TAYLER BUONO: INTERVIEW


by pankhuri bhutani

photo courtesy of tayler buono

photo courtesy of tayler buono

Hailing from Orlando, Tayler Buono is one of the most successful up and coming artists in the industry. She just released her latest track “Screen” along with a phenomenal music video. Due to the global pandemic that we are facing currently, Tayler decided to shoot the video all by herself on her iPhone.

The track, which is inspired by the heinous effect of social media towards our mental health, possesses some really catchy lyrics and addicting beats. Besides her own music, Tayler has been showcasing her immense talents by uploading many covers of other successful artists which have been further gaining a lot of popularity. She currently has garnered around 13 Million views on her YouTube channel and around 65,000 monthly listeners on her Spotify Channel.

To talk about her music journey, Tayler was kind enough to take out some of her time for a really fun interview with Unclear! 

Hi Tayler! Thank you for joining us on Unclear. For the people who have yet to be introduced to your music, kindly tell us something about yourself!

Tayler: “Hello! Thanks for having me! I’m Tayler Buono. I’m an artist and songwriter from Orlando, FL, based out of Los Angeles, CA.”

Was there anything you planned out to do before setting out in the music industry?

T: “I used to want to be an actress, vet, or a therapist before I fell in love with writing music. After I wrote my first song when I was 14 years old, I became obsessed and knew that it was what I wanted to do.”

You just released your new track “Screen.” Congratulations on that! What was the inspiration behind it?

T: “Thank you!! I wrote ‘Screen’ about the way social media can affect our mental health. Social media can either connect us or isolate us. I was inspired to write it after laying in bed for hours one day scrolling on Instagram feeling really insecure and lonely. I felt ashamed that I felt that way and didn’t want to talk about it, but then I realized that so many other people probably feel the same way and I should write a song about it.”

What was the creative process like and did you face any challenges during the making of the song?

T: “I brought the idea into a couple sessions before and some people turned it down and thought it would be weird to write about social media. Then I was in a session with Olivia Waithe and Louis Schoorl and they were completely down and excited to write it with me! I had just gone through a breakup and confessed to them that I had a finsta (fake insta) that I would use to check up on my ex sometimes… Of course, we put that in the first line of the song. It was a really fun song to write and it happened really natural and fast!”

You filmed the music video for the track completely by yourself with your iPhone. How was the experience filming it?

T: “I pulled many all-nighters shooting the video for ‘Screen.’ It was a lot of trial and error trying to figure out what would work. I ordered a tripod on Amazon that I put my phone on and would shoot all night. I shot in my bedroom, in my living room, and on a green screen that I also ordered online. I had so much fun making this video!”

If you could choose one word to describe your music, what would it be?

T: “Honest.”

Who do you look up to in terms of music?

T: “Coldplay, Kasey Musgraves, Rihanna, Post Malone, LANY, Adele… to name a few.”

What can the fans expect from your upcoming projects?

T: “If you’re going through a breakup then I will have the song for you… or 12 songs for you. :) My music tells a story of healing. It’s honest. Writing these songs was how I healed after a four year relationship ended. My hope is that it will help other people too… help heal, grieve, fully feel, and learn to love themselves.”

Is there any message that you would like to convey to your fans?

T: “Vulnerability. Hope. Boldness. Empowerment. Authenticity. Healing. Self-Love.” 

 

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'LONG RUN' / DEACON (ft. NINA NESBITT): SINGLE REVIEW


by mariah estran

Up-and-coming electronic artist Deacon has made a jaw-dropping debut with the release of “Long Run” (feat. Nina Nesbitt).

Following the creative footsteps of his parents Reese Witherspoon and Ryan Phillippe, the 16-year-old has been shaping his vision since he was in 7th grade. Now, he is ready to dive into the industry with a single that demonstrates his knack for creating an addictive dance tune.

The track perfectly fits within a summer playlist, a lively couple of minutes that makes you want to turn up the volume and bounce in the warm sun rays. Soft guitar chords crescendo into an energizing beat that elevates Nesbitt’s charming vocals, as it provides a softness that showcases just how dynamic the song is.

Deacon and Nesbitt’s collaboration attest to the fact that the young artist understands what elements complement each other within production. The two managed to create a song you will most likely hear everywhere over the next weeks and months.

