EVNNE: INTERVIEW


by martina rexrode

photo courtesy of Jellyfish Entertainment

When a K-pop group with as much sincerity and passion as EVNNE comes around, it’s impossible not to root for them. Up until this past April, the five-member boy group was operating as a temporary “project group,” including a larger line-up of members and an altogether different vision for their sound and musical identity. Now, KEITA, PARK HANBIN, LEE JEONGHYEON, MUN JUNGHYUN, and PARK JIHOO are back for the first time as an official group with their first single album. Both the title track “Backtalk” and its accompanying b-side “STAY” introduce listeners to a fresh version of EVNNE that features lyrics written by each member and inspired by their own experiences. We sat down to speak to the group about this new direction, their involvement in their own music, and what fans can expect moving forward.

“Backtalk” is your first single album and your first music release as an official group. As you start to process this release, how does it feel to have “Backtalk” as the single that, in a way, reintroduces you to the world?

PARK HANBIN: “Since this is EVNNE’s first comeback after officially becoming an official group and reorganizing as a five-member group, I think a lot of emotions are crossing our minds at once. We’re thrilled to be meeting fans again with a new side of ourselves, excited to finally share lyrics we personally wrote, and proud that all the hard work we put into preparing for this comeback has paid off. Through this album, we’ll be sharing all the stories we wanted to tell while preparing for this comeback, so please look forward to it!”

How does your vision for EVNNE’s future differ now compared to when you were active as a project group?

MUN JUNGHYUN: “Moving forward, I think our fans will be able to see us approach both our music and activities with more sincerity and initiative. These opportunities were only possible thanks to the endless love and support from our fans, so we believe it’s our responsibility to repay that love. That’s why we want to prepare as much great music and as many amazing performances as possible, so we can meet our fans more often.”

What does the message delivered through “Backtalk” mean to you as a group?

PARK JIHOO: “I think the fact that the lyrics contain our own personal stories is what makes this album especially meaningful. Through references to our BOYS PLANET days, such as lines like ‘that blue-haired kid,’ and even references connected to our previous companies, the album tells the story of how we’ve made it this far and how we’ll continue moving forward no matter what anyone says. I think that message has become especially meaningful and important now that we’re an official group.”

Could each of you share a lyric from “Backtalk” that feels the most important to you in this moment of your life and career?

KEITA: “The lyric that resonates with me the most is ‘뻔한 건 nonsense (Obviousness is nonsense).’ I think it best reflects my desire to always create something new and different.”

PARK HANBIN: “I’d choose the line, ‘포기는 없어 계속 들이받아 / Pave a new wave (No such thing as giving up, keep charging on / Pave a new way).’ I think it perfectly captures our determination to never give up and keep pushing ourselves harder. I also try to live with that mindset in everything I do.”

LEE JEONGHYEON: “For me, it’s also ‘포기는 없어 계속 들이받아 / Pave a new way (No such thing as giving up, keep charging on / Pave a new way).’ I think the message about endlessly challenging ourselves without giving up perfectly represents EVNNE’s ambitions.”

MUN JUNGHYUN: “The lyric that resonates with me the most is, ‘맘대로 되는 게 없는 World / 발버둥 치는 게 답인 격 (Nothing will go your way in this World / Struggling is the only answer).’ I believe it really reflects life itself, and it also represents how our members continue to fight through hardships, no matter what challenges come our way.”

PARK JIHOO: “Mine is, ‘반말로 패도 난 못 느껴 Pain (Talk down to me but I won’t feel the pain).’ I think it shows the stronger version of EVNNE we’ve become after enduring and overcoming many challenges.”

“STAY” leans into hyper pop elements with an important message at its center. What inspired the meaning behind this b-side? Why did you feel this was the best track to pair alongside the title track?

MUN JUNGHYUN: “‘STAY’ was included on the album because, while it also presents EVNNE’s new direction, it shows another side of that direction. If the title track delivers a powerful message through a more hip-hop style, ‘STAY’ highlights the brighter and more energetic side of our members. Through this song, we wanted to deliver the message that we’ll continue preparing fun music and exciting performances like this in the future, so we hope everyone looks forward to what’s next from us.”

