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Tucker Wetmore | Sacramento

May 7, 2025

Sacramento, California’s newest music venue, Channel 24, had drinkin’ boots rushing to the entrance on Thursday, April 24, 2025. Performing for a sold-out audience, Tucker Wetmore showed concert goers how to giddy on up as he brought his Waves On A Sunset Tour to the golden state. Following opener, Jacob Hackworth, Tucker’s set continued to light up the venue as he took the stage. The cheers and smiles filling the house as he counted down from “3, 2, 1” with the audience — his debut album What Not To going live on the venue’s opening night. Surrounded by his supportive foundation of family and friends on stage, Tucker was proving to be a breath of fresh air for country fans.

Performing “Break First” and “Wine Into Whisky” from his 2025 album What Not To, Tucker’s presence on stage was steadfast and playful as he interacted with the audience. From star-filled eyes to couples dancing in the crowd, Tucker had the energy at an all-time high. Concert goers swayed and brought Tucker to grateful knees as they sang along to his well-known 2024 single “Wind Up Missin’ You” and his popular 2025 singles “3,2,1” and “Casino.” First time concert goers adoringly watched from barricade with personalized signage as Tucker leaped from stage left to stage right, soaking up the energy radiating from the audience.

Stage lighting glimmered in an array of sunburst gold and “Silverado Blue” throughout the entirety of Tucker’s set. “We still got a little time before you gotta go — whatcha say we go down one more road,” was the vibe as Tucker approached the end of his set. Lively performing “Bad Luck Looks Good On Me” from What Not To and sending the house soaring with “Already Had It” from Twisters: The Album, he had blondes and brunettes alike swept up in the enthralling Twister that is Tucker Wetmore. Emerging from the thunder and lightning, like the aftermath of a refreshing spring storm, concert goers undoubtedly left the venue that evening knowing that they just witnessed one of country music’s next rising stars.

Catch Tucker Wetmore on tour, Mothertuckers: tuckerwetmore.com

Words and photos by Andrea Garman

Tags tucker wetmore, sacramento, april 24, 2025, photos, review
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Kevin Atwater | West Hollywood

May 5, 2025

Kevin Atwater brought forth the most ethereal, dream-like performance to West Hollywood’s Troubadour stage on the night of April 23rd. With the release of his most recent project titled Achilles, this tour is meant to celebrate the tenderness of the stories buried beneath the surface of each song. Atwater delivered a night worth reminiscing, filled with hilarious puns, heartbreaking backstories, and soft melodies on guitar.

As a casual listener of Atwater myself, I wasn’t sure what to expect from the show. Though he has played a few shows in Los Angeles before, I have never had the pleasure of seeing him live until now. This show only fueled my desire to see him once more; not only do I love soul-bearing acoustic songs with lyrics that will have your heart strings painfully unlaced, but Atwater was so conscious of the community he’s built. He beamed with excitement as he scanned the crowd for signs to read aloud, and made sure to keep fans engaged by cracking a knock-knock joke while tuning his guitar:

“Knock knock.”
”Who’s there?”
”Broken pencil.”
”Broken pencil who?”
”Who cares... it’s pointless.”

Additionally, he spoke vulnerably about experiences that shaped his identity and his artistry. Right before playing his song called “Call of Duty,” a few tears were shed by fans as he spoke of the story behind it. He spoke of his grandmother and the tragedy that was her death, and the way it affected his mother. He effortlessly transitioned to other songs on the setlist, such as “ferry beer” and “Caleb.” Atwater further shared anecdotes of his personal experiences with one-sided relationships, heartbreak, and family as he closed out his show with “star tripping.”

Though words cannot do it justice, Atwater is definitely worth one’s while to see live. His witty humor and astounding talent is not to be ignored, and his ability to connect with a crowd leaves a lasting impression. His presence lingers long after the final note; to witness Atwater live is to witness something rare and remarkable.

Words and photos by Alicia Urrea

Tags kevin atwater, west hollywood, april 23, 2025, photos, review
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Stevie Wonder | Detroit

November 3, 2024

Stevie Wonder’s October 22, 2024 concert in Detroit marked an unforgettable homecoming at Little Caesars Arena, blending nostalgic Motown vibes with fresh, electrifying performances. The evening was filled with his timeless hits, uniting fans across generations in celebration of his remarkable career and Detroit’s musical heritage. He surprised the crowd with heartfelt stories about growing up in the city, adding a personal touch to the night. As his voice soared through classics like “Superstition” and “Isn't She Lovely,” the audience experienced a powerful mix of joy, nostalgia, and unity. Stevie genuinely seemed to be having a fantastic time, his energy and laughter infectious, amplifying the warmth and connection that filled the arena.

