'END OF IT ALL' / DWLLRS: REVIEW


by sara welden

End Of it All'' is an exceptionally earnest new release from DWLLRS, a California duo consisting of Bren Eisman and Joey Spurgeon. At its core, the song is an anthem for all of the lonely hearts. Throughout the track, DWLLRS takes us on a melodic journey of recognition and yearning, alluding to the many heartbreaks of life while also acknowledging that there is a light at the end of the tunnel.

The hauntingly beautiful vocals and piano set the tone for the song and are accompanied by lyrics like “Before you love somebody, better love yourself.” With refreshingly candor lyrics like these, DWLLRS allude to a lesson that is often difficult to learn, but necessary to understand for a person’s growth.

“End Of it All” is a musical whirlwind of emotions that concludes with reassuring optimism. “At the end of it all, I hope I lived it a little different than just being alive.” Life is full of low points and loneliness, but it is also full of genuine, outpouring love and light. Through “End Of it All,” DWLLRS reminds us to seek solace in life’s highs while also having the courage to embrace the lows.

 

MAX DRAZEN: INTERVIEW


by iliana calderon

photo by tommy nowels

Up and rising artist Max Drazen has released his latest song, “Not Because I Loved You” and answered some questions about the new song and its meaning. He also talked about his musical inspirations and other genres of music he’s worked with. Drazen is set to release new music in the new year and hopes that his fans are excited.

Can you tell us a little bit about what your newest song “Not Because I Loved You” is about?

Max: “‘Not Because I Loved You’ is about my most recent relationship. It was really hard. There were times when I was being manipulated and gaslit and made to feel like all the problems in it were my fault. So when it ended I felt relieved but I also felt a sense of heartbreak. I didn’t love her but everything I went through during the course of those few months was traumatizing. It felt like a new type of heartbreak for me.” 

Has this song differed from your previous releases at all in regards to concept or production?

Max: “‘Not Because I Loved You’ is the first of a string of new music. I recently feel like I found my sound. To me, being an artist is all about taste and I didn’t truly love the stuff I put out before it. I still believe those first few songs are great but not necessarily stuff I myself would listen to. It’s really important to me that all the stuff I release from now on, I love and feel unique to me, not just quality songs that I think people would like.”

You’ve listed some of your inspirations as Smino, J. Cole, The 1975, and Two Door Cinema Club. Did you grow up listening to different genres of music?

Max: “I grew up listening to everything. My parents’ favorite artists are storytellers: people like Elton John and Billy Joel. Storytelling became important to me from a young age. When Spotify became popular I branched out from classic storytelling artists and got into alternative music, R&B, and hip-hop. The reason I think pop suits me best is I can use all of those influences and turn them into one song. My goal is for my stuff to feel relatively genre-less as a result of my listening habits and inspirations.” 

Where do you currently find most inspiration?

Max: “I mostly find inspiration in unique sounds and production. I often listen to Smino because his stuff is so boundless. His producer Monte Booker uses so many sounds that are, for a lack of better words, weird, but because of that really unique and cool. I gravitate towards sounds that feel like they have been untouched or unheard.”

Is there a genre of music you’re specifically looking to work with?

Max: “On top of my artist project, I write for a lot of other artists. I feel like what separates me from many people is my songwriting. This year my goal is to work in as many genres as possible in order to use the creative side of my brain in different ways. I feel like being able to write in any genre makes me a better artist. It allows me to pull from any inspiration and make it my own.”

 

Is there anything we can expect from you in the near future?

Max: “You can expect a ton of music this year. I’m super excited for people to be able to consume my music in more than just singles. With that will come live performance videos, a lot of dope content, and a glimpse into my process as a songwriter. I’m also starting live shows this year which I’m super excited about. I’m so excited to get into it all this year.”

 

KATHERINE LI: INTERVIEW


by alex grainger

photo courtesy of katherine li

Katherine Li recently released her debut EP Crush(ed). Self-proclaimed sad girl, Katherine Li takes listeners through the shattering experience of a “crush that stayed a crush.” From the first encounter to the last stage of acceptance, the EP explores polarizing sounds to either “sob uncontrollably to, or have a dance party to.” Being a bit of a Tik Tok sensation, Li turned to her digital community of hopeless romantics during the creation of Crush(ed). Her followers not only heard the original snippets of songs which would turn into the EP, but also helped her decide which tracks were best to tell the story of Crush(ed). Read more about Katherine Li and Crush(ed) below!

