RYAN NEALON: INTERVIEW


by abby samuelson

photo courtesy of ryan nealon

photo courtesy of ryan nealon

Ryan Nealon has changed the music industry with his musical talent and unfailing perseverance against one cause: drunk driving. After his mother was tragically hit in years past, Ryan took the initiative to use his talents to raise awareness about the cause and effect of what drunk driving can do. Along with that, Ryan has been taking it step by step to work on a new project to help those with mental illnesses and continue to inspire those in his community. Check out our interview here!

What made you get into songwriting?

Ryan: “Songwriting has always been a passion of mine. Ever since I was young, I found that writing was a really neat way to express myself through musical storytelling. I had always dabbled in songwriting when I was younger — I used to have journals full of musical gibberish, and would put on countless concerts for my parents and stuffed animals (they loved every song). I also was surrounded by so much great music growing up — my mom always played artists like Carole King, Toto, Stevie Wonder, and Earth Wind & Fire on our way to school in the mornings, and those artists and groups still to this day inspire me like crazy. Later in life when I moved to Los Angeles in 2013, I really discovered that I had a deeper love and connection with it. Recently, I’ve made it a goal to write every song from my heart and to tell my stories that are very honest and raw like ‘Not Coming Home.’ I think when you write something from personal experience, naturally you’re going to get a better product.”

 

What kind of music did you listen to growing up?

R: “Growing up, I was a huge fan of jazz, R&B, funk, and soul. I also loved classic rock and a lot of singer/songwriter stuff. My favorite artist of all time would have to be Stevie Wonder.”

 

How have you seen your story about your mom make a change in yours or others' lives?

R: “I would not be the person I am today if my mom wasn’t in that accident 21 years ago. Although I miss her everyday and always will, my aunt would’ve never become my mom, I would’ve never gained my uncle as my dad, and I probably wouldn’t of been able to do half of the things that I’ve gotten to do in my life. My mother’s death was horrible and deeply hurt my family and I, but it truly has taught us to live life to the fullest and to be grateful for what we have everyday. When I first shared my story to my listeners, I never would’ve imagined how many people would come forward sharing their personal stories and connecting so deeply with mine. The point of me releasing a song like this, was not for fame and fortune, but to connect with the people that truly needed this to know that they weren’t alone.”

 

What were some setbacks when it came to writing this song?

R: “‘Not Coming Home’ was the hardest song I’ve ever written. It took me 21 years to gather up enough strength to sit and talk about the death of my mother because of how much it still stings. There were lots of moments when I was writing the song with my friends Bret Paddock and Jeoff Harris where I almost broke down because of how honest and raw this song was. When we finished it, we knew we had written something really special.”

 

Are you working on anything else to inspire change in your community?

R: “At the moment, I’m working on a record that touches a lot on mental health awareness and other topics that aren’t often talked about in pop music. I’m excited to do my part and partner with more organizations like MADD in the future to share my music to audiences that would truly benefit from it.”

 

What advice do you have to others who are looking up to your story today?

R: “It’s never too late to follow your dreams and to get back up. I’ve been knocked down so many times that I can’t even count, but sharing this story was truly something that helped me really blossom as a person and as an artist. I would recommend to any young or even older musicians to write music from your heart and to trust that the people that need to hear it, will hear it.”

 

What are you looking forward to in the future in light of the pandemic and your new music?

R: “I’m excited to hopefully hit the road with all of this new music! Before the pandemic, I was planning a tour for myself which was going to be beyond epic, but sadly miss rona had other plans [laughs]. I’m also just excited to see people again and to be able to hug everybody — I’m a big softy, don’t judge me!”

 

What would be another skill you would want to develop and work at, if you didn't have songwriting? Sports, cooking, art, etc?

R: “Like most people, I have picked up a knack for cooking. During the pandemic I lived with a chef and I’ve really made some amazing things. Overcooked churros that were also raw inside, gluten free beignets that tasted like giant yeast balls, lots of burnt fries and roasted potatoes, and I can never forget making cookies with salt instead of sugar. I’m currently waiting on my Michelin star.”

 

What's your dream when it comes to working together with organizations such as Mother's Against Drunk Driving? Could you see that becoming any bigger?

