'BILLBOARDS' / AIMEE DEBEER: SINGLE + MUSIC VIDEO REVIEW


BY BRE CURA

PHOTO COURTESY OF AIMEE DEBEER

PHOTO COURTESY OF AIMEE DEBEER

We are all searching for answers, to know more about who we are, and to find solutions for problems we cannot remedy on our own . When presented with quick and easy ways to become someone, we start to lose pieces of ourselves. Aimee deBeer’s new single, “Billboards”, takes a deep look at the insecurities and doubts that humankind is left with in our current culture.  Upon first viewing the music video paired with Aimee deBeer’s poetic tune, immediately the viewer is drawn in by the beautifully orchestrated videography and editing technique. With the first verse echoing the solemn phrase, “Everything is beautiful, and no one feels the pain,” deBeer walks in solitude down an empty highway, as rolling hills provide the backdrop for her dreamy environment. Pictured around her, almost interrupting the serenity of her world, are towering billboards, reading things like “skinny me” and “you don't need questions when we’ve got all the answers”. Alluding to the underlying message surely to come in the following verses, these slogans portray the values society deems important enough to plaster on the billboards we see. Painting a picture of what our culture convinces us of, that we should care about the method of a temporary solution, so long as it makes us feel better in the moment. A powerful chorus is heard as more and more billboards appear throughout the scenery. A certain mantra throughout the song, listeners are again presented with the powerful line, “Everything is beautiful, and no one feels the pain”. Written on some of the billboards are advertisements for pet clonings, and other ways to escape the harsh realities we all must face (such as the death of a pet, human interaction, and basic necessity). The line, “Got a problem, go get stoned. Prescription overload. Just numb all the devils that haunt me,” reflects the idea that in today's world, so many people escape their emotional and physical needs by drowning themselves in remedies provided by people only looking for a monetary gain, and whose intentions might not always be pure. While the video itself seems to be based in one location, it is all that is needed to portray the powerful implication within the song. deBeer has done a fantastic job of summarizing a monumental message in a way easily understood by anyone who might listen to the track, or watch the music video. The end of the video reveals a spaceship rising above the hills, and Aimee flashes off the screen, leaving the end of the story up for some interpretation. “Billboards” is a great reminder to not let yourself be defined by what the world insists you should be, and to focus on values you truly believe in.

 

'DON'T LEAVE ME' / SAGE CHARMAINE: EP REVIEW


BY BRE CURA

Sage Charmaine - Press shot .jpg

At the young age of 16, Sage Charmaine has already made a name for herself in the music industry. With popular singles such as, “June”, “Bitter Chocolate” ft. Cupcakke, and “Cherries”, Charmaine has just released her debut EP Don’t Leave Me. Featuring 7 new songs, (“Ashes”, “Look Up 2 Me” and “happy birthday” having been pre-released), this EP will be a game changer for Charmaine.

The first track on the EP, “Look Up 2 Me”, has a wonderful balance of both dark and ethereal vibes. Opening with a quiet, syncopated beat, listeners will immediately be drawn to Charmaine’s incredible vocals.  The chorus starts out light and airy, then shifts into a slightly more confident repetition of the phrase “look up to me.” With relatable lyrics and a mature tone, this song is a strong opener for the star’s debut EP. “don’t leave me”, a later track on the EP, holds a similar feel to this tune in both tone and expression.

This song flows into the second track on the EP, “Ashes”, a collaboration with Rocky Lynch of The Driver Era. This song is a sad, yet beautiful reflection on a relationship that isn’t working, but still is so hard to walk away from. Soft and slow vocals backed by incredible instrumentality pushes this song to its full potential. The listener can feel the emotion behind the lyrics, and anyone who has experienced a story similar to the one portrayed in this song will surely be impacted.

Both “around” and “don’t bother me” bring a whole new feel to the EP. Giving off almost an air of indifference towards those who oppose her, Charmaine self-assuredly portrays her ability to move on and upwards from people who would only drag her down. Self-confidence is an evident characteristic of Charmaine’s work, and does not fall short in either track.

One of the catchiest tracks of the entire EP is “hurts a little less”. Sage Charmaine’s incredible vocal range is on full display in this memorable melody. This upbeat piece is a perfect song for summer-time drives with the windows down.  With a sound that is almost wistful, this song  will make you want to throw your hands up and dance. The craftsmanship required to portray heartbreaking lyrics in an upbeat way is not easily achieved. Charmaine should be very proud of this amazingly strong tune.

Closing out the EP is “happy birthday”, an angsty depiction of romance gone wrong . Similar to Carrie Underwood’s “Before He Cheats”, this song cleverly portrays the revenge someone might take on a boyfriend or girlfriend who done them wrong. With lines such as “I forgot your birthday card, so I knocked the windows out your car”, and “what were you expecting, a happy f***ing ending”, this is a great song to sing when you just want to  get your anger out.

Overall, Don’t Leave Me is an immeasurably strong debut EP for an already well received artist. Make sure to stream it now on your favorite platform!

