VIVI RINCON: INTERVIEW


by emma schoors

photo by lucy ketchum

“The EP is full of extremes: very happy to very sad, madly in love to incredibly heartbroken, so I wanted to explore those contradictions through the title,” vivi rincon says of her upcoming debut EP crash landing. “Sometimes I feel like I barely make it through tough situations, almost like a crash landing.” 

Rincon’s newest release, hot on the heels of her summer 2022 hit “if we lived on the moon,” comes in the form of “overflow,” a heart-wrenching admission of insecurity in the face of newfound love. “I’d say I’m in too deep, but I’ve never seen these waters,” Rincon sings. “I’d spill all my thoughts, but I’m not much of a talker.” Rincon wrote the track about her current girlfriend, and the doubt that tangles itself in new beginnings. “I was so worried that I was too much to handle and that she would leave me,” she says. “I wrote this song about those scary feelings, the fear of abandonment that comes with the beginning of a relationship.” 

“A snake hidden beneath the wool, your belly's full,” Rincon delivers flawlessly in the tender yet relentless “angela,” complimenting the guitars as they let loose. The track was written about a two-week long relationship that left Rincon confused and heartbroken: “A girl I had been dating for two weeks left me for someone else. But I only knew her for two weeks!” Rincon filled in the missing pieces by turning them into lyrics. “The song is more of a character,” she says. “I wanted it to be overdramatic and angry. I wanted to give myself permission to be angry.”

We had a chance to speak with Rincon about her musical beginnings, the gorgeous origins of “crash landing,” and what’s next for the rising singer-songwriter.

Thank you so much for taking the time to speak with us! Before we get to your upcoming EP, I’d love to get some insight into your musical background. Do you have a first memory of music?

vivi: “My first memory of music was definitely this Mexican rock band called Mana. I’m half Mexican and half Venezuelan so I grew up listening to a lot of latin music. It’s the best! I remember my mom playing ‘Rayando el Sol’ while she was getting ready in the bathroom every day. It’s one of my favorite memories and I still listen to that song almost every day.”

Who were some of the artists you grew up listening to? 

vivi: “Like I already said, I love Mana so much! But I also grew up listening to Juan Gabriel, Luis Miguel, and Franco de Vita. When I was in high school I also had a huge emo phase, so I listened to a lot of Paramore.”

Was there ever a moment you said to yourself, “Music is what I want to do for the rest of my life?”

vivi: “I grew up as a dancer, and I was so certain that I would grow up to be a dancer. But plans changed because my mental health started declining. Dance can be really difficult, and I became a huge perfectionist which didn’t make me feel great. To deal with these emotions I started writing on ukulele and guitar. That feeling of releasing my emotions through a song made me realize I could do this forever.”

Your breakout hit, “if we lived on the moon,” has resonated deeply with over a million listeners. What do you attribute this to? 

vivi: “I think it resonated with people because I wrote about my experience as honestly as I could. I was struggling with feeling like I couldn’t fully be myself in public as a queer woman, and unfortunately, I think a lot of people can relate to that feeling.”

Your newest single, “overflow,” deals with the fear and insecurity that comes with falling in love. Can you take us through your thought process while writing this track?

vivi: “When I wrote this record I was thinking about the beginning of my relationship with my girlfriend. I was struggling with my mental health, and we had to do long distance because of the pandemic. I was so worried that I was too much to handle and that she would leave me. I wrote this song about those scary feelings, the fear of abandonment that comes with the beginning of a relationship.”

Your debut EP is absolutely gorgeous. One track that immediately stands out is “angela.” What was the initial spark of inspiration for this song?

vivi: “‘angela’ was such a fun one to write because it actually wasn’t 100% about my experience. I based it off of a real feeling when a girl I had been dating for two weeks left me for someone else. But I only knew her for two WEEKS! I was 16 and very emotional and it broke my heart so much that I was inspired to write ‘Angela.’ But the song is more of a character. I wanted it to be overdramatic and angry. I wanted to give myself permission to be angry.”

