VAULTBOY: INTERVIEW


by brittany and everly ormiston

photo by joupin ghamsari

Indie-pop singer-songwriter vaultboy creates irresistible tracks that compel listeners to dance their hearts out while also finding comfort in the relatable lyricism. His recent single, “way after forever,” paints the picture of a flawless love story and showcases his mesmerizing vocals. His upcoming body of work/debut album will share the same vulnerability “way after forever” illustrates. vaultboy plans to take this new music out on the road later this year, and into 2024 and beyond. vaultboy may be known for his sad songs, but his ability to uplift others through his gentle spirit and mental health advocacy puts him in an exclusive category all on his own.  

It’s been a few weeks now since “way after forever” was released. How has the response been for this track, and was it what you expected?

vaultboy: “The response has been amazing! I really love the song and wanted to do well, but I like to keep my expectations pretty low. That said, people have been responding super well and streaming it like crazy so I'm super grateful!”

“way after forever” has your delicate, yet powerful vocals at the forefront with soft instrumentals and simplistic production accompanying them. Tell us about the creation of this track. Did it differ at all from the creative process of your previous projects? 

vaultboy: “The special thing about this song is it started in an old songwriting notebook that I used to write songs in about eight years ago. I had found the notebook, and started the idea, writing about half of the chorus. After that, I finished the song with some friends in LA last fall. On the production side, we just tried to keep it simple and let the song speak for itself.”

The lyric “and if the Earth ends, I'll love you in space” truly makes you believe in love, and cherish the relationships you have. What/who did you think about when recording ‘way after forever’ to effortlessly deliver such an emotional track?     

vaultboy: “I wrote the song about a past relationship I had been in that didn't work out. At the time I wasn't quite over it, and instead of writing a sad song about it, I wanted to sing about the relationship as if everything had worked out. For me, the song is kind of like a bittersweet daydream, and I think I had that mindset while recording it as well.”

Your EP, this is what i get, has upbeat tracks with vulnerable lyrics. On the other hand, listening to “way after forever” makes you feel as if you’re floating on air and deep in love. Does this single give listeners a glimpse into your next body of work, and the themes it encompasses? If so, what are a few details you can share?

vaultboy: “I'm working on a lot of new music right now and, honestly, I think some of the songs will catch people off guard a little bit... not in a bad way, I think I'm just growing as an artist right now and trying some new things. That said, people can expect the same vulnerability that ‘way after forever’ encompasses.”

Rolling Stone deemed you as the “king of sad songs.” How does it feel being given this title, and what was your reaction (positive or negative)?  

vaultboy: “Obviously, I was over the moon (not to quote my own song lol). To be honest, I was super grateful to be recognized in the first place. Getting that sort of title in addition to the recognition is still insane to me!”

As a mental health advocate, you provide support, hope, and a voice for individuals. What drew you to become an advocate? What are a few coping strategies you utilize frequently to meet your own mental health needs?

vaultboy: “I don't know if I ever really became an ‘advocate’ intentionally. I think through my own struggles and through being there for the people around me it just happened naturally. I'd say I'm a bit more in touch with my emotions than most men, but I find it silly to not be. I cope in a lot of different ways, but for me the best thing I can do when I'm feeling anxious or depressed is to talk to my best friend about it, and give my brain a little active rest and decompress with videos games or something.”

You toured with Nightly this past fall, and completed a headlining tour last month. Describe your experiences, and what are three things you learned while out on the road?

vaultboy: “Playing live and having people sing along is a pretty wild experience. It still doesn't feel real when I think about it. Three things I learned are: You HAVE to actively take care of your voice on tour, every show will happen in the blink of an eye so you have to be present, and alone time is underrated.”

In the past two years, your song “everything sucks” went viral on TikTok, you’ve released several EPs, and toured the country. What do you see on the horizon for vaultboy? 

vaultboy: “Well, right now I'm working on my first album. I'm also looking at what my options are for future tours for later this year and 2024. But hopefully, the horizon is all good times and a LOT more music!”

 

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JAY-WAY: INTERVIEW


by sara welden

photo courtesy of ivav, a division of curb | word entertainment

Constantly seeking to broaden his hip-hop roots, genre-defying artist Jay-Way has returned with an explosive new track, “Running Out Of Love.” Back from the road after playing sold out European gigs supporting Rini and also performing at SXSW in Austin, TX, Jay-Way is drawing massive amounts of attention, and rightfully so! Learn more about the artist below, and be sure to keep Jay-Way on your radar!

Congratulations on the release of your new single, “Running Out Of Love!” Could you tell us about the inspiration behind the track?

