'ALT THERAPY' / EMANUEL: REVIEW


by tiffany arunarsirakul

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Releasing his Alt Therapy album just four days before summer officially begins, first-generation Canadian R&B artist Emanuel strives to disassociate the negative connotation of what therapy is, with his form and expression of the term. Emanuel says people already generalize and define tranquility, peace, and love, but what we need to do is to redefine those terms and go back to the basics. Emanuel describes this pivotal moment in the music industry as a “renaissance of beautiful black art in the world.” Alt Therapy is Emanuel’s artistic declaration on the healings of our past that would have us trapped in bondage, depression, and sadness. He wants to bring gratification to the yearning of our hearts, rather than the voices which tell us we are not important.  

Alt Therapy is built upon a cumulation of previous works: debut EP Alt Therapy Session 1: Disillusion and Alt Therapy Session 2: Transformation. The EP was a Juno Award nominee for Traditional R&B/Soul Recording of the Year at the Juno Awards of 2021.  

Emanuel’s music is comparable to Frank Ocean, Khalid, and Daniel Caesar. This artist was named Apple Music’s New Artist of the Week, one of Amazon Music’s Artists to Watch, a SoundCloud Featured Artist, a Spotify “On The Radar” Artist, as well as landing Spotify’s premiere billboard in Toronto’s Yonge-Dunas Square. Emanuel uses the themes of freedom, hope, and love throughout his music, which is his method of storytelling. 

The album opens with debut single “Need You,” an unofficial early quarantine anthem during the COVID-19 pandemic. Often, Emanuel resonates the lyric “I feel like I need you to be here,” addressing the loneliness felt. Golden Globe-winning actor, musician, and producer Idris Elba OBE started the social media campaign #NeedYou2020, “encouraging people to send in imagery documenting how they were coping with self-isolation to create an ‘inspirational collage.’” This project was built upon humanity’s need for connection, and showed a “sense of union in a distanced world.”  

“Thought It’d Be Easy” comes next and follows the messages portrayed in “Need You.” Whether about trying to move on from a short-term or long-term relationship, unfortunately, it can be difficult to forget about someone who made a large impact in your life. We can try to improve ourselves while apart from that person, but often we end up reminiscing on the past and what could have been, as seen with the lyric “I thought it’d be easy to fuck someone else, but I’m fucking this girl and I’m thinking about you”.  

You are then introduced to “Addiction,” and just like any feeling of being high from an addiction, the crash can be bad, but also make you long for the high even more. “I Need a Doctor” is Emanuel’s song for many to seek help, and wanting to mend their mistakes. He sings, “we start fires without words, this time it’s the worst. We should all be concerned.” With Emanuel’s music being a discourse for societal norms, he is expressing the thought which even actions when silent can be deadly and ricochet into something out-of-hand, such as hate, racism, even ulterior motives. 

Then we get into “Detention,” reflecting on losing track of time and the hope to get further in life and even finding love. Featuring Dylan Sinclair, “Hindsight” felt like the epitome of 2020 — needing money, whether losing your job due to the pandemic, the insane rent increases we experienced, or even a new rise to entrepreneurship and making a small business for yourself. “Magazine” addresses how the desire to be recognized by strangers rather than your significant other can be draining and toxic to a relationship. “PTH” can be a follow-up to “Need You,” where you finally get that alone time with that someone. A total bedroom song appreciating female sexuality through Emanuel’s male perspective.  

“Black Woman” is a very visual and emotional song, talking about the love a woman gives, even with the challenges that are in the way. We start with the cocoa butter kisses of mothers. “Black woman, sometimes, sad woman, but all of the time – she's a queen from another place.” Emanuel gives his appreciation and praise to Black women for they are the bearers and foundations of who we are. Appreciated but underserved, Emanuel asks, “What did I do to deserve you? Why do I always desert you?” What Emanuel is trying to communicate here, is that the love and strength women possess is undeniable. This is a song in honor of women.  

“Pillows” surrounds itself with self-discovery and self-empowerment. It is about falling in love and possibly moving on from “Thought It’d Be Easy.” It is about finding peace and understanding with oneself. “Worldwide” is Emanuel’s form of expressing music and wanting to take his message throughout the world. Emanuel once stated, “sometimes when you’re singing, it’s like you’re thinking out loud,” correlating with his virtue that his music is meant for healing, not just for fun.  