Can you tell us what your debut EP Crush(ed) is about? Are you telling a story through the EP?

Katherine: Crush(ed) takes listeners on a journey of unrequited love. The crush that stayed a crush. The EP outlines the 5 stages of having a crush: 1.) The Encounter 2.) Realization 3.) Denial 4.) Hate 5.) Acceptance. In other words, my love life [laughs].”

What’s the meaning behind the EP title, Crush(ed)?

Katherine: “The EP title is suggesting the ‘double-meaning’ behind having a crush. A crush can be seen as exciting, fun, but more often than not (in least in my experiences), you learn that it’s called a ‘crush’ because you get crushed by them.”

What was the creative process behind the EP?

Katherine: “This EP consists of the very first songs I’ve ever made, so finding ‘my sound’ was a huge part of the creative process. I was lucky enough to work with (the very very very talented) Joe Avio, who produced all the songs on Crush(ed). I feel like him and I were on the same wavelength while making these songs [laughs], I think they all turned out amazing and I’m in love with every single track.”

How would you describe your sound? Since this is your debut EP, how important was it for you to develop a sound that represented who you are as an artist?

Katherine: “My sound definitely lives in the ‘sad girl’ space, BUT it’s also spiced up a bit with very cool instrumentals and other elements (thanks Joe!!!). I think most of my songs are ones that you can either sob uncontrollably to, or have a dance party to [laughs]. With Crush(ed) being my debut EP, it was super important for me to find the perfect sound. After the process of finding the sonic space of my first single, ‘We Didn’t Even Date,’ the sound for the rest of the EP quickly followed!”

The EP takes listeners through the stages of having a crush. Was there a specific stage in this journey which was most difficult to articulate? One which was the easiest?

Katherine: “The most difficult stage to articulate was ‘Hate.’ For me, the ‘Hate’ stage of a crush happens very quick, so I had to dig up ALL the negativity I had in me and spill it into three minutes worth of song. The easiest stage to write about was ‘Realization.’ This is when you realize you never had a chance with your crush. Most of my time is spent in this stage so there’s A LOT for me to talk about, maybe even an ENTIRE EP’s worth of songs…”

Is there a song off Crush(ed) you are most proud of? One that was the most challenging to create? One that was the most fun to create?

Katherine: “I’m proud of the entire EP, I don’t think I could choose just one song! Every track means so much to me. The most challenging song to create was ‘I Don’t Care,’ more specifically writing it. It was a bit more difficult for me to write openly about how I felt about watching everyone around me fall in love. The most fun song to create was ‘Happening Again.’ This was the first track that Joe and I made together in the same room! I loved watching the whole song come together piece-by-piece, it makes the final product super interesting to listen to.”

How have you grown as an artist through the release of Crush(ed)?

Katherine: “I always thought that the songs I wrote would mainly be slow piano ballads, but the release of Crush(ed) has pushed me outside the usual ‘sad girl Katherine’ comfort zone. There are some tracks that are more on the upbeat vibe which is different from the sound I usually fall back on. But I’ve fallen in love with trying new things and I’ve been keeping that in my back pocket for the new songs that I make!”

What role did TikTok play in the creation and release of Crush(ed)? Did any of the EP tracks originate as a simple TikTok video?

Katherine: “TikTok played a huge role in the creation and release of Crush(ed). I’m quite the indecisive person [laughs], so I turned to TikTok to figure out which songs would make the EP. Four of the six songs from Crush(ed) started out as short clips from TikTok videos. It’s crazy how 15-second snippets of songs can eventually turn into a fully produced project!”

What are you most proud of upon the release of Crush(ed)?

Katherine: “I’m most proud and thankful to have started to build a little community of fellow people going through unrequited love, and get heartbroken over crushes. It’s been surreal and comforting reading messages from everyone who can relate to the songs on Crush(ed) and going through the same thing as me. HOPELESS ROMANTICS UNITE!!”

