AYA YVES: INTERVIEW


by pankhuri bhutani

photo by jess gleeson

Hitting the ground running since the release of her debut EP What We Look Like With The Light On, AYA YVES has amassed over 700,000 streams. Add in a collaboration with industry icon Boy George and it’s easy to see why Aya has taken the industry by surprise.

There’s no doubt that with her otherworldly vocal abilities and honest approach to songwriting, AYA YVES is quickly becoming one of the premier emerging faces in the field of pop. Recently releasing her second release of 2022, the emotive track “p.s..” explores the themes of love, grief, hope — and how they tend to co-exist. 

We recently had a chat with Aya regarding her music journey. 

Before delving into your phenomenal music journey, I’d like to ask you what it was initially that brought you closer to the field of music? Did the passion come in early or did it develop at a later stage in your life?

AYA: “I honestly don’t remember a time where I wasn’t intensely passionate about being a singer as a kid. I sang anywhere and everywhere, at a time where my skill level definitely made it painful for anyone who was around to hear it. My mum taught me cello from the age of four, which definitely improved my pitch ten-fold. But yeah, I’ve been at some form of music and performance from the word go!”

You have recently released your new single “p.s..” Huge congratulations on that! What was the initial inspiration behind it and how did the general creative process go about with this project? 

AYA: “One of the first songs written for this project was ‘Dear E.’ —  which came about after finding out my sister was diagnosed with terminal breast cancer. Pat Byrne really loved Dear E. and wanted to work together.

Pat and I set up a session with one of my go-to collaborators  —  Bri Clark, which happened to be the day after my sister told me she was tired and ready to go. Once we started working on something it naturally leaned towards a similar soundscape to ‘Dear E.’ Once it took shape it felt right to name it ‘p.s.’  —  because it really is part two of the same story.”

How do you feel now that this track is released? What sort of reactions are you hoping to achieve from your fans in terms of this track?

AYA: “I was expecting to feel worse when it came out, but surprisingly I felt a little lighter. I’d been sitting on this one for about a year — it was just my space to feel my grief when I needed to. I think now that it’s out, it doesn’t feel like a heavy secret anymore. I just hope that anyone listening finds some solace in knowing other people have felt the same grief.”

Since this track showcases a bit more vulnerable aspect of your artistry, were there any moments where you considered holding back on this project? Any specific challenges you faced while making the track?

AYA: “I’m the kind of person that wears my heart on my sleeve. I really think showing vulnerability is a sign of strength, so I didn’t even consider holding back.

When we were writing the song it was really hard though. I spent most of the day crying on the floor, and recorded the vocals in one take hiding under Pat’s desk. The vocals in the final version are the demo vocals  — recorded on an SM57 instrument mic. I couldn’t get myself back in the headspace even if I had tried to.”

Where do you garner your major music influences from? If given an opportunity, is there anyone on your radar who you would absolutely love to collaborate with in the future?

AYA: “Too many to name them all! I grew up on singer/songwriters like Joni Mitchell and Leonard Cohen, but sonically I really love Bon Iver, BANKS, London Grammar, Caroline Polacheck, and the 1975. My ultimate collab would be with Bon Iver I think  —  his album 22, A Million completely changed the way I view music.”

What is the one piece of advice that you would wish to give to individuals facing a similar grief? 

AYA: “Don’t hold yourself to a linear timeline for your healing  —  because it isn’t. Know that the grief you feel just shows how beautiful the love was.”

What’s next for you, AYA? Any plans on your upcoming projects/collaborations?

AYA: “Time to get stuck into some writing! Can’t give too much away, but I’m really excited to be creating again.”

Lastly, is there any message you’d like to give to your fans reading this interview currently?

AYA: “Thank you for holding the space to listen to ‘p.s.’  —  you received it so warmly.”

 

'THE FOUNDATIONS OF DECAY' / MY CHEMICAL ROMANCE: REVIEW


by emma schoors

My Chemical Romance is not only unkillable, but more alive than ever before with “The Foundations of Decay,” their first new release since 2014.

