THE WARNING: INTERVIEW


by emma schoors

photo by danielle ernst

Monterrey sister trio The Warning return today with their knockout fourth studio album Keep Me Fed, which ensures their continued standing as one of the strongest, most undeterred rock outfits of the decade.

Daniela, Paulina, and Alejandra Villarreal Vélez broke onto the metal scene in 2013 with a rocking cover of Metallica’s “Enter Sandman,” which racked up over 20 million views on YouTube and earned the sisters praise not just from millions of new fans, but the band themselves, with guitarist Kirk Hammett hailing Paulina as a drummer who “kicks maximum ass.” It’s been over a decade since that video turned all eyes to The Warning, and they’ve all but squandered the opportunities it presented to them. The sisters — guitarist Daniela “Dany,” drummer Paulina “Pau,” and bassist Alejandra “Ale” — have since released two EPs, four albums, and recorded a whopping fifteen music videos to support their material.

On Keep Me Fed, they hope to reach fans on an even deeper level than previously imagined. “[This album] is the result of us letting ourselves go, and writing stuff we didn’t even know we had to express,” Dany says. “Our biggest wish is that the people who listen will also find themselves and what they need in our music.”

We had the chance to sit down with the band to discuss Keep Me Fed, their upcoming Canadian tour with Evanescence and Halestorm, what keeps them motivated, and their dream collaboration! 

Thank you for joining us! Before we get into your brand new record Keep Me Fed, we’d love to know what sparked the inspiration for its lead single, “MORE.” Why did you choose this track as the first glimpse into the album?

Dany: “To be completely honest with you, it was the song that we wrote and recorded first! We felt it was time to let people know we were working on new music and we were preparing a new album for everybody as well. And ‘MORE’ was such a fun song to write… we also had a focus on making a cool song for our participation in a Pepsi campaign in Mexico, and we are proud to say that ‘MORE’ was the focus song of the whole campaign in 2023.”

Considering you were all so young when your “Enter Sandman” cover went mega viral, you must’ve grown up immersed in music. When did you first decide to pick up instruments and form the band, and what types of music did you find yourselves drawn to early on?

Ale: “You are correct! We grew up in a very musical household. We would see live concerts on DVD all the time and some type of music would always be playing around the house. We grew up listening to a lot of Queen, Muse, Elton John, Billy Joel, Pink Floyd, AC/DC and many others. Even though our parents are not musicians, they are very much music lovers. We started playing the piano and learning to play classical music, then the Rock Band changed everything. We played that video game non-stop and it was the inspiration for what we do today! Still at that point, each of us did our own thing for a while until the fateful day we decided to play a song together for fun… safe to say, we loved it.”

What significance does the new record’s title, Keep Me Fed, hold to you all?

Pau: “The title Keep Me Fed represents this constant need of being fed by something, anything really, whether it be from social media, music, comedy, reading. It represents how nowadays living a single second without consuming something is unthinkable, and the need for constant stimulation is equally expected of everyone.”

You described another of the album’s fantastic singles, “Burnout,” as about “being tired of being dragged down by someone who just stopped trying in life.” On the contrary, what keeps you motivated to try, especially in the band?

Dany: “Love this question! There’s lots of things that motivate us, but specifically I think it’s the people around us: our parents who support us and work so hard for our well being and happiness as well as our success, our whole team that have stuck with us through every rehearsal and show around the world and always inspire us to be better, every single person who listens to our music and shows up to rock out with us in our shows, and especially each other. As sisters, we know we have our backs in this crazy and incredible journey. We are very grateful for all of these things that give us motivation, because following your dreams is hard and it will make you work harder than you’ve ever done before, so we’re lucky.”

How does a typical The Warning songwriting session go? Do you start with lyrics and lay down instruments from there, or vice versa?

Ale: “It depends a lot on the song and where the inspiration to write it came from, but Pau who is the main song starter in the band, pulls a lot of inspiration from visual stuff. She will usually have a theme and a mood board to accompany it and then sit in the piano. Sometimes music comes out first, sometimes lyrics… sometimes both at the same time. We all are very involved in the songwriting process and the end result. Rockafying songs that are born as piano ballads is always fun.”

