ABIGAIL BARLOW: INTERVIEW


by danielle holian

photo courtesy of abigail barlow

photo courtesy of abigail barlow

Abigail Barlow is the mastermind co-creator of the Bridgerton Musical that has gone viral online, especially on the likes of TikTok. Alongside this she has an astonishing musical discography of her own to-date. From being a social media sensation as she shares sneak peaks of her music, to documenting the progress of the aforementioned musical with her musical partner Emily Bear with big dreams of turning it into a full-scale production, she's been turning heads with her effortless talents. We caught up with Abigail to discuss all things music below.

You have an edgy, poppy sound to your music. What or who inspires your musical abilities?

Abigail: “I take inspiration from everywhere. I love a good top 40 track as much as the next girl, but I also love deep diving into my Spotify recommended and finding artists and sounds I’ve never heard before. It’s so inspiring to hear my peers breaking boundaries in pop music and it constantly inspires me to do the same.”

 

How have social media platforms played a part in regards to your music? Especially in the last year during the global pandemic of COVID-19 when musicians couldn't play live shows?

A: “I’ve been posting my original music on TikTok since I was 16 and it was called Musical.ly. I figured out early on that social media could be the perfect vehicle to find an audience on my own as I went on the pursuit of making music professionally. The better I got, the larger the audience of people who wanted to hear what I had to say. Social media is SO personal and it’s very special to have that intimate connection with my listeners. I love hearing how my music helps them get through hard times, because writing it did the same for me.”

You are the co-creator of the Bridgerton Musical, and went viral sharing snippets of the progress on TikTok — what inspired this project? And how did you create the partnership with Emily Bear?

A: “Emily and I had met writing another musical a year and a half prior, so our collaboration was nothing new. However, during the pandemic, we were both equally as frustrated in our solo careers and were looking for a change of pace. Feeling pretty hopeless after hearing multiple ‘no’s’ from the industry, I turned to Netflix to get me through my depressive episode. When I stumbled upon Bridgerton and subsequently binged the whole show in 12 hours, I was BUZZING with inspiration. I ran to my piano and wrote the first song from the perspective of the main character, mainly as a songwriting challenge to get out of my head. When it blew up on TikTok, I knew if Emily was on board we could create a big project to at least keep us busy through quarantine. Little did I know… what started as a passion project to break the pattern of ‘no’s’ we had been hearing would change our entire lives. FINALLY, we had a resounding YES!”

And what draws you into Broadway musicals in general?

A: “Musical theatre is inherently genre-less. If the music moves the story along, whatever the story may be, it is musical theatre. That freedom of genre is so unlike any other form of music media. Pop music is very structured and formulaic, and can get monotonous to write sometimes. When I get to write for characters in a story, I get to exercise my acting skills and put myself in someone else’s shoes. I get to decide the moments where words aren’t enough to describe a character’s emotions. They have to sing! I think that’s my favorite part.”

What drives you forward as a songwriter, compared to a performance artist?

A: “As a songwriter, I love finding new ways to say the things that have been said in music a million times before. I love exploring my perspective of the human experience to find universal truth and relatability. Everyone lives life differently… but at the same time, you’d be surprised how shared the human experience can be, especially when it comes to love and heartbreak. As a performance artist, I pride myself on my optimism in trying new things. I’m a big believer in reassessing when something isn’t working for you and changing things up constantly. Taking risks and being fearless has been SO important in my growth as a performer.”

Can fans expect an EP/album from you this year?

A: “Yes! Emily and I have announced we’re releasing our ‘Unofficial Bridgerton Musical’ concept album on September 10th 2021!”

What do you want the listeners to take away from your music?

A: “I want people to feel like they’re on a journey when they listen to my music. I want them to laugh, cry, smile, frown, as long as they feel an emotional connection to it. If my music can help someone cope with whatever they’re going through, I’ve done my job as an artist.”