How did you decide on the EP’s title, “crash landing?

vivi: “I like the title ‘crash landing’ because it is an oxymoron. The EP is full of extremes, very happy to very sad, madly in love to incredibly heartbroken, so I wanted to explore those contradictions through the title. Also, sometimes I feel like I barely make it through tough situations, almost like a crash landing.”

Take us through how you craft a song. Are you more of a Notes app person, or do you write lyrics down in pen?

vivi: “I LOVE the notes app. That’s how I write all of my songs. Notes app and voice memos.”

When you picture yourself at the height of your career, what do you see? Are there any specific career milestones that come to mind?

vivi: “I would love to tour, I want to play as many shows as I can. I used to have terrible stage fright but recently I have just been so obsessed with performing. I also want to build a community of people where we can all feel loved and accepted. That’s the most important thing to me. I would love to reach as many people as I can.”

Is there anything else you’d like to share with fans about you or your music?

vivi: “All I want to say is I hope that people feel connected to my music, I hope that they are able to relate to my songs and feel less alone, because that makes me feel less alone too.”

 

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CHIPPED NAIL POLISH: INTERVIEW


by chris richmond

photo by allison barr

custom outfit by kelly madden

Chipped Nail Polish are an incredibly intriguing new presence on the music scene. They're the brainchild of Jill Sullivan of Portland, Oregon, whose music fuses surf punk and indie pop, all tied together by an ever-present ukulele. It's rocky and it's fun, with their latest single “Rut” being a refreshing breath of cinematic guitar-driven pop. Their new EP, Bottom Feeder, is out on the 27th of January, and we were lucky enough to speak to Jill about the origins of the band, their influences, and her aspirations moving forward. 

Can you tell us about the origin of Chipped Nail Polish? When and where was the project founded?

Jill: “I was really new to playing music when my first serious boyfriend dumped me in 2018. I was a junior in college at the University of Oregon and that whole year was basically me grieving and processing that breakup. For the first time ever, I started writing my own songs as a way to heal. Those songs became my first EP, B. I’ve been writing ever since.

A year later, I decided I wanted to play one house show before I graduated. UO had a thriving DIY scene and I knew a lot of people in it. I grabbed some close friends of mine, they learned my songs, and we played to over one hundred college kids in somebody’s tiny living room.”

Chipped Nail Polish is a really intriguing name for a musical project. What is the inspiration behind the name?

Jill: “I actually came up with the name before I even started playing music. I always have had chipped nails and I always thought it would be a cool band name. It makes more sense now because a lot of my music is about my imperfections and shortcomings as a person. I think chipped nails are a pretty good visual representation for what the content of my songs hold.”

The genre of Chipped Nail Polish is described as ukulele indie pop. When did you learn the ukulele and why did you decide to make it such an integral element of your music?

Jill: “I started playing in 2017, so it still feels pretty recent. I wanted to learn a new instrument and guitar was so hard that I ended up getting very frustrated and tried the uke instead. I was able to instantly play some songs and it was just what I needed to keep going. It’s an integral part partially because it’s what I know best, and partially because it just sounds cool. It’s been fun playing with distortion and effects too.”


We've listened to your new EP, Bottom Feeder, which will be released on January 27th. It's great! Can you talk us through the meaning and inspiration behind the collection?

Jill: “I was living at home in Southern California when I wrote most of the songs for the EP. I had graduated from school and was really mourning my college self. I couldn’t shake the feeling that I had just peaked, and was sinking. I took a lot of solo trips to the beach and got really inspired by water, the ocean, the tides and SoCal surf punk (my favorite genre in high school).

I felt like a bottom feeding fish. I felt like I was at the bottom of the food chain, lowly, forgotten, etc. Yet, despite how hard that period for me, I slowly began to realize that it was a temporary problem. Writing this EP was so healing and helped enter a ‘this too shall pass’ mindset. It made me realize that I needed the pain in order to experience the joy on the other side. This also ties in with bottom feeding fish in an ecosystem in a nerdy way. Without those fish the entire food chain would fall apart.”

