SIR, PLEASE: INTERVIEW


by emma schoors

photo by chloe louisa

It’s a gloomy Thursday in Southern California, a sharp decrease in temperature from our typical mid-70’s afternoons, and Sir, Please is on the other line. 

Guitarist Michael Leese is just back from walking his dogs, bassist Josh Cronin is totally oblivious to the fact that I’m geeking over his Revolver (Beatles) poster, and drummer David Kohn is sitting comfortably beside a wall of guitars. “I’m actually the drummer, which is kind of the funny thing,” he says, but notes his knack for drumming began after learning guitar. We’re not all that far apart physically — they’re based in beautiful Agoura Hills, and they’ve just played a packed show alongside REO Speedwagon at the prized Civic Arts Plaza in Thousand Oaks. Maybe that’s why when our conversation begins, so do the synchronicities. The parallels aren’t all that surprising, considering our shared love of music — and music, along with feel, are at the forefront of everything Sir, Please does. “We all love music so much,” Leese says. “The idea of making a piece of music that will last forever is an intense feeling of creative reassurance.”

Their 2021 debut record, Simply Loved and Lingered On, was a dream come true in more ways than one. For one, it forced the band to dive deep into the sometimes unnatural rhythm of recording material. “When you're six months into working on these songs, you've heard them so many times that it's so easy to hear imperfections or just not even be able to perceive it as a new thing anymore,” Cronin says.  When the record was finally released, it acted as tangible proof of years of hard work. “We'd been a band for nearly four years leading up to that,” Cronin says. “A lot of those were songs that we had written in the earlier years of us being a band.”  Leese adds: “For me it was definitely just a moment of release and a relief in a way, because we'd been holding onto these songs for so long and we've all had dreams for years of releasing an album that we could be proud of,” he says. “Even now, I think I can confidently say that even if I look back in 20 years, I can be like, ‘Oh yeah, I made that record at that age and I can feel proud of that.’” 

Apart from their own shows, a 2019 night out to see Parcels stands out as a memorable bonding experience for the band. “There was something about it. We got there like 30 minutes before doors, and somehow we were at the front of the line, so we were literally in the very front row,” Cronin says. “They’re so fun to dance to, and the stars were just aligning.” They learned a valuable lesson in musicianship from that evening, too. As Leese recalls, “We realized, ‘Oh wow, people are into it if you can play a super funky groove for a few minutes. People don't necessarily get bored right away,’ you know what I mean?” he says, “if the groove is right.” That mentality shines brighter than ever in more recent Sir, Please shows, as the members grow more comfortable in their instruments and in the material. Their next show is at The Paramount in Los Angeles with McCall and Velvet Lune on February 18th. As per Leese, it’s sure to bring the live debuts of plenty of new material. 

We had the chance to sit down with Sir, Please recently to speak about the band’s beginnings, all-time favorite concerts, and what’s next for the Californian alternative-meets-funk outfit.

I see three guitars on your wall. How’d you get into guitar?

David: “I'm actually the drummer, which is kind of the funny thing, but I do some songwriting. I have an older cousin that played guitar and I was like, ‘That’s so cool.’ So that's kind of when I started playing guitar. I took it more seriously when I started writing songs and stuff. I guess drumming happened after I started playing guitar, but I just loved drums. I have an older brother, he's three years older than me, and growing up we'd always be fighting all the time, so my parents got me a drum set to take my anger out on the drums.”

Your parents got you a drum set? That’s bold. 

David: “[Laughs] Yeah, totally. Do you play any instruments or sing?”

I play bass, nothing crazy. 

David: “I guess bass was my first thing, because my dad played bass in high school and college and stuff. He always had his bass lying around the house.”

Did you take any lessons, or are you self-taught?

David: “No, self-taught. I think everyone is pretty much self-taught. I guess we've all taken one off lessons before, but pretty much everyone's been self-taught to a certain extent.”

Would you want to do music full-time if that was an option? 

David: “Yeah, a hundred percent. Yeah. I worked a restaurant job for a year and a half, and I think I learned a lot from doing that in the sense of, ‘Okay, I really don't want to work a different type of job. I really wanna make music work.’ So when I stopped doing that, I kind of just started digging deeper into other things, like production and mixing and other aspects of music. With the band, I've been just trying to get more music gigs in general. But the four of us have been doing it for roughly six years, and we're definitely super excited about it and wanna make it work in the long run.”