And then we close with “I Been,” a five-minute declaration of the growth, dreams, and hopes Emanuel has for the future. You would do anything for the one you love. The lyric “I cried a little, we fight a little, and that’s all right” encompasses the idea of being in a healthy relationship. Having the ability to express your emotions without judgment, not always agreeing with one another. Not every moment will be sunshine and rainbows in a relationship, but it is the everlasting love for one another that outshines the bad times. You would want to fight to protect the ones that you love, as well as do things you did not expect yourself to do. As well as the thought of “I wasn’t there when they broke your heart, and that breaks my heart.” It can hurt to know that someone you love was hurt before they entered your heart. Is it a coincidence with the lyric “your love opens up like a summer morning”? The album is released just a few days before summer officially begins!  

Overall, this album exceeded expectations. The messages I received while listening to each song are quite powerful, and the album in general is a great outlet for seeking to change the past to change our future. Rather than making us feel constrained by our negative pasts, we should instead use that to our advantage and change our outlooks. Alt Therapy started with tracks about feeling lost and feeling like you need someone and ended with the confidence of self-love, self-appreciation, as well as self-discovery. 

Disclaimer: This is just my interpretation of the album. Some parts may be completely different from what Emanuel intended.   
 

PRICIE: INTERVIEW


by mariah estran

photo by fern

photo by fern

Earlier this year, Australian-Nigerian rapper PRICIE presented the world with a dazzling debut single, “too dang good.” And after accumulating praise from Billboard and NME, the artist has dropped another gem with Genesis Owusu, called “FRIENDZONE.”

Already labeled as a “one to watch,” she is here to stay on your radar. The three-minute tune puts her soulful tone and slick verses on a pedestal, while the polished hip-hop beat feels lush and vibe-approved.

A friendzone type of situation is one many would loath, and PRICIE gets that. She witnessed a friend play their games with someone, those crossed signals inspiring the single's creation. A focus on self-love and empowerment has revealed itself in her discography thus far. She’s not scared to lay it on the table. “I’m a woman who isn’t interested in hiding my faults and errors,” PRICIE says.

At this point, it’s fair to say her musical presence will have you rediscovering your strength. You might just dance a little while searching for it.

PRICIE has recently released a glam-filled video for “FRIENDZONE.” We got a moment to talk to her about the visual, working with Genesis Owusu, her sound, and incorporating positive messages into her work.

You have recently released your song “FRIENDZONE” (feat. Genesis Owusu)! I read you became inspired after watching a friend of yours put someone in the friendzone. What was it about that moment that made you say, ‘I have to put this in a song?’

PRICIE: “I saw the passion this unwanted relationship evoked in their eyes. They spoke as though they would do anything to protect and serve this person, but yet, it would never graduate towards a relationship where they loved them deeply and the emotion of it inspired me to put it in a song.”

  

Genesis Owusu makes an appearance on the track. How was that collaborative process?

P: “Genesis was such a wonderful addition I didn’t even see coming. The collaboration was proposed by a member of my team simply because of his incredible ability to perform and deliver mind-blowing raps. I sent him a track with his part free and it came back a banger.”

 

The music video for “FRIENDZONE” has this stunning, retro-glamour vibe! Tell us more about the music video and what inspired the visual.

P: “Donna Summer was such a beauty and a force in the music industry and as a black woman, I truly believe she is one of the many black women who helped solidify how natural and subtle black women possess beauty without it being forced. It was honoring her and many more women like her.”

 

You have such a captivating soulful sound, which has shined bright in your two most recent singles. What has the process been like honing your sound for these tracks?

P: “Thank you so much. The process has been and is always freeing! The soulfulness though unplanned, was no accident.. It's a part of my being so it was only right that it was also represented within my creative life.  Sometimes I say music writes itself when the instrumentation is solid.”

 

“FRIENDZONE” follows up the fabulous, empowering single, “too dang good.” Both tracks possess this energy to hype any woman up or anyone in general who's feeling a little down. Why is it important to you to share these positive messages in your music?

P: “I’m a woman who isn’t interested in hiding my faults and errors, at one point I simply didn’t know how to take a deep breath because of situations I had gotten myself into and lost myself within without knowing. So, it’s only right for me to pass on my realizations... the things that saved me. Whilst women were the main agenda, I truly hope my music enriches all sexes. Music is anyone’s interpretation.”

