'FORGET THE REST' / KAYLEE: REVIEW


by lys ziada

KAYLEE’s second single “Forget the Rest” is a ballad of desired relationships that many listeners can connect with.

In this song, KAYLEE addresses falling in love with someone and not realizing how much you’ve fallen until it’s almost immeasurable. She mentions how falling for someone can cause additional insecurities, and the affect it has on you. She also expresses this in the lines “I got what you want girl, I got what you need don’t stress,” where she describes how crushing on someone and showing your love can mean giving away a part of you.

In this melody about confessing love, the harmonies Kaylee includes reflects the emotion of love and unity where different sounds can come together and make something beautiful. Upon listening to this song, listeners can expect a short yet touching expression of emotion that will have you reminiscing about that special someone.

I very much enjoyed the art that Kaylee has provided for us today and am eager to hear more of her work in the future.

 

CASSIDY LOUIS: INTERVIEW


by shelly decaigny

photo courtesy of cassidy louis

photo courtesy of cassidy louis

With the release of her new EP, Technicolor, Cassidy Louis provides a peaceful yet empowering experience for her listeners. Cassidy connects with her fans through the human experience. She discovers inspiration in life, love, and learning to navigate through it all. Even in her darker days, she finds strength and value in herself, which provides a common thread in her songs for the listener to latch on to. Her positivity and emphasis on being enough are a welcome breath of fresh air during these trying times. We had the opportunity to learn more about Cassidy Louis, a talented and thoughtful storyteller with a love for adventure. 

Your music has such an emotional and soothing sound. How would you describe your latest EP, Technicolor?

Cassidy: “I wrote Technicolor as a love letter to love itself in the form of a chronological narrative. Like all of my releases and performances, it tells a story — from the beginning magic of a relationship to the near end. The entire EP serves as a sort of memento for a specific time in my life when I was experiencing the relationship that inspired these songs, so the process itself was very emotional for me to go through. It was quite literally an instance of me pouring my heart out onto a piece of paper, and I think that’s what makes it so intriguing and relatable to listeners. They are able to see a bit of their own heart in my art, whether they’re experiencing that vibrant kind of love depicted in ‘Technicolor’ or the disrespect felt in ‘Temple.’ Technicolor, as a whole, acts as a physical, sonic representation of love and all that comes with it, and I hope it can serve as a comforting spot for my listeners to land on.”

You describe creating music as a way to process your feelings. When did you realize the power of musical expression?

C: “Writing has always been a huge form of expression for me — I used to write little novels growing up in addition to songwriting — but I think it really became a sort of lifeline for me once I got to college and really started to get a full love-life experience. It was the first time that I became involved with guys on a deeper, romantic level, although it wasn’t the first time that I experienced disrespect or that I felt my voice wasn’t being heard. However, around this time I started messing around with digital audio processing, so I bought myself a mini midi keyboard and translated my emotions and my experiences into my first EP, The Beginning. It felt good to tell my story and finally feel like I was really being heard (especially when the person I wrote the songs about told me he listened to them), and it’s become a crucial cathartic experience for me ever since.”

Listen to Technicolor on Spotify. Cassidy Louis · Single · 2020 · 4 songs.

Your fans can find inspiration in the way that your lyrics promote empowerment and “being enough.” Tell me more about the impact you wish to have on your listeners.

C: “I’ve had my dark days and my own experiences feeling like I wasn’t enough and never would be. I never want my listeners to feel that way, so I strive to use my music on a connection basis. I want to use the inherent power of music to reach out to people who listen to my songs and let them know that they are not alone and that they are so totally enough just the way they are, and who they are is absolutely beautiful.”

The past few months have been challenging for people in the music industry. How have you been able to find positivity and adjust the way that you are doing things in both your career and your personal life?

C: “I’ve definitely had my ups and downs, as I’m sure the rest of the world has. I’ve been stuck in many a rut, but I’ve also found opportunities in these strange times, too. Being a recent college grad, I’ve never had more time to focus on my music career than I have during this period.  I’ve also been able to try new things, like co-writing, and meeting new people virtually — something I haven’t had time to do before. While it can be easy to feel hopeless throughout this, I definitely think there are silver linings. I’m trying my best to focus on those.”

Are there other artists who you would like to collaborate with, and why?

C: “YES — Kacy Hill and Kiana Lede!!! I absolutely love their sounds, and I feel like the messages in their music is similar to mine, as well as my intention and my mantra behind my writing.”

What are some of your favorite songs to sing along with when you are driving in your car with the windows down?