R: “I love Mothers Against Drunk Driving so much, and they have been the absolute best people to work with for this song. Kristin Davis, who wrote my official story which is currently published on the MADD homepage, really took the time to get to know me and even introduced me to the MADD National President who is a total sweetheart. I am very hopeful that my work with MADD won’t stop here, and I want to be involved in anyway that I can be — they are so special to me. I would also love to partner with other organizations for issues like mental health because I suffer from anxiety and depression, and it’s always been a dream and goal of mine to use my music to help people.”

 

How can we as a community stand up against drunk driving as well, and other ways we can contribute?

R: “I would 100% recommend donating to groups like MADD who are actively fighting against drunk drivers and making sure that victims get the justice that they deserve. The person who killed my mother got only five weeks in jail which should’ve never happened. We got no justice, and MADD is constantly fighting against that. Also, if you’re at a social gathering and you know you’ve had a few drinks, call an Uber — DON’T DRIVE.”

 

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DEZI: INTERVIEW


by mariah estran

photo courtesy of dezi

photo courtesy of dezi

Dezi’s friendly tone effortlessly escapes the cellphone speaker. Her copacetic nature filling the room with every thought divulged in the fourteen-minute phone call. “I honestly never considered doing anything else,” says the singer-songwriter, with no hesitation, when asked about her choice to pursue music. “It was just so apparent to me that this was what I was supposed to be doing.” That sure-fire attitude has come from several years of performing, and most recently, the release of the new EP, How to Leave a Lover.

“I actually started as a folk artist when I was younger,” she says. At eleven, she began singing live, then moved on to art schools, such as NYU, to hone that songwriting ability. But a lot has changed; she dropped those ultra-balladry beginnings. Now, her gentle vocals build into a rich chorus, amplified by electrifying beats and silky R&B chords. “I delved more into the pop realm of things,” says the singer. “With this being my first full project (How to Leave a Lover), a huge thing for me is stacking vocals – it’s my happy place. We built the rest of the production, kind of around that, with the influences of Fletcher and Lennon Stella.”

That state of content she mentions rings through the four tracks the EP holds. It feels accurately thought-out regarding production and inner-reflective lyricism. The project began after a breakup. A moment that had her striving towards a better state of mind as her music took a similar journey. Collaborating with producer Florio, she entered an environment where her emotions could live unrestricted.  “Working with him was very therapeutic. We naturally started writing songs about that (breakup),” she says. “It was me and him fully diving in. It was amazing because I feel like I couldn’t have gotten this sound that I did without him.”

As Dezi walks through her time making the record, she laughs, poking fun at how she once substituted therapy with songwriting. That is a general statement many creatives have once uttered. However, for Dezi, she could not ignore the whirlwind of feelings heartbreak can conjure. Once the development for each track began, the singer analyzed whether she could accept her reality. “The EP is very much, ‘I’m over you, I’m moving on,’” she says. “When I wrote it, I was not in that headspace at all. I was still very much in love; I was trapped in that cycle. I look at it as I was manifesting where I wanted to be. I want to write a song, wake up, and not miss him for the first time.”

When you listen to the record yourself, you’ll get to a track that exposes those raw memories. “Clueless” transitions from gloomy rain sounds to an old voicemail that the singer had saved from her ex. “That was the song – I don’t really cry much, but that was the song, we put the voicemail on it, and it brought tears to my eyes,” she describes. The close-to-four-minute ballad builds to a moment of fruition as violins depict the light at the end of the tunnel. “When recording the vocals, something about it hit. It was very cathartic,” Dezi explains. “It was very much like, ‘okay, you don’t have a clue, you’re clueless, and that’s okay because I am letting go, and it’s going to be gone.’” Adding that while looking back at the EP, she’s finding that “Clueless” is her most honest song. Except, sincerity is thread through the record. Expressing those ups and downs led her to rediscover her confidence. The strength to do what she knows she does best – music.

“The biggest thing for me, honestly, was finding confidence in my music and my voice as an artist," Dezi says. Then further elaborating that she went on quite a long hiatus before this release. There was a focus on songwriting for other artists, but by 2020, she knew it was time to get back into her own. “The growth that I have gone through is very apparent to me,” the artist affirms. In the past, her music was searching for approval, hoping to be something people would love. Fortuitously, things have changed, and you can feel it in the music. “I’m very proud to get to a place where I was making music that represented what I wanted to say. I think the biggest thing is the confidence and making the music for me, rather than searching for validation.”