Words and photos by Hannah McWhorter

Tags stevie wonder, detroit, october 22, 2024, photos, review
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James Arthur | Los Angeles

May 11, 2024

The iconic Wiltern provided the perfect backdrop for James Arthur's recent sold-out show in Los Angeles. The palpable excitement was evident before stepping inside, with a long line of fans stretching down the block. Once inside the venue, the buzzing atmosphere only intensified as the show commenced.

While Arthur is primarily celebrated for his poignant ballads and soul-stirring vocals, his performance was infused with a playful and upbeat spirit that contrasted with his soulful musical style. The singer-songwriter commanded the stage with an animated presence that traveled throughout the venue, getting the whole crowd to their feet.

The setlist showcased a seamless blend of Arthur's hits and some well-chosen covers, each rendered with his flawless vocals. He kicked off the show with “Bitter Sweet Love,” immediately drawing the audience into the performance and starting the show off on a high note. A personal highlight for me was “Rewrite The Stars,” a song that has always resonated with me and was incredible to experience live. He captivated the crowd with back-to-back covers of Christina Perri's “A Thousand Years” and Shontelle's “Impossible,” showcasing his versatility and vocal prowess.

A standout aspect of the night was Arthur's sense of humor. He playfully teased the audience, at one point convincing everyone that Anne-Marie was about to join him on stage as a special guest. These lighter, humorous moments provided an entertaining counterpoint, contrasting the somber tones of his music and keeping the energy up.

Perhaps most touching was the genuine affection Arthur displayed towards his fans. An artist who truly seems to be enjoying their performance and connecting with the crowd goes a long way in my enjoyment of a performance, and Arthur certainly did both. At the end of the show, he repeatedly interacted with the audience, blowing kisses and waving long after most artists would have exited the stage. It was a heartfelt acknowledgement of the fans' support. At one point, he even dedicated a song to a fan in the audience who had just beaten cancer after a very long battle with it. It really illustrated the amount that he cares about knowing his fans' stories.

James Arthur's Wiltern performance was a wonderful mix of musical prowess, playful humor, and genuine audience connection. He demonstrated an unwavering commitment to his craft while creating a solid relationship with his fans. He closed the show with “Say You Won't Let Go,” leaving a lasting emotional impression on everyone who attended.

Words and photos by Ashley Crichton

Tags james arthur, los angeles, may 1, 2024, photos, review
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flipturn | Washington DC

April 22, 2024

From bittersweet beginnings practicing in a Fernandina Beach, Florida garage, to finding their footing playing countless sold-out headline shows across the country, flipturn is a five-piece indie band that is worth rooting for. From hearing their music for the very first time years ago, to now finally getting the opportunity to see them play live for the first time, flipturn has an infectious spirit about them that is impossible to ignore. 

Band members Dillon Basse (lead vocals/rhythm guitar), Tristan Duncan (lead guitar), Madeline Jarman (bass), Mitch Fountain (synth), and Devon VonBalson (drums) sound as if they were born to play music together. It is clear from the first moment they step on stage that these bandmates have an unbreakable bond with one another and that they each serve as an essential piece to the puzzle that is flipturn. 

Once the band takes the stage, it’s not long before their set ignites with “Churches,” an electric and high-energy track that also happens to be one of the band’s first releases back in 2018. From the start of the set, flipturn’s energy is kinetic, inviting the crowd to reflect that energy right back to them. From the constant stream of dancing, jumping, and crowd engagement, it is a captivating experience to watch this band play a live show.

While flipturn’s setlist included nearly two hours worth of addictive songs from their 2022 debut album Shadowglow as well as some fan favorites from the band’s early beginnings like “Chicago,” flipturn was also gracious enough to play a few new, unreleased tracks for the crowd. If these new songs are any predictor of what’s in store next for flipturn, we should all be very excited.

As their set reached to its conclusion, the crowd roared for an encore, and flipturn listened. Back to the stage they came, still not having lost even an ounce of their energy, to flawlessly cover and put their own spin on The Strokes’ “Reptilia.”

The ethos of flipturn lies within the band’s kindred spirit and love for music, both of which shine through during every single one of their live shows on the Something More Tour, which is an experience that fans of flipturn will cherish forever.