Who are you listening to at the moment?

A: “I’m currently in a very serious Paramore phase. Revisiting their whole discography has got me so excited to explore that pop/rock perfection in my own music.”

And finally, what’s one fun fact about yourself for our readers?

A: “I can sing with my mouth closed! It’s my freakiest party trick. ;)”

 

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TRINIDAD CARDONA: INTERVIEW


by danielle holian

photo courtesy of trinidad cardona

photo courtesy of trinidad cardona

Trinidad Cardona's “Dinero” is sure to be the song of the summer and is currently the #1 viral track on TikTok. "I literally went one night from living regular...to now you have the #1 trending song on TikTok… it’s insane. I just wanna say thank you," Trinidad comments. From living a regular man's life while doing deliveries for money prior to the song's release to now having a trending song, the track's streams immediately jumped up to over 65 Million streams basically overnight, and has 1.3 Million TikTok videos made while climbing the charts. Unclear Magazine caught up with the artist to discuss all things music.

For our readers, please tell us a bit about your background in music.

Trinidad: “‘Jennifer’ was my first song where I decided to be a singer. I had only made a handful of songs before that, and ‘Dinero’ was my second or third song after Jennifer.”

Who or what are your musical influences?

T: “My musical influences are a lot of The Weeknd, PARTYNEXTDOOR, and Brazilian Funk. It shows in my new music and I can't wait for you to hear.”

What inspired your viral hit “Dinero?”

T: “This song is really just about me being broke and liking a girl. It just came together in the moment, not much thought in it.”

And how does it feel to have such a popular song on TikTok?

T: “To say I was surprised would be an understatement, I wrote the song when I was 17 and I’m currently 22. I made the song so long ago I almost forgot it even existed, so I am really excited to see how much people like it.”

What do you want listeners to take away from your music?

T: “What I'm hoping fans take away from my new music is emotion. I want to make people feel what I feel.”

How has your music evolved since you began?

T: “I've taken the last year to learn to record myself and have made over 300 songs. I can’t even describe the growth because it’s changed so dramatically.”

Who would be a dream collaboration for you, right now?

T: “There's so many people I want to work with I can't name just one. I'd love to work with everybody.”

And how has the pandemic helped your creative juices?

T: “The pandemic has allowed me to truly study and focus on progressing as a writer. Sometimes I take breaks for a week at a time just to get my mind right.”

Finally, what’s one fun fact about you for our readers?

T: “I really love numerology. Life path numbers and angel numbers play a big role in my daily life.”

 

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JORDAN HOLLYWOOD: INTERVIEW


by abby crabill

photo by travis shinn

photo by travis shinn

Jordan Hollywood began freestyling at a young age, eventually finding his way into an impressive career. His career includes experience co-writing for various artists, performing, and even running a record label known as The Wasted Youth.

Jordan's recent release, “The Ugly Song,” is a collaboration with Timbaland. A music video for the song has also been released. The music video even pays homage to the original “Ugly” video.

Without looking too far into the future, we can expect some new music from Jordan. He will be releasing his new album, Only The Paranoid Will Survive. We can also expect new, creative visuals from him as well.

Can you describe a little bit of your background and how that got you into music?

Jordan: “When I was 12 I used to hang around a bunch of people that rap and they would be outside freestyling. One day I was just freestyling with them. I didn’t know what I was doing and they just gave me the confidence to keep going and after that it was no looking back. At that time I was battle rapping kids at school.”

You released your latest single “The Ugly Song.” Can you tell us a bit about this song and how it came about?

J: “My producer SkipOnDaBeat was going to work with Timbaland to make some beats. Skip called me before his session and said, ‘I really wanna sample a Timbaland song and play it for him to show homage.’ I said to him, ‘Let’s pick a song that’s not that obvious.’ We went through his whole discography and when we heard ‘Ugly’ from Bubba Sparxxx we just knew that was the one to sample. Skip made the beat and showed it to Timbaland and he loved it. Then I immediately hopped on the record. The next day we sent it to Timbaland and he flipped out and loved it. We asked him if he wanted to jump on it and he didn’t text us back with a yes or no, but instead he sent us back a version with his voice on it.