How did you all meet? 

David: “I’ve known Michael, our guitarist, since middle school. He's three years older than me. When I was going into middle school, he had just graduated, but he was helping teach summer music classes at a middle school. So that's when I first met him and we just kind of were not super close friends, but we knew each other. We all kind of joined different bands throughout middle school and high school. I was actually the last one to join this particular group. Josh might be able to better remember how it started.”

Josh: “From my perspective, there was no one from Westlake that really did music other than jazz type stuff. So we just tried to insert ourselves into the Agoura and Newbury [Park] too, but more Agoura music scene, which, David might not say so himself, but David was the goated drummer in that area. If you needed a drummer for something, you would learn your entire set in like 24 hours to play the show. So it kind of started where Shane and Michael, they connected and we were just like, ‘Let’s jam.’ We had a lot of mutual friends. We just jammed and got along really well, and had a lot of fun doing it and never really stopped. Honestly, I actually don't even know if there was any point in time where we were like, ‘Let’s be a band.’ I think we just kind of got to a point where it was like, ‘Alright, now we're playing shows.’” 

When you first started practicing together, were you playing covers or did you already have original material? 

Josh: “Oh, yeah. Arctic Monkeys, Twenty One Pilots, just all the classics.”

What were some songs you’d cover?

Josh: “Oh man, we were playing ‘Heathens,’ ‘Champagne Supernova,’ ‘R U Mine?,’ just all the most typical covers you could possibly think of, and then we got really into Nothing But Thieves, and then we graduated from that and got into Parcels and Tame Impala and The 1975. Now it’s just everything. It's like a combination of all that kind of stuff. And I don't know, we try to stay hip to new bands and stuff, but we’re starting to get into our mid twenties. We kind of have our thing, and it gets harder to keep up with the new trends.”

I don’t ever hear people mention Nothing But Thieves. They’re fantastic. 

Josh: “Yeah, they're super underrated I feel like in America, because they're huge in Europe and all those places.”

Yeah, they’re one of those bands that can go from playing an arena in the UK to The Wiltern here. 

Josh: “We saw them at a 6 or 700-cap venue, maybe 1,000, but small compared to what they do. [Michael enters the Zoom] What’s up, clean-shaven Mike?”

Michael: “I thought I’d have some service while walking my dogs, but I’ll be damned.”

We’re glad you made it!

Michael: “Yeah, thanks for having me!”

Is there a sole songwriter in the group, is it a more collaborative effort? 

David: “It's definitely a collaborative effort. We all do a bit of writing. I think Josh and I probably do the most writing, but everybody writes a bit, and a lot of times one of us will bring half a song in and the four of us will finish it together or whatever.”

Apart from your own shows, are any of you live music fans? 

Josh: “I definitely am.”

Michael: “As much as I can afford to, yeah.”

It’s getting pricey. 

Josh: “My philosophy is I'd rather see a $50 show once a month or every other month than go out and get drinks with friends every other week and spend $20 on that. So it depends on your lifestyle.”

Do you all use Spotify? 

David: “Yeah, except for Michael.”

Michael: “I use Apple Music, so there’s a little bit of a rift in the band there. Other than that, we get along pretty well.”

What were your top artists last year?

David: “My number one was Beethoven, actually.”

Interesting

David: “It kind of shocked me, but it didn’t really shock me.”

Michael: “Such a poser.”

David: “It was number one!”

Josh: “I think my number one was Spacey Jane, because I listened to Spacey Jane's first album religiously this last year. So literally each of my top five songs were just the first five songs on their album, which also happened to me with Parcels. I feel like that happens every year where my top five songs are just the top five songs on my favorite album of that year. It happened with Parcels, and then Notes On A Conditional Form by The 1975, and then it was Spacey Jane this year. I think other ones for me were Madison Cunningham. I know those three were in there.”

Are you an album person, or do you just listen to specific songs? 

Josh: “Yeah, kind of both. I definitely like to listen to full length albums of artists that I'm intrigued by, but then I'll always go through and add my favorite songs from the album to specific playlists or just like the songs. And then if I don't have the patience to listen to a full album or if it's just a short drive or something like that, or if I'm working out, I'll just throw on a shuffle playlist or something. But I’d say I’m more of an album person.”

What’s the best concert each of you have ever been to?