So many of rock’s greatest groups have included siblings — Van Halen, Allman Bros, Kings of Leon, AC/DC, the list goes on. Why do you think that is? Is there an element to performing with family that gives the music extra meaning?

Pau: “We can’t speak for all of those bands, but being siblings in a band together for us is the coolest thing ever. We’ve always been very close, and music is all about sharing feelings and ideas in a very special way. To have the opportunity to do that with the people who understand you and love you the most is definitely a blessing. Plus, you will have the most unfiltered honesty that siblings have [laughs].”

Later this year, you’ll join Evanescence and Halestorm for a string of live dates in Canada! What are some essential items you keep with you on tour?

Dany: “Yes, we can’t wait to be on that tour! Essentials for tour for us are… now don’t laugh, but tortillas [laughs]. We travel with tortillas everywhere. As good Mexicans, we need some quesadillas for breakfast, and it helps a lot to have something that reminds us of home, especially since we are away for very long periods of time.”

You’ve also performed alongside Foo Fighters, Muse, Royal Blood, Guns N’ Roses and more. What’s the best advice you’ve been given by an artist you’ve played with?

Pau: “We have, and every single one of these experiences have been amazing. On the Muse tour we received advice that said ‘always be kind,’ and yes, the most amazing thing these performances have shown us is the kindness of all the people that make a band shine, whether it’s the artist themselves or all of their crew. We hope we can be a band like all of them and show the same kindness to the new band of the next generation when the time comes.”

What are some of the main themes on Keep Me Fed? Maybe a message you’d like listeners to take away at the end of it?

Dany: Keep Me Fed is the result of us letting ourselves go, and writing stuff we didn’t even know we had to express. It was an album of a lot of self-discovery, as well as letting ourselves have fun writing our songs. Our biggest wish is that the people who listen will also find themselves and what they need in our music. Let Keep Me Fed be a safe space to let yourself feel what you need to feel.”

Finally, who are some artists you’d love to collaborate or tour with in the future?

Pau: “Well, we haven’t collaborated much as a band, but we’ve had so much fun on the ones we’ve had! The Metallica Blacklist project with Alessia Cara was an absolute blast, and we’re participating on a song with Band-Maid on their new upcoming album. We love sharing the creative process with other artists and in the process enrich ours and open our minds to new ways of songwriting. If we were to shoot the rocket to the moon, we’d say we would love to collaborate with Muse. That would be a dream come true, let’s manifest it!”

 

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5 NEW ARTISTS TO SEE AT NORTH COAST THIS YEAR


by emma zanger

North Coast Music Festival is on its way back to the Chicagoland area for its 14th year, and we’re so excited to see some of our favorites! Taking place August 30th through September 1st at Seatgeek Stadium in Bridgeview, IL, the festival is set to have its largest year yet. Complete with an immense seven stages, hosting a broad lineup of artists, as well as an extensive collection of art installations, the festival’s attendees are in for a phenomenal experience.

The dazzling three-day festival includes powerhouse headliners such as Illenium, Above & Beyond, and Alan Walker. We’re excited to see popular artists like Seven Lions, Slander, Diesel, and Sullivan King, but let’s take a look at some of the newer artists on the NCMF scene. Make sure to take a break from the heat this Labor Day weekend to go see their sets!

TOMBZ

Bringing a bit of dark house to the festival scene, this Milwaukee artist is one we don’t want to miss. Known for an immersive mood that creates entire experiences for their listeners, Tombz is set to play day two of the festival. Be sure to head over to the Club Coast stage to hear their latest single “That’s What’s Up.”

PATRICK COLES

This Florida artist, who’s been releasing quite a handful of singles in 2024, brings a fresh and fast paced sound. Patrick Coles has an uplifting and euphoric sound, perfectly matched to the exhilarating festival experience. 2024 singles “Hypnotize,” “Falling 4 U,” and “Break A Sweat are ones we can’t wait to add to our festival memories list! See you at the silent disco.

MAX WAGNER

New to North Coast but definitely not to Chicago, local house artist Max Wagner is set to bring a punchy, fast, and uplifted summertime vibe into the festival this year. Grab some friends and catch Max at the Shipyard on day two. His enthusiastic and popular presence around the Chicago scene is sure to bring your Labor Day weekend to the next level.

