ARK WOODS: INTERVIEW


intro by madden levin

interview by cami liberty

photo courtesy of ark woods

photo courtesy of ark woods

There is no doubt that this next artist is approaching the music industry in his own unique way, determined to make a name for himself. Ark Woods creates absolutely infectious tunes that come from a very special place: his experiences. Tackling real life issues in his music is something that Ark Woods is extremely proud of and made us more than excited to speak with him about some of his processes. With his new track “Slide On You” out now, he talks with us a bit about what it was like putting it together with some amazing individuals. After you read through our exclusive conversation with him, make sure to check out his social media to stay up to date on all things Ark Woods!

When did you first realize that you wanted to be a musician?

Ark Woods: “When I released my first album, Hell and HI Water, I expected it to break the internet and take the world by storm. I have no idea why, because looking back on it, it was the most lackluster thing I’ve ever made. But still, upon release day, I made sure my phone was on me all day, answering every scam call and foreign number because I was positive one of them was going to be Jay-Z desperately wanting to sign me before everyone else. Laughable, I know. I had no idea what I was thinking, but it was after the reality set in that it doesn’t really happen like that, I decided, formally, that I wanted to try again. And again, and again until I got where I wanted to be. Until I was somewhere musically and mentally that I could be proud of. So I guess the long answer would be March 2017.”

For those who have not heard your music yet, how would you describe it?

AW: “For those who haven’t heard my music yet, I would describe it as the worst possible thing I’ve ever heard. Ten thousand children all scratching a chalkboard at the same time while simultaneously asking painfully obvious questions. That way, when they finally do listen (purely out of curiosity) they’ll be pleasantly surprised, and not only like the music, but also fall madly in love with my humility.”

You just released your new single “Slide On You.” Can you tell us a bit about this track and how it came to be?

AW: “All the credit for how good this song sounds has to go to RUSL, the producer. He kills but also blesses everything he touches, he’s like the grim reaper version of Midas in a way. It’s fun, it’s energetic. If it were personified, it would be the kind of person who always has a smile on his face, and because of that, is very good with the ladies.”

How has the pandemic affected you and your creativity process?

AW: “I’m sure, like most other artists out there, suddenly found themselves with an exponentially larger amount of time to focus on their craft, and I can’t complain personally. I know that it’s such a bittersweet feeling because so many people lost their lives and homes and jobs and livelihoods, so any changes to my life in the larger scheme seem so minuscule. I guess I can just say that I’m grateful for how life has been turning out for me, and as soon as possible I want to focus on those who weren’t so fortunate, however I can help.”

What do you hope listeners will take away from your music?

AW: “I hope I can make at least one person smile a day. I think that’s a pretty modest goal. That’s one main focus when I write songs actually. I put myself in the shoes of someone who just needs a little cheering up, and I try to feel, write, say, sing exactly what I’d want to hear to feel better. Sometimes it’s a witty distraction, and others it’s a heartfelt nod of ‘I understand, you’re not alone, it gets better.’ I hope you take away just enough love or happiness to pass it on to someone around you.”

Is there anything else we can expect from you in the near future?

AW: “More music, definitely. More annoyingly long interview answers too. And lastly, a smile, always a smile.”

 

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ELEPHANTE: INTERVIEW


by abby crabill

photo by alex lopes

photo by alex lopes

Tim Wu, better known by his stage name, Elephante, is the son of immigrants, and a Michigan native. As a graduate from Harvard, he wasn't always on the path to the music industry. Being raised under the belief that, "being an artist wasn’t a real career path or possibility," he chose to work in corporate America instead.

After finally reaching his breaking point, Elephante made the leap into the music industry. He is multitalented with skills in both producing and songwriting. Elephante recently released his newest single, along with a unique music video, titled, “High Water.” Having several headline shows under his belt, including two national tours and Lollapalooza, it is safe to say that Elephante is eager to return to performing in front of live audiences.

Can you describe a little bit of what your childhood was like growing up in Michigan?

Elephante: “A lot of shoveling snow out of my parent’s driveway. It was pretty normal — I played sports, loved video games, and was fat as a kid. Fell in love with a girl, she broke my heart, and I decided, ‘hey, if I become a rockstar then maybe she’ll love me.’ And here we are.”


Have you always seen yourself as a musical artist?

E: “It took me a long time to come around to it. I always loved making music, and I’d bend the rest of my life to make room for it — skip class, call in sick to work, miss friends’ birthday parties. But the way I was raised told me that being an artist wasn’t a real career path or possibility. It wasn’t frowned upon, it just wasn’t realistic. So it took me 22 years to finally reach the end of my rope and take the leap because I knew I’d never forgive myself if I didn’t try.”


How did you decide to finally make the leap from working in corporate America to becoming an artist in the music industry?

E: “I just got to my breaking point. In the end, it wasn’t even a decision — I was either going to be miserable for the rest of my life, or I was going to go for it and see what happened.”


Who do you consider some of your musical influences?