The newfound self-assurance is here to stay. A nickname for How to Leave a Lover is, appropriately, called “The Sad Bitch EP,” and she’s moving towards the outcome she manifested in the initial stages. “I call the next release of singles my ‘Bad Bitch’ EP,” she shares, with excitement reverberating from her words. “For me, it’s the shift, ‘oh, I was so sad’ to ‘oh, I feel chaotic.’ I just wanna kiss people, I’m feeling myself, it’s summer, I am through this breakup, and I feel good about myself.” And of course, there’s an upcoming song titled “Bad Bitch.”

In April, she hinted at the release of a music video by posting to Instagram. Dezi, in an all-white bodysuit, completed with dramatically fringed gloves, the image caption read: “might mess around and drop a music video soon.” The badass era is here, and it starts with her new video for “Sinner.” It’s a track that has been in her arsenal for a couple of years, and it has quickly become one of her favorites. In August 2020, after a few months of self-isolation, she filmed with a group of artists after proper precautions. “I kind of see it as a point that I felt creativity coming back. Being in a creative space with other people was so amazing. I think that’s why the music video ended being great. I’m super excited about it. It’s just me being my Bi-self.”

There is no doubt she is in her element. The singer has picked herself up, transforming into an artist she thoroughly enjoys. Heartbreak happens, but so does finding yourself once again. The portrayal of that story made her work relatable to those on the outside. “The ‘Sad Bitch’ EP, I feel very lucky, I’ve had people reach out to me that I didn’t know saying: ‘this is helping me through a breakup,'" she mentions while finding her final words for the interview. “If my experience can help anybody, through anything, whether that be a breakup or listening to ‘Bad Bitch,’ and being like, ‘yeah, I feel myself.' If it can speak to anybody, in any way, or if someone wants to dance to it, that’s enough for me.”

 

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FOREST BLAKK: INTERVIEW


intro by madden levin

interview by cami liberty

photo by jimmy fontaine

photo by jimmy fontaine

Forest Blakk is making a bold statement with the release of “If You Love Her” featuring Meghan Trainor. This beautiful song is an amazing remix to his originally incredible tune. Forest Blakk is truly an impressive artist with countless recognitions from companies like Billboard and PEOPLE Magazine for being an emerging artist with extreme potential. We were ecstatic to chat with him a bit about his daily writing habits and the ideal take away from his music. If you like what you read, make sure to check out Forest Blakk’s social media to stay up to date on any new content coming your way.

Your single “If You Love Her” has been gaining a lot of traction, including being certified gold in Canada. Congratulations! How does it feel to know that so many people are listening to the song?

Forest Blakk: “I feel overwhelmed in the best way. My heart and soul went into writing this song and to have it received so well, I think everyone out there dreams of a moment like this. Am I dreaming? Is this really happening?”

 

Can you tell us a bit about the process of creating the song and how the lyrics came to be?

FB: ‘If You Love Her’ just poured out of me. I had gone through a pretty rough breakup and had a lot on my mind and heart. I was hanging with my friend Steve Solomon and within minutes of us picking up our guitars, the song was all there. The lyrics are honest. Sometimes the easiest way to say ‘I love you,’ is by just saying it.”

 

You also recently released a duet version of the song with Meghan Trainor. How was it working on this with her?

FB: “I mean c’mon, it’s Meghan Trainor!!! It was so surreal. Who would have thought that this kid from Canada would have a duet with none other than Meghan Trainor!!!"

For real though, she is such a gem. She really cared about the song and that’s what matters most to me. Her voice is incredible and I loved the personal touch she put on the second verse!”

 

How has the pandemic affected your music?

FB: “It’s been a learning experience, that’s for sure. I’ve realized just how much I love being close to strangers and their stories. I’m the weirdo sitting at a cafe swooning over people and their moments. Those moments really fuel the heart… and pen.”

 

What do you want listeners to take away from your music?

FB: “All I ever hope for is for people to feel whatever it is they need to feel. Sometimes my songs are the background to a first kiss, first love, first breakup, etc… I like to think of my music as the soundtrack to people's memories and experiences. In the end, we’re all here together just trying to make sense of whatever this all is.”

 

Is there anything else we can expect from you in the near future?

FB: “I’m writing on the daily. I’ve always got something to say about whatever emotion is swirling around inside of me. As long as you’re out there listening you can trust that I’ll keep creating.”

 

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'WHO'S YOUR MONEY ON? (PLASTIC HOUSE)' / INHALER: REVIEW


by emma schoors

IMG_1463D6453BAE-1.jpeg

Inhaler’s “Who’s Your Money On? (Plastic House)” is the band’s most unforgettable endeavor yet. 