CAPOZZI

The Shipyard stage is due for an amazing performance by electronic artist Capozzi. Known for her collaboration with artists like Tchami, this girl is no stranger to the electronic scene. Her rounded dark electro mix between techno and spacey samples, sets up her own sound. Be sure to catch her on day two.

RAVENSCOON

Electronic force of nature Paul Conversano is set to play the Vega stage at North Coast this year, and there are several hits of his we can’t wait to catch. Having a reputation for combining many different genres (dubstep, trance, rap, DnB, etc.) in a seamless blend that reaches vast audiences, North Coast is blessed to have the sounds of Ravenscoon on day two. Ravenscoon sets are known for being enticingly experimental, and we can’t wait to experience it with you.

Tickets are selling fast, so make sure to grab your tickets to this incredible festival now. See you there!

 

NIGHT TAPES: INTERVIEW


by martina rexrode

photo by marii kiisk

Based in London, dream-pop trio Night Tapes recently released their latest EP assisted memories, a seven-track project featuring an impressive range of styles. Their rising career picks up in an exciting way this fall when they embark on their debut US tour including stops in NYC and LA. We talked with Night Tapes about the EP, the erratic process put into creating the EP, and their goals for the end of the year and beyond.

Congratulations on your assisted memories EP! What made you choose this specific track as the title of the EP?

Night Tapes: “Thanks! It really felt like it encapsulated the theme of changing from one version of yourself to another and the meaning nicely encapsulates this group of songs. It felt right.”

How does this EP bring listeners closer into the space you currently hold as a trio? Does it introduce any new sides of you that fans might not have seen before?

Night Tapes: “It’s definitely the most direct sounding piece of music we’ve ever made. Richie is singing in ‘drifting’ which is something we haven’t featured before (unless you know a secret track from ages ago). Lyrically with this EP I’m trying to honor and be kind to different past versions of myself. Especially to the young girl who moved to London from Tallinn, Estonia to pursue music.”

What is your writing/production process typically like? Did you try any new methods or styles within this process recently?

Night Tapes: “Our writing process is pretty erratic. We all make tracks individually and we can write together. The annoying, correct answer to this question is ‘every time is different’ ([laughs] I used to absolutely loathe these kinds of answers, but it’s so true). I think it’s good to keep on exploring, there is a saying that applies to art quite well: ‘if you think you know what you’re doing, you’ve killed it.’  Throughout the years we have learned to just make songs happen faster, but switching up approaches like writing with a new instrument or writing to visuals seems to work for us.”

If you each had to choose a favorite track from this EP, which would it be and why?

Night Tapes: “At the moment my fave is ‘easy time to be alive.’ It’s built on this one spontaneous dictaphone recording we did one morning with Max. We found the recording randomly at a session and built everything around it as we couldn’t change anything about it. It turned out everything was there, we just needed to trust the first recording and the first feeling it had.”

This fall, you’ll be on your debut US tour including shows in NYC and LA! Which part of this tour are you most excited for?

Night Tapes: “We are so excited to see all the new cities we’ve never been to before (Chicago and San Francisco). We are also very excited to see the people who have been championing us online.”

What are some of your bucket list venues?

Night Tapes: “Glastonbury Pyramid Stage, thanks [laughs]. Alexandra Palace would be cool. Electric Brixton would be cool (as we are from South London, represent).”

How does it feel to have your music reach such a wide audience outside of where you started?

Night Tapes: “It’s quite surreal.”

What do you want to tell your future, end-of-this-year self? What do you hope you’ve accomplished individually and as a group by December 31st?

Night Tapes: “I would like to tell my future end-of-this-year self that creativity needs order and chaos and I hope she will go to a sunny place this winter to rest, regroup and adventure. I would like to accomplish inner freedom, thank you.”

 

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COSMO'S MIDNIGHT: INTERVIEW


by joann snavely

photo by xingerxanger

Australian electric duo Cosmo’s Midnight consisting of twins Cosmo and Patrick Liney, is hot off the release of their third full-length album Stop Thinking Start Feeling — an album that reminds listeners to ignore the stresses of the present and explore the magic of music — specifically their music. With their biggest world tour yet kicking off last week, Unclear got the chance to take some time and discuss their new album, tour, and the past, present, and future of the twin-duos music. 