If Deacon’s debut single is of this caliber, imagine what exciting releases are coming from him next.

 

HEDARA: INTERVIEW


by pankhuri bhutani

photo courtesy of hedara

photo courtesy of hedara

With around 3,000 active monthly listeners on her Spotify channel, this alt-pop artist recently dropped her latest new track, “Sad Girl Syndrome.” Having some phenomenal tracks like “You,” “Numb,” “Frozen,” “Suddenly Strangers,” and “Skin Deep,” Hedara made her debut as a music artist through her track, “Slow.” 

Having been in the industry for just 14 months, Hedara has already released many successful songs and is gaining fans from all around the world every day. To talk about her music journey, Hedara took out some of her time for a really fun interview with Unclear! 

Hi Hedara. Thank you for joining us at Unclear! For the people who are yet to be introduced to your music, kindly tell us something about yourself!

Hedara: “I’m Hedara, an alt-pop singer-songwriter with a mass of curly hair who writes candid songs about the highs, the lows, and everything in-between.”

Was there anything you planned out to do before setting out in the music industry?

H: “I had planned to be an actor when I was younger because I loved becoming someone else and placing truthful emotions into different characters and scenarios. Failing that I always wanted to do something within criminology. When I started out in the music industry, I had plans and goals that I wanted to achieve, and one of the main one was hearing my music played on national radio, and amazingly that’s happened.”

You recently released your new track “Sad Girl Syndrome.” Congratulations on that! What was the inspiration behind the track?

H: “Thank you! I was actually the inspiration behind ‘Sad Girl Syndrome.’ This came about as a sort of love letter to myself — I was having a moment of anxiety and uncertainty and I realized that I didn’t have to put as much pressure on myself. We all make mistakes, we can all doubt ourselves and our achievements — but as long as we learn and grow, we’re smashing it, and that’s a strong reason to always love yourself and embrace your flaws.”

What was the creative process like and did you face any challenges during the making of the song?

H: “The creative process was really chill. I wrote it with a guy called Oscar Bell, it was actually our first time meeting each other, but it felt like he was someone I’d know forever, so it all poured out. Writing for me is very therapeutic, and the song just came to us really. I really wanted to get the production right on this track so that took a little time to figure out.”

Out of all the tracks you have created, which one is your favorite at the moment?

H: “Ah! That’s a super hard question. I love all of the work I’ve put out for all different reasons. I think, though, it’s either Sad Girl Syndrome, or a track that’s coming out later this year called ‘Til Times Up’ because they are both songs that put a spin on a negative scenario, and we all need some positivity right now, and to see the glass half full and not half empty.”

If you could choose one word to describe your music, what would it be?

H: “Genuine — because I’m a very honest and open writer, and I don’t hold back, and that’s what people connect with and appreciate. I also try and be the best version of myself, because everyone else is taken.”

Who are your musical influences?

H: “That’s tricky as well! I’d say current artists would be — Jessie Ware, she really inspires my writing and production. I love the sound she creates, and vocally I find her very special. Halsey is just a bad ass woman, breaking down barriers, again writing from such an honest place, and she’s not afraid to stand out or start a conversation with her music. I also love Dermot Kennedy because he’s very gifted, almost poetic writer, and, especially for my more acoustic material, I find his production and melodic ideas really inspiring. I think they all create and tell really interesting stories through their music.”

If you could have the chance to collaborate with any one artist/band of your liking, who might they be and why?

H: “I’d actually love to collaborate with The 1975. They are constantly evolving but always stay true to their roots. I’d love to just sit, write and absorb as much of Matt Healy’s greatness as I could.”

Lastly, is there any message that you would like to convey to your fans?

H: “I would like the message of hope to come across to my fans. I’m not afraid to be brutally honest and share the backstory of my music, and I always try to have some sort of light at the end of the tunnel within my lyrics. The industry I’m in and the world we live in can sometimes be brutal and knock you down, but we should always hold on to hope.”

 

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MUNN: INTERVIEW


by pankhuri bhutani

photo courtesy of munn

photo courtesy of munn

With more than 115,000 active monthly listeners on his Spotify channel, this artist hails from Indiana. Picking up his first guitar at just the age of fifteen, MUNN is currently set to re-release his iconic track “I Lost Myself” along with a phenomenal music video, this time with affiliations to Atlantic Records. 