I also loved shooting the video. ‘The Ugly Song’ video was directed by Austin McCraken. This was our first time working together. When we first linked up I had an idea for like 12 scenes and he looked at me and told me, ‘Yo, I don’t know how we’re gonna pull this off. We might have to use a green screen.’ I never shot using a green screen before. I realized with the green screen I could do whatever I wanted and started changing my ideas to make it as clever and creative as possible to match the song. I pay homage to the original video with the lawn mower scene at the end.”

What was it like working with Timbaland on the song?

J: “We did everything over text. Everything was done virtually towards the height of COVID. It was when people weren’t working in person. It was awesome though because of his energy and what we did was powerful. Now we’re getting ready to lock in the studio together and create more.”

If you could collaborate with any artist right now, who would it be and why?

J: “It’ll be too hard to pick one. I’m gonna say The Weeknd and J Balvin. The Weeknd is the most incredible artist that I’ve ever heard from his videos to his mixing to his production. I’m just a massive fan. J Balvin because you know I’m Colombian as well. A lot of people don’t know that. I always liked him. I watched his documentary and I just connected with him. I related to a lot of the things he was saying, made me a fan. I would also say Kendrick Lamar because his creativity as a whole and his talent and his flow is amazing. He’s probably the most talented rapper in the world.”

Which do you prefer, co-writing or creating for yourself?

J: “Creating for myself by far because the stuff I can talk about in my songs won’t work for somebody else. If I’m writing for somebody else I’m talking about their experiences which is hard for me to be as intimate, since they aren’t the experiences I witnessed firsthand.”

What is one of your most memorable experiences as an artist?

J: “Going on tour because that was always a dream of mine. It was better than I imagined it. Dropping my album Sorry For This was one of the special moments for me too. I was at a dark place in my life and it changed everything for me. It put me in a position to make money and be happy again. It led to me signing to QC as well.”

What is one of your favorite singles so far, and why?

J: “My favorite single is ‘The Ugly Song’ because I’m in the best place mentally that I’ve ever been in my life. This is the theme song for it right now. And I feel great right now. Everything feels right.”

How is running a record label a different experience from being a performing artist?

J: “I treat it all the same. To me there is no difference. At the end of the day it’s the same goals. Whether it’s for myself or my artists, I want to put out the best music possible. I want to be creative, I want to push boundaries, I wanna ensure we enjoy ourselves. I treat my artists’ career as if it’s my career.”

What can we look forward to from you in the future?

J: “You can look forward to my new album Only The Paranoid Will Survive. It’s my favorite body of work that I’ve ever created. I feel like everything that I wanted to accomplish with this album I accomplished. I took my time, I’ve never been so proud of my work before. You can look forward to me doing live shows and seeing more visuals. I would be lying if I told you everything coming because I get more creative as the days go on. I try not to look too far into the future anymore. I try to enjoy what’s going on right now.”

 

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'REVERIE' / BEN PLATT: REVIEW


by mariah estran

IMG_873D4D537089-1.jpeg

Ben Platt has given the world a cathartic chronicle of a shifting relationship. Through his sophomore album Reverie, we’re reminded that love has its moments. That those sweet and bitter memories are perfectly inevitable.

The thirteen-track LP is broken into a three-part interlude, “King Of The World.” In part one, we’re taken into the freedom-filled, naïve nature that youth can hold. Shimmery keys break through the silence as electro-pop beats saturate the track, “Childhood Bedroom.” Platt describes dancing on the dark blue carpet that filled his adolescent chamber. A pure-hearted account that would influence someone to move around their own four walls. While “Happy To Be Sad” and “Dance With You” carry that exciting disorder that new admiration can bring – by encapsulating it in thrilling 80s-like, new wave beats.  