Michael: “Oh man, that’s a great question.”

Josh: “The first one that comes to mind for me was probably, Parcels in, I think it was the end of 2019. I don't know, there was something about it. We got there like 30 minutes before doors, and somehow we were at the front of the line, so we were literally in the very front row. And like I said, they were my favorite. I mean I still love them, but that year in particular, I was obsessed with Parcels and especially that album, and they’re just such a great live band. They’re so fun to dance to, and the stars were just aligning. We had a group of like 15 of us that were all there. It was such good energy, and they just absolutely killed it and it was really fun, and also really inspiring, just kind of all in one. It was a really ripe time. I was 19, freshman year of college, and just kind of ready for the best concert in my life.”

David: “Totally.”

Michael: “I think that concert also totally inspired us to change up how we were gonna do certain songs live and stuff. We realized, ‘Oh wow, people are into it if you can play a super funky groove for a few minutes. People don't necessarily get bored right away,’ you know what I mean? If the groove is right. That definitely changed the way we were thinking about things at the time for sure.”

David: “That was probably the most fun I've had at a show, was that Parcels show. I think the best show I've ever seen was Blake Mills opening for Paul Simon at the Hollywood Bowl. That was just an insane show that I wish I could kind of replay in my head.”

Michael: “The first one that came to my mind, too, was seeing Prince at The Forum in 2010 or 2011. I wish I was a little older then to really, fully appreciate what I was witnessing, but even at that age I was just so awestruck by what I was seeing and yeah, I'll definitely remember that for a while for sure.”

I think they recorded that show professionally. I watch it all the time. 

Michael: “You could probably see little me in the audience going crazy.”

Josh: “We saw Tame Impala at The Forum too. I think it was right before the pandemic shut it down.” 

David: “Yeah, his last show. That was a really good show.”

Josh: “Yeah, and that was insane. We were all the way in the back, and we got there kind of late, so I don't know if I had as much fun just because there weren't as many elements to it as the Parcels one. But as far as just being awestruck at what I was watching and what I was hearing, that's definitely up there for sure.”

Yeah, The Forum is a great venue. 

Michael: “Yeah, they do great shows. I saw The 1975 there when they were touring I like it when you sleep [for you are so beautiful yet so unaware of it], and that's my favorite album of theirs and one of my favorites of that whole decade. That was another amazing show.”

What’s the most memorable moment you’ve had as a band so far? 

David: “For me, I think when we put out our first song ‘Dance With Me,’ we threw a release party at Josh's house actually. All our friends from high school kind of came, and I'm sure there were people we didn't really know there, but I think we released the song that day or the night before and when we played the song, that was the first time we heard anyone sing any original material of ours. I think that feeling, bonding between like all of us on stage, but also our friends and the crowd that have been rooting us on ever since the beginning type of thing. It was a really cool moment.”

Michael: “Definitely, I was honestly gonna say that too. Right next to that I'd probably say this first tour we went on this past year with Sarah and the Sundays was our first real tour that we've ever been on, where we were seven of us and all of our gear in a seven passenger van just doing that whole thing. I feel like that entire experience, if I could condense it into one thing, I'd definitely put it right there because it was just incredible in every way. Getting to go to so many places we've never even been, and have people there whether it's only a few or you know, however many people there who came to see us or know any of our lyrics or whatever is just such a trip. So that was definitely up there for me too.”

Josh: “Both of those are very true for me as well. Another honorable mention, when we released the first, I mean we were kind of planning on it being an EP, but I guess it's kind of an album. We’ll call it an album. When we released that first album, that was also kind of a surreal moment because we'd been a band for nearly four years leading up to that. A lot of those were songs that we had written in the earlier years of us being a band. That was our first body of work, and to put all the time and effort that we did into it and then see it come to life, and then also be able to feel proud of it, I think was also a really big deal for me too. It was just one of those dream-like moments. It's just like, ‘Oh, wow. We did what we were hoping that we'd be doing in four years, four years ago.’”

How did it feel releasing the debut album? That’s an intimidating concept, putting out your first body of work. What were the emotions surrounding that?