 

CARLIE HANSON: INTERVIEW


INTRO BY TÉA VAN ACKEN

INTERVIEW BY CAMI LIBERTY

PHOTO BY LEEOR WILD

PHOTO BY LEEOR WILD

Rising singer Carlie Hanson and her newest single are ignited from the experiences and people around her, and create a new sound for the world. Hanson’s single “Back in My Arms” captures the infatuation and adoration she had felt towards a significant other in her first relationship with a girl. Her young, wild, and free sound showcases deeply felt love, passion, and liveliness, which will be demonstrated further in June, upon the arrival of her new EP titled Junk. Starting at age nine, Hanson discovered her passion for singing through the inspiration of seeing other young and talented individuals, and knew she had to live out her dreams. Her career is at its genesis, and has earned an edgy music video for “Back in My Arms”, embodying a jaw-dropping reaction by Carlie and her sisters robbing an armored truck, filled to the roof with money, in order to aid to the bail of their father. Not only does Hanson wish for a taken aback response, but her audience is gifted the feeling of their personal impression, as Hanson says, “If you can feel something from my music, whether it’s the sounds or the lyrics, then I think I’m doing my part as an artist,” which the world will be able to feel with her new single, and additional songs being released upon her new EP.

When was the moment that you knew you wanted to be a singer?

CARLIE: “When I was about 9 or 10 years old, I discovered Justin Bieber, and that’s when I really fell in love with music. I watched all of his YouTube videos like it was my job, it was so inspiring to me to see someone so young, so talented, living out their dreams! I wanted to be just like him, from then on I knew I wanted to be a singer.”

 

How would you describe your sound in three words?

CARLIE: “Young, wild, and free lol.”

 

You recently released your new single “Back in My Arms.” Can you tell us a little about the song and how it came about?

CARLIE: “I wrote Back In My Arms about my first romantic relationship with a girl. I was very much in love during the creation of this song, I think you can really hear how infatuated and full of emotion I was at the time.”

 

You also released a music video for the song – what was the process like creating the video?

CARLIE: “When I was creating the music video for BIMA, I knew right away that I didn’t want the video concept to have anything to do with what the song was about. I just didn’t wanna create another cliche video of me and a girl hanging out and holding hands or whatever. My goal was for people to be a little taken aback when they watch this! For some reason, I’ve always wanted to create a music video where I robbed a bank, so I threw that idea at the director, Danilo, and he came back with a sick treatment. The concept was me and my two little sisters rob an armored truck full of money to help bail our dad out of jail. It was so so so much fun shooting this one!”

 

Where do you find most inspiration when creating music?

CARLIE: “Most inspiration that I get when creating music, usually comes from real-life experience. Whether it’s something I’m going through with my friends, family, something I saw on a billboard, someone I overheard talking while I was out, it doesn’t matter, there’s something I can write about everywhere!”

 

What do you hope people take from your music?

CARLIE: “I just want whoever listens to my music to feel something, anything! I wanna make you happy, sad, laugh, dance, feel nostalgic, etc. If you can feel something from my music, whether it’s the sounds or the lyrics, then I think I’m doing my part as an artist.”

 

Is there anything else we can expect from you in the near future?

CARLIE: “EP will be coming out in June this summer!! Will have 5 songs, almost all unreleased! So excited for the world to hear what I’ve been making!!”

 

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MADELIN: INTERVIEW


INTRO BY MIKAYLA LAWLESS

INTERVIEW BY CAMI LIBERTY

Madelin, Then Her Head Fell Off EP cover art.jpg

Are you looking for something a little like Björk but with a dash of Taylor Swift? If so, you should definitely check out Madelin, an avant-pop artist. Her lyrics give off an engaging aesthetic that centers around the concept of just being human and drive the listener to think deeply while also being able to bop to a cool dance song. Check out our interview below!

For those who have not yet heard your music, how would you describe it to them?

MADELIN: “I like to describe my music as half way between Björk and Taylor Swift. I’m a piano playing singer/songwriter at heart, so all my songs are very lyrically driven at their core. I like to combine that with the fun of a pop song, and wrap all of that up in eclectic found and electronic sounds to create something unique, danceable and deep at the same time.”

On May 3rd you released your new EP, Then Her Head Fell Off. What was the process like creating this project?

MADELIN: “The process of making this record was longer than I’d like to admit. Some of these songs have been in a holding pattern for years because they weren’t up to snuff according to my former management. I always loved them though, so i decided to release them now. Other songs on this project were written more recently. It’s a pretty accurate snapshot of the last five years of my life. The entire record was produced by my partner Matt Speno and my good friend Eric Gerhardt. (Their project “Betamax” is awesome you should check them out.) I love their gritty yet sleek approach to production. I think it gives my introspective songs an edge. I’m really grateful to have their hands in this album.”

The cover art for the EP is absolutely beautiful! Can you tell us how you decided to go with this aesthetic?

MADELIN: “The aesthetic for this era as a whole was inspired a lot by tarot cards. Particularly the traditional Rider Waite Deck. I love the duality all the cards embody, and the different archetypes they represent. We have so many identities as humans, and they all combine to form who we are. I wanted to interpret my favorite cards visually through my own lens. My album art is my version of the empress card. She has to do with abundance, fertility, and feminine strength.”