The first glimpse of the new single came in the form of an October 2020 Instagram post. “Energy levels are high in @narcissus.studio this evening,” the band wrote. The accompanying video featured bassist Robert Keating playing an upbeat groove atop a short snippet of the track. 

It was unclear exactly how or when the song would appear next, but that piercing bass line lingered in many followers’ minds. “This song is stuck in my head,” one commenter mentioned, with many similar, positive sentiments decorating the post. While the track brewed in listener’s minds and ears, the band pumped out two more incredible singles: “When It Breaks” and “Cheer Up Baby.” Now that summer is finally approaching, the mood surrounding their latest single is all the more fitting.

Produced by Antony Genn, the song is atmospherically bright, and shows just how far the band has progressed musically in such a relatively short amount of time. Keating’s aforementioned bass line mixes beautifully with drummer Ryan McMahon’s insistent groove and guitarist Josh Jenkinson’s summery lead parts. Lead singer and rhythm guitarist Elijah Hewson’s vocals are unfailingly confident, but it’s the lyrics that hit especially hard.

“We've got everything to lose,

And everything to play for.”

Inhaler is on the brink of something inarguably huge, and “Who’s Your Money On? (Plastic House)” is a flawless segue way to this new chapter in their career.

 

ARK WOODS: INTERVIEW


intro by madden levin

interview by cami liberty

photo courtesy of ark woods

photo courtesy of ark woods

There is no doubt that this next artist is approaching the music industry in his own unique way, determined to make a name for himself. Ark Woods creates absolutely infectious tunes that come from a very special place: his experiences. Tackling real life issues in his music is something that Ark Woods is extremely proud of and made us more than excited to speak with him about some of his processes. With his new track “Slide On You” out now, he talks with us a bit about what it was like putting it together with some amazing individuals. After you read through our exclusive conversation with him, make sure to check out his social media to stay up to date on all things Ark Woods!

When did you first realize that you wanted to be a musician?

Ark Woods: “When I released my first album, Hell and HI Water, I expected it to break the internet and take the world by storm. I have no idea why, because looking back on it, it was the most lackluster thing I’ve ever made. But still, upon release day, I made sure my phone was on me all day, answering every scam call and foreign number because I was positive one of them was going to be Jay-Z desperately wanting to sign me before everyone else. Laughable, I know. I had no idea what I was thinking, but it was after the reality set in that it doesn’t really happen like that, I decided, formally, that I wanted to try again. And again, and again until I got where I wanted to be. Until I was somewhere musically and mentally that I could be proud of. So I guess the long answer would be March 2017.”

For those who have not heard your music yet, how would you describe it?

AW: “For those who haven’t heard my music yet, I would describe it as the worst possible thing I’ve ever heard. Ten thousand children all scratching a chalkboard at the same time while simultaneously asking painfully obvious questions. That way, when they finally do listen (purely out of curiosity) they’ll be pleasantly surprised, and not only like the music, but also fall madly in love with my humility.”

You just released your new single “Slide On You.” Can you tell us a bit about this track and how it came to be?

AW: “All the credit for how good this song sounds has to go to RUSL, the producer. He kills but also blesses everything he touches, he’s like the grim reaper version of Midas in a way. It’s fun, it’s energetic. If it were personified, it would be the kind of person who always has a smile on his face, and because of that, is very good with the ladies.”

How has the pandemic affected you and your creativity process?

AW: “I’m sure, like most other artists out there, suddenly found themselves with an exponentially larger amount of time to focus on their craft, and I can’t complain personally. I know that it’s such a bittersweet feeling because so many people lost their lives and homes and jobs and livelihoods, so any changes to my life in the larger scheme seem so minuscule. I guess I can just say that I’m grateful for how life has been turning out for me, and as soon as possible I want to focus on those who weren’t so fortunate, however I can help.”

What do you hope listeners will take away from your music?

AW: “I hope I can make at least one person smile a day. I think that’s a pretty modest goal. That’s one main focus when I write songs actually. I put myself in the shoes of someone who just needs a little cheering up, and I try to feel, write, say, sing exactly what I’d want to hear to feel better. Sometimes it’s a witty distraction, and others it’s a heartfelt nod of ‘I understand, you’re not alone, it gets better.’ I hope you take away just enough love or happiness to pass it on to someone around you.”

Is there anything else we can expect from you in the near future?

AW: “More music, definitely. More annoyingly long interview answers too. And lastly, a smile, always a smile.”

 

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