 

Again, you already have two fantastic songs out, but what can we expect from you next? More singles, possibly an EP?

P: “An EP is definitely in consideration but there are more breadcrumbs to drop before giving you a full meal. ;) So lots of cool collaborations and writing sessions as we speak. Stay tuned!”

 

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'ECHOES OF A DREAM' / ANIMAL SUN: REVIEW


by emma schoors

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Animal Sun’s debut record echoes of a dream is an electrifying collection of interconnected yet self-reliant tracks.

“the divide” opens the album, dreamy yet assertive and just the right amount of ominous. There’s something to be said for what seem to be the two types of album openers in today’s music: the first being an explosive, blazing song hellbent on getting the party started, and the second being a more spacious and otherworldly approach. Animal Sun’s debut record falls beautifully under the latter.

Vocalist and songwriter Steven Blake renders the first lines of “can you hear the thunder?”: “Fate has brought us here, beneath the pale afterglow of my despair.” While the first 45 seconds of the track are approached with a definitive hesitancy, it’s this build up that makes the chorus all the more satisfying.

A tenfold increase in energy is just what the doctor ordered in “looking for trouble.” Drummer William Alton gives the song its unrelenting drive and punch. If the exhilaration that steers the first half of the track wasn’t enough, Blake steps back in with a phenomenal high note that sets in motion almost two minutes of gorgeous chaos. Full volume wouldn’t be loud enough to cover how addicting this song is. 

Another standout track, which earned its wings long before the release of the entire album, is “girl in blue.” One look at the band’s Spotify stats reveals this song has been listened to over a million times, and it’s more than easy to understand why: blossoming yet tight guitars, and a massive foundation laid by bassist Adam Gardner. 

“more than a friend” showcases another side of Animal Sun: the chorus is reminiscent of early 2010’s pop, with a luminous, alternative twist. “high with you” is almost reminiscent of “the divide,” this time with a delicate familiarity and warmth.

echoes of a dream is a record of alternative gold, and makes no bones about its place in modern music. Impactful bass lines, enthralling vocals, and inventive keyboard parts are just some of the elements which congregate to form what is an absolutely incredible debut record. 

 

HOLLIDAY HOWE: INTERVIEW


by danielle holian

photo courtesy of holliday howe

photo courtesy of holliday howe

Holliday Howe, Sydney’s finest cyber-hyper-popstar, producer, and songwriter has teamed up with scene legend Himera for their hyperpop track “Digital Affection.” “I wrote ‘Digital Affection’ as the world was entering lockdown [COVID-19], about my journey back to Australia, leaving behind my life in London. We were spending more time online so we were increasingly connected — but all one needs to do to forever disappear from your life is log off. I'm asking them to stay online for me, to not disconnect, to not leave me in the dark,” she comments on the track. We caught up with Holliday Howe to discuss all things music below!

For our readers, please tell us a bit about your background in music.

Holliday: “I’ve been writing songs since I can remember — they weren’t always very good. But I can’t remember a time in my life where I didn’t want to perform and make music. I’ve been studying classical piano since I was seven years old and producing electronic music for the past six years or so.”

Who or what are your musical influences?

H: “The PC Music producers and SOPHIE have all been massive inspirations for me. EASYFUN in particular. Then there’s William Orbit who did a lot of Madonna’s late 90s and early 00s stuff. Recently my favorite pop star has been Rina Sawayama — she’s not afraid to make bold creative choices and I admire that a lot.”

You just released your new single “Digital Affection” with Himera. What can you tell us about this track and what inspired it?

H: “I wrote ‘Digital Affection’ at the very very beginning of the pandemic about being in isolation and not being able to talk to my friends — and then I moved from London back to my hometown in Sydney and that made communicating even harder. Everyone was doing Zooms and trying to catch up, which was lovely, but there was still a little disconnect! It’s all about missing those people and hoping that they will ‘stay online’ for you.”

What do you want the listeners to take away from your music?

H: “A sense of understanding — hopefully they can relate and not feel so alone.”

How has your music evolved since you began?

H: “Originally I wanted to be a singer-songwriter on the piano like Regina Spektor but then I went off to London to study music and discovered PC Music and started making what I called at the time ‘hyperpop’ — I still attest to this day that I was the first to start using the term to define my genre of music.”

And how has the pandemic helped your creative juices?

