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AJR + Dean Lewis | Indianapolis

April 14, 2024

The sky blue and burnt orange watercolor backdrop appeared with Dean Lewis in capitalized white letters. Dean walked to the microphone stand lined with orange guitar picks just eager to be thrown into the crowd. “It comes and goes in waves // And carries us away,” sang Dean as he held up the guitar and strummed it swiftly. He closed his eyes, and let emotion carry his soft yet powerful vocals. The crowd clapped to the chorus of “7 Minutes” as Dean stepped down onto the large speakers to engage with them briefly. “I love it!” yelled Dean after forming a hand heart back to a fan. As the set continued, Dean took the crowd on a rollercoaster ride that crashed into his psyche and gave a glimpse of troubling times. 

“I’m about to sing a depressing song. It’s just my thing,” confirmed Dean before performing “Half A Man” on the piano. The songwriting described how difficult it is to love someone when you don’t love yourself, similar to that of a “sinking ship that is burning.” His vocals were bone-chilling, and the audience could feel every word down to their very core. Dean made sure to include his newest single “Last Bit Of Us” during his performance. The track was so well crafted it felt as if the whole arena was present in the room when he said goodbye to the one he loved for the last time. The vibrato in Dean’s vocals accompanied with the view of him sitting at the piano in a sleek all-black suit was picture-worthy. The little sing-along to “Be Alright” was the perfect way to close out the show. “I love your accents,” said Dean in his Australian accent clear as day.                 

Despite the collection of sad songs with lyrics that can move mountains, Dean radiated happiness and was a ray of sunshine in human form. It was obvious he loves to perform, and there is nowhere else he would rather be. We will be seeing more of Dean as he releases his third studio album this year, and announces an American tour in just a few weeks. Life comes in waves, but Dean Lewis is our constant anchor. 

“Can we skip to the good part?” AJR blew the roof off of Gainbridge Fieldhouse during their stop in Indianapolis on The Maybe Man tour. Their mind blowing visuals, thought-provoking songwriting, and indie-pop/electro-pop sound captured the crowd’s attention from start to finish. The trio of brothers, Ryan (ukulele, piano, vocals), Jack (vocals, guitar), and Adam (bass, vocals), and the rest of their band were vibing and dancing collectively with the 11,000 fans in attendance. Everyone was grinning ear to ear, and it was clear there was nowhere else they would rather be. “I feel like we’ve been working our whole lives for this moment,” stated Jack into the microphone as the crowd cheered.

AJR has been a band for 20 years now, and have played in Indianapolis for 10 of them. Back then they performed at Deluxe at Old National Centre to a couple hundred people. Fast forward to tonight where they entertained thousands at Gainbridge Fieldhouse during their first ever headlining arena tour. “Indianapolis, we love you and always have,” said Jack as the trio stood in disbelief and endless amounts of gratitude. Fans who have attended shows throughout the years were scattered throughout the venue, and Jack pointed out someone in the pit that he recognized. The brothers prioritize connecting with their fanbase, and this evening they selected a kid named Sam with a sign saying “Rock, paper, scissors for Jack’s hat?” He was brought on stage, and he did in fact win the competition with the crowd roaring in support. AJR warmed the hearts of everyone further by performing a fan-made mashup of their songs “I Won’t” and “Birthday Party.” “Put your hands up ‘cause I won’t (right on time),” sang AJR as the crowd bounced their hands up and down to the beat.    

AJR certainly knows how to keep you on your toes. At one point, the band suddenly appeared in the seats of section 223 and performed “World’s Smallest Violin” and “Steve’s Going to London.” Fans were ecstatic, and AJR checked “play a song in the crowd” off their bucket list. Once they returned to the stage, the energy in the room was at an even higher level than before. As flames were blazing on the screen during “Burn The House Down,” everyone’s hands were in the air with Ryan keeping the momentum going. Jack was frolicking around the stage with his signature 360 spin making an appearance, and Adam swayed back and forth as he shredded those bass lines. The most unique portion of the show involved the trio taking the crowd behind the scenes, and teaching them how they produced “Way Less Sad” piece by piece. They utilized a beat pad to break down what sounds were involved, including a plate hitting the table and the way Ryan had said a phrase. Props, such as a restaurant table with a striped tablecloth and a camera, were used to enhance the experience. The core of the track consisted of bits and pieces of various home movies rearranged in a specific order. Once class was dismissed, AJR performed “Way Less Sad” in its entirety and it certainly was well worth the years it took to perfect it.   