C: “Right now I’ve been listening to folklore on repeat with the rest of the world — specifically ‘august’ because it has the perfect vibes for driving around in the New Orleans sunshine with the windows down. Some of my other favorites are ‘Waiting for You’ by The Aces, ‘You Never Knew’ by HAIM, and ‘I Know a Place’ by MUNA.”

Speaking of driving, do you prefer road trips or traveling by airplane?

C: “I love both, but I have fond memories of summer road trips with my parents growing up. Over summer break, we would try to travel to different parts of the country and visit as many states as we could, so I’ve been to 42 out of 50 states!”

If you were planning a dream vacation where would you go?

C: “Lately I’ve been dreaming about Europe and backpacking through a few different countries, like Greece, Spain, Germany, Austria, The Netherlands, etc., etc.! I’ve been lucky enough to visit England, Scotland, and France before, but I’d love to go back.”

What advice would you give to girls and young women who have dreams of a career as a singer-songwriter?

C: “In my experience, it’s been easy to compare myself to other amazing ladies in the industry and feel discouraged. As women, we are taught from a young age to compare ourselves to ideal versions of women in our society and to each other, shaming us if we are anything less than perfect. And it’s so incredibly hard to get rid of that mindset, but I have found that my songs are so much better when I focus on what my heart is telling me to say and produce than to what I’m hearing externally. So please, don’t give up. The world needs to hear what you have to say.”

photo courtesy of cassidy louis

photo courtesy of cassidy louis

If you could go back in time, what advice would you give your 13-year-old self?

C: “I think at 13, I had already developed a strong sense of self, so I’m proud of how unapologetically myself I have been since a young age (thank you Leo sun). However, like most teenagers, I struggled with body image issues. Honestly, I still do. I wish I could unlearn that certain bodies are good and others are not. I want my younger self to know that so I could know that now. Nobody’s body is perfect in their eyes, but everybody’s body is perfect just because it is inherently — that’s how the universe, God, or whatever you believe in made us.”

What makes you most excited for the future?

C: “I’m excited for the good days that haven’t come yet. I’m excited for the places I haven’t gone yet but will. I’m excited to meet the people I’ve yet to meet. I’m excited for the new songs I’m going to write. I’m excited because the future has so many opportunities waiting for me, and I can’t wait to discover them.”

 

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OLIVIA KING: INTERVIEW


by mariah estran

PHOTO BY EDWIN TORRES

PHOTO BY EDWIN TORRES

At the 2020 MTV Video Music Awards, Lady Gaga spoke three influential lines. “I know a renaissance is coming. And the wrath of pop culture will inspire you. And the rage of art will empower you as it responds to hardship with its generosity and love…” Her timely speech sparked similarities to a recent discussion with one pop-soul singer. The renaissance spoken of is here, and Olivia King is making it happen.

With years of experience in the industry, starting at the age of sixteen, King fought her way through. Figuring out what works for her, and what simply does not. “Nothing ever really seemed to work out, and it was kind of that final straw with the last indie label,” the singer discloses when recalling her beginnings. “I was like, you know what? I’m just gonna do this gung-ho independent and see how far I can take it.”

Inspired by Chance the Rapper’s independent success in 2017, King knew she could do the same thing. “When I decided to go independent, my boyfriend and I decided to make a whole wall in our home office full of sticky notes,” King confesses with laughter. Each note contained an innovative way to market herself when a new single was in the works. It was not sharing a song and hoping for the best. She used the resources we have readily available. One tool being online streaming services.

“In 2017, I released my first single, and I just went super hard with Spotify playlisting,” the singer explains. “I would stay up until three or four AM when that single came out and was just doing detective work trying to find these Spotify playlists.” Those late nights paid off. She found herself on numerous playlists, curating over three million streams. And that is not even her most notable accomplishment yet. “I found a new-hire at Tidal last year on Instagram, reached out to them, and was put on the cover of their Pop Rising playlist,” King reveals. “It’s just about connecting with people.”

By 2019, King created her debut album, which was appropriately titled D.I.Y. (she, of course, did everything herself). The cover, production, and songwriting. It was a vision she thoroughly thought out, “I really wanted it to be completely ‘D.I.Y’ and made sure it was really true to the title.”

PHOTO BY EDWIN TORRES

PHOTO BY EDWIN TORRES

The ten-track record exhibits her soulful tone and her ear for rhythmic pop chords — her sound inspiration stemming from childhood memories with her mother. “Lauryn Hill, Marvin Gaye, Aretha Franklin, that was always what was playing in our house,” King says. “I think I grew up to love that kind of a sound. My mom would take me to different concerts with different people. She would spend her whole day on YouTube, trying to find a perfect song for me for a talent show, she would always choose those soulful, R&B type sounding songs.”