What was it like working with one another on the lyrics for both “Backtalk” and “STAY?”

PARK HANBIN: “This was actually the first time all of us worked together on writing lyrics, so it felt very fresh and new. Especially for me and MUN JUNGHYUN, it was also our first time being officially credited as lyricists on an album, so at first we kept wondering whether we were doing things right. But through our lyric-writing sessions and by reviewing each other’s work, I think we were able to create and finalize great lyrics and songs together. It was also meaningful because while writing the lyrics, we were able to reflect once again on EVNNE’s story so far and deeply solidify our determination for this new chapter of EVNNE.”

Do you all have similar methods of brainstorming and songwriting, or was it more of an individual process at first?

KEITA: “For this album, we held lyric-writing sessions where each member would work on lyrics individually, then share ideas and feedback whenever needed. After gathering all the members’ lyrics together, I would record the guide version, and then we’d listen to it together and continue revising things from there. In general, we usually handle the first stage of the process individually, like finding references and writing lyric drafts, and then come together afterward to combine our ideas and shape everything into a unified direction.”

How do these tracks set up your new, bright future?

LEE JEONGHYEON: “Beyond EVNNE’s musical direction, which we introduced through this album, I also hope people pay attention to the message that we plan to become even more deeply involved in the album-making process moving forward and continue creating music that truly represents us. Since all of us participated in this album, we genuinely had so much fun preparing for this comeback, and I think we were also able to confirm each member’s sincerity and passion toward music. So I hope we shape EVNNE’s musical direction together in future albums.”

Is there anything you want to say to fans reading this right now?

KEITA: “ENNVE, thank you so much for waiting such a long time for our comeback! Starting with our new album 뱉어 (Backtalk), we’ll continue working hard on our music and return with even cooler, more EVNNE-like music more often, so please continue to give us lots of love and support! Thank you!”

 

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HARLEY LUCK: INTERVIEW


by martina rexrode

photo by julia drummond

Harley Luck is no stranger to reinvention. On October 6th, his single “Stay” will be re-released after its initial debut nearly three years ago, showcasing not only Luck’s musical evolution but his emotional maturity as an artist and a person. The single was written just days before the beginning of the pandemic and, even though it’s being released years after, there are still notes of those raw feelings within the lyrics despite its upbeat tempo. As an emerging artist in today’s industry, it can be difficult to separate yourself from others, but Luck’s career is off to a promising start — or, restart.

What inspired you to re-release “Stay” under this new moniker? How does this release differ from its original release?

Harley: “I chose to re-release ‘Stay’ because I didn’t feel like I related to it anymore. I wrote this song when I was 17 with an entirely different perspective than I have now. I decided to evolve the song into something new that I could relate to while still keeping the foundation from when I first wrote it. Now I can hear both my current and past throughout the song which I think makes it even more special to me. I’ve always loved the concept of artists ‘reimagining’ their songs, and I can see myself doing that going forward. Lots of songs get released and forgotten within a couple of years. Instead of letting them collect dust in my catalog I’d rather evolve them into a new entity and keep them fresh.”

In which ways do you see the emotional themes of the early pandemic (isolation, loneliness, uncertainty) still resonating today within yourself or within the music being made just a few years later?

Harley: “For me, the pandemic was a very isolating period of time. I was at home with my family in New York during the entirety of it. Throughout it my mental health went down the drain. It was hard for me to adjust to the lack of socialization because I was used to being surrounded by my friends everyday. Ultimately, the loneliness I felt is what pushed me to start writing songs. I used my journals to therapeutically express what I was feeling. From there, I started putting my words to music on my computer. I wasn’t satisfied with anything until I made the production for ‘Stay.’ It was the first song that I thought was good.

Now that I’m three years removed from that time, I still make music for the same reason. It’s a therapy for me to express what I can’t verbalize. Whenever I feel off I write about it and even if they don’t become complete songs, it still helps me get past whatever I was going through. I’ve never found anything more relatable than music because there’s so many emotions that the human vocabulary can’t comprehend but music can.”