Jay-Way: “Thank you so much! I've been in relationship stages where things started to feel forced. Neither of us felt like breaking up, but neither dared to do it. That's where I drew inspiration from.”

Your roots are in hip-hop but “Running Out Of Love” is also infused with pop-punk undertones. Where did that initial idea come from?

Jay-Way: “I love it! I pull influences from many genres, all of which I listen to. I wrote the song in Nashville, where I connected with a producer named Sajan Nauriyal. I loved his sound, and the result felt organic. We realized our taste in music was similar, so we created the record.”

I love how your music goes beyond genre and pulls influence from multiple styles. Is there a genre or area of music that you haven’t explored yet but would like to in the future?

Jay-Way: “Definitely. I'd love to experiment with Nu Metal and Bossa Nova for sure. Also, I grew up listening to a lot of Afrobeat. My parents are from Ghana so it was natural. That's a genre I want to experiment with.”

Who are some of your biggest influences when it comes to the music that you make?

Jay-Way: “Michael Jackson, Pharrell, Lil Wayne, Tyler, The Creator, and Childish Gambino. There are so many other artists but those come to mind first for various reasons.”

What does the typical songwriting process usually look like for you?

Jay-Way: “I like recording melodies on top of a beat and the words come later. Melodies are so universal. Someone could always understand the melody even if they don't understand the words.”

You recently finished up supporting Rini on your first European tour! What was that experience like for you? Is there a favorite memory that comes to mind from those shows?

Jay-Way: “Amazing!! I loved it so much. My favorite memory was taking off my shades and the crowd going crazy. A real Michael Jackson moment [laughs].”

You collaborated with Social House on your 2020 EP, No, I’m Not Ok. What was that collaborative experience like?

Jay-Way: “For that project, I worked with their associates, Isabella Sjöstrand and Anton Göransson. I did end up working with Social House last year for my upcoming album. The experience was crazy. These guys are so talented and I can't wait for the world to hear these songs. Stadium music for sure!”

Is there anyone in particular that you’d like to collaborate with in the future?

Jay-Way: “Pharrell without a doubt. Been my dream since I was a little kid.”

Since releasing your first single, “Cool Kid,” in 2014, what have you learned about yourself as an artist along the way?

Jay-Way: “I've learned to embrace my uniqueness. That's the only way that I'll stand out.”

What’s next for Jay-Way? Any goals or hopes for what’s in store?

Jay-Way: “I'm having fun with the singles but there's an album on the way. My debut album [through a record label]. Other than that I'll be on the road a lot.”

 

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'DRUNK ON A FLIGHT' / ELOISE: INTERVIEW


by joy villanueva

23-year-old London-born pop/R&B artist Eloise takes listeners on a magical journey full of heartache, remorse, and gooey earnest feelings with her new album Drunk On A Flight. Being a poetical, lyrical, and just plain-simple masterpiece, the record seems to be driven by guitar solos and sparkly grooves, making it puzzling for those listening to not get up from their bed and dance around their rooms.

The album, opening with the track “Drunk On A Flight,” is a masterpiece in itself as tones of R&B and cool-toned pop can be heard ringing throughout speakers. The song had to have been an intelligent creative decision to open with, being a platform for the rest of the album to lean on, speaking about an unrequited love that simply could not be saved. Instrumentals backing up Eloise’s vocals on the track “Drunk On A Flight” are alike to the supporting tracks “Pretend and “Forgive You.” With reminisces of similar artists such as Bruno Major, Eloise sings doubtfully but proudly, “In every man I meet / I look for you.” The bridge is easily a head-turner, with Eloise’s vocals sprinkling magical riffs left and right.

The most notable track of the record is arguably the track “Therapist,” an upbeat fun bedroom-pop song tackling the annoyance of having men talk to her about their issues, when it simply does not matter to the artist; the guitar solo within the bridge ties the sixth track together like a shiny red ribbon waiting to be unraveled. Vibes of “Therapist” can be heard in other existing tracks on the album, such as “Make It Better,” “I Take It Back,” “Giant Feelings,” and “Vanilla Tobacco.”

Drunk On A Flight slows down with the melodramatic tracks “Cold As The Sea,” “Friends Who Kiss,” and “In Another Year.” “Friends Who Kiss” is filled with La La Land-esque references and instrumentals, submerging the listeners in dreamy vocals and heartfelt messages about an agonizing friends-with-benefits trope.

Ending the coming-of-age record in a bittersweet yet memorable way, Eloise leads the audience on one last journey of heartbreak and survival with the track “Tired Now.” “And although it wasn’t right / We fought a good fight / But I’m tired now” are lyrics some listeners can relate to all too well.