Words by Sara Welden

Photos by Ashton Sotiro

Tags flipturn, washington dc, april 18, 2024, photos, review
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AJR + Dean Lewis | Indianapolis

April 14, 2024

The sky blue and burnt orange watercolor backdrop appeared with Dean Lewis in capitalized white letters. Dean walked to the microphone stand lined with orange guitar picks just eager to be thrown into the crowd. “It comes and goes in waves // And carries us away,” sang Dean as he held up the guitar and strummed it swiftly. He closed his eyes, and let emotion carry his soft yet powerful vocals. The crowd clapped to the chorus of “7 Minutes” as Dean stepped down onto the large speakers to engage with them briefly. “I love it!” yelled Dean after forming a hand heart back to a fan. As the set continued, Dean took the crowd on a rollercoaster ride that crashed into his psyche and gave a glimpse of troubling times. 

“I’m about to sing a depressing song. It’s just my thing,” confirmed Dean before performing “Half A Man” on the piano. The songwriting described how difficult it is to love someone when you don’t love yourself, similar to that of a “sinking ship that is burning.” His vocals were bone-chilling, and the audience could feel every word down to their very core. Dean made sure to include his newest single “Last Bit Of Us” during his performance. The track was so well crafted it felt as if the whole arena was present in the room when he said goodbye to the one he loved for the last time. The vibrato in Dean’s vocals accompanied with the view of him sitting at the piano in a sleek all-black suit was picture-worthy. The little sing-along to “Be Alright” was the perfect way to close out the show. “I love your accents,” said Dean in his Australian accent clear as day.                 

Despite the collection of sad songs with lyrics that can move mountains, Dean radiated happiness and was a ray of sunshine in human form. It was obvious he loves to perform, and there is nowhere else he would rather be. We will be seeing more of Dean as he releases his third studio album this year, and announces an American tour in just a few weeks. Life comes in waves, but Dean Lewis is our constant anchor. 

“Can we skip to the good part?” AJR blew the roof off of Gainbridge Fieldhouse during their stop in Indianapolis on The Maybe Man tour. Their mind blowing visuals, thought-provoking songwriting, and indie-pop/electro-pop sound captured the crowd’s attention from start to finish. The trio of brothers, Ryan (ukulele, piano, vocals), Jack (vocals, guitar), and Adam (bass, vocals), and the rest of their band were vibing and dancing collectively with the 11,000 fans in attendance. Everyone was grinning ear to ear, and it was clear there was nowhere else they would rather be. “I feel like we’ve been working our whole lives for this moment,” stated Jack into the microphone as the crowd cheered.

AJR has been a band for 20 years now, and have played in Indianapolis for 10 of them. Back then they performed at Deluxe at Old National Centre to a couple hundred people. Fast forward to tonight where they entertained thousands at Gainbridge Fieldhouse during their first ever headlining arena tour. “Indianapolis, we love you and always have,” said Jack as the trio stood in disbelief and endless amounts of gratitude. Fans who have attended shows throughout the years were scattered throughout the venue, and Jack pointed out someone in the pit that he recognized. The brothers prioritize connecting with their fanbase, and this evening they selected a kid named Sam with a sign saying “Rock, paper, scissors for Jack’s hat?” He was brought on stage, and he did in fact win the competition with the crowd roaring in support. AJR warmed the hearts of everyone further by performing a fan-made mashup of their songs “I Won’t” and “Birthday Party.” “Put your hands up ‘cause I won’t (right on time),” sang AJR as the crowd bounced their hands up and down to the beat.    

AJR certainly knows how to keep you on your toes. At one point, the band suddenly appeared in the seats of section 223 and performed “World’s Smallest Violin” and “Steve’s Going to London.” Fans were ecstatic, and AJR checked “play a song in the crowd” off their bucket list. Once they returned to the stage, the energy in the room was at an even higher level than before. As flames were blazing on the screen during “Burn The House Down,” everyone’s hands were in the air with Ryan keeping the momentum going. Jack was frolicking around the stage with his signature 360 spin making an appearance, and Adam swayed back and forth as he shredded those bass lines. The most unique portion of the show involved the trio taking the crowd behind the scenes, and teaching them how they produced “Way Less Sad” piece by piece. They utilized a beat pad to break down what sounds were involved, including a plate hitting the table and the way Ryan had said a phrase. Props, such as a restaurant table with a striped tablecloth and a camera, were used to enhance the experience. The core of the track consisted of bits and pieces of various home movies rearranged in a specific order. Once class was dismissed, AJR performed “Way Less Sad” in its entirety and it certainly was well worth the years it took to perfect it.   