Which songs, albums, or artists did you gravitate towards during those times?

Harley: “During this time I found a lifetime inspiration in Harry Styles. I had listened to his music before and had been a fan of One Direction since I was nine years old, but I never really followed his solo project. I started listening to his songs and instantly fell in love with them. I began following him, watching interviews, and listening to live performances he had done. Everything about him felt relatable and comfortable. As a teenager going through an isolating period of time I found his music to be a safe place. I admired his positivity, individuality, and sound, inspiring me beyond music. I was discovering myself and he was the perfect role model to look up to. Even now he is still my favorite artist and inspiration.”

Do any of those artists’ influences show up through “Stay”?

Harley: “Harry Styles’ album, Fine Line, was a big inspiration for ‘Stay.’ I didn’t realize it when I was making the song, but looking back I can hear similarities in his songs ‘Golden’ and ‘Watermelon Sugar.’ Each song means something unique lyrically, but I feel the same emotions through the music. Those songs are happy and energetic, reminding me of summer and sun. When I wrote ‘Stay,’ I had just gotten back from Hawaii (three days before quarantine went into effect), so I had the warm, beachy vibe on my mind.”

How has your own personal style and artistry evolved with this re-release?

Harley: “I’ve definitely evolved from when I first wrote this song. The transition from 17 to 20 has major changes in terms of your perspective on life. I wrote this song as a kid that liked music and wanted to explore it. Now, I’m an artist pursuing that passion. My fashion is bolder, my personal philosophies are more mature, and my music has a much wider range. I used to stick pretty closely to the indie rock genre, but now I’m exploring R&B and soul, which has been so much fun.”

Which aspects of the indie pop-rock genre would you like to explore as your career grows?

Harley: “My favorite part about the entire genre is the guitars. An indie guitar riff will always make me vibe and I think that is something I will take with me as I grow into different genres. I think guitar is the most sonically pleasing instrument and it’s really fun to play around with the different tones that you can make with it. If there’s a song that isn’t relatable or engaging but it has a guitar solo in it, I love it. One of my favorite songs that uses guitar perfectly is ‘She’ by Harry Styles. The rest of the song is amazing, but the guitar solo outro is incredible.”

What is the underlying feeling that “Stay” leaves you with this time around?

Harley: “The underlying feeling I have when it comes to ‘Stay’ is excitement. This is a pivotal point for me as an artist because I’m starting fresh. I have so much internal motivation to explore and evolve my music and this is just the beginning. I’m already planning ahead and testing new waters so I’m really excited to see everything come together.”

 

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MÏRÄNDÄ: INTERVIEW


BY EMILY HARRIS

PHOTO BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

New York City native Mïrändä is changing the music scene through her eclectic spirit and style. The singer-songwriter has a background in theatre which has influenced the way she writes and approaches music. Her I Am Art Singles Compilation includes her singles “I Am Art,” “Stay,” and “Formula” — each with their own tarot card artwork. She sat down with us here at Unclear Magazine to discuss the process of her newest music video as well as the compilation album. 

Thanks for finding the time to speak with us! Can you tell us a little about your beginnings in the music world? 

Mïrändä: “Of course, thank you for having me! I grew up playing classical violin, listening to lots of Celtic music and my dad was a country/rock singer for most of my childhood. I always loved music and singing but it wasn’t until my sophomore year in high school that I first attempted songwriting. I would write my vocal melodies and lyrics first and then go to my dad to figure out the guitar chords. It was always frustrating for me to try and describe to him exactly what I was imagining and the final track never came out quite how I wanted it to. That was the driving force for me to teach myself music production. I wanted my music to be completely and authentically me. Now, I absolutely feel that it is.”

 

Being born and raised in New York City, what artists would you say impacted the music you create, as NYC is a melting pot of different music scenes? 