Michael: “We definitely beat those songs into the ground for the first few years before the album, so when the time came that we had released it, we felt like we had done everything we could at that point, or at least I'll speak for myself. For me it was definitely just a moment of release and a relief in a way, because we'd been holding onto these songs for so long and we've all had dreams for years of releasing an album that we could be proud of. Even now, I think I can confidently say that even if I look back in 20 years, I can be like, ‘Oh yeah, I made that record at that age and I can feel proud of that.’ So I feel like it was overall a pretty good experience. Except for that we had to remember to replace all David's stuff. That was kind of embarrassing.”

Step it up, David. 

Josh: “[Laughs] I was gonna say along the same lines, when it was coming out, I wasn't listening to it and being like, ‘This is perfect in every way,’ or anything like that. Obviously any artist, when you're working and going through the process, when you're six months into working on these songs, you've heard them so many times that it's so easy to hear imperfections or just not even be able to perceive it as a new thing anymore. That definitely is part of it, but there was also a part of it that felt like it was just the best that we could have possibly done. We didn't really leave anything on the table, and the people that we worked with, we just felt did a really amazing job, and it was also our first body of work. It was pretty stress free in the sense that it was like, ‘We kind of have like nothing to lose releasing this. It’s only up from here,’ because we've never released any big body of work before. So that was kind of a stress reliever too. It was like, even if this doesn't become the next Dark Side Of The Moon, we can improve next time on the things that we need to, or anything like that. I think it was overall just a pretty easy process. There was a fever dream-esque moment where I was in my car and I listened to it on Spotify for the first time, and that tripped me out for sure. But yeah, overall I felt like it was right where we needed to be at that time.”

Michael: “Now we're coming to grips with the fact that that was our peak, and we're just not gonna be able to top it.”

It’s all downhill from here. 

Josh: “We’re realizing that in our early twenties, so we have plenty of time to figure something else out.”

Your next show is set for February 18th. Can you tell us anything about what to expect from the performance?

Michael: “We’re playing a bunch of our new songs at the show coming up. It’s definitely different from the stuff we've done before. Some of it I would say is a little bit more alternative, and some of it is a little more poppy. We're really excited to finally get back into releasing new music, because that's just the best feeling, you know?”

Which do you prefer: recording or playing live?

Michael: “I think we really enjoy both. I mean, I'm not gonna speak for everybody. I really do love performing and I love the whole dynamic between an audience and a performer, and just the energy exchange that's going on in that room, but I also think I love being in the studio and recording just for different reasons because we all love music so much. Even just the idea of making a piece of music that will last forever is an intense feeling of creative reassurance and that kind of thing. It’s been really fun, and plus we get to do it with our best friends. Our producer and our mixer are fantastic. Same thing with when we play live, we have a saxophone player that we bring with us and a keyboard player and they're also our best friends and they're amazing. So yeah, it's honestly all really fun in general.”

Thank you for taking the time. I know this month has been busy for you all, and I really appreciate it.

David: “Not at all, we’ve got nothing going on.”

Michael: “[Laughs] We’ll be way more free next month when this all falls through.”

 

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DIVINE LIGHTBODY: INTERVIEW


by alex grainger

photo by britney holung

Divine Lightbody’s “Wait” is an alluring ode to the striking intrigue of meeting someone new. The love song came together naturally and was created around the sensual pauses between the beat. The story of “Wait” draws from both Divine’s personal experience and her own perspective on an outsider’s story. The narrative of being able to “stop someone in their tracks and introduce yourself shows an attractive kind of confidence,” something that Divine herself has revealed she struggles with as she grapples with fear of rejection. But “Wait” is a single which smoothly and soulfully sings about “shooting your shot” and to not “be afraid to let someone in or try something new, they might be your person.” It’s a song of reassurance and encouragement, and just the first love song off her upcoming debut EP. Read more about “Wait” and Divine Lightbody below!

Can you tell us what your single “Wait” is about?

Divine: “My new single ‘Wait’ is about what it feels like meeting someone new. That feeling when you first see them and want to know who they are. It stems from personal experience, and my take on what it felt like to see my love interest for the first time.”

What was the creative process behind “Wait?”

Divine: “‘Wait’ was created by myself and my producer, Sawan K. This was the first song we ever created together before meeting face to face. The bulk of the song came together within 24 hours. Every lyric, melody and chord came so naturally. A year later, the song was revived, and released!”

“Wait” describes the story of an initial connection between two lovers. Did you draw inspiration for this song from one of your own experiences or one you have observed?