What's the meaning and inspiration behind the lead single, “Rut?” Is it easy to choose which tracks to release as singles? How do you make this decision?

Jill: “I wrote ‘Rut’ at a time when I felt especially stuck and nostalgic for my past self. I feel like nobody prepares you for how weird your early 20s are. I just couldn’t really imagine my life post grad and COVID amplified that feeling of being lost.

I chose it as the single because it’s definitely my favorite song off the EP. It was partially a gut instinct, but I think it encapsulates the broader meaning of EP the best as well.”

Were there many songs written and recorded for the EP, or was it always meant to be these five tracks? If so, how did you decide on these tracks?

Jill: “I was originally aiming for an album. I had enough songs to fill it out, but it would have been less pointed and specific. I realized I really just wanted the concept of ‘Bottom Feeder’ to tell a clear story. I found that I didn’t need the extra songs to say what I wanted to say. I figured that out before I started recording so now I’m gonna have to go back and revisit those other songs.”


photo by allison barr

custom outfit by kelly madden

What's your process when writing a song? How do you begin the process and how do you know when it's done?

Jill: “It varies greatly by the song. Some songs pour right out of me in less than 15 minutes. Some take months, some I piece together from different songs. I usually like to start with a chord progression, then the vocal melody, then lyrics. I keep a lot of voice memos and write down lots of song ideas in my notes app. If I’m stuck while trying to write, I usually like to turn to those.”

Who are your musical inspirations? Whose career would you like to emulate?

Jill: “I think I’m most heavily influenced by female indie/alternative artists like Snail Mail, Phoebe Bridgers, and Beach Bunny. I love their vulnerable lyricism and dark quality to their mixes. Other prevalent influences are pop punk and surf punk. I love to write songs that I can envision people moshing too.

I really like the career path of the band SALES. I got to meet them a few years back and they talked a lot about how they’ve garnered success while staying independent and sort of on the outskirts of the music industry. It made me rethink what I want out of a career in music.”

What contemporary music are you listening to? Whose albums are you listening to lately that have struck a chord with you?

Jill: “Alice Phoebe Lou. I rediscovered her album Glow last year and it’s been on repeat ever since. It truly fits in every season and I am just absolutely in love with it. I’m really looking forward to the new Boygenius, Paramore, and Arlo Parks albums coming out later this year. All of their singles make me so excited for what’s next.”

What are your career inspirations? What would you like to achieve in the future?

Jill: “That’s something I’m still trying to sort out. I just want to make art and share it with more people. I am hoping to go on tour and open for some bigger acts this year. It’s really hard to fathom much beyond that right now but I’m just focusing on opening myself up to more opportunities and growing my community.”

 

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BESTFRIEND: INTERVIEW


by mariah estran

photo by maxine tamoto

Have you dropped a DM lately? You know what I’m talking about; we’ve all heard a couple of those stories or been, at least, a part of them. Sagas of the individual who musters up the courage to reach out through an in-app, communication feature.

As for this story, it was more of an artistic endeavor that pushed one to send a message. One that brought Stacy Kim and Kaelan Geoffrey together — the now indie-pop duo known as Bestfriend.

It’s a tale of a digital connection that encouraged the two like-minded creatives to pursue what they’ve always wanted to do — music. “I think that Kaelan and I have been sitting on all our feelings about music and wanting to make music for so long, through our entire young-adult lives,” Stacy says. “Once we met and started Bestfriend, we were so ready at that point in our lives.”

In the best way possible, there was no turning back; this was the time to make it happen.

One in Vancouver and the other in Toronto, the team figured out the working-from-afar system, even before the dreaded days of the pandemic, when everyone was adapting to creating through a file share. “I feel like now there’s a little more of a playbook on how to do it from not in the same room,” Stacy says, nervously laughing about the recollection. “But, back then, oh my god, it was a tough one.” Their witted humor fills the room, even over a long-distance Zoom call. Kaelan chiming-in, “back then, we thought we were so interesting.” All in good nature, they can’t help but joke a little about the process.