“He was there, the day the towers fell,” frontman Gerard Way sings, in reference to the 9/11 attacks. “The world changed that day, and the next day we set “about trying to change the world,” the band wrote in a 2021 statement, and change the world they did. “Skylines and Turnstiles,” the magnetic track from the band’s first studio album I Brought You My Bullets, You Brought Me Your Love, sees Way attempting to make sense of the horror he’d witnessed, as well as find a path forward. “If the world needs something better, let’s give them one more reason now,” he promises, a promise that has been kept like a secret in our collective throats since it was first uttered. 

They could’ve halted there and been quietly known as one of the greatest rock bands of all time, but My Chemical Romance isn’t exactly known for giving up, or being quiet. Three Cheers for Sweet Revenge swung them relentlessly into superstardom, and The Black Parade acted to some as their magnum opus. Exhaustive touring and worldwide success meant their next release needed a big change, and Danger Days: The True Lives of the Fabulous Killjoys was just that. Where a song like “The Jetset Life is Gonna Kill You” was dark red, “SING” was neon green. The band had proved yet again that anything was possible. Conventional Weapons threw a wrench in whatever you thought you knew about them, and tracks like “The Light Behind Your Eyes” and “Boy Division” still act as definite fan favorites. 

“We would all build towers of our own,” Way sings in “The Foundations of Decay.” After My Chemical Romance’s 2013 breakup, Way released a solo album, Hesitant Alien, as well as a multitude of comic books, singles, and various works of art. Rhythm guitarist Frank Iero breathed life back into previous musical projects, as well as revived his role as frontman in frnkiero andthe cellabration, Frank Iero and the Patience, and Frank Iero and the Future Violents. Bassist Mikey Way sent the world into sonic shock with his band Electric Century and dived into the world of comics, and Ray Toro released his stunning debut solo record, Remember The Laughter, which spotlighted the lead guitarist’s incomparable talent. All four members built families and creative worlds of their own while they were away, and they’ve all returned to look after the eternal flame that is My Chemical Romance.

Musically, “The Foundations of Decay’ is lightly reminiscent of the band’s earlier works, but it has elements that have never been fully accessed until now. It’s heavy yet uplifting, dark but truthful. It’s everything intensely great about the band, with a spark of something entirely new. “He gets to die a saint, but she will always be the whore,” Way sings, perhaps in reference to the biblical Whore of Babylon, who held “a golden cup in her hand, filled with abominable things and the filth of her adulteries.” This line is one that cuts, commenting on the often violent, vehement condemnation of women for acts that sanctify men. “Let it flood, let it flood, let it wash away,” Way pleads. 

The band will embark on extensive touring beginning May 16th, which will bring them everywhere from Milton Keynes to New Jersey to Los Angeles. Information regarding the tour can be found on @themychemicalromancearchive on Instagram, where there are links to accessibility information, updated tour dates, and more. @mcrofficialst is another reliable source for updates on the band. 

While the band has been in physical existence for 21 years, My Chemical Romance is an idea that has existed, and will continue to peruse the universe, forever. It’s hope, unrelenting devotion, death, and rebirth. It’s the dirtying, purification, and re-dirtying of the soul. It’s the human ability to hurt and be hurt, to love and be loved. It’s grace wrapped in gracelessness, imperfection draped in gold. My Chemical Romance is immortality running at full speed towards renewed life.

 

MAMII: INTERVIEW


by alex grainger

photo courtesy of mamii

Mamii just released the striking music video accompanying her single “Intimate.” Her single is about going for what you want. Mamii worked with the talented director Kokie, to visually capture an intimate moment full of “unspoken feelings.” A moment of yellow hues from headlights and the sun, and a late-night drive. But 'Intimate’s story is not over yet, be sure to keep up with Mamii as she is releasing part two of the story soon!

Can you tell us what “Intimate” is all about?

Mamii: “‘Intimate’ is a fiction story about someone that went out with their soulmate for the first time and things got a little heated very quickly. They enjoyed being around this person so much that they didn’t want to leave their side.”

Is there a message you are sending to listeners of “Intimate?”

Mamii: “Sometimes you just have to go for what you want!”

What was the creative process behind the music video? How did you decide on how you wanted to portray the song through visuals?

Mamii: “Well I sat down with Kokie, who is this really awesome director. I discovered him after seeing one of Elujay’s videos that my manager sent to me and I just fell in love with his style. I wanted it to be centered around an actual intimate moment. We sent him the music and he told me his vision and I went with it.”