By the mid-point of the album, the loved loss takes hold. The ups and downs are addressed as the singer strips down in “Carefully.” On top of delicate acoustic guitar, Platt’s theatrical vocals build to a vulnerable ballad about wanting to be let go gently. Suddenly, gripping, synth-filled pulses ascend in “Chasing You." He confesses the habit of going after someone who can’t be caught. The thought process of walking away and the possibility of a return is apprehensible.

As the album begins to close, the listener is met with “Dark Times.” The four-minute, moving track describes a teenager finding love to only be heartbroken in the end. Platt is heard singing on how these moments are only temporary, and essentially, times of growth and memories. “You’ll only see the light shine in dark times,” he recites. “Imagine” shows the light that makes its way through. It glistens through tinges of bubbly bass and kicky drums that complement the passion described in finding someone who you simply can’t live without.

In the end, the listener reaches the final interlude. Platt's last remarks, which conclude with a simple lyric, “that’s just life.” Effortlessly put, but exceptionally accurate.

 

MIA RODRIGUEZ: INTERVIEW


by abby crabill

photo by giulia mcgauran

photo by giulia mcgauran

Mia Rodriguez is a singer-songwriter based out of Sydney, Australia. She adds her own flare to the dark-pop genre through alternative indie inspired tunes and quirky music videos to accompany them. Despite being so young, she has already been named “Best New Artist” at The Sailor Jerry Rolling Stone Australia Awards. As of recently, Mia has also officially signed with Atlantic Records.

Mia's latest song, “Billion Dollar Bitch” featuring Yung Baby Tate, has been released alongside the music video. It's safe to say that Mia Rodriguez has taken her early success as it comes, and isn't planning to slow down anytime soon as she continues to learn and evolve.

Can you tell me a little bit about what got you interested in the dark-pop genre of music?

Mia: “I’ve always loved creepy stuff. Songs, cartoons, movies... big Tim Burton fan here. I enjoy turning the spooky visuals I see into music! I just think it’s so cool.”

 

You have experience with social media such as TikTok and Twitch. What is it that you enjoy about social media?

M: “I’ve always loved interacting with the world. I’ve never really travelled out of Australia before. I went on a cruise around Asia once, but I was young and didn’t really absorb it too well. So it’s just interesting to talk with people internationally!”

 

Can you describe your new song, “Billion Dollar Bitch?”

M: “I wanted something the gals and gays could pump up to (and anyone else of course, no judgement here). I also needed a song to pump up to. So now I’m releasing one! I’ve gotta make my fans discover their inner boss bitch.”

 

What was your experience getting to collaborate with Yung Baby Tate on “Billion Dollar Bitch?”

M: “I thought it was really cool to finally collab with another artist! I haven’t gotten the chance to do that until now. It was a bit challenging because she lives in the US and I’m all the way in Australia, but this is why social media is just so handy. I needed a bad bitch to jump on a bad bitch track, and she’s just so talented!”

 

If you didn't become a musician, what do you think you would be doing right now instead? 

M: “Probably an actress. Anything in the performing arts. No one can drag me into the dark, I need that spotlight! Jokes aside, I enjoyed doing theatre in high school. I just really love ‘putting on an act’ and being someone else for a bit. It’s really interesting.”

 

What do you consider one of your greatest achievements so far?

M: “Probably the ‘Rolling Stone Best New Artist of 2021’ award. First ever award I’ve gotten in my life! [laughs] It made me feel accepted in the music industry. Very surreal moment. It also had some ice on that thing! Pimped out diamond ring, insane.”

 

What is one goal that you are still working to achieve?

M: “Having that ‘breakthrough’ feeling. Being able to tour all around the world and to give my supporters love. I think I’ve got everything set up, I just have to stay consistent and to keep learning and evolving!”