Of the songs on the EP, which one would you say came easiest to you when writing?

MADELIN: “I wrote Broken Star In my head while I was walking through the city. It really just came to me. I went home and wrote the base synth line and the rest is history.”

Which song was the hardest?

MADELIN: “Monarch was more of a process. I wrote it on piano but I knew I wanted it to have a danceable club vibe. I had to find the balance between those two aesthetics both sonically and lyrically. I wanted it to be cheeky but not cheesy; an unexpectedly fine line to tread. However I think I accomplished my goal.”

What inspires you when writing music?

MADELIN: “Being a human being, and the concept of consciousness in general. I like to zoom out to see the big picture but not forget the tiny details that make our lives meaningful.”

How would you describe your EP in three words?

MADELIN: “Growth/Death/Party.”

What do you hope people take from your music when listening?

MADELIN: “I just hope people enjoy it. Why enjoy it doesn’t really matter to me.”

 

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ROB MAYES: INTERVIEW


INTERVIEW BY CAMI LIBERTY

PHOTO BY SERGIO GARCIA

PHOTO BY SERGIO GARCIA

Find his name attached to films such as My Christmas Inn and The Client List along with his newest songs, Closer, “Wine & Whiskey,” Rob Mayes is paving new paths for himself and his creative career. “Closer” was recently dropped and his vast body of fans can expect his full and new EP song by song, every five weeks. Mayes is exceptionally stoked about his new EP which embodies lightheartedness, introspective emotions, and the raw expressions that will have his new songs wrapping around you like comforting arms. Not only has “Closer” earned national radio plays, but Mayes can even be seen in Kelsey Grammer’s new legal drama, Proven Innocent on FOX. Catch Mayes just about anywhere these days, displaying his passions for his audience song by song, show by show, film by film.

You recently released your new single “Closer” – can you tell us a little about the song?

“CLOSER just dropped and the response has been overwhelming! I woke up on Friday, April 5 in Vegas for the ACM radio remotes and the first notification on my phone that morning was from AWAL my distributor letting me know that CLOSER had been added to an official Spotify playlist - New Music Nashville! So much thanks to John Marks and Spotify for this add! They definitely took a chance on me on literally DAY 1, and I could not be more excited, stoked, and appreciative of their support! I wrote this song during my first trip to Nashville with my producer Kevin Leach and my writing partner Ryan Rossebo. Smith Curry plays pedal steel on the track and Jeff Braun and Ryan Rossebo did the mix and grammy-nominated Andrew Mendelson mastered. I've been so fortunate that this song, and the entire project to come - the forthcoming singles and EP - has/have been graced by some of the best guys out there.”

Where do you find most inspiration when writing music?

“From everywhere! I keep a list of potential song titles in my phone and every time something comes to me, I jot it down. Sometimes it turns into a full-blown song, other times it may just be a lyric idea. But staying open to whatever pops up is the biggest thing. And it's fun, since you never know where a bit of inspiration might come from!”

Now that “Closer” is released, you will be rolling out your full EP single by single. When did you decide to release the project like this?

“I made the decision a while back. I want to be able to consistently release music, and do hopefully do it along a timeline that's not overkill for my audience. I don't want to over-inundate and so I figured every 4-6 weeks might be a good template to base the subsequent releases on. “

What can we expect from the other songs on the EP?

“It's pretty varied! My next single is called ROAD WITH NO LINES and I'm really excited to share this one after CLOSER. It's totally different and much more classic throwback which is what we set out to write when I first sat down with J Michael Harter. It's a song about a road. Doesn't get much more country than that! I grew up listening to George Straight and Michael Peterson and Brooks & Dunn, so I love to even try to incorporate a bit of that classic sound in some of my music.”

PHOTO BY SERGIO GARCIA

PHOTO BY SERGIO GARCIA

Of all your songs that are currently released, which one would you say best represents you as an artist and why?

“Wow, you ask the tough questions! haha.. That's actually difficult to pin down, ya know! CLOSER is poppy and catchy and lighthearted and fun, and it makes me smile. ROAD WITH NO LINES is much more introspective and classic throwback which for me elicits a totally different feeling. Whereas I hope CLOSER wraps you up and envelops you, ROAD feels a bit more isolating and reflective, which I think is important too in music. And MY HEART IS BLEEDING which will follow, along with WINE & WHISKEY, are raw and dirtier. I dry from so many musical influences that it's tough to pin down my sound to one song, and that's what's so exciting about how I'm releasing the music that I've been making. It's varied, but it's all a part of me!”

Aside from the EP, is there anything else we can expect from you in the near future?

“Lots of singles to come over the next many months, and CLOSER has already started to get national radio play which is insanely cool. I've got a western that also stars Val Kilmer and Annalynne McCord and Jake Busey that comes out later this year. My movie MAYBE I'M FINE just won best family picture at the Golden State Film Festival. I just wrapped a thriller with Samaire Armstrong. And I have an episode of Kelsey Grammer's new legal drama PROVEN INNOCENT on FOX!”