It is difficult to believe that this is Eloise’s first album, but it certainly won’t be the last we hear from the artist. Whether you’re driving down the highway or crying in your bedroom over a dead-end relationship, Eloise has your back with her new album Drunk On A Flight, released April 14th.

 

'BEACON' / MORGXN: REVIEW


by sara welden

photo by shervin

Nashville indie-pop singer-songwriter MORGXN has just made a striking return with his brand new single, “Beacon,” which is a song that is driven by an incredibly powerful force. The artist is no stranger to the music scene as he has been writing and recording music for years, but this song holds an especially delicate place in MORGXN’s heart. “Beacon” signifies the artist’s return to his hometown of Nashville and captures his feelings surrounding coming home and finding his voice after the passing of his father. Being a forthright member of the LGBTQ+ community and experiencing first-hand the turmoil and unrest being projected towards fellow community members, “Beacon” is a song about finding the light within the darkness.

“Where do we begin? / You think you’re lost my friend.” MORGXN opens the track sympathizing with listeners and diving down into the levels of hopelessness and discouragement that someone may be in desperate need of rescuing from. Shortly following with, “I’ll try to show the way / Keep you sound and safe,” MORGXN assures listeners that he is here to be the one that will rescue them. “Beacon” is a compellingly moving ballad that moves with the ups and downs that come with life. 

Writing the song alongside Melissa Fuller and Drew Kennedy allowed the artist to find his own hope within the darkness. In the words of MORGXN, "Sometimes the power of a song remains hidden until right before you release it. Just how the light seems darkest just before the rush of morning. Beacon has and continues to save my life.” 

MORGXN proves himself as an exceptionally authentic and tenderhearted artist and person through “Beacon,” which is streaming everywhere today. For anyone in need of a little bit of hope, have a listen to the song.

 

AU/RA: INTERVIEW


by martina rexrode

photo courtesy of au/ra

20-year-old Au/Ra's 2018 single "Panic Room" put her on the map in the dark electronic pop world and opened the door to collaborations and writing credentials with artists like Jax and Alan Walker. Today, she's continuing to explore genres and musical worlds with her most recent collaborative single “Highs And Lows” with German DJ/producer ATB and York. Unclear sat down with Au/Ra to discuss this single and the future of her musical journey.

Congratulations on your latest single! How did this collaboration with ATB and York come about?

Au/Ra: “My dad (York) has been working with ATB since the 90s, and wanted to collaborate once again. It worked out perfectly that I happened to be home for the holidays in 2022, and heard the track and loved it. I quickly wrote the song within two hours, and recorded it right away, and ta daaa! That’s pretty much how it happened.”

Would you say this single sets the tone for the types of releases we can expect from you this year? Or are you taking your non-collaborative music in a different direction?

Au/Ra: “Oh, definitely. I will always have a love for dance music, but, at my core I am an alternative experimental pop girl. I love creating lyrical worlds and conceptual videos for my listeners to really dig into, and I can’t wait to keep on doing that.”

Aside from those you’ve worked with before, what are some of your dream collaborations?

Au/Ra: “My ultimate crazy *dream* collabs are Lana Del Rey, Daft Punk, Gesaffelstein, Mitski, Melanie Martinez, and Halsey.”

photo courtesy of au/ra

Your single “Panic Room” was released when you were only 16 years old. What is the biggest thing you’ve learned since the success you first gained in 2018?

Au/Ra: “Nobody teaches you how to handle the business side of things in the music industry — you have to figure that out on your own, sometimes by misstepping, by getting hurt. Especially when you’re so young, it can be really confusing when you realize not everyone wants the best for you, even if they are acting like they do. So let trust be earned. Listen to your gut instinct.”

Have you utilized social media to get your music out to listeners recently in new ways than you did when you were first getting started?

Au/Ra: “The social media world is an ever changing beast. So many things have changed since I first started. TikTok has definitely changed the whole game for artists.”

How has your musical style developed over the years?

Au/Ra: “I’ve pushed myself to try new things and have been inspired by different genres over the years. Recently I’ve been experimenting and finding the collaborators who want to let go of the boundaries. It feels really good.”

Are there specific genres that influence your music during the writing process?

Au/Ra: “Inspiration can come from anything for me — a lot of it is from watching fantasy and dystopian anime and tv shows. Been mixing in elements of rock and hyper-pop into my music as well.” 

What are your biggest goals for 2023 — music-wise or more generally?

Au/Ra: “I really want to learn how to feel content with the moment, and not always like I’m last in a rat race. I’m trying, but it’s hard with the nature of this kind of career [laughs]. Other than that, I’m pursuing a lot of creative things that are making me feel so happy at the moment that I can’t wait to reveal.”

 

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