A year has passed, and like any musician, she jokes, “When I listen to songs off that album, it feels like a lifetime ago that I did that. On to bigger and better things…” Staying focused on her craft, she’s currently released six singles, including “N.B.D”, and most recently, “Take a Shot”, which expresses her experience with anxiety over the last few months. She has found confidence in her soulful sound, developed stronger lyricism with the help of her good friend Rodrick Jones, and still finds the time to get her name noticed. Explaining her current technique, she says, “I reach out to ten people a day, do my research on people who are similar to my brand, and that has really gotten me far.” Proposing that living in major cities or pursuing a label deal might be “a thing of the past” due to social media, and she’s right. Social media is what lead to this conversation you’re reading.

As TikTok grew in popularity among young users, King found another way to share her music with a larger audience. Sporting trendy clothes matched with playful hairstyles, she performs her songs and funny skits with her followers. “TikTok is a different beast because you can literally not have any followers, post one video, and go viral,” the singer describes. “There’s no other platform that’s really like that right now.” King was reached out by the TikTok team directly. At the time, the concept of the app was strange, but once she saw the success of Lil Nas X’s “Old Town Road”, she understood its advantages.

One advantage that can’t be ignored was the apps ability to reach out to organizations with a greater purpose. King used her TikTok savviness and reached out to the Turning Leaf Project, a group which mentors newly release individuals from prison for a brighter future. “This organization is giving people that second chance and I thought that was awesome,” she says. “I wanted to get myself fully involved in it and help people directly. I felt this was a good way to do so.” King did just that, she created an exclusive “King” shirt,” while royalties from her song “With a Little Bit of Love” went directly to Turning Leaf Project and their Black Lives Matter efforts.

There’s apparent selflessness equally found in her entire identity as an artist. This thirty-minute discussion included a myriad of tips for other musicians, such as releasing Christmas music annually and investing in an at-home studio. “I just had so many people lead me down the wrong path," she says. “I never really had a mentor. I felt like if I could be that to some people, even just a couple of people, it would be worth it.” So, King created Make Music Moves, where she offers classes to musicians who want to get into the game. “I have a different technique going about how to release music. If I can share that with people, and help them out as well, that’s important to me.”

PHOTO BY EDWIN TORRES

PHOTO BY EDWIN TORRES

The industry's trials and tribulations could have set her back or made her bitter, but it only moved her to a stronger position. Our current pandemic wasn't even a hindrance to King’s creative spirit, “I was able to crank out music more than ever because I had more time at home,” she says. There’s now a handful of singles and an EP titled Old Soul set for release by the end of the year. “The big thing with me is I like to stay consistent, so I like to release about a single a month just to keep everything going.”

King’s dedicated, innovative mind-set is showcasing what bright talent lies in front of her, and it’s paving the road for what’s to follow. “If I can be someone that people can look up to, and be like ‘hey, she’s a quality person, she works hard, and I can relate to her music...' I think that is important,” she concludes, at the forefront of this oncoming pop culture renaissance.

 

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INCASE WE CRASH: INTERVIEW


by emily harris

photo courtesy of incase we crash

photo courtesy of incase we crash

Canadian band Incase We Crash are breaking through the industry within their first five years. Their newest EP, Soul Paint, is a cohesive body of work as inventive and creative as the band themselves. Featuring heavy guitar riffs and powerful choruses, this EP is bound to wind up amongst other pop punk bands in your playlists. We caught up with Simon Austin, the lead vocalist and rhythm guitar of the band, to discuss this latest drop!

 

Congrats on the release of your EP Soul Paint! Can you talk to us about the overall creative process of this EP?

Simon Austin: “The start of the creative process for this EP actually goes all the way back to 2017 shortly after we released our first EP Constantly Changing. The first song we wrote from the EP was probably ‘Wolf Boy,’ which we actually played live a few times before its release. We went into the studio with Sam Guaiana in May of 2018 to record ‘Garden’ just as a single. We weren't really planning to do an EP, but after that session we were eager to do more songs with him, however he was booked up for another six months. So in those months between we recorded and released our second EP No Education, and then got to work on more songs to bring to the studio in November of that year. Sam Guaiana really helped us clean up the arrangements and bring life into them, especially on ‘Garden’ and ‘Soul Paint.’”

 

What was the inspiration behind the EP artwork?

SA: “The concept behind the EP artwork was a collaborative effort between us and the artist Alexis Lane. It definitely comes from the lyrics to Soul Paint, and overarching theme of ‘painting your soul with a different kind of gold,’ or better put, just a layer of invulnerability that protects you from the pain and struggles of life.” 