The minds of concert-goers were already blown, and yet the visuals on the 3D screen for each track catapulted them into another stratosphere. One moment you were feeling dizzy while traveling quickly through rainbow colored liquid and ice during “Sober Up.” The next moment Jack was dangling from the ceiling during “Yes I’m A Mess.” The screen made it appear as if Jack was riding a bike, skiing down a mountain, and driving a car. “I could hate my guts when the sun comes up // But I guess that’s what this is // I like myself like this,” sang Jack as he disappeared. Red lasers went in every direction as a rapid beeping noise ensued. The car on the screen instantly exploded into a bunch of pieces and flew at the audience with smoke billowing out of the machines. AJR then took fans to outer space during “Inertia” with extras dressed in astronaut suits, and later to the ocean with houses hanging from above during “2085” to close out the show. 

Before finishing the track and ending the show with a bang, Jack gave a heartfelt speech that brought tears to the eyes of many. He spoke about their father who was their biggest supporter, and passed away last year. Jack mentioned a life-altering phrase their father had said: “Someday you will find people that see the world the way you do.” He went on to say his father was right, and the thousands of people standing in the arena were proof of that. The incessant amount of effort, dedication, and pure love AJR puts into their music and live experience is unmatched. Their willingness to re-invent pop music is impressive and refreshing. AJR has created a whole new world with their art, and it certainly is one that is here to stay.  

Words by Brittany Ormiston

Photos by Everly Ormiston

Tags ajr, dean lewis, indianapolis, april 12, 2024, photos, review
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The Aces | Atlanta

October 10, 2023

Your favorite band is on tour, and we had the pleasure of getting to see them in action! Comprised of four members: sisters Alisa Ramirez (drums) and Cristal Ramirez (lead vocals and guitar), Katie Henderson (guitar) and McKenna Petty (bass) are rocking the roof off of Variety Playhouse. A fan favorite venue in Atlanta, The Aces are giving us exactly what we need. The alternative pop band from Provo, UT is showing their fans that they’re entering a new era and it’s one for the books.

The Aces’ logo appears, projected above the drum set, and fans are already going crazy. “Hope it doesn’t get worse as I get older,” the opening rhythm to “Always Get This Way” rings out and the audience is roaring. The first track of the show has bodies moving and hands in the air. With a performance of “Don’t Freak” shortly after, it’s evident that The Aces is prepared for a jam-packed show.

“Atlanta, how are you feeling?” Cristal Ramirez greets the venue. “I need you to sing along with me!” “Solo,” from their latest album I’ve Loved You For So Long has everyone in the mood to rock out for the night. “Atlanta welcome to the I’ve Loved You For So Long Tour!” Ramirez yells into the microphone and the crowd erupts in applause.

After a killer performance of “My Phone is Trying to Kill Me,” Ramirez heads to the front of the stage to get personal with the crowd. “It feels so good to be back. Thanks for having us, it’s been a long time. How you guys doing?” A brief pause for woo’s and cheers. A brief moment of technical difficulties leads Ramirez to passing the mic to Henderson for a good ‘ol fashioned dad joke. “What do you call a cow with no legs?” Henderson asks. (It’s ground beef, if you were wondering.)

After two cow jokes, and body signing by the band, the band is back in full swing with “Kelly” and “Girls Make Me Wanna Die.” The venue is buzzing. The concert air is full of joy and fans screaming the lyrics. The show weaves through some classics, like “Suburban Blues” and “Attention.” Ramirez, moved by the energy in the venue, gets candid with the crowd. Getting honest about the birth of this record, Ramirez admits to being anxious and depressed. “And, it’s this band and you guys that get me out of bed every day.”

With just a few songs left in the show, Ramirez warns the crowd that the show is nearing its end, and everyone boos. Why would we ever want this night to end? “Volcanic Love” from the band’s debut album When My Heart Felt Volcanic catapults the show into a frenzy one more time. With stellar performances of “Daydream” and “Stuck,” the I’ve Loved You For So Long Tour officially ends for Atlanta.