 

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VARA: INTERVIEW


by lauren kovolenko

photo courtesy of vara

Looking for someone interesting to read about this week? Meet Vara, an up-and-coming music artist with a cool sound. We got to chat about all types of subjects, leading to a great interview. Check out Vara's music and YouTube channel when you're done!

You grew up on the internet, how did this influence what you wanted to do when you got older?

Vara: “It definitely reaffirmed that I wanted to do something in the entertainment industry. Growing up, watching YouTubers become established and respected in their fields, it inspired me to take matters into my own hands and pursue my dreams.”

As a YouTuber from a young age, what was your favorite part about this experience? Did you learn anything then to help you now?

Vara: “My favorite part was getting connected with people from parts of the world I’d otherwise not have. I remember some of my subscribers (which became friends) were from Australia and that blew my mind. Knowing that we were only aware of each other’s existences because of a screen is crazy to process. Being only 13 with a platform that big, it definitely taught me the importance and consequences of a digital footprint. When you’re that young, mistakes are bound to be made, it’s all very confusing and it’s definitely a huge developmental stage and knowing that the internet is forever is scary.”

When did your music interest peak? How did you know that's what you wanted to do next?

Vara: “Between ages 5-10 music was my entire life. I started playing violin at 5 and piano and singing lessons at 8. I annoyed the shit out of my parents with my god-awful practicing but it was all I wanted to do. As I got older, I pursued more interests but music was still my priority. My senior year of high school I decided to take it more seriously and released a couple of covers. Immediately after graduating, I started writing and writing and writing and basically haven’t stopped since.”

What influences you to write? How does songwriting help you in your daily life? 

Vara: “I like to think I’m a writer before I’m a singer. 99% of my songs stem from poems I’ve written, 99% of which are written about circumstances in my life where people have let me down. Whether that be a romantic situation that went south, politicians and their responses to current issues, or even when I let myself down. Songwriting helps significantly because I don’t go to therapy, I don’t journal, and I don’t particularly vent in any other form than writing. It’s basically how I process events that are deeply bothering me.”

"Paranoia" is a bop! How did you write it?

Vara: “Thank you! It was written summer of 2021, so I’ve been sitting on it for a while but I always knew that I wanted it as the first single. We wrote it at an Airbnb like 20 minutes from where I live in Clearwater, FL and I think the song was done in like 20 minutes. The verses and pre’s were a little tricky because we played around different lyric variations for a bit but it was one of those that flowered really nicely. I love the song and I’m so happy I finally can share it with the world.”

What's next for yourself? Any more singles coming out soon?

Vara: “Since you ask, yes, single number two will be announced very soon. I’m so excited because I think it’s even more vulnerable than ‘Paranoia’ (if that was possible) but I don’t wanna give too much away.”

Being a small artist is simultaneously the most challenging and rewarding. What do you find the most challenging right now? Rewarding?

Vara: “What I would consider the most challenging as a small artist right now would be the ‘business’ end of the music industry. I am very much a creative and like to spend as much time in the studio writing or recording as possible. Spending so much time, love, and energy on making the music and then worrying about if it’s ‘TikTok worthy’ or if anyone will hear it is not fun for me. The most rewarding thought is when someone listens to my music and relates or connects with it; it makes me feel seen and literally heard.”

Do you plan on bridging the gap between your YouTube and music careers? Will your audience see more of both?

Vara: “I really hope to find a way to bridge that gap at some point. I think a lot of fans don’t know much about their favorite musician’s personality, and if I’m gonna continue writing intimate and vulnerable material I definitely want the people listening to know who I am as a person too.”

When you aren't online, what can we find you doing?

Vara: “I am a huge film bro so you’d definitely find me watching a movie or TV show. I wish more people respected it as a hobby because it’s very exhausting work. I also love to read; I’m currently reading The Picture of Dorian Gray by Oscar Wilde. Most of my free time is spent ensuring that I’m so distracted it’s impossible for a thought to form in my brain.”

What's one piece of advice you have kept with you since the beginning of your career?

Vara: “Trust your gut. I like to think I have a very keenly intuitive instinct and bullshit detector. I have a bad habit of convincing myself that I’m wrong or overthinking and ignore my gut, and every time I am reminded why it is so important to trust it. There are always a lot of different people throwing their own advice and opinions around, but you have to stick to you. The music industry is definitely one that people like to exploit and if you have a bad feeling about a situation, don’t push it down (yes, I referenced my own song, I’m not sorry).”