Divine: “The story of ‘Wait’ is a mixture of both personal experience and an outsider story. As a songwriter, it’s important to be able to step outside of your own story and put yourself in someone else’s shoes. With that being said, I believe the best songs are written out of personal experience, which is why I decided to take from my life experiences as well. I have always been the kind of person to avoid shooting my shot out of fear of rejection. I know a lot of people can relate, which means that a lot of us could be missing out on a connection. Being able to stop someone in their tracks and introduce yourself shows an attractive kind of confidence.”

How do you feel the sound you created for this single is reflective and supports the narrative of the initial connection between two lovers?

Divine: “I believe the music behind the song doesn’t just sound like a love song, but it’s sexy. While writing, I played off of the pauses in the beat which is how I came up with the idea of ‘Wait.’ The smooth guitar adds a sensual touch to the song which I believe matches the lyrics really well.”

You mention how you’re ready to release all the love songs you’ve been “sitting on.” Why did you choose “Wait” as the first release?

Divine: “‘Wait’ was the first release because it was one of the first songs I wrote completely by myself. Having songwriters on a track sparks creativity, but I felt so accomplished and proud for being able to tap in to this emotion and show off my pen/melody work. I also feel like it’s a great way to start off the love songs, as it speaks about the initial connection between two people. The love story (which is a true one), only grows from there.”

How have you grown as an artist through the creation of “Wait?”

Divine: “I have grown so much as an artist since the creation of ‘Wait.’ Like I previously mentioned, I have been on a mission to do more independent writing, and although writing music is a self battle sometimes, those special songs make it all worth it. Since ‘Wait,’ I have written dozens of songs and discovered a new side to my music that I am so excited to share with the world. I am determined to create my own niche and break my own barriers in my genre, R&B. Not only have I grown as an artist musically, but releasing ‘Wait’ allowed me to tap into new ways of pushing my music and getting it heard by as many ears as possible.”

How does “Wait” fit into the overall sound and story of your debut EP expected in early 2023?

Divine: “My debut EP will be filled with love songs of all different kinds. ‘Wait’ is only the beginning of the story. I will tap into different types of R&B, from R&B drill, to trap soul to ballads, all while catering to the lovebirds just in time for cuffing season.”

Is there a message you are sending to listeners of “Wait?”

Divine: “Shoot your shot! Wait for the person that’s worth it. Relationships are not a straight arrow. Lead with love and enjoy the relationships you create. Don’t be afraid to let someone in and try something new, they might be your person.”

 

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EMEI: INTERVIEW


by alex grainger

photo courtesy of emei

Emei recently released her single “Backtrack” to round off her electric pop rock era. “Backtrack” is laced with defiant drumbeats paired with aggressive guitar riffs to sonically push the narrative of aggravation elicited when someone attempts to take back terrible things they’ve said. Although the concept and writing process only took one day, Emei didn’t understand her full connection to the powerful “Backtrack” until months later. She relistened to the song and understood her true emotions towards and reasoning for sharing the relatable story of “Backtrack.” You may have heard this track before it was officially released as Emei used “Backtrack” to open her live shows. This past year the single was Emei’s “good luck charm” as it allowed her to feel comfortable and confident onstage. Read more about “Backtrack” and Emei below!

Can you tell us what your song “Backtrack” is about?

Emei: “The song ‘Backtrack’ is about the frustration and annoyance that comes with someone trying to take back horrible things they’ve said.”

What was the creative process behind “Backtrack?” 

Emei: “I wrote this in one day with the amazing Rachel Folmar, Stephen Ordoñez, and James Colla. We first started with the concept of the title ‘Backtrack’ and the chorus. It really fell into place very fast and it was one of those songs that felt so easy to write (which happen to always be my favorite songs). Once we finished writing it, the song sat in my lil demo vault for a few months before I brought it to Myles Avery and Jordan Lewis to finish. We played around with the sounds for a while before we really landed on this final version!”

Why were you inspired to use your love of live performances on this track? 

Emei: “This song has been my opening song for every show I played this year (while it was fully unreleased)! The first song of my set is always really important since it’s my transition from being nervous to comfortable on stage. I have to feel confident and have a ton of fun. It’s like my good luck charm for every show. Since ‘Backtrack’ was that song for me all year, I had to have the final recorded version be the same energetic live sounding. That’s why I had to have the studio version also have live sounds and the final raw vocal take.”

