ELIJAH WOODS: INTERVIEW


by sara welden

With each new release, elijah woods showcases his versatility as an artist and his ability to produce an authentic and distinct sound. With his vivid and earnest lyricism, elijah has quickly been capturing the attention of listeners all over the world and continues to do so with his newest single “last girl” (feat. MacKenzie Porter). After just wrapping up a sold out tour across Canada this fall, elijah took the time to chat with us about all things music. Read more about him below!

You released the track “last girl” as part of your bright orange everglow EP, and you're now releasing an alternative version that features MacKenzie Porter. What was that collaborative process like and how did it initially come about? Did you always want this song to become a duet?

elijah: “As soon as we wrote ‘last girl’ I knew I wanted it to be a duet. I first discovered MacKenzie through some mutual friends and I absolutely loved her voice and songwriting. She was in Nashville at the time, so the collaboration happened virtually, but as soon as she sent through a rough version I knew she would be perfect for the song.”

In addition to being both a pop artist and a singer/songwriter, you are also a producer and recording engineer. How has being knowledgeable in those areas influenced you as an artist and the music that you make?

elijah: “I think having a broader tool set helps me express my ideas more clearly when it comes to my project. I do think it’s kind of a double edged sword though. Because I can record myself and make it sound ‘commercially presentable,’ sometimes it’s misleading to know if the song is actually good, or if the elements of the song are just well produced/recorded. Lately I try to just rely on feel rather than sonic perfection.”

There is such a uniquely distinctive sound to your music and production, so how did you go about establishing that? Has it evolved over time?

elijah: “I think it’s always evolving. Something I heard recently that resonated was that it’s not what genre or style of music you make that defines you, it’s the way you come across in your music that matters. For me, music has always been a direct expression of what’s going on in my present life, so it naturally shifts and changes as I do. My end goal with every song or project is simply to be as honest and vulnerable as I can.”

You’ve just wrapped up your first, sold out Canadian tour this fall which is huge! What was that experience like, and is there a favorite memory you have from being on the road?

elijah: “Thank you, it was definitely a special experience. I still can’t believe people would take time out of their busy lives to come hear me sing songs, but I’m so thankful they do. I think the biggest takeaway from this tour was that even my songs that haven’t streamed as well still find their audience. It gave me some level of creative permission in a way.”

Who are some of the artists that inspire you today, or have inspired you in the past? Are there certain aspects of their music that you find yourself drawn to?

elijah: “Troye Sivan, Kacey Musgraves, JVKE, Taylor Swift. I think overall what inspires me the most is the willingness to try something and stick by it.” 

As a highly sought-after collaborator, are there any artists that you’d like to collaborate with in the future?

elijah: “Taylor Swift, I think my fiancée would have a heart attack out of excitement.”

Does your latest project bright orange everglow set the tone for what’s in store next for you, or hint at future creative choices?

elijah: “I think it’s a good reference for the level of intentional songwriting, but outside of that, I’m very open to new horizons. The songs are what matter to me, not how they’re packaged. I could make a dance project, or a country EP, doesn’t matter to me. As long as the songs get the best light then I feel accomplished.”

 

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SELIN: INTERVIEW


by kaleigh gieraltowski

photo courtesy of selin

Cunning and whimsical single “LIGHTS OFF” has recently been released by on the rise Turkish pop star Selin. This song sets off a mystical and emotional rollercoaster that glides you through Selin’s strenuous love story. The singer expands into unique horizons with her upcoming album PARANOIA by dipping into an assortment of genres and experimenting with new sounds. As Selin is finishing off her tour in the US, we can expect lots more exciting music to be coming our way. We had the pleasure of speaking with her about all things music, songwriting, and touring that you can read about now!

In your single “LIGHTS OFF,” the lyrics encapsulate the story of a breaking relationship and the struggle to put those pieces back together. When writing this song did you pull more personal experiences into the lyrics or are they more generally speaking?

Selin: “I tend to put as much of myself into a song as possible. Sometimes for the sake of the story I'll add other details, but most of the time I tend to keep it as real as I can. Just because I find it adds to the emotional output when I'm performing it live.

It almost feels like I'm telling a story to my friends in the crowd, and the more real the story is to me, the more I can convey the emotion to the outside world.”

What was the title inspiration for your upcoming album, PARANOIA?

Selin: “I'll be honest, I change my mind about things every day just because my creative process changes. One day I'll decide on something but then the week after, I'll think about a totally different angle to approach it from, which is a good and a bad habit, I guess.

