’ve never done a Zoom session and I never will — I can only work face to face to get the most creatively, so luckily we got to do that.”





The song is very fun, but also has a dark vibe tied into it. What are you trying to convey?

Party Favor: “Thank you! I was in a darker place myself when I started the production on it. I think we all struggle with getting inside our own head a lot, and that can build and build till you feel like you’re a hollow shell of yourself. To me, this song is about freeing yourself from that mental prison that we all put ourselves in. You want to fill that hollow void with meaning and happiness. It’s not about a specific person or thing.”

photo courtesy of deathbyromy and party favor

DeathbyRomy: “There is a theme throughout the lyrics that I feel the production carries perfectly. It is that ‘uneasy comfort’ many find in their sadness that can be both scary and manic.”





How long did it take to create the song from start to finish? Was it easier/more tasking than expected?

Party Favor: “Production was done in a couple weeks at most which is always a good sign. In my experience, If you can get the ideas out quickly it usually shows its working. The longest part was finding the right voice for the song and Romy was that voice. Maybe a four month process in all.”




Do you foresee yourselves performing "Hollow" together on a stage somewhere?

Party Favor: “Yes!!! I love performing it and I can’t wait till we get a chance to have the energy of playing it together in person. I know Romy has been playing it out at a few of her shows with a completely different live flip. I have some shows lined up in the fall I want to have her out for!”

DeathbyRomy: “Hell yeah!”

  

For those reading, what's your best piece of advice?

Party Favor: “Nothing comes overnight. Keep grinding/hustling/learning forever.”

 

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