M: “When I discovered Grimes it totally blew my mind that she wrote and produced everything herself and I realized that I wanted to do that too. I don’t feel like I really found my voice in music until I taught myself to produce. Some of my biggest influences are Janelle Monáe, MGMT, Queen, Enya, and pretty much anything from the 80’s, but my biggest influence is my dad. He has supported me from the beginning and has even collected studio gear over the years so I could record my songs from home. To this day, when I lay down vocals, he engineers my recording sessions and we mix and occasionally master my songs together. He’s the man.”

 

How has having a background in theatre influenced the way you approach live shows? 

M: “I am still working to put together a live show that I am totally happy with, but if you’ve seen any of my music videos or my Instagram, I think it’s apparent that I like to play dress up. It’s important to me that my visuals elevate my music. I would love to have the budget for a light show, a set and props to give my show a more grandeur, theatrical feel.”

 

Congratulations on your I Am Art Singles Compilation! What was the production and writing of the three singles like? 

M: “Thank you! I’m very proud of them. These were my three favorite songs to write and record so far. When I’m in the zone I’m so caught up in it that I usually can’t remember the process in detail — it’s something that just happens. I experimented with a lot of new plugins and sounds when I wrote these, which absolutely affected the way in which I approached them.”

 

Each single was released with its own tarot card artwork. What enticed you to use the cards as a way to showcase the songs? 

M: “When I wrote ‘Formula,’ ‘Stay’ and ‘I Am Art’ I was getting super into tarot, herbal medicines, and other witchy things. I was dealing with some health issues at the time and these things played a huge role in my recovery. Each one of these songs is a moment from that time in my life and it just felt right to select three of the Major Arcana cards to represent them. I love that these cards add a whole other layer of meaning to these songs. You can also look at the trilogy as a three-card reading.”

 

You have just released a self-made music video for “I Am Art” while in quarantine. What was the filming and editing process like for you? 

M: “I had so much fun! It took me back to my iMovie days as a kid when I used to make tiny stop motion movies in my room. I have always loved makeup and crafting so this was a perfect project for me. Making this video at the beginning of quarantine was cathartic, and a rewarding way to reconnect with my creativity during a difficult time. It was really cool to have complete control over my content. It gave me the freedom to get real weird with it and try things that might not work at all.”

 

Your music is anything but stagnant. How would you perfectly describe your sound? 

M: “I’m always experimenting with production and songwriting style so this is a tricky question for me, but I think that most of my songs have an ethereal quality. Both my background in theatre and classical violin have shaped the way that I song-write. Theatre has taught me so much about the musicality of words. I always let my instrumental inform my vocal melodies, inflections, and lyrics rather than the other way around because it’s important to me that word flow feels organic.”

 

PHOTO BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

What song would you recommend to someone who has never heard you before? Why?  

PHOTO BY CAMI LIBERTY

PHOTO BY CAMI LIBERTY

M: “‘Stay!’ If my soul were a song, it would be ‘Stay.’ It’s my favorite production and songwriting I’ve done to date and it has a story that everyone can feel a personal connection to. It’s a theatrical, classic rock, symphonic pop anthem about the desire for human connection, and about a crippling fear of being alone. It’s about navigating hookup culture today, attempting to conform to its expectations. And it is about the blurred lines between sex and love. While the lyrics express a sense of desperation, the melody and instrumentation are hopeful. I was listening to a lot of Queen when I wrote and arranged this piece, which I think is evident in the harmonies. This song has more classical influence, mainly baroque, than anything else I’ve written. I have always loved harpsichord and I was so thrilled when I was able to add it to the song.”

Can we look forward to any new projects from you soon?

M: “I’m not sure what I’ll release next. I’ve found that it’s difficult for me to stay inspired during this pandemic, but I would love to put out another EP. The other day I opened up some of my old ProTools sessions and found a few songs that I wouldn’t mind revisiting. Maybe I’ll remix them and release an EP of unheard, slightly older material. I recently announced on my Instagram (@miirandamusic) that I’m creating a second music video for ‘I Am Art’ using submissions from my listeners! I think it will be an exciting way to bring people together through art during this time of self-isolation and I can’t wait to see what people come up with. I am art. We are art. Let’s make art!”

 

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