How do you feel this sound you have created for this single is reflective and supportive of the song’s narrative?

Emei: “The song’s narrative is being pissed off and frustrated and over dealing with someone else’s BS. The whole song is a journey as well from being in denial and describing the situation to being completely over it. I think the instrumentation reflects that narrative by keeping the energy of the drums and the aggression of the guitars.”

How do you deal with those in your personal relationships who have said hurtful and “messed up” things? Can they redeem themselves or are some words just unforgivable?

Emei: “It definitely depends on the relationship and the things said. In the heat of the moment, I’m sure we’ve all said some things we’ve regretted but when it’s one of those things that reoccur where someone says mean things and tries to take it back, that’s when it definitely becomes toxic and unforgivable.”

“Backtrack” was your last record of 2022. Why did you decide to release this single as your last of the year?

Emei: “This track was a 2022 send off after my debut EP came out. I was actually debating for a while if I wanted to include ‘Backtrack’ on the EP but decided against it. End of an Era is centered on nostalgia and growing up and captures a very specific time in my life. This song felt like it stuck out but still existed in the sound and era (ha) so I definitely wanted it out before the end of the year.”

photo courtesy of emei

Is there a message you are sending to listeners of “Backtrack?”

Emei: “I guess I’m saying to yell and scream it out when you’re frustrated and to NOT TAKE ANYONE’S BS!”

How have you grown as an artist through the creation of “Backtrack?”

Emei: “I had a lot of fun with this track. It was interesting because when I first wrote it, I actually wasn’t sure if it felt totally me. I wasn’t sure if I really related and I wasn’t sure if it was about a relationship that I felt strongly about. But a few months later, I relistened to the song and realized who and what I was subconsciously writing about, even though I didn’t know in the moment. I tend to do that a lot now where I write a song off of a concept (in this case ‘Backtrack’), and as we write, I realize how I’m feeling and why I’m writing about the situation. Songwriting has definitely turned more and more like therapy for me in the last few months.”

After the release of End of an Era and all your 2022 projects, what can we expect from you in the next era and new year? 

Emei: “So much new music!!! ‘Backtrack’ felt like the cherry on top of this pop rock sundae that I’ve lived in and now I’m moving back into my silly alt-pop, dark-pop world.”

 

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VIVI RINCON: INTERVIEW


by emma schoors

photo by lucy ketchum

“The EP is full of extremes: very happy to very sad, madly in love to incredibly heartbroken, so I wanted to explore those contradictions through the title,” vivi rincon says of her upcoming debut EP crash landing. “Sometimes I feel like I barely make it through tough situations, almost like a crash landing.” 

Rincon’s newest release, hot on the heels of her summer 2022 hit “if we lived on the moon,” comes in the form of “overflow,” a heart-wrenching admission of insecurity in the face of newfound love. “I’d say I’m in too deep, but I’ve never seen these waters,” Rincon sings. “I’d spill all my thoughts, but I’m not much of a talker.” Rincon wrote the track about her current girlfriend, and the doubt that tangles itself in new beginnings. “I was so worried that I was too much to handle and that she would leave me,” she says. “I wrote this song about those scary feelings, the fear of abandonment that comes with the beginning of a relationship.” 

“A snake hidden beneath the wool, your belly's full,” Rincon delivers flawlessly in the tender yet relentless “angela,” complimenting the guitars as they let loose. The track was written about a two-week long relationship that left Rincon confused and heartbroken: “A girl I had been dating for two weeks left me for someone else. But I only knew her for two weeks!” Rincon filled in the missing pieces by turning them into lyrics. “The song is more of a character,” she says. “I wanted it to be overdramatic and angry. I wanted to give myself permission to be angry.”

We had a chance to speak with Rincon about her musical beginnings, the gorgeous origins of “crash landing,” and what’s next for the rising singer-songwriter.

Thank you so much for taking the time to speak with us! Before we get to your upcoming EP, I’d love to get some insight into your musical background. Do you have a first memory of music?

vivi: “My first memory of music was definitely this Mexican rock band called Mana. I’m half Mexican and half Venezuelan so I grew up listening to a lot of latin music. It’s the best! I remember my mom playing ‘Rayando el Sol’ while she was getting ready in the bathroom every day. It’s one of my favorite memories and I still listen to that song almost every day.”