I went with ‘PARANOIA’ because the past year has been an emotional rollercoaster in terms of internal emotions. I guess I could say I get into my head a lot and people get into my head a lot and I allow myself to be affected greatly by these external factors. So I chose to write music about these paranoid thoughts one gets when left alone with themselves. So let's see, I might go with this title, but I might also change it — it'll be a surprise for us all! [laughs]”

How do you think listeners will receive your sound as their first time seeing you live on your US tour? How do you hope your message is portrayed?

Selin: “The tour has so far been one of the best things ever. I think there are definitely people who already knew my sound, knew my music and kind of knew what to expect. Equally there were some people in the crowd that didn't know my music and didn't know what to expect. Since I'm now almost done with the tour, I can confidently say that it's been a very good run and I hope that I have perhaps touched some people with my music.

I wouldn't say I have a specific message to give on stage when I go on, it's more of an experience. I’d like to think that people can take away whatever they want from the live shows. Let’s say they're in a bad mood and that's what's gonna make them feel better, then I feel like I've accomplished something. If they're looking for some inspiration, then perhaps they can find something in one of my songs, then I'll also feel accomplished.”

What do you think PARANOIA will bring to the table that is different from your past work?

Selin: “Definitely way more honesty, with myself and with others. Less filtered writing.”

Do you have a musical or creative inspiration that you think helped sculpt your new album?

Selin: “I listen to as many different types of music as possible to inspire my process and direction. There’s definitely a lot of music that inspired me, but I would love to say that RAYE’s album My 21st Century Blues has definitely inspired me in terms of breaking the barrier of multi genre albums.

I feel like sometimes I get so caught up trying to make everything have one specific theme that I forget to just let myself go completely with the music. So after listening to her album, it made me realize she's put all sorts of pieces into the record. I think that's quite beautiful because it's almost like our thoughts and our internal feelings, they will never be the same theme. They’re gonna be different and most probably chaotic. So to have an album with different genres in different topics, but under the same roof is definitely what I want to do. And it's what I'm working on currently. I think that's the beauty of art, it’s how well we can play with the rules (if there are any), but almost shifting them for our own liking.”

What are you most looking forward to on tour? Do you have any specific locations that stand out to you?

Selin: “So far Austin would have to be one of my favorites! Show wise but also just the music scene! I've got a couple pairs of authentic Texan boots and definitely tried some line dancing! [laughs]”

Your style of music and songwriting is magnificent and puts an intriguing spin on pop music. Have you always aimed for this sound? Or would you ever consider expanding into different genres? If so, which ones would you experiment with?

Selin: “I'm not sure if I would say I have a specific sound, but I definitely play with elements of pop and rock and try to throw in some soul when I can. But as I mentioned before, depending on my mood, the season or the emotional era I am in, the sound will always be reflected on that! I’d love to explore the jazz world a little more, and perhaps at some point go a little more heavy on the rock blues side too! There’s so much to do!”

Lastly, what else should we be on the lookout for when it comes to new music by Selin? Any exciting music videos or collaborations you can tell us about?

Selin: “Definitely some new music and hopefully some collaborations for you to find out about soon!”

 

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JULES IS DEAD: INTERVIEW


by kaleigh gieraltowski

photo courtesy of jules is dead

Bright and spunky uprising emo rockstar JULES IS DEAD has recently taken the industry by storm with their newest single “My Own Hell.” From a very young age the singer and songwriter has gravitated towards the exuberant culture and excitement of the infamous emo and scene culture. JULES IS DEAD excels with powerhouse vocals and an even cooler take on fashion that is a huge element to their overall sentiment in the upcoming world of rock. They are currently working on even more music and expanding into some future touring that you will definitely not want to miss. We had the pleasure of talking with them and you can read all about it below!

I can see that you had a desire to create music at a young age. What first inspired you to learn how to play the piano, and what eventually motivated you to move onto the guitar at 14?

JULES IS DEAD: “My parents put me into piano lessons when I was very young, and I grew up playing it. I stopped lessons when I was 12. Then the first COVID lockdown hit when I was 14, and I remembered my dad used to play the video game Rock Band. So, I asked if we could bring it up from the basement. Rock Band introduced me to AFI, Fall Out Boy, and Paramore, who are now bands that mean the world to me. I was getting really good at the Rock Band guitar, so I decided to switch to a real one and try it out.”

Your newest single “My Own Hell” talks about being powerful and courageous even when you are feeling doubtful of yourself. Do you use songwriting as a way to cope and express your emotions when you feel this way?