H: “It’s made me more resourceful. Everyone is also trapped and it means that collaborations have gone up the wah-zoo! I’ve gotten to make some interesting music with interesting people because we’re all essentially stuck inside or can’t travel.”

Finally, what’s one fun fact about you for our readers?

H: “I had appendicitis for 3 YEARS before I got it cut out.”

 

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JENA ROSE: INTERVIEW


by mariah estran

photo courtesy of jena rose

photo courtesy of jena rose

Jena Rose is in control when it comes to the strategic game relationships can produce. She is taking back the power, calling the shots by releasing an empowering new single and video for “Checkmate” on June 11th.

After watching Queen’s Gambit, Rose found herself inspired by the powerful storylines, and of course, the competitive tactics of chess. She describes, “What would chess look like in a relationship? I am taking power back and saying, ‘checkmate.'"

Musically, finding inspiration from 80s hitmakers like Depeche Mode, the tune is electrifying. It packs a pop punch with its moody, synth-filled beat. 

As for the video, the theme is on a bigger scale. Think large chess pieces, a queen’s throne, and luxe fashion statements. Directed by Veronica Zelle and produced by Frank Simonetti (Sweety High), Rose’s management, the group found a way to merge the Disney classic Alice in Wonderland with Queen’s Gambit. “We are playing chess in an apartment, then it transitions to a life-size chessboard with life-size chess pieces,” the singer shares about the video. 

She has already gifted fans the twenty-second teaser for the release. In that short amount of time, we experience the flashes of grandeur that make pop music so fabulous.

Recently signed to Gem Street Music, the singer is bound to leave an impression and have us wanting more.

We had the chance to speak with Rose about “Checkmate” before it’s out in the world. She told us more about the inspiration, what the visual entails, how she’s finding her sound, and what we can expect from her upcoming debut EP, Baby, Maybe

At just 20-years-old, you have toured with numerous acts, such as Aly & AJ, and had global success with tracks like “Forever Yours.” What pushed you to pursue a career in music?

Jena: “I’ve always had a love for music, ever since I was a little girl. I always played piano and guitar. It’s just been in my heart forever, and I always knew I wanted to do it. I think it was after my first performance, when I was nine, at the House of Blues was when I was like ‘wow.’ I stepped on stage — I was always so shy, but when I got on stage, it was like, this is my home, this is what I want to do.”

 

You are about to release your new single, “Checkmate.” What can you tell us about the track and what inspired it? 

J: “I’m sure you’ve heard of the ‘Queens Gambit.’ It’s such a girl-power show. It sparked a love for chess in me too. I think with ‘Checkmate,’ I decided to do a spin on that. What would chess look like in a relationship? I am taking power back and saying, ‘checkmate.’ You can relate that to your life in so many other ways and relationships. If people don’t value you, you, and if you know your worth, that’s all you need.”

  

Tell us more about what we can expect from the “Checkmate” music video?

J: “The story is about a guy and me — it’s a toxic relationship. We are playing chess in an apartment. Then it transitions to a life-size chess board with life-size chess pieces.

We are playing chess in real life and relate it to our lives and relationship. I dance in it. The choreographer, Richy Jackson — he’s Lady Gaga’s choreographer. He is so amazing. It was an honor to work with him — he had this vision and executed it to perfection.

It was directed by my manager, Veronica Zelle. She started out directing music videos and producing music videos. So, she always has visions and is so creative.”

 

How did you work yourself up to incorporate choreography into your story?

J: “Dance is something that I love. I’ve been in dance lessons three times a week for a while now. I feel very myself when dancing. On set, it translated as well, I felt like myself, I felt at home.”

 

You have this sound that showcases an electronic dance influence while still having an R&B-type flare. How would you say you have continued to develop your sound over the years? 

J: “I feel like every young artist — their sound is constantly developing in their songs. I’m changing and growing as a person, which reflects in my music as well. I feel like, with 80’s influences. I grew up listening to Depeche Mode and Elton John. So many 80s artists. That’s reflecting in my music right now.”

 

These singles are leading up to your debut EP, Baby, Maybe. What can listeners expect from this upcoming project?

J: “I feel like once you hear ‘Checkmate,’ you’ll get it. It’s a lot of those vibes, and it includes a ballad I’m really excited about too. We have some exciting things in the works, and I am so excited for everyone to hear.”

 

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