They released their first EP, places i’ve lived, in 2021. A compilation of tracks that fed the young-adult angst scribbled through their diary pages. It was finding a way to express those heart-staining breakups and long nights out, a homage to the funny chaos that’s part of living. “What I like to say, and what I think still rings true, is that we didn’t really know how to express ourselves through the music. But what we did know was how we felt, and what we did know is what it looked like,” Stacy describes.

places i’ve lived became the roadmap to finding how to communicate with each other sonically, specifically from a distance. The bond they’ve created intertwines firmly through the record. Their tender vocals complement each other as they describe dreamlike romantic encounters in “For Grace, After a Party.”

Then, there is "You Want Everyone to Love You." Which transcends the listener to a serene atmosphere of twinkling keys, finished with a crescendo of twisting synths. A magnetic force of production as Stacy sings about love not being received by the counterpart.

“It’s a fun process of reflection and living in the moment while also, very much dealing with how to express that ourselves,” Stacy explains. “In the end, we had these songs. We were like this, is it; this is exactly what it felt like — these are the songs that work.”

In 2023, it’s about moving to the next chapter in their story. “We lived the experience, and now, we have to move forward,” Kaelan reiterates. Stacy adds that places i’ve lived was a project they owed to their younger selves, “We know how to write, we know how we work together — let’s actually get into this. Let’s talk about how we are feeling right now.”


LEMON LIME” has now entered the chat.

The three-minute, tongue-in-cheek lyrical number that is jumpstarting Bestfriend’s new phase. It is the observation of the now — a world that feels uncertain and, at times, complex to navigate. “We were very frustrated at what was going on. Capital E, everything — politically, socially, everything was just so confusing,” Stacy shares. Yet, don’t misconstrue the disarray for a dark, extra-emotive ballad. Instead, Bestfriend keeps the air light, consistently showcasing their flair for engaging synths and spiffy drumbeats. As Stacy calls out lines like:

Tell me what's the point of showing up if nothing's for us / Maybe we're alone, maybe nothing really matters.

Stacy explains, “I think everything we wanted to say about this is just coming out of us right now, and we should vibe with it because I don’t think we are the only ones that feel this way.” They agree that in the last few years, mindsets have begun to change, specifically for this generation. Kaelan notes the concept of the American Dream as Stacy elaborates on her parents migrating to the U.S. There was once a time when individuals looked up to those aspirations or ideals centered around “the good life.” Fast-forward and Generation Z are conscious of the reality that might not be as rosey. “LEMON LIME” is that example, serving as a tiny zeitgeist via Bestfriend. Even more so, considering it is named after a vape flavor of the same handle.

Kaelan bashfully grins as Stacy shares, “You know when a word kind of sounds exactly as what it means? Lemon-Lime, for some reason — this song’s vibe felt very correct for that.”

The origin of the song title is indicative of who they are. Even when explaining the deep subject of the latest track, their easy-going demeanors brighten the room. They began reminiscing, mentioning that when they made this song (and the more that is to come on an EP this year), they were finally able to record vocals in the same room. Smiling through the recollections, the two divulge that there were more hangout sessions than music progressions. But that’s what you hope to hear from two good friends, right?

They have recently signed with Nettwerk and are planning on continuously sharing new music. “It’s to the point that we can finally see something,” Kaelan describes when asked about the plans for BestFriend. “We are going to keep going forward and putting out new music,” Stacy begins to conclude.

“I would say, in this next song era, we feel a lot more comfortable — I think you can hear it in the music as well. I think we are really starting to settle into all of this.”