The minds of concert-goers were already blown, and yet the visuals on the 3D screen for each track catapulted them into another stratosphere. One moment you were feeling dizzy while traveling quickly through rainbow colored liquid and ice during “Sober Up.” The next moment Jack was dangling from the ceiling during “Yes I’m A Mess.” The screen made it appear as if Jack was riding a bike, skiing down a mountain, and driving a car. “I could hate my guts when the sun comes up // But I guess that’s what this is // I like myself like this,” sang Jack as he disappeared. Red lasers went in every direction as a rapid beeping noise ensued. The car on the screen instantly exploded into a bunch of pieces and flew at the audience with smoke billowing out of the machines. AJR then took fans to outer space during “Inertia” with extras dressed in astronaut suits, and later to the ocean with houses hanging from above during “2085” to close out the show. 

Before finishing the track and ending the show with a bang, Jack gave a heartfelt speech that brought tears to the eyes of many. He spoke about their father who was their biggest supporter, and passed away last year. Jack mentioned a life-altering phrase their father had said: “Someday you will find people that see the world the way you do.” He went on to say his father was right, and the thousands of people standing in the arena were proof of that. The incessant amount of effort, dedication, and pure love AJR puts into their music and live experience is unmatched. Their willingness to re-invent pop music is impressive and refreshing. AJR has created a whole new world with their art, and it certainly is one that is here to stay.  

Words by Brittany Ormiston

Photos by Everly Ormiston

Tags ajr, dean lewis, indianapolis, april 12, 2024, photos, review
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ILLENIUM | Indianapolis

July 29, 2023

“Nothing can hold us down.” Being amidst electronic dance music (EDM) and rave culture at ILLENIUM’s tour stop in Indianapolis was memorable to say the least. There was a sense of community with the pure love for music uniting individuals from all backgrounds. Everyone was highly encouraged to be unique and different than all the rest. Many chose to express their creativity and individuality through their eccentric outfits. A sea of jerseys flooded the venue with ILLENIUM and the number three stitched onto the back of each one, the same number he used to wear during lacrosse in high school. The energy exuding from the crowd was that of good vibes and acceptance, which aligns with the main rave philosophy: Peace, Love, Unity, Respect (PLUR). The camaraderie of the crowd was a safe space for all to escape from the real world for just a few hours. On all three screens, ILLENIUM’s logo was spinning around as the crowd was getting amped up for the show ahead.

ILLENIUM’s logo is a Phoenix which represents an immortal bird in Greek mythology that is reborn. The Phoenix symbolizes his past struggles with addiction, and his ability to rise from the ashes and transform into the person he is today. Music was his savior, and pulled him out of the dark depths of addiction. Creating music brings him peace, and allows him to process his emotions in a healthy way. ILLENIUM’s music in turn uplifts those who listen, and positively impacts the lives of countless individuals in unimaginable ways. Even in the live music environment, it was clear the vulnerability of ILLENIUM’s songwriting hit deep within and affected how his supporters viewed the world. ILLENIUM had cooked up an unforgettable setlist that had everyone on their feet and burning up the dance floor.

“Indianapolis are you f— ready?” shouted ILLENIUM into the microphone during “Gold (Stupid Love).”  He went back to playing guitar, and as the beat dropped the entire pit threw their hands into the air. Fireworks were set off creating an array of colors, and flames shot up into the air from the stage releasing such a high level of heat it could be felt throughout the venue. The most chilling moment of the night was during “Good Things Fall Apart” as the crowd sang the chorus, and their voices echoed throughout the amphitheater. The details of the visuals projected on the screen behind ILLENIUM’s platform truly brought the entire performance to life even further. As the guitarist made his way to center stage for “Shivering,” visuals of the Arctic appeared to emphasize the lyrics of the track. The lightning strikes on the screen matched the lasers vigorously moving about the stage as the violinist delivered an exquisite performance during “Fragments.” Fan favorites of the night included “Lifeline” with live instrumentation out of this world, and the opportunity to sing “Anti-Hero” with a venue full of people compared to singing it alone in the car on the daily.

ILLENIUM has had quite the journey to get where he is today, but it can go without saying he is meant to be a songwriter, producer, and performer. His perseverance and dedication to his music and to Illenials, his fans, sets him apart from many artists. ILLENIUM’s talent shines through even further with his storytelling, and his ability to create and put on a live show in such a large capacity. The “ILLENIUM LIVE” tour launched a new chapter, and it was one for the books. Milestones were reached and an everlasting imprint was made on every tour stop, especially Indianapolis. ILLENIUM will continue to rise like a Phoenix with Illenials by his side for the foreseeable future.    