If you’re like us and can’t get enough of The Aces, you can find them on Instagram (@TheAces) so you can stay up to date on new music, merch, tour, and more! Don’t forget to stream I’ve Loved You For So Long wherever you stream music. The Aces are still coursing through the States with Carol Ades, so be sure to catch them live while you still can. Their last show of the North American tour is October 28th at the Wiltern in Los Angeles, CA!

Words by Kaylee Pickens

Photos by Chandler Bunzol

Tags the aces, atlanta, october 4, 2023, photos, review
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ILLENIUM | Indianapolis

July 29, 2023

“Nothing can hold us down.” Being amidst electronic dance music (EDM) and rave culture at ILLENIUM’s tour stop in Indianapolis was memorable to say the least. There was a sense of community with the pure love for music uniting individuals from all backgrounds. Everyone was highly encouraged to be unique and different than all the rest. Many chose to express their creativity and individuality through their eccentric outfits. A sea of jerseys flooded the venue with ILLENIUM and the number three stitched onto the back of each one, the same number he used to wear during lacrosse in high school. The energy exuding from the crowd was that of good vibes and acceptance, which aligns with the main rave philosophy: Peace, Love, Unity, Respect (PLUR). The camaraderie of the crowd was a safe space for all to escape from the real world for just a few hours. On all three screens, ILLENIUM’s logo was spinning around as the crowd was getting amped up for the show ahead.

ILLENIUM’s logo is a Phoenix which represents an immortal bird in Greek mythology that is reborn. The Phoenix symbolizes his past struggles with addiction, and his ability to rise from the ashes and transform into the person he is today. Music was his savior, and pulled him out of the dark depths of addiction. Creating music brings him peace, and allows him to process his emotions in a healthy way. ILLENIUM’s music in turn uplifts those who listen, and positively impacts the lives of countless individuals in unimaginable ways. Even in the live music environment, it was clear the vulnerability of ILLENIUM’s songwriting hit deep within and affected how his supporters viewed the world. ILLENIUM had cooked up an unforgettable setlist that had everyone on their feet and burning up the dance floor.

“Indianapolis are you f— ready?” shouted ILLENIUM into the microphone during “Gold (Stupid Love).”  He went back to playing guitar, and as the beat dropped the entire pit threw their hands into the air. Fireworks were set off creating an array of colors, and flames shot up into the air from the stage releasing such a high level of heat it could be felt throughout the venue. The most chilling moment of the night was during “Good Things Fall Apart” as the crowd sang the chorus, and their voices echoed throughout the amphitheater. The details of the visuals projected on the screen behind ILLENIUM’s platform truly brought the entire performance to life even further. As the guitarist made his way to center stage for “Shivering,” visuals of the Arctic appeared to emphasize the lyrics of the track. The lightning strikes on the screen matched the lasers vigorously moving about the stage as the violinist delivered an exquisite performance during “Fragments.” Fan favorites of the night included “Lifeline” with live instrumentation out of this world, and the opportunity to sing “Anti-Hero” with a venue full of people compared to singing it alone in the car on the daily.

ILLENIUM has had quite the journey to get where he is today, but it can go without saying he is meant to be a songwriter, producer, and performer. His perseverance and dedication to his music and to Illenials, his fans, sets him apart from many artists. ILLENIUM’s talent shines through even further with his storytelling, and his ability to create and put on a live show in such a large capacity. The “ILLENIUM LIVE” tour launched a new chapter, and it was one for the books. Milestones were reached and an everlasting imprint was made on every tour stop, especially Indianapolis. ILLENIUM will continue to rise like a Phoenix with Illenials by his side for the foreseeable future.    

Words by Brittany Ormiston

Photos by Everly Ormiston

Tags illenium, indianapolis, july 20, 2023, photos, review
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Shania Twain | Mansfield

July 17, 2023

Let's Go Girls — Shania Twain Rocks New England

Pre-pandemic, concerts were a more collective experience of joy. A night more akin to a church or temple than individual. Post-COVID, has been anything but. Shania Twain’s Queen Of Me tour appears to be one of a limited number of exceptions.

It's more like The Eras Tour than anything since 2020, with stunning visuals, rabid fans sharing in the collective joy of the female icon and legendary songs to go with.

In Mansfield, MA last week, Twain tore through her catalog of hits — old and new. Her vocals, despite criticism at some shows, sounded fantastic. From the moment she emerged, kicking the concert off amid the croud, her and her band did all the little things right.

No matter where you focused, there were moments of joy — big and small — bringing people together in the name of music. No small accomplishment in an era where artists are inundated to take BeReals or selfies with individual fans at each show.