 

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CAYE: INTERVIEW


by alex grainger

photo courtesy of caye

Caye recently released his single “LOSE SLEEP.” He notes how “LOSE SLEEP” is the “only real soulful balled” he’s released, one that’s rooted in his “jazz foundation” he explored while in high school. The emotional track shares the vulnerable story of addiction to “everything that tastes, looks, and feels so good, yet is so bad for you.”  It’s about the consciousness of knowing you’re “drowning,” but being unable to rid yourself of the starving emotions of addiction. To sonically translate the polarizing mask of addiction, Caye contrasts warm melodies with painfully sad lyrics.

Independently releasing his debut album We Love has allowed Caye to generously give listeners a “constant, reliable stream of content.” We had the chance to talk a bit about the album’s latest single “A DOOR” released on January 6th. The track was “written to be a meditation itself.” The anchoring and soothing sounds were written throughout the process of his own meditation. A truly unique song revolving around inner peace, is a true testament to the incredible talent and artistry of Caye. Read more about “LOSE SLEEP,” “A DOOR,” and Caye below.

Can you tell us what your single “LOSE SLEEP” is about?

Caye: “This song is about addiction. Casinos, drugs, alcohol, sugar… everything that tastes, looks, and feels so good, yet is so bad for you. It’s about being in an unhealthy relationship, whether that's with another person, with yourself, with drugs or alcohol, with your habits, or with social media. It can feel like you’re drowning and although it’s getting worse, you can't seem to get out.”

Having written and produced “LOSE SLEEP” yourself, can you tell us about the creative process behind the single?

Caye: “This one took a bunch of different forms over the years. The production started on more of a distorted, almost EDM wave. I always had the chorus melody in my head, but the verses have changed drastically. Eventually I got back to the basics and started singing the chorus over stripped back piano chords. I wrote the first verse over those chords and then almost just capped it at that, but I wanted to explore where else I could take the song. At one point, I experimented going double time on the drop, but ultimately it didn’t feel right. Eventually it turned into the wavy, soulful drop with the slide guitar leads.”

What type of growth, if any, occurs with writing and producing each song you create? How have you grown as an artist specifically through the creation of “LOSE SLEEP?”

Caye: “Every finished song teaches me something new. This one really taught me the importance of being patient and always being free with a song. As I said earlier, it took so many different forms over a long period of time, but there was always something in that chorus that spoke to me. Holding onto those special moments when you find them and not letting them get lost in the process is really important.”

You experiment with so many different genres to create a sound that is uniquely yours.  How does “LOSE SLEEP” work to support and develop your signature sound?

Caye: “Throughout high school I was deep in the jazz scene in Boston. I was playing a lot of steel pan, drums, and piano in a bunch of different jazz bands around the city. I think LOSE SLEEP draws from that jazz foundation. It’s also special to me because it’s the only real soulful ballad I’ve ever released.”

How do you feel the specific sound you crafted for “LOSE SLEEP” drives the narrative of addiction?

Caye: “All of the sounds and melodies are warm, beautiful, and alluring, while the lyrics are sad and painful. With a lot of addictive things, they make you feel great while you’re using them, but the aftermath is even more painful than before. I loved that contrast.”

This single shares the story of “being addicted to something you know is bad for you.” Did the writing and producing process aid in combatting these types of addictions you have experienced? 

Caye: “Every song I write is its own healing experience. I always find that if something is really bothering me, it helps to write it down in my journal. The next step of that process is meditating on those feelings. Ultimately, they often turn into songs. For me, nothing helps me move on from something more than putting it into a song. Music to me is really just the expression of emotion in the form of sounds, so putting any type of feelings into a song most definitely helps soothe and heal the soul.”

You’re starting the new year off strong with the release of your next single “A DOOR.” Can you tell us what the single is about?

Caye: “‘A DOOR’ is about inner peace and meditation. The song was actually written to be a meditation in itself. That constant ringing piano drone is there to anchor your attention, while the rest of the sounds are basically just softly coloring and filling in the spaces. The lyrics start with ‘As I shut my eyes, I see more,’ meaning, when you meditate and look inward, you’re actually able to notice a lot more about why you feel the way you do, and why things are happening the way they are. The last lyric is ‘inside your heart, is a door.’ To me, that means when you do look inside and begin to explore your own inner world, there is often an answer there. For me, this is where I’m able to become unstuck, and this is where I’m able to find my own path forward.”