JULES IS DEAD: “Yes, it’s definitely been a great coping mechanism for me, and being able to share how I feel and hopefully help others through the same things.”

When it comes time to tour, what kind of message do you want to spread to audiences that come to hear you perform live?

JULES IS DEAD: “I am so excited to perform live! Shows are where I feel at home, and I can't wait to be on stage. I want everyone who'd come out to see me to feel the same way. I'd hope everyone felt safe and like they could be friends with whoever's next to them. I've met some of the people I'm closest to at shows, and I hope that could happen at my shows too.”

Your charisma and talent is very impressive for being only 17 years old. How do you balance the everyday challenges of growing up and working as an artist at the same time?

JULES IS DEAD: “Honestly, sometimes it can be a bit tough, but making music means so much to me that I always find a way to balance it all. I'm pretty much just super busy all the time between writing and recording trips, school, shows, and seeing my friends.”

What advice would you give to other young individuals looking to start their own music career?

JULES IS DEAD: “I'd say to always remember what it's like to be a fan and to stay true to yourself and the sound you want as an artist. You have the ability to put your most vulnerable self in front of the world, so make sure it's the real you.”

You have a distinct style that is beautiful and eye-catching and goes perfectly with your ambience and style of music. Do you think that fashion is another way you express yourself besides creating music?

JULES IS DEAD: “Yes, definitely. I take a lot of inspiration for my look and my music from 2000s emo and scene culture. Dressing the way I dress is a way of showing what's playing in my headphones to everyone around me.”

Where did you draw the inspiration for the “My Own Hell” music video and the way it was executed?

JULES IS DEAD: “The ‘My Own Hell’ video was inspired by the music videos and visuals from the albums and movies I love. The whole video has this blue tinge that was very Evanescence inspired, and the scenes with the candles are a bit of a nod to The Craft, which is one of my favorite films of all time.”

What else do we have to look forward to in the world of JULES IS DEAD?

JULES IS DEAD: “There'll be a new single very soon, which I'm so, so, so excited for, and hopefully, before the year's out, there will be a couple of shows as well.”

 

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CASEY DUBIE: INTERVIEW


by lauren kovolenko

photo courtesy of casey dubie

Soulful, introspective Casey Dubie is here to show off her talents! Read her interview with us and learn more about what’s been going on in her world. Make sure to give her music a listen and enjoy the great storytelling! 

Storytelling seems to be your strong suit. Do these stories have a personal meaning to you?

Casey: “A lot of my songs are based on events, feelings, and observations from my own life. I hope people can feel the rawness and honesty from them and be able to connect more authentically because of it.”

When did you decide that songwriting was the way to go?

Casey: “In 8th grade I went to a talent show at our local high school and someone played a song they wrote and I remember being completely mesmerized. It seemed like such a cool channel of expression. That same night I went home and picked up my mom’s guitar and started teaching myself.”

Can you tell us a little about your single “Older Colder?”

Casey: “There’s the old saying that time heals all wounds, but ‘Old Colder’ counters this. Yes, in a lot of ways we can heal and move on from things, but they also never really leave us. That’s what this song is about, how as we move through life, we take on more painful experiences which contributes to our loss of innocence.”

What does creating mean to you?

Casey: “Creating is a way I make sense of my internal world, and by extension, hopefully help others sort through theirs as well.”

What audience do you hope to attract with your music? What do you want them to feel?

Casey: “Anyone! I hope my music can be a friend to people processing things in their life.”

Congrats on recent tour! What location were you most excited to visit?

Casey: “Thanks! Tour was awesome! All the shows were great for different reasons, but New York and Columbus stand out in particular. The crowds were so great, and New York just has a vibe about it that feels so alive.”

What has been your most fulfilling song you’ve worked on? Do you have a specific lyric you love most?

Casey: “Probably my song ‘Invisible.’ It’s sort of a stream of consciousness song that just poured out of me in like 20 minutes. I wrote it in my childhood cabin in Vermont. I was on the porch in the morning and the sun was shining on the water — the scene is really cemented in my mind. It’s about how loud my mind can be sometimes, and how it can pull me out of being present.

‘I just want to sit here in the doorway / watch the sun on the water sway / like Christmas lights in June / and not think about you.’

Where does your sound influence come from? Family? Upbringing, etc?

Casey: “It’s probably a combo of a lot of art around me, as well as my own inner thoughts. I grew up on the Dixie Chicks, Carole King and this ‘greatest hits’ Beatles record, so I’m sure that had impact too!”

Are you coming out with an album soon? What’s the general vibe of it?