Who were some of the artists you grew up listening to? 

vivi: “Like I already said, I love Mana so much! But I also grew up listening to Juan Gabriel, Luis Miguel, and Franco de Vita. When I was in high school I also had a huge emo phase, so I listened to a lot of Paramore.”

Was there ever a moment you said to yourself, “Music is what I want to do for the rest of my life?”

vivi: “I grew up as a dancer, and I was so certain that I would grow up to be a dancer. But plans changed because my mental health started declining. Dance can be really difficult, and I became a huge perfectionist which didn’t make me feel great. To deal with these emotions I started writing on ukulele and guitar. That feeling of releasing my emotions through a song made me realize I could do this forever.”

Your breakout hit, “if we lived on the moon,” has resonated deeply with over a million listeners. What do you attribute this to? 

vivi: “I think it resonated with people because I wrote about my experience as honestly as I could. I was struggling with feeling like I couldn’t fully be myself in public as a queer woman, and unfortunately, I think a lot of people can relate to that feeling.”

Your newest single, “overflow,” deals with the fear and insecurity that comes with falling in love. Can you take us through your thought process while writing this track?

vivi: “When I wrote this record I was thinking about the beginning of my relationship with my girlfriend. I was struggling with my mental health, and we had to do long distance because of the pandemic. I was so worried that I was too much to handle and that she would leave me. I wrote this song about those scary feelings, the fear of abandonment that comes with the beginning of a relationship.”

Your debut EP is absolutely gorgeous. One track that immediately stands out is “angela.” What was the initial spark of inspiration for this song?

vivi: “‘angela’ was such a fun one to write because it actually wasn’t 100% about my experience. I based it off of a real feeling when a girl I had been dating for two weeks left me for someone else. But I only knew her for two WEEKS! I was 16 and very emotional and it broke my heart so much that I was inspired to write ‘Angela.’ But the song is more of a character. I wanted it to be overdramatic and angry. I wanted to give myself permission to be angry.”

How did you decide on the EP’s title, “crash landing?

vivi: “I like the title ‘crash landing’ because it is an oxymoron. The EP is full of extremes, very happy to very sad, madly in love to incredibly heartbroken, so I wanted to explore those contradictions through the title. Also, sometimes I feel like I barely make it through tough situations, almost like a crash landing.”

Take us through how you craft a song. Are you more of a Notes app person, or do you write lyrics down in pen?

vivi: “I LOVE the notes app. That’s how I write all of my songs. Notes app and voice memos.”

When you picture yourself at the height of your career, what do you see? Are there any specific career milestones that come to mind?

vivi: “I would love to tour, I want to play as many shows as I can. I used to have terrible stage fright but recently I have just been so obsessed with performing. I also want to build a community of people where we can all feel loved and accepted. That’s the most important thing to me. I would love to reach as many people as I can.”

Is there anything else you’d like to share with fans about you or your music?

vivi: “All I want to say is I hope that people feel connected to my music, I hope that they are able to relate to my songs and feel less alone, because that makes me feel less alone too.”

 

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CHIPPED NAIL POLISH: INTERVIEW


by chris richmond

photo by allison barr

custom outfit by kelly madden

Chipped Nail Polish are an incredibly intriguing new presence on the music scene. They're the brainchild of Jill Sullivan of Portland, Oregon, whose music fuses surf punk and indie pop, all tied together by an ever-present ukulele. It's rocky and it's fun, with their latest single “Rut” being a refreshing breath of cinematic guitar-driven pop. Their new EP, Bottom Feeder, is out on the 27th of January, and we were lucky enough to speak to Jill about the origins of the band, their influences, and her aspirations moving forward. 

Can you tell us about the origin of Chipped Nail Polish? When and where was the project founded?

Jill: “I was really new to playing music when my first serious boyfriend dumped me in 2018. I was a junior in college at the University of Oregon and that whole year was basically me grieving and processing that breakup. For the first time ever, I started writing my own songs as a way to heal. Those songs became my first EP, B. I’ve been writing ever since.

A year later, I decided I wanted to play one house show before I graduated. UO had a thriving DIY scene and I knew a lot of people in it. I grabbed some close friends of mine, they learned my songs, and we played to over one hundred college kids in somebody’s tiny living room.”

Chipped Nail Polish is a really intriguing name for a musical project. What is the inspiration behind the name?