E: “I grew up loving hip hop, alt rock, and singer songwriters. I wanted to be John Mayer growing up (still kinda do). Loved Red Hot Chili Peppers, The Killers, Damien Rice, Jimi Hendrix. Avicii and Kaskade were the ones who made me want to dive into electronic music.”


What does your song “High Water” mean for you?

E: "‘High Water’ is about my experience in my younger years withdrawing from opioids. It’s about that darkest moment in addiction where your mind gets so twisted that all you can think about is getting back to that high. During the pandemic, I thought a lot about that time in my life and saw a lot of parallels with life in quarantine, where all I wanted was to get back to the way things were pre-COVID, no matter the cost.”


What was your experience like shooting the music video for “High Water?”

E: “Absolutely insane looking back, but at the time it just felt exciting. Before we shot, I didn’t really think about how challenging it was going to be — I was just set on the concept and was accepting of whatever physical pain I needed to to make it happen. The underwater scenes were exhausting — I had about 12 hours straight in the water, and by the end I was completely destroyed — dizzy, violently shivering, and a nasty case of pink eye.”


What are you most excited about when thinking about the future of your musical journey?

E: “I just feel like the world is at my fingertips. Writing this song and shooting the music video really broke through any preconceptions on what I thought was possible creatively. If you told me six months ago that I’d be singing underwater and floating from a crane, I’d be like, ‘I’ll have whatever you’re on.’ Oh, and I’m excited about actually playing shows for live humans again — what a concept.”

 

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QUEEN'S PLEASURE: INTERVIEW


by mariah estran

photo courtesy of queen’s pleasure

photo courtesy of queen’s pleasure

Dutch rock group Queen’s Pleasure is no stranger to winning over a crowd. From playing The Kooks’ aftershow in Amsterdam to the Dutch outlet 3voor12 naming them the best act on their 2020 showcase, they’re a euphonic force. And their debut EP Panic From Dublin is further confirmation. 

Fuzzy guitar riffs become entangled in explosive drums. It’s a sound that makes you miss discovering bands by stumbling into clubs. Their style can hit like garage-rock while deeming similarities to Arctic Monkeys and The Libertines. Queen’s Pleasure has made a jaw-dropping entrance that leaves you wondering what move they will make next.

However, the stellar EP did not come without its challenges. There was talk of a potential breakup and overcoming creative stubbornness while producing with Edd Hartwell. Vocalist Jurre Otto and bassist Jelmer van Os join us to discuss developing the EP, how they have grown as musicians, and what they hope listeners take away after listening.

 

The band has just released the debut EP Panic From Dublin. It’s a powerful little number wrapped in excellent storytelling. What aided the inspiration for these tracks?

Queen’s Pleasure: “The main inspiration for the songs on the EP are all the things we’ve gone through as a band and as young adults in the last five years. We’ve experienced really good and fun times, but we’ve also had our setbacks and fights. ‘Panic from Dublin,’ the title track, is an especially personal one. 

We wrote the song when the band was not feeling as good as it usually was, we were having some internal problems and I think in those months we almost broke up twice. When we wrote the song the feeling in the band was not as good as it used to be. So, when I wrote the lyrics it was really a reflection of the time we were in and the struggles we had to go through as a band, that was the main inspiration for the song. But I think we have definitely transformed those bad personal experiences into a song we all really, really love.”

 

I read that the group produced this project with Edd Hartwell! What was that experience like while honing in how you wanted the EP to sound?

QP: “First of all, it is amazing working with Edd, he became a really good friend of ours. But in the beginning, we were a bit too stubborn and opinionated on how we wanted our album and/or EP to sound. It took us a while, but we slowly adapted, and we opened up to different opinions. We can learn a lot from him still and we hope to make some more great things with him.”

 

How do you feel like this project has documented your growth as a musician?

QP: “We formed the band in the beginning of 2016 when the drummer was only 14, so playing and writing together also meant growing up together and discovering new sounds and new music. I think the EP really reflects the paths we have taken musically.

We’ve had our ups and downs and written a lot of songs in these past five years, some heavy, some tragic and some songs are about just being young. So this project is a good summary of five years of Queen's Pleasure and I think it’s a really good introduction, and we’re eager to release more.”

 

Again, Panic From Dublin is a striking introduction that showcases the time spent to develop each of your crafts further. What do you hope listeners take away after listening to this EP?

QP: “We hope they can hear us having fun and enjoying ourselves. It is so great to be in a band with all of your friends and make music, and experiences with them. We’re going to continue progressing and developing as a band. Writing new songs, playing live (if possible) and recording as much as possible.”

 

Is there one song you feel encapsulates the story this EP tells? If so, which one is it and why?

QP: “The title track tells a very important story. It is about us having a pretty rough time, to the point where we were all thinking of a breakup. We are happy we started talking about the problems we encountered and shared our thoughts and feelings towards each other. That really saved us and made us stronger as a band. This song and EP wouldn't exist without this struggle, so now we are here sharing this story.”

 

What’s next for Queen’s Pleasure? How do you all hope to keep pushing forward regarding your music?