The conversation portion at the end of the music video was so interesting and added such character to the song and video. How did you come up with adding this to the outro of the music video? What did it mean?

Mamii: “Kokie actually brought this idea to my attention. I didn’t want to do it at first because I’m so scared of talking on camera. After a while, I was like… alright I guess I can do it. It was just showing, once again, another intimate moment.”

At the end of the video, you added some behind the scenes shots. What was the reasoning behind this?

Mamii: “I wanted to show a little sneak peek of what’s coming!”

The music video centers around being in a car, why?

Mamii: “So the story behind the video is I'm supposed to be going home to my family and I spend the whole day with a friend. We're hanging out before I have to go back home and there's some unspoken feelings. That's all I can say until the other part comes out…”

How was filming? Do you have a favorite memory or part of filming?

Mamii: “I love filming! It’s always my favorite part. My favorite memory was doing the car scenes and people were just staring and pointing at the car rig.”

How different of a process is it from creating the song to then creating the music video?

Mamii: “It’s kind of the same process in some ways. You have to record and shoot things over and over. You have to play a role sometimes for the song and video. It’s very similar in a lot of ways and I think that’s why I like the filming process so much.”

What was your reaction to seeing the finished music video?

Mamii: “I was shocked at how great it turned out. I knew Kokie was gonna do his thing, I just couldn’t believe I did.”

What’s next for you?

Mamii: “So there’s a second part to the ‘Intimate’ video that’s supposed to be coming out soon. I also have a few singles lined up that I can’t wait for everyone to hear!”

 

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FAMILIAR FACES WE'LL BE SEEING AT HANGOUT FESTIVAL 2022


by valentina ramirez

Right around the corner, we have one of the hottest music festivals this year on the Gulf Shores of Alabama. Hangout Music Fest strives to bring the best names in pop, rock, rap, and dance so you'll get a taste of every music genre imaginable. With a 3-day weekend bender, the festival starts Friday, May 20th and ends Sunday, May 22nd. Whether you're having a family trip or a long awaited girls trip, this is the place to be. Hangout Music Fest is bringing more than music to the table, having fun-filled activities throughout the weekend to keep you busy. We cannot wait to check out all the cool activities Hangout has to offer this year, especially the Roller Disco and Spa. 

With a lineup so big and diverse, there are a few artists that we’ve covered in past years. Here are some artists we are excited to see perform again: 

Beabadoobee

Fletcher

Briston Maroney

The Band CAMINO

Nightly

Surfaces

Although we’re thrilled to see some familiar artists that we've covered in the past, here are the top fresh artists that we’re excited to see perform at this year's Hangout Music Festival: 

Tame Impala

Doja Cat

Phoebe Bridgers

Post Malone

Jack Harlow

Dayglow


Check out the rest of the lineup for the whole weekend down below.  

For more information on tickets, travel, and experience visit hangoutmusicfest.com

 

'I DON'T MIND' / ALESIA LANI: REVIEW


by mariah estran

photo courtesy of alesia lani

Texas-based soul artist Alesia Lani wants no time wasted, and her new single “I Don’t Mind” is a reminder.

The funk-filled tune oozes with retro swag as move-inducing basslines cruise through. While confident lyrics bring the heat, demanding, “You better come correct to a lady.” All of which are wrapped in Lani’s adaptive flow, merging with enticing vocals that dazzle within those two minutes and forty-one seconds.

Collaborating with producer QB Smith, the singer says, “The production is so funky, sassy, strong, yet has a smooth-ass groove you can ride to.” Adding, “I just followed the lead and rode the wave of the song.”

That organic connection to the track is clear; her lyricism embraces the assured, uplifting nature that would have anyone reuniting with their worth. And those saucy, retro-esque feelings don’t stop there.

After recording the single at Studio 601 in Austin, Texas, Lani teamed up with director Seven the Shooter to film the music video. Trippy 70s geometric patterns, warm-hued colors, and platform shoes make an appearance. Filmed like behind-the-scenes footage, viewers get to see how the process goes down while getting to know who Lani is as a performer.

She’s a fiery, authentic act who’s created an anthem-worthy number that will have you chanting alongside her, shouting, “I don’t mind.”