Casey: “I’m coming out with a deluxe version of my EP soon. It has all the original songs, plus ‘Older Colder’ and one new one. :)”

What does a day in the life of you look like?

Casey: “First and foremost, Weak Coffee (my fav coffee place in Nashville). Then I usually jump online at my day job (I do brand marketing for a tech company), hang out with my dog Moose, and maybe meet up with some friends. I’m really into pickleball, tennis, and yoga these days, so have been doing that a lot too. :)”

Where do you see your music career going in the future?

Casey: “I hope it continues to grow. I know my main goal is to continue to put songs out that I’m proud of. :)”

 

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COYOTE EYES: INTERVIEW


by martina rexrode

photo courtesy of coyote eyes

Coyote Eyes is a musical project led by singer-songwriter Jo Eubanks who recently released a triumphant new single titled “Lightning Strikes.” With a similar cinematic flourish to her other singles, Coyote Eyes is once again able to conjure up images of some of life’s most complex emotions within just a few minutes, an impressive feat for an artist with just over ten singles to her name. We talked to Coyote Eyes about the moment that inspired this release, the fascinating woman who embodies its lyrics, and where her name came from.

What does this single represent to you as an artist?

Coyote Eyes: “‘Lightning Strikes’ is extremely significant to me both as an artist and a person. Creating it was such a spiritual experience for me — it just feels like whatever higher power is out there moves through the music.”

Was there a specific moment in your life that inspired this song?

Coyote Eyes: “Totally. I was dating someone who had such a deep faith that ‘if it’s meant to be, it will be.’ Things just seemed to align for him throughout his life; he was a very successful actor, which I say because anyone who’s in that field knows what a small percentage of people experience that high level of success, and relationships had come easily to him as well. I, on the other hand, had trudged a path which felt like it was decorated with potholes and detours. Our experiences led us to have very different beliefs and brought up the question: are obstacles in life challenges or redirection? I could go on forever down that philosophical rabbit hole, but for now, I’ll just say that’s how ‘Lightning Strikes’ was born.”

What kinds of moments do you hope “Lightning Strikes” might help listeners through?

Coyote Eyes: “I’m hoping it will help listeners feel less alone and more hopeful. I often had the feeling that something was wrong with me because my path had been challenging, and that’s just not so. Sometimes the rockiest paths lead to the most beautiful views.”

The visuals for your recent singles have each been influenced by the stories of various tragic women. Who do you associate the visuals for this single with?

Coyote Eyes: “I think this story is so cool. So I’ve always been fascinated by Lady Godiva. You may not know who she is, but you’ve definitely seen the famous painting of her by John Collier — it’s a naked woman riding a white horse, covered only by her own hair. Lady Godiva lived in the 11th Century and was married to a very powerful Earl in England who instated horribly oppressive taxes in his… I guess they were districts back then? Anyways, she kept pleading with him to have compassion but he refused and said the only way he would lower the taxes is if she rode through the town completely naked, which he obviously assumed she would not do. You can imagine how humiliating that would be for a woman at that time. But, that’s exactly what she did. So in the video, Lady Godiva is conjured back to life to be able to tell her side of the story — we see her come to life from the painting and then fade back into it.”

Do you think of the stories you want to tell visually and the women they represent before or after the songs are complete?

Coyote Eyes: “After. They’re usually unrelated, but applicable.”

How did you find your sound? Are there any artists or groups who have had an influence on your musical development?

Coyote Eyes: “I think I always knew what sound I wanted, but it took me a while to A) find the right people to help me get there, and B) give myself permission to fully explore what I wanted to sonically. When I was younger, I felt like I ‘had’ to pull back, or I guess round my edges to fit into a mainstream mold. I was most inspired by film scores of the 90s and 90s grunge and kind of alt-pop. I love lyrical poetry. When Lana Del Rey first came out, I was really inspired by her because she has such substance and fearless expression — she’s not afraid to be equally feminine and have a razor-sharp tongue.”

Where did you get the name Coyote Eyes from?

Coyote Eyes: “It just kept coming to me. But ultimately, the Coyote is representative as the one creature who can’t be defined or categorized — she’s both dark and light, funny and ominous, spontaneous and calculating, hunter and hunted.”

What is your biggest goal with this single?

Coyote Eyes: “You know, I’m really hoping ‘Lightning Strikes’ will end up in a romantic drama or some film with a really tragic, yet victorious storyline. I don’t know, it’s just so epic and moving, and regardless of the lyrics or even my voice, there’s just something about the music that stirs emotions we can’t necessarily define.”

 

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