 

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NOAH IN THE OPEN: INTERVIEW


by martina rexrode

photo by ray swartz

Noah in the Open is an up-and-coming alternative-indie artist based in Boston who should be on your radar. After touring with Noah Kahan as his guitar player for the past couple months, he is ready to make his unique perspective in music known through his newest single "Mission Failed" which features a minimal, raw production style different from anything he's released prior. To keep up with Noah in the Open, be sure to follow him on social media (@noahintheopen) and look out for his next release.

You’ve toured with Noah Kahan as his lead guitarist for a couple months this year, give or take. How has that experience been?

Noah: “It’s honestly been the most amazing and pivotal experience in my life to date. As my own artist project is obviously growing at a much different rate than Noah Kahan’s, I had never played for a crowd larger than a couple hundred people. To go from that, straight into music halls filled with 5000+ people has truly been the experience of a lifetime. Not to mention that NK and his entire band/crew/team have been the most welcoming and genuinely kind people to someone jumping into this at such a young age.”

Has being in a touring band impacted the way you view or work on your personal music at all?

Noah: “I won’t lie, before I came on board with this, I had my worries that touring like this would cause me to neglect my own artistry. But honestly, I’ve felt that this whole experience has only elevated it in almost all aspects. I regard Noah Kahan as truly one of the best songwriters I’ve come across in this industry and to be able to take inspiration from him every day into my own music is a privilege in itself. Additionally, aside from the value of getting a true touring experience to really see how things actually work at this level, the consistency of new surroundings and copious amounts of free time have allowed me to write more music than I ever have before.”

Your recent single “Mission Failed” is such a raw, stripped down song compared to your other releases that feature more layers of production. What inspired you to explore this style for this specific single?

Noah: “I wasn’t initially inspired to make something like this. The song underwent three completely different production styles before I landed on the final version. All three of them just didn’t tell the story how I wanted it to, and I wasn’t a fan of just playing it on an acoustic guitar, so I called up a dear friend, songwriter, and musician whom I admire so much. I asked Cameron Thistle (1/2 of The Thistle Bros) to let me use his upright piano in his Boston apartment to have him play the piano part for me. We set up 4 microphones around the room and took a couple passes through the song, and eventually landed on this stripped piano and vocal version. The simplicity of the production, I felt, elevated the songwriting to a level that additional production would only distract from.”

How has the release of “Mission Failed” been different from other singles you’ve put out?

Noah: “Aside from the difference in the typical upbeat alt-pop production I usually have on display, this specific release has managed to gain a whole new fanbase supporting and cheering me on. Ever since I joined Noah Kahan on the road, a select number of his fans have found me and started to follow my music and my journey. After the first leg of the fall tour, I was surprised and extremely grateful to see that my numbers/followers had nearly tripled, ‘Mission Failed’ was organically climbing in listeners after every show, and I all of a sudden have been receiving demand to play solo shows in cities I’d never been before.”

I saw that you wrote this song in 30 minutes! Is this the first time you’ve gotten lyrics on a page so quickly? Do you think the specific circumstance behind the song helped to allow the lyrics to flow so freely, almost like a journal entry?

Noah: “I actually think that’s pretty on the nose. I don’t typically write a song that fast, but when it’s a situation where I’m writing a song because I need to write it for my own way of coping, the words spill out almost instantly, coming a lot easier than if I sat down to write a song just to write a song.”

Is there anything you can say about what listeners should expect from the eventual concept album this single is introducing?

Noah: “I don’t want to give away too much, but I’ll say this. This song is the start to a collection of work that will tell one huge cohesive story. It speaks about death, the different ways I’ve perceived it as I grow up, and the pivotal relationships in my life that have led me to where I am now. Very excited to eventually have this out for the world.”

Will future singles follow the same stripped down style, or will they showcase a mix of styles?

Noah: “As I am 20 years old and constantly changing as I grow, I think it’s safe to say that my music will follow suit. The only promise I can make is I will always continue to make the music that makes me happy.”

 

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