The track, which was inspired by the past mistakes that one makes in life, gives out a very subtle and impacting message that these mistakes do not define us in our future. MUNN is definitely one of the most talented upcoming artists in the industry who in no time will have his music successfully reside in everyone’s hearts. 

MUNN reveals insights about his music journey and tells us what the process was like behind “I Lost Myself” in a really fun interview!

Hello MUNN! Thank you for joining us on Unclear. For the people who have yet to be introduced to your music, kindly tell us something about yourself!

MUNN: “Hey guys! Thank you for the opportunity to talk a little about myself and my music! I’m a 21-year-old singer/songwriter based out of Nashville, and have lived there for a year now! I make all my music out of my bedroom alongside my manager and producer Dylan Stiles!”

Was there anything you planned out to do before setting out in the music industry?

M: “Music was never the plan for me growing up. I have always had a strong business mindset and subsequently started a company that I ran for three years and just recently sold. I went to business school for a year and a half before dropping out for music. I always thought I’d spend my life growing companies, but as soon as I found myself making music, I knew it was what I was made to do.”

 

You are about to re-release your track “I Lost Myself,” this time in affiliations with Atlantic Records. Congratulations on that! What was the inspiration behind the track?

M: “Yes, thanks so much! There was quite a bit of inspiration for the song I Lost Myself. I wanted to write something that was both true to myself and my situation, and more importantly, something others could relate to. We’ve all made mistakes, and too often we feel like those mistakes are holding us back. Through this song I hoped to paint the picture of what it is like to be in the middle of this struggle. The struggle of our past mistakes or ‘demons’ still haunting us and ever getting closer to dragging us down, while simultaneously trying to show the people in our lives that we’ve changed  and that our pasts don’t define who we are today.”

 

What was the creative process like and did you face any challenges during the making of the song?

M: “The creative process of this song was pretty interesting! I wrote and recorded the song a few nights before my move to Nashville. The song was actually built and written around the guitar that can be heard throughout the track. I played the guitar on loop and wrote the song in no more than an hour. At the time I was recording out of my bedroom and had minimal equipment for doing so; no sound proofing, fancy microphones or interfaces. It was one of those songs that came together so fast. From writing to recording, it all just felt right. Once in Nashville, my manager/producer, Dylan Stiles, took what I had recorded and added minimal but invaluable production to it. What he added really completed the track. The biggest challenge was easily getting the production around the bridge to flow correctly.”

 

You are about to release a music video as well for the track. How was the experience like filming it?

M: “While filming the music video was super stressful and time consuming, it was one of the most fun experiences I’ve ever had. I can’t speak highly enough of the videographer/director/editor Jake Heidecker and his company Jelly House. He took my vision for the video and truly brought it to life. We spent a couple weeks in planning this video, and even then, still ran into challenges on the filming days. Jake and the rest of the team took on these challenges in stride and were still able to put together this music video even better than we had initially imagined.”

 

If you could choose one word to describe your music, what would it be?

M: “Genuine.”

 

Who are your musical influences?

M: “I have quite a few musical influences. I love writers and artists like JP Saxe, Ed Sheeran, Dermot Kennedy, and Julia Micheals. But to me, Jon Bellion is probably my biggest influence. While my music itself doesn’t reflect a lot from Jon Bellion’s style, it’s his artistry and persona I admire.  His songs are often bluntly honest about his life, but he writes in such a unique fashion that everything about the lyricism feels profound. His entire craft as an artist is really quite beautiful. From his writing, to production style, to vocal abilities, Jon Bellion creates true art.”

 

If you could have the chance to collaborate with any one artist/band of your liking, who might they be and why?

M: “As I'm sure you can guess by my high praise of Jon Bellion, collabing with him would be more than a dream come true. Seeing how he works in the studio and his creative process as a whole is really incredible and something I’d love to be a part of.”

 

Lastly, is there any message that you would like to convey to your fans?

M: “There’s so much I would love to say to my fans if only I had the time to say it all. I’m just so thankful for those who have gone out of their way to support me and my music. The music is truly for them, and all the fans down the road. Lastly, as cheesy as it sounds, I want each one of them to know they have a purpose and I care about what they’re going through, whatever that may be.”