 

The first single you released from the EP was “Garden.” What was the writing and recording process like for this song in particular?

SA: “The recording process of ‘Garden’ was a very unique one, as it was our first time in an actual studio. Thankfully we'd had some practice on recording and performing in a studio environment from self-producing our first two EP's, but it was very inspiring to work with a talented producer like Sam Guaiana. We really dived into the song, revised the structure, re-wrote lyrics and established an overall theme for the song, added some ear-candy parts and layered guitars + vocals etc. which was all stuff we hadn't really done before, and this experience definitely had an effect on our songwriting moving forward.”

 

Did you always feel like “Garden” was meant to be the first release into the new sound?

SA: “We absolutely felt ‘Garden’ was a step into a new direction for us, and was meant to be the first single from the EP. Out of all our songs it was probably the biggest departure from our older music, so it felt natural to take that step first. It was also the first song we recorded from the EP, so in our brains it was chronologically the first song to take full form from that release. Although we did briefly consider putting out ‘Wolf Boy’ as a lead single.”

 

What song from the EP were you excited for fans to finally be able to hear?

photo courtesy of incase we crash

photo courtesy of incase we crash

SA: “We were definitely most excited for people to hear the title track ‘Soul Paint.’ It was nearly two years from recording to release for that song, and after recording it we had that feeling from day one that it would be a big track for us. Subjectively I think it's also our catchiest song we've released, and has the best energy of the whole EP.”

 

Listen to Soul Paint (EP) on Spotify. Incase We Crash · Single · 2020 · 5 songs.

How has your sound changed since the release of Constantly Changing and No Education?

SA: “The biggest change in our sound from our first two EP's and the Soul Paint EP is probably the use of synths, ambience and dense vocal production. Those are elements that we wanted to incorporate, even in tracks like ‘Straight 2 the Head’ (the No Education version) we tried to incorporate those things, but it really took the help of our producer Sam to do it right. However, we're unsure if any of our new music in the future will be quite as synth/production heavy as this EP again.”

 

You’ve just recently been endorsed by Ernie Ball! How did this come about and what does it mean for the band’s future?

SA: “It has been a dream come true to join the Ernie Ball roster. We've been using their strings exclusively for years, and almost coincidentally our manager knows someone at Ernie Ball. It was an incredibly natural and mutual pairing, we want to use nothing but Ernie Ball strings for the rest of our lives anyways, so it's truly as I said a dream come true for now and for the future.”

 

Finally, describe your sound to someone who has never heard you before!

SA: “Incase We Crash has a one-of-a-kind sound that leans towards the ‘pop’ side of the ‘pop punk compass.’ We have big anthemic choruses, awesome guitar riffs and in-your-face vocals, so there's something for everyone!”

 

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'NOBODY GETS ME (LIKE YOU)' / WALLOWS: REVIEW


by emma schoors

photo by nikoli partiyeli

photo by nikoli partiyeli

Nobody Gets Me (Like You)” is one of Wallows’ most unpredictable musical and visual endeavors yet. 

Braeden Lemasters carries the vocals of this track as the main character in the band’s coordinating music video. The video, a continuation of “OK,” the band’s last single, is a creative play on romance and parties. It includes countless quotable moments, which fans are sure to make inside jokes out of. It’s a hodge podge of color and sound, and it works perfectly against the backdrop of the new track. The band has entered a new phase in their career, complete with a new sound and a much larger fan base, and they’ve entered that phase with ease.

One look at the band’s latest Spotify playlist, fittingly entitled “quarantunes,” lends you a clue about their influences: Tame Impala, ABBA, and Vampire Weekend, just to name a few. But there’s something distinctive about Wallows that transcends the sum of their parts.

Maybe it’s their rightful bravery and willingness to experiment with different sounds, or their heartfelt dedication to their fans. Maybe it’s their willingness to speak out against injustice and fight for just causes. There’s no way to truly pinpoint one thing that makes the band incredible, because it’s a mixture of hundreds of things. 

That’s the unfiltered beauty of Wallows: you can’t pin them down to one genre, or one lyrical matter, or one targeted audience. They’re available to anyone willing to listen, and over the past couple of years, countless fans have taken up that opportunity. 

I remember driving past Amoeba Music in Hollywood the week that Wallows was set to debut their first EP Spring, and the pure magic in the air that came with knowing that somehow, someway, the band was going to make it big. Seeing their name on the record store’s signature marquee was electrifying, and that excitement has only grown since then. 

If you haven’t yet, consider taking a gander at “Nobody Gets Me (Like You).” Worst case scenario, you’re not into it. Best case scenario, you find a new band to love.