How did your journey with music begin — where did it all start?

Cosmo’s Midnight: “It started around high school when our older brother downloaded some music software to make mixes. We became obsessed with it looking over his shoulder and started making terrible little songs completely sucked into this new craft we'd never done before.”

With your new album, are there any new approaches you made sound?

Cosmo’s Midnight: “We really wanted to look back at everything we’d released until now and look for a common thread that we could really hone in on for this record. However, as the album title suggests, we really wanted to rediscover the naive exciting feeling of discovery that we had when we started writing our first songs. So, we really spent a lot of time jamming and only really completing and finessing songs that felt like they captured a moment or a spark of creativity.”

What musicians were the biggest inspirations behind the making of the album? 

Cosmo’s Midnight: “There are almost too many to mention, but Fleetwood Mac, Prince, Daft Punk, The Chemical Brothers, The Stone Roses, Soulwax, Fatboy Slim, and Nile Rodgers just to name a few of the artists we were listening to as we wrote this record.”

On the note of your sound, what is one word you'd use to describe your sound on the new album? 

Cosmo’s Midnight: “It's so hard to wrap it all up in one word, but I’d hope the music sounds like we had fun writing it, because we really did enjoy writing this record. So, I hope the album sounds like excitement, or at least that it’s felt out rather than curated.”

Which song on the album was the most challenging to create? 

Cosmo’s Midnight: “I’d say ‘Eating Heartache’ was one of the harder ones to write, we had so many different interpretations of the bass and drum interaction, and we really just wanted to have something felt super locked in. It’s not that it was super hard to get to that point, just that it took a little more experimentation, which is also one of the most fun things about writing. Seeing all the different ways you can realize the potential of a song.”

What are you hoping for fans to take out of the album?

Cosmo’s Midnight: “I hope that from start to finish people get lost in the music, lose themselves to dance. This record is about putting all your critical or cerebral traits on the shelf and being absorbed in the groove, the experiential side of music. I think as writers it can be difficult to listen to music with no thoughts, purely as a fan and no pre-conceptions. We tried to listen to as much music that just sounds so original, timeless, or exciting, and we hope our fans feel any of those things after putting our record away.”

As a twin, I must ask, what is the best part of performing as a twin duo?

Cosmo’s Midnight: “I think it's just really nice to have someone you’re comfortable with on stage and also in the studio. You never feel like the burden rests solely on you to write or perform, being with our friends in our live band makes it even better, touring with our drummer Hassett and our guitarist Timi Temple is so effortless, we have the best time on the road.”

If you could each only listen to one album ever again what would it be?

Cosmo’s Midnight: “Right now, I’m obsessed with the new Mk.gee record Two Star & The Dream Police, as I’m sure many people are. His new album has such great musical choices, direction, and conviction. I love listening to records where it sounds like the artist is so sure of themselves and their decisions, the music just sounds so thought out and realized to completion.”

With the release of your single “Telephone,” who inspired the single the most?

Cosmo’s Midnight: “I'd say this record was inspired by turn of the millennium acid house, through the lens of crunchy instrumental records like Soulwax.”

You've toured in some pretty iconic venues. If you could play a show at any venue, what would it be?

Cosmo’s Midnight: “We've been really lucky to play some pretty amazing venues through our career, but I would love to play at Printworks in London, it's such a beautiful space and some of my favorite artists have played there.”

Since making music, what has been the most gratifying experience so far?

Cosmo’s Midnight: “Even though we've done things I’d never had dreamed of honestly, I'd say there is nothing more gratifying than being able to have done it this long and put all of my energy and time into music as a career. There is nothing I’d rather do and we're so lucky to be able to call this a job!” 

 

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MAYFIRE: INTERVIEW


by emma schoors

photo by antalia martin

Bailey Furman, Hamish Hunter, David Porter, and Joe Hildreth make up the York-based band Mayfire, and though their beginnings only stretch back to 2023, airplay from Radio X, Radio 1 and the emergence of an ever-growing online fanbase prove it’s been a whirlwind first year for the English rockers.