I think this is the first time I’ve heard of trying to find a door within your heart — it’s incredibly interesting. Can you take us through the writing and production process for “A DOOR?”

Caye: “It came out relatively quickly for me. I found that piano sample and wrote chords around it and then all the vocal stacking and padding too… it all happened in a single session. It was a very natural song. I think it took about two hours to get the full idea, chords, melodies, lyrics, and basic production out. Again, creating this song truly was a meditation for me. I started putting these sounds together and just went through my process of meditation and sort of documented that process in the form of a song.”


photo courtesy of caye

“LOSE SLEEP” and “A DOOR” are tracks off your upcoming debut album We Love. Why did you decide to release “LOSE SLEEP,” “A DOOR,” and the accompanying album tracks as singles?

Caye: “I’ve always wanted to release an album as singles to provide a constant, reliable stream of content to anyone tuning into my art. I released this project independently, so I had total control over every aspect of the release process. It’s been a really fun experiment.”

You said how We Love is “best experienced when improvised live.” Going into the new year with the release of your debut album and your first headlining tour, what can we expect from you?

Caye: “I’ll finally be playing this music live, which I’m incredibly excited about. I’ve spent months on the live set… you can expect a really immersive experience that builds around the streaming releases but takes them to a whole new level. Tickets are on sale now and I’m hitting the road March 1st!”

 

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BIRD AND BYRON: INTERVIEW


by sara welden

photo by kane wayne

From Columbus, Ohio to Nashville, Tennessee, Bird and Byron are a dazzling duo who are making their mark on the music scene one eurythmic tune at a time. Cranking out some of the most soulful and high-spirited music out there today, Blake (Bird) and Nick (Byron) are certainly turning heads. We had the pleasure of chatting with the guys before they hit the road for their first ever tour with The Criticals which will no doubt be an exceptional show, so be sure to grab your tickets and catch them out on the road!

Can you walk us through how Bird and Byron was formed?

Blake: “We grew up in the same hometown and have known each other since we were six, playing on the same little league teams and things like that. We both reconnected after college and Nick’s mom pitched me the idea to start making music with him.”

Nick: “We recorded a cover together that day of a Wings song. We felt a good connection right away and took off running from there.”

Did either of you grow up in musical families?

Nick: “My grandfather was an amazing pianist and I think I got all of my musical talent from him. He can play everything by ear so growing up around him really influenced me in that aspect.”

One of my best friends Olivia first introduced me to your music a few years ago, and she was absolutely buzzing to share with me that you guys were from Columbus, Ohio (whoop!). How did growing up there shape you both as people and as artists?

Blake: “We were growing up right around the time that Twenty One Pilots was getting popular in Columbus, so we both got to witness what their rise to fame was like. Both of us attended a lot of their earliest gigs so seeing their shows made me realize that’s what I wanted to do one day.”

Now being based in Nashville, do you find a lot of inspiration around you there?

Nick: “The scene in Nashville is overall very supportive and we feel that we’re able to grow a lot more here than in a place like LA. There’s tons of musical history here as well so it’s cool to see what came before us.”

Blake: “Nashville is like a small town compared to LA so you kind of have that small town support rather than making music in a sea of 15 million people.”

What did each of you want to be when you grew up as a kid? Was being a musician always on the radar?

Blake: “I don’t think I really knew what I wanted to be for awhile. I went to college for finance and marketing, and later philosophy, but music is something that I always enjoyed so it’s always been on my mind.”

Nick: “I was definitely influenced by my music my whole life but I never really thought of it as a career. I originally thought that I wanted to go into medicine but I eventually saw a songwriter who was my age right before college which pushed me to try writing my own songs. It kind of took off from there and I got into Belmont, which is when my career shifted.”