Jill: “I actually came up with the name before I even started playing music. I always have had chipped nails and I always thought it would be a cool band name. It makes more sense now because a lot of my music is about my imperfections and shortcomings as a person. I think chipped nails are a pretty good visual representation for what the content of my songs hold.”

The genre of Chipped Nail Polish is described as ukulele indie pop. When did you learn the ukulele and why did you decide to make it such an integral element of your music?

Jill: “I started playing in 2017, so it still feels pretty recent. I wanted to learn a new instrument and guitar was so hard that I ended up getting very frustrated and tried the uke instead. I was able to instantly play some songs and it was just what I needed to keep going. It’s an integral part partially because it’s what I know best, and partially because it just sounds cool. It’s been fun playing with distortion and effects too.”


We've listened to your new EP, Bottom Feeder, which will be released on January 27th. It's great! Can you talk us through the meaning and inspiration behind the collection?

Jill: “I was living at home in Southern California when I wrote most of the songs for the EP. I had graduated from school and was really mourning my college self. I couldn’t shake the feeling that I had just peaked, and was sinking. I took a lot of solo trips to the beach and got really inspired by water, the ocean, the tides and SoCal surf punk (my favorite genre in high school).

I felt like a bottom feeding fish. I felt like I was at the bottom of the food chain, lowly, forgotten, etc. Yet, despite how hard that period for me, I slowly began to realize that it was a temporary problem. Writing this EP was so healing and helped enter a ‘this too shall pass’ mindset. It made me realize that I needed the pain in order to experience the joy on the other side. This also ties in with bottom feeding fish in an ecosystem in a nerdy way. Without those fish the entire food chain would fall apart.”

What's the meaning and inspiration behind the lead single, “Rut?” Is it easy to choose which tracks to release as singles? How do you make this decision?

Jill: “I wrote ‘Rut’ at a time when I felt especially stuck and nostalgic for my past self. I feel like nobody prepares you for how weird your early 20s are. I just couldn’t really imagine my life post grad and COVID amplified that feeling of being lost.

I chose it as the single because it’s definitely my favorite song off the EP. It was partially a gut instinct, but I think it encapsulates the broader meaning of EP the best as well.”

Were there many songs written and recorded for the EP, or was it always meant to be these five tracks? If so, how did you decide on these tracks?

Jill: “I was originally aiming for an album. I had enough songs to fill it out, but it would have been less pointed and specific. I realized I really just wanted the concept of ‘Bottom Feeder’ to tell a clear story. I found that I didn’t need the extra songs to say what I wanted to say. I figured that out before I started recording so now I’m gonna have to go back and revisit those other songs.”


photo by allison barr

custom outfit by kelly madden

What's your process when writing a song? How do you begin the process and how do you know when it's done?

Jill: “It varies greatly by the song. Some songs pour right out of me in less than 15 minutes. Some take months, some I piece together from different songs. I usually like to start with a chord progression, then the vocal melody, then lyrics. I keep a lot of voice memos and write down lots of song ideas in my notes app. If I’m stuck while trying to write, I usually like to turn to those.”

Who are your musical inspirations? Whose career would you like to emulate?

Jill: “I think I’m most heavily influenced by female indie/alternative artists like Snail Mail, Phoebe Bridgers, and Beach Bunny. I love their vulnerable lyricism and dark quality to their mixes. Other prevalent influences are pop punk and surf punk. I love to write songs that I can envision people moshing too.

I really like the career path of the band SALES. I got to meet them a few years back and they talked a lot about how they’ve garnered success while staying independent and sort of on the outskirts of the music industry. It made me rethink what I want out of a career in music.”

What contemporary music are you listening to? Whose albums are you listening to lately that have struck a chord with you?

Jill: “Alice Phoebe Lou. I rediscovered her album Glow last year and it’s been on repeat ever since. It truly fits in every season and I am just absolutely in love with it. I’m really looking forward to the new Boygenius, Paramore, and Arlo Parks albums coming out later this year. All of their singles make me so excited for what’s next.”

What are your career inspirations? What would you like to achieve in the future?

Jill: “That’s something I’m still trying to sort out. I just want to make art and share it with more people. I am hoping to go on tour and open for some bigger acts this year. It’s really hard to fathom much beyond that right now but I’m just focusing on opening myself up to more opportunities and growing my community.”

 

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