The name Mayfire — not to be confused with Memphis May Fire — derived from a song Furman wrote about relationships dissolving around summertime, when the comfort and warmth of a winter romance turn to restlessness and a desire to break free. So became the band, who met organically through the local York music scene and began writing original material together. 

Their first releases, “Skylines” and “Faker,” garnered modest support, but it was “Telephone” that piqued the interests of 200k+ users on social media. With observational lyricism, thrashing choruses, and the injection of progressive and older rock elements, their sound has provided them with ample opportunity to form an attentive following. 

Mayfire’s single “Without You” continues their slow, steady climb of the indie rock ladder, doubling down on their no-nonsense approach to the genre. We had the chance to sit down with lead singer Furman to discuss how the band formed, their typical writing process, the immense success of “Telephone,” and what comes next for the four-piece.

Thank you so much for taking the time! Before we get to your single “Without You,” I’d love to start with how Mayfire came to be. Can you take me through how you all know each other, and the beginnings of the band?

Bailey: “Hamish and I have been writing songs together for a few years and really enjoyed that, so when we felt like it was time to move things to the stage and try our hand at live performance we thought, ‘You know what? We need more musicians.’ We asked Joe, who we knew from the local York music scene and met in a bar, if we would want to drum and I told my mate David that he was playing bass for us. After a couple of gigs, we were having so much fun that we decided to officially be a ‘band’ and we haven’t stopped since then!”

Is there a shared goal/dream that drove you all to want to form the group?

Bailey: “A love of music was definitely the starting point and once we realized we could really connect with people that was what we started striving for.” 

Who are some artists you all look to for influence lyrically and sonically? Any bands you’d be starstruck touring or collaborating with?

Bailey: “The four of us all enjoy different flavors of the indie rock genre. I know Hamish loves some older rock, whereas Joe is more into his prog rock and me and David enjoy more of the indie folk/alternative artists. Think The Backseat Lovers, Father John Misty, things like that.”

As for your own material, how does the typical Mayfire track come to life? Do you start with lyrics and build a melody from there, or vice versa?

Bailey: “Historically, our set has been made up of songs that either me or me and Hamish have written. It almost always starts with some sort of guitar melody or riff that gets built around to become a whole track. Going forward, we’re trying to make the writing process more collaborative between us and figure out writing songs as a band.”

“Telephone” has garnered an insane amount of support so far. How does it feel to know so many people are resonating with the band, and this song specifically?

Bailey: “It’s kind of mad. It’s crazy to think that so many people enjoy what we’re putting out. You see the numbers we’re pulling online and it’s hard to visualize that many people actually interacting with something we’ve written. To think that someone walking around a supermarket in America might be listening to ‘Telephone’ on their headphones while doing their shopping is mad.”

What drives you to make music? 

Bailey: “For us, it’s just something we do. Some people get in the habit of writing a diary, we do the same but with writing music. Like I could work a 9-5 for ten years and get rich but still feel like I’ve not got anything done because I haven’t written a good song. It’s gotta be done.”

Congratulations on your newest release, “Without You!” What inspired this track, and were there any specific experiences you were pulling from lyrically?

Bailey: “Thank you! Nobody ever believes me when I say this, but honestly, one night me and the band all sat down to watch Pixar’s Cars 2 and that film just changed me. I had to write about it. But we tell people that and they never believe us.”

You’re currently gaining massive traction on social media — on Instagram alone you’re averaging hundreds of new followers a day, which will surely add up in the long run. What’s your strategy like in terms of building a fanbase?

Bailey: “Early on we sat down and we thought we can either try and be professional and marketable and do social media properly or we could just have some fun with it. We post a mix of stuff to promote gigs and songs but also just whatever we think is funny or our followers might enjoy. It’s quite literally been throwing stuff into the void and seeing what sticks — and it seems some of our stuff has stuck quite well! Don’t ask us for any tips though — we don’t know what we’re doing.”

How do you envision Mayfire in a year's time? 

Bailey: “In a year's time we hope to be releasing more music on a higher budget and getting out there and touring. All the music is made for us to play gigs with, so the more shows we can be doing to more people the better!”

 

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