Words and photos by Brent Goldman

Tags shania twain, july 9, mansfield, 2023, photos, review
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Maggie Rogers | Atlanta

February 28, 2023

Live in Atlanta, it’s Maggie Rogers with support from Del Water Gap! The 28-year-old praised singer-songwriter is unleashing her Feral Joy tour for two back-to-back nights at the Eastern. A Maryland-native, Rogers began her career after her song “Alaska” played for multi-Grammy Award winner Pharrell Williams during a class at New York University. Since then, Rogers has claimed her rightful place as a coveted icon in the industry. With songs like, “Dog Years,” “Light On,” and “Want Want,” Rogers is giving fans what they want with a night of feral joy.

The show begins with Rogers’ band filing on stage as recorded opener of the singer plays through the venue. Fans are roaring as the notes to “Overdrive” begin. The first track off Rogers’ latest studio album, Surrender, Maggie Rogers fans are having their cake and eating it too. The music icon is wearing a football jersey-inspired dress with knee-high boots as she floats across the stage. The show is buzzing as “Want Want,” another fan favorite from her latest body of work, entices everyone to put their hands in the air. “Hello, Atlanta,” Rogers greets her second sold out show. An ear-splitting roar shakes the room, as everyone graciously welcomes Rogers.

Rogers highlights some important moments of the show already. Her bass player’s parents were in attendance, whilst they just celebrated her guitarists’ birthday, too. She closes, “There’s just a lot of things to be grateful for,” before playing her next track. A hidden gem from her debut studio album, “Say It,” pulses through the room note by note. With performances of “Love You for a Long Time,” “Shatter,” and “Be Cool,” Rogers is giving her fanbase moments to live off for a lifetime.

Rogers surprised fans with a performance of “New Song” with Del Water Gap. The 6-minute track featured on her compilation album, Notes from the Archive: Recordings 2011–2016, the two artists reminded us of what a stellar collaboration looks like. With an alternative/indie performance of the night, each minute of “New Song” rings out across the audience.

“I was walking through icy streams that took my breath away,” Rogers sings out to a deafening silent room. Not soon after, the Eastern is singing along at full volume, causing the songwriter to erupt into a fit of laughter. After regaining her composure, she begins again: “I was walking through icy streams that took my breath away.” Rogers sings the first verse of her one of most popular tracks, causing fits of hysteria and outbursts of joy. “Alaska” begins to weave through the venue, as people are throwing their heads back and singing to the sky.

The moment is over too soon, and before anyone can catch their breath, “Give a Little” chimes out across its crowd. Fans of Rogers’ Heard It in a Past Life are in for a treat with performances from her first studio album. The Heard It in a Past Life train doesn’t stop there as Rogers sings: “Would you believe me now?” “Light On,” courses around each person at the Eastern, and acts as a gentle reminder to us all. “That’s Where I Am” Fans are screaming “Encore, encore!” when the show ends, and the lights come on. The chant pulsates through the venue as Rogers’ band fills the stage once more. The infamous opener to “Fallingwater” whips through the Eastern as Rogers sings out each word. Rogers’ encore ends with a performance of “Different Kind of World,” notably the last track on Surrender.

The Feral Joy tour is one for the books, making it one of Rogers’ best tours to date. Rogers’ tour ends March 5th in San Francisco, CA. If you can get your hands on tickets, we recommend attending one of the best tours of the year. You can find Maggie Rogers on Instagram (@MaggieRogers) to stay up to date on the Feral Joy tour, new music, and much more!

Words by Kaylee Pickens

Photos by Chandler Bunzol

Tags maggie rogers, atlanta, february 22, 2023, photos, review
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Jungle | Atlanta

September 16, 2022

With the vibe of a night lounge, fans of Jungle were buzzing with anticipation for the British duo. Joining forces in 2013, Josh Lloyd-Watson and Tom McFarland founded the neo-soul/funk project, Jungle. At The Eastern in Atlanta, Jungle’s latest world tour has begun with performances from Paul Cherry. 

The lights dim and Jungle’s name lights up as music starts to swarm in. A low buzz that grows louder, Jungle’s name bleeds to a warm orange and the intro for “Keep Moving” begins. The 4-minute track off of their latest album, Loving In Stereo, has Atlanta fans singing their hearts out. As the song comes to a close, another fan favorite plays out through the venue. “All Of The Time,” the third track from Loving In Stereo, is the moment of a life time. The fast-paced, upbeat jam has ignited The Eastern and fans’ hands are in the air. 