 

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NRVS LVRS: INTERVIEW


by pankhuri bhutani

photo courtesy of nrvs lvrs

photo courtesy of nrvs lvrs

Going by the name NRVS LVRS (pronounced Nervous Lovers), Andrew Gomez and Bevin Fernandez are one of the upcoming duos in the industry. With more than 7,500 monthly listeners on their Spotify channel, NRVS LVRS recently released their highly awaited new EP Cult Lite along with their new single, “Little Cults.”

During this heavy time of crisis, this husband-wife duo is using their platform not only to showcase their talents but also to help those effected in this global pandemic. They have decided to donate 50% of all of their Bandcamp digital sales to No Kid Hungry for the duration of the current COVID-19 crisis.

To talk about their music journey and their recent track, “Little Cults,” Andrew and Bevin took out some of their time for an interview with Unclear!

Hello! Thank you for joining us at Unclear Magazine! Kindly tell us something about yourselves.

Andrew: “We’re a married couple living, working, and making music in San Francisco. Our interests include cooking, modular synthesis, photography, and whatever else helps us avoid the feeling that an inevitable and inescapable creeping doom is right behind us.”

When was the moment you decided to start your journey as a music duo? How did the name NRVS LVRS come into existence?

Bevin: “I don’t remember a singular moment, but sometime in 2014 after dating for seven years, we realized we should be making music together, so we started this group as sort of an art project to see what we could create together. We’ve always been a band interested in videos and visuals, and the name NRVS LVRS, which was in a list of band names Andrew found in one of his notebooks, had an appealing visual strength and symmetry to us.”

What were the challenges that you both faced during this journey and how did you cope up with them?

Andrew: “Just the act of making art today is a challenge. Most of us who do it have to work day jobs, so when things get hard, it’s easy to become overwhelmed. With live shows being shut down for the foreseeable future, it’s even harder for musical acts now. It feels silly complaining about any live show at this point in time, but we did a tour in Europe back in 2017, and we had a rough show in front of a packed house somewhere in Germany. Basically, the sound engineer got drunk and mistakenly muted half of our outputs, so the sound was terrible. Afterwards, we packed up, went back to the hotel, and were just really down on ourselves. You can work incredibly hard and prepare but still have it all come undone by one person. It’s a scary feeling when you have 10 other shows ahead of you. But we talked it out, realized that you can’t trip over what you can’t control, got over it, and had some great shows on that tour. The great thing about having a supportive partner is you realize nothing is really that big of a deal, and you can get through anything as long as you stick together.”

Out of all the tracks you both have created, which one is your favorite?

Andrew: “This changes every day, but today it’s ‘Yr Pretty House.’ I feel like Bevin really nailed the lyrics and captured an anger we both had been feeling for a while.”

If you could choose one word to describe your music, what might it be?

Andrew: “Good  —  ‘cause music ultimately can be broken down into two genres, good and bad. And we’re just trying to make good music.”

What are the things that you put into your mind before creating your music?

Bevin: “If we’re working on music, then we’re usually reading a lot, too. reading is probably the single most important thing we do to jumpstart our creativity. Crafting a good book has a lot of similarities with crafting a good song, as both are essentially the art of getting an audience emotionally involved in your storytelling. But books are a bottomless well of inspiration for us. After that, it’s best to not have anything in our minds, no expectations or concrete plans. Create first, and then edit later. It seems like our best stuff comes out when we’re barely paying attention.”

You have recently released your new EP, Cult Lite. Congratulations on that! What was the creative process like with the EP?

Andrew: “We had a lot of unfinished song ideas before we went to work with Eric Palmquist down in LA. Usually, we have a lot of finished songs before going to record, but this was exciting as Eric pushed us away from the more finished ideas and asked us to work on ideas that were often nothing more than a bassline and a vague vocal melody. We wrote 90% of the EP over the period of a week. It taught us that we can create good ideas out of thin air, and ultimately, we learned to trust ourselves and our instincts more.”

Did you face any challenges during the process of making the EP?

Andrew: “Oddly enough, this might be the easiest record for us to write. As I said above, we were writing quickly, and it immediately became apparent from the sounds and the lyrics that we were writing a cynical pop record, or our version of one.”

Lastly, is there any message that you would like to give to your fans from around the world?

Bevin: “Wear a mask and be excellent to each other.”

 

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