You both mesh extremely well together sonically, did you always know what you wanted your music to sound like or did it take some time to find your sound?

Blake: “I think we’re always exploring our sound since we both like a lot of different things. It was easy for us to mesh together when it came to writing music because we have a lot of overlapping stuff.”

Nick: “At the beginning, we were bringing all of our influences in and it was hard to figure out what we wanted to sound like as Bird and Byron rather than sounding like some of our influences like The Black Keys or Paul McCartney. I feel like now we’re in a good groove that we’re not thinking about that and we’re just writing stuff that sounds authentically like us.”

You just put out a collection of singles, the newest one being “How Love Grows.” What did the creative process look like for these songs?

Blake: “Most of those songs were made in the process of us moving and trying to get comfortable in Nashville, while also trying to nail down our production. They’re a collection of love songs.”

Nick: “It’s kind of a reflection on a new location. Living on our own as a duo is really influencing our music since we’re able to have our own creative space. The music is definitely benefitting from that.”

You guys have been posting “One Take Tuesdays” on social media for quite some time, and you guys absolutely crush every single one. They usually feature a cover or original demo. What inspired you guys to start making these?

Blake: “It was the middle of the pandemic and we were still wanting to write and record all of the time. We wanted to find something that we could consistently post and share original music and covers. It’ll hopefully keep growing and evolve into different things.”

Nick: “We released our first single as a group right when everything first shut down in 2020 but we were really keen on growing the band as a live act. When the pandemic happened, we were trying to find a way to adapt and show our creations virtually. It ended up connecting with people and we love doing it.”

Who are some of your favorite musicians, old or new?

Blake: “I’m a big Beatles fan and I’ve always been a huge admirer of Paul McCartney. I listen to a lot of Aretha Franklin, Alabama Shakes, and I also grew up on Jimi Hendrix so I really love him.”

Nick: “Listening to The Black Keys for the first time blew my mind. 50s and 60s blues and soul music are huge influences for me. Durand Jones is a big modern influence for me as well as Charlie Megira.”

You guys are about to hit the road supporting The Criticals for your first ever tour, which is super exciting so congratulations!! How are you feeling in anticipation of the tour?

Blake: “Honestly so excited. We’re bringing along a great group of guys who are super knowledgeable of the music that we’re presenting to them. These will be some of the biggest stages that we’ve played so getting the chance to play some of these cities is super cool.”

I saw your guys’ show at The Basement back in October, that show was absolutely electric and I cannot even begin to express what amazing performers you both are. I know there were also lots of family and friends in the crowd, so how did it feel playing a show in your hometown surrounded by all of that love and support?

Nick: “It’s really the best thing being able to play in the place that you grew up in and having all of that support around you. It takes an edge off and you play better and harder. It was a lot of fun.”

What are each of your desert island albums, if you could only listen to one album forever?

Blake: “Shoot! One album? I’ll have to do a few. Right now it would be If I Am Only My Thoughts by Loving, Sea of Nothing by Drugdealer, and probably The Beatles white album.”

Nick: “Mine would be Tomorrow’s Gone by Charlie Megira, I feel like that album has all of his greatest songs compiled on it. Probably also the compilation album of all of Acetone’s best songs because I could never get tired of that.”

What does the future of Bird and Byron look like? Any goals or hopes for what’s in store?

Blake: “We anticipate this tour going very well and we’re super excited for it. We just hope to keep growing. This is going to be big eventually!”

Nick: “Being able to do a cross country tour and eventually Europe would be amazing. We’re also working on our debut album that’s coming out later this year which is a big goal of ours and we’re super excited about it.”

Bird and Byron are both truly lovely and extremely talented guys, and I feel immensely grateful that I had the privilege of getting to know them at this point in their careers. It’s really special to see them during this part of their journey, because it is just the beginning! Be sure to keep Bird and Byron on your radar, I have a feeling that they have a magnificent future ahead.

 

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