With LED screens behind them, Jungle and their band are staged perfectly. Their bassist and guitarist are spaced out on either side of the table where Lloyd-Watson and McFarland are. Their drummer is just behind their guitarist — leaving the kongo drum player on the opposite side of the stage. Warm welcomes echo through The Eastern as Jungle says hello. “It’s been about four years since we’ve been here,” McFarland reckons. 

“Who’s been here since the beginning?” Watson asks the crowd. The audience roars as “The Heat” plays from their self-titled debut album. From there, the band plays through famous tracks like: “Beat 54 (All Good Now),” “Bonnie Hill,” and “Julia.” The venue space is packed— people are shoulder to shoulder— and the temperature is rising. “I’m a troubled man, changed by the things I do…” Jungle’s “Happy Man” from their second studio album, For Ever, builds to its chorus and everyone is screaming along. With songs like, “Casio,” and “Cherry,” Jungle uses their lighting and stage direction to their advantage. The LED screens project palm trees, pulsating waves, and various colors to match the aesthetic of the track. 

“Good Times,” one of the latest releases from Jungle this summer, has their audience sweating and jumping at every break. The feel-good 3-minute song is a cathartic release for fans in Atlanta. The concert winds to an end with “Truth,” Jungle and their band exit the stage and fans start chanting: “A few more songs! A few more songs!” No more than a few minutes later, Jungle is taking the stage. “Atlanta,” Lloyd-Watson begins, holding for applause. “Would you like us to play a few more songs?” And the crowd immediately eruptions as “Fire” plays and weaves into “What D’You Know About Me.” Jungle Atlanta performance ends with their final tracks: “Time” and “Busy Earnin’.” 

With almost 20 songs performed, Jungle rocked Atlanta. Jungle’s last date of tour is September 22, 2022 at Firefly Festival in Dover, DE. If you can’t get enough of the good times, you can find Jungle on Instagram and Twitter (@jungle4eva). Jungle’s entire discography is available wherever you stream music! 

 

Words by Kaylee Pickens

Photos by Chandler Bunzol

Tags jungle, september 6, 2022, atlanta, photos, review
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Chain Fest | Irvine

October 28, 2021

Chain Fest felt like the Warped Tour reunion we’ve all been waiting for.

Chain Reaction, an infamous punk venue, and Live Nation bring us Chain Fest. The festival took place at the FivePoint Amphitheatre on October 23rd in Irvine, California.

This event was postponed twice due to COVID-19 and while some bands had to drop off the line up, what we saw was something you wouldn’t see unless you were at a summer rock festival in the 2000’s.

The lineup: The Summer Set, Envy On The Coast, Cartel, Anberlin, Mayday Parade, Circa Survive, Taking Back Sunday, and Jimmy Eat World.

The thing that stood out instantly was just how happy everyone was to see their favorite bands. It was evident who was here to see which band as so many were wearing the merch of those performing. They came ready to represent! The fans were not the only ones happy to be in attendance. Singer to Anberlin, Stephen Christian, spoke on how they are no longer a touring band, and how much it meant to be there. “Even if we weren’t performing, this is still a festival I would be attending,” he said. As the performances went on, the energy amplified within the crowd. We had an incredible sunset with cotton candy skies while Mayday Parade serenaded us with all their hits off of their sophomore album A Lesson In Romantics. Circa Survive had us instantly captivated with their moody lighting and Anthony Green’s heartfelt melodies. You can feel his soul radiate through the crowd.

The amphitheater was filled with gratitude and excitement to be there experiencing the energy of live music and festivals once again. We hope to back at Chain Fest next year with another nostalgic line up.

Words by Bryana Contreras

Photos by Nazrin Massaro

Tags chain fest, review, photos, irvine, october 23, 2021, cartel, anberlin, mayday parade, circa survive
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New Found Glory | Buffalo

June 16, 2019

After being a band for over two decades New Found Glory showed us they still have it in them to put on a killer show. We got to catch them while on their From the Screen to Your Stereo Tour at the sold-out Buffalo, New York stop.

Before we even got to the see their set we were treated to a stacked opening lineup and first up was Doll Skin. I’ve always wanted to catch this band live but always missed it while at various Warped Tour stops and they didn’t disappoint one bit. With strong vocals, powerful instruments and foremost the message of empowerment and feminism combines together to create a perfect formula. To add to that, all the members equally have such strong stage presence making the performance even more memorable.