Words by Brittany Ormiston

Photos by Everly Ormiston

Tags illenium, indianapolis, july 20, 2023, photos, review
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The Midnight | Indianapolis

March 22, 2022

The Midnight (with support from Nightly) performing at Old National Centre in Indianapolis, IN on March 15, 2022. All photos taken by Everly Ormiston.

Tags the midnight, indianapolis, march 15, 2022, photos
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Daughtry | Indianapolis

March 12, 2022

Dearly Beloved, you are cordially invited to Daughtry’s 2022 tour. Your current destination is Indianapolis, Indiana. You arrive at the eclectic venue of Murat Theatre at Old National Centre, and admire the illuminated marquee board with Daughtry spelled across it in bold lettering. Once finding your way to the theatre entrance, the usher escorts you to your assigned seats. You scan the room, and take in the breathtaking view of the grand stage and high ceilings with intricate detailing. Close to 2,500 seats will soon be filled with concert-goers ready to experience the show of a lifetime. The house lights dim, and the teal Dearly Beloved sign appears as a message simultaneously echoes through the speakers. The letters begin to blink as the instrumentals are slowly introduced, and you can feel the excitement of the crowd building. The show is about to begin.

Frontman Chris Daughtry appears on stage, and delivers an electrifying performance of “Desperation” from the most recent album. You continue to be mesmerized by the thought-provoking production, and how it brings each song to life. During “World On Fire,” Chris' crisp and raspy vocals through a megaphone are accompanied by the stage lights turning orange. The fog is drifting upwards, and against the orange lighting it resembles smoke for a dramatic effect. It feels as though you are part of a villain intro scene in a movie during “Evil” with the pounding bass drum, red lighting encompassing the room, and black, web-like movement dripping down the screens. The strobe lights moving at full speed to resemble lightning strikes for “The Victim” is the most wild production yet.

Along with the production, the setlist of Daughtry’s show deserves an award. To the surprise of many fans, the band makes sure to perform several tracks for old time’s sake. The keyboardist, Elvio Fernandes, starts to sing “and I hope… and I hope…” to which the crowd immediately echoes in unison without skipping a beat. Witnessing “No Surprise” live is a bit of nostalgia mixed with a whole lot of serotonin. It is the moment of a concert where you realize music means more to you than you will ever be able to explain. Everyone continues to reminisce about the past by screaming the chorus of “Over You.” “That’s what I’m talking about Indy!” screams Chris in response. Once the instrumentals fade, the audience goes wild to the point where the band steps back to take it all in. Chris makes it a point to thank fans for the past 15 years by giving a heartfelt speech.

The personability of Daughtry’s live performance is extraordinary from the setlist to Chris’ engagement with the crowd. He enjoys passing out guitar picks to a number of people in the front row. He runs out of picks stored in the slot of his guitar, but retrieves another one to personally give to a fan he made a promise with. Chris moves from one side of the stage to the other, and fist bumps every fan on the barricade with the biggest smile on his face. Throughout the show, he makes jokes with the crowd and treats everyone as if they have been friends for years. He gives a shout out to 93.9X Indy’s rock station for playing his music, leaving many shocked as many artists neglect to acknowledge the large part that radio plays in artists’ careers.  

Chris even brings up topics that are difficult to address and discuss. He highlights how important taking care of our mental health is, and asks if anyone feels as if we are “one day away from slipping into the darkness of our own minds.” Chris reassures the crowd by saying it’s okay to cry for help. As a society, we need to “work towards being comfortable with saying what is on our minds and in our hearts without fear of judgment.” His rich, emotion-filled vocals during “Cry for Help” makes it more evident mental health is near and dear to his heart. Chris is known for his impressive vocal belting technique, but his ability to deliver endless emotion with every track is rare and magical. Daughtry collaborates and performs on such a flawless level that once the show ends, each concert-goer wishes to experience the rock-goodness a little bit longer. The Dearly Beloved Tour is one that will be etched into the memories of many for years to come. 

Words and photos by Brittany and Everly Ormiston

Tags daughtry, indianapolis, march 5, 2022, photos
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Christian French | Indianapolis

September 29, 2021

Christian French performing at Old National Centre in Indianapolis, IN on September 24, 2021. All photos taken by Everly Ormiston.

Tags christian french, september 24, 2021, photos, indianapolis

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