QP: “We can’t wait to share new music; in the lockdown we made some great songs and soon they will see the light of day in the form of an album. We hope to play live again and hopefully do some shows in the UK and in the US. We’re gonna grow and develop ourselves and really take our sound to the next level.”

 

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'UNFINISHED CONVERSATIONS' / IAN NELSON: REVIEW


by emma schoors

179136899_304513104379859_7640026683960982945_n.jpeg

Ian Nelson’s latest track, “Unfinished Conversations,” is an excellent look at love and the self-destructive fear that surrounds it.

“Thought is so cunning, so clever, that it distorts everything for its own convenience,” Jiddu Krishnamurti wrote in “Freedom from the Known,” the novel that inspired Nelson’s second single. There are an abundance of examples of this in everyday life. But none more pungent, none more gruesome, than in love. 

One of the first examples of Nelson reflecting on these ideas appears in the pre-chorus: “I lie to myself, say that you’re not the one… then I run away.” This self-awareness grips Nelson through the track, and holds on tightly until the very end.

Musically, “Unfinished Conversations” is full of tension, determination, and vulnerability. The track opens with the simple sound of crickets, a testament to the quietness that comes with having to be totally alone with oneself. 

Soon, though, a melancholic guitar part cuts through the silence, and makes way for Nelson’s vocals: defeated is the best way to describe them at first. As the song progresses, and the lyrics turn to a place of positive change rather than one of painful stagnation, his voice begins to grow in strength. Nelson decisively sings, “Enough of disappearing, ‘cause I know now not to fear it.” 

“Passion is a rather frightening thing because if you have passion you don't know where it will take you,” Krishnamurti wrote. This fear of the unknown so often results in unfulfilled dreams, unlived moments, and unfinished conversations. Nelson breaks through these barriers as the song nears its end, and listeners are left with an inspirational story of self-discovery.

Ian Nelson’s “Unfinished Conversations” is a confirmation that his musical endeavors are rooted in passion and authenticity, and that wherever he goes next, true love of his craft will follow him.

 

JAMIE MILLER: INTERVIEW


by danielle holian

photo by jessica spohr

photo by jessica spohr

Born and raised in Wales, Jamie Miller is turning heads with his social media presence of 778k on TikTok, and 408k on Instagram showcasing his amazing musical abilities.

Before discovering his voice, his earliest musical inspirations range from gospel, R&B and social classics moving forward to modern talents from the likes of Bruno Mars and Sam Smith. He relocated to London at the age of 18 to appear on UK broadcast television in 2017; he eventually moved to Los Angeles to work on his own original music, to date, receiving over 20 million views across platforms.

He's back with his brand-new track “Here's Your Perfect,” which was co-written with Gian Stone who's worked with the likes of Nick Jonas, Justin Bieber, and Selena Gomez. The music video was directed by Andrew Sandler, who's worked with the likes of Machine Gun Kelly and Yungblud. It's safe to say Miller is on the rise to great success.

Unclear Magazine caught up with Miller to discuss his musical background, new track “Here's Your Perfect,” and much more below.

Who or what are your musical influences?

Jamie: “My musical influences are Bruno Mars, Tori Kelly, Justin Timberlake… the charisma and vocal style they have is impeccable, I just love them so much.”

What inspired your new single “Here's Your Perfect?”

J: “I wanted to write something real and genuine. ‘Here’s Your Perfect’ was almost as if I was writing in my journal but turned it into a song and I think that was really cool.”

 

You co-wrote this track with Gian Stone who's worked with the likes of Nick Jonas, Justin Bieber, and Selena Gomez. How did this collaboration go?

J: “Working with Gian Stone was a pleasure. He’s one of the nicest guys, but also one of the most respected, so to have him want to work with me was such a dream come true. It’s cool to have validation from producers like Gian, that I’m good enough to be where I am today.”

 

Andrew Sandler, who's worked with the likes of Machine Gun Kelly, and Yungblud, directed the music video — why did you choose to work with him on this particular track?

J: “I’m lucky enough to call Andrew my friend, and I wanted to work with him because I felt like my music took a turn towards being more authentic to who I want to be as an artist. I remember playing him the songs and saying, ‘hey I want you on this, can I connect you with my team?’

He’s so honest and he fell in love with the songs too, it was awesome to have someone be so passionate about your vision. When he said he was on board I was so excited.”

 

What has been a highlight for you in your career, thus far?

J: “A definite highlight would be getting to work with Andrew and Gian. Also having people like Tori Kelly and Demi Lovato (and other amazing acts) find and comment on my videos online… but I would say getting to work with people behind the scenes has been a real highlight!”

 

If you had the opportunity to work with any act from the past, present or future, who would it be?

J: “I would say Bruno Mars, he’s my idol. He’s incredible and his vocal ability is absolutely crazy. I would just love to do a collab with him.”

 

Finally, what’s one fun fact about you for our readers?

J: “Fun fact about me, I’m a sucker for rom-coms. Call me stupid, but it’s my guilty pleasure… not sorry about it!”

 

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