Shortly after, The Early November took the stage who really surprised me with their set. I had no prior knowledge of this band or what exactly their sound was like, but I enjoyed every moment of the time they were on stage for from the moment they opened up with “Narrow Mouth” to the closing chords of “I Want to Hear You Sad.” Their music is a perfect mix of melancholy lows and heavy highs, producing incredible live moments of udder chaos, heartfelt singing along and pure just living in the moment. The passion you hear in the lyrics and instrumentals is matched perfectly with their performance on stage.

Next up was Real Friends, a band I have been catching shows for since I was in middle school. Despite seven years passing since I saw them for the first time, their energy and excitement is still embedded in their performance. The spot-on vocals and perfected technique on instruments combined with that energy made them a force to be reckoned with. It also influenced the crowd to actually move and start some pits to become amped up and more than ready for New Found Glory to take the stage.

Now came the moment the packed Town Ballroom had been waiting for, New Found Glory to take the stage. But before we were graced with their presence, they had to set the stage to look exactly like the cover of From the Screen to Your Stereo 3 which was accompanied with old soundtrack music from various movies that would create a sing along in the crowd. On stage was risen circus type blocks with NFG painted on, functioning popcorn machines and even an announcer voice to give a countdown every couple of minutes to let people know when they were going on.

The moment they stepped on the stage the crowd erupted with cheers, and smiles were seen across the whole venue. With a twenty-two song setlist with costume changes and all the band immediately got into starting the set. One thing that really stood out to me was despite them being a pop-punk band and playing a good portion of their original music, they still had this theatrical, whimsical element to their set. The new album aided this in their performance for sure which was something to really experience live.

When they entered with “Eye of the Tiger,” lead vocalist Jordan was fully decked out in the same boxing gear we saw in their music video for the song. This was the same for when they performed “Let It Go,” and we got to see the lovely Elsa join the stage and rock it out. This same method followed for “This is Me” where we got to see circus costumes matched with lighting to fit the mood. Also, I can’t forget “The Power of Love,” which begun the small encore part of this set. I was so excited to hear this live and seeing how they treated the intro to it was executed excellently. They mimicked car headlight movement with the tire screeched audio and commentary from Back to the Future which fully immersed you in this song.

Their original songs also didn’t disappoint live one bit and the smiles you could see on the various ages of crowd members as they belted the lyrics to “Truck Stop Blues,” “Sincerely Me” and “My Friends Over You” really showed what this band is all about. For being a band that’s been around for a while, it creates this space for new and old fans to enjoy music in the moment and have a night they won’t forget. Throughout the night I got to interact with some people there and I got to talk to a family where the parents went to New Found Glory shows when they were younger, and now they’re bringing their kids to the shows who enjoy the music just as much.

New Found Glory have perfectly formulated an astounding show that I wouldn’t miss if you can. Various stops are selling out so I would get your tickets soon to experience this night. Tour dates are listed below and tickets can be purchased here.

 
JUN 16 Detroit, MI @ St. Andrew's Hall
JUN 18 Indianapolis, IN @ Egyptian Room at Old National Centre
JUN 19 St. Louis, MO @ Delmar Hall
JUN 21 Minneapolis, MN @ Varsity Theater
JUN 22 Milwaukee, WI @ The Rave
JUN 23 Chicago, IL @ Concord Music Hall
JUN 25 Lawrence, KS @ Granada Theater
JUN 26 Denver, CO @ Ogden Theatre
JUN 27 Salt Lake City, UT @ Union Event Center
JUN 29 Berkeley, CA @ The UC Theatre
JUN 30 Anaheim, CA @ House of Blues
JUL 02 Los Angeles, CA @ The Belasco Theater
JUL 03 San Diego, CA @ House of Blues
JUL 05 Las Vegas, NV @ House of Blues
JUL 06 Phoenix, AZ @ The Van Buren
JUL 08 Dallas, TX @ Gas Monkey Live!
JUL 09 Austin, TX @ Emo's
JUL 10 Houston, TX @ House of Blues
JUL 11 New Orleans, LA @ House of Blues
JUL 13 Orlando, FL @ House of Blues
JUL 14 Fort Lauderdale, FL @ Revolution Live

Words and photos by Lindsay Neilson.

 

Tags new found glory, june 12, 2019, photos, review, buffalo

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