DARUMAS: INTERVIEW


by martina rexrode

photo by lucía olmos

With an exciting, funky debut single released just last month, Latin band DARUMAS is already dropping their debut self-titled album. The band is composed of three members — Aldana, Ceci, and Vedala — each with their own unique musical and personal backgrounds that create a perfect blend of the three women’s influences. Their debut album comes at a time when women have already been dominating the music industry in all sectors with new releases, so a brand new voice like theirs is more than welcome.

Congratulations on your debut single! What made you choose “Daruma” as your first release? How does this single introduce listeners to the band?

DARUMAS: “‘Daruma’ is a song that perfectly introduces the band because it has a funky pop sound with something old school and that also greatly marks the DARUMAS sound. ‘Daruma’ is a letter of presentation of what DARUMAS is and that is why we chose it as our first song since it also has that touch of freshness and a lot of funkiness.”

Can you tell us a little about the meaning behind the lyrics?

DARUMAS: “The lyrics are based on making a wish to the Daruma doll from Japan, which is an amulet which comes without eyes. You set a goal and you draw one eye (the left one) and when that goal is fulfilled you draw the other eye. Basically it motivates you to meet your goals and to be persistent in what you set out to do.”

Who are some of your main musical inspirations, both individually and collectively?

DARUMAS: “Michael Jackson, Al Green, Robert Glasper, N.E.R.D, y también Luis Alberto Spinetta, Djavan. Lauryn Hill, Dinah Washington, Tracy Chapman, Bruno Mars, Nathy Peluso etc.”

The three of you come from different parts of the world with different musical roots. How easy or difficult was it to come together as a band and find a sound that blended those roots together?

DARUMAS: “In fact it has been very easy and enriching, since the three of us have very similar musical tastes and at the same time the different culture of each one adds a perfect mix that gives us something I think is unique. It was not at all difficult to connect between the three of us since we clicked from the first time we saw each other, we shared musical tastes among other things.”

How would you describe your sound to someone who’s never listened to your music?

DARUMAS: “We have an organic, funky pop sound with old school elements and very prominent bass lines. They are very happy songs musically, which have a lot of funk pop sounds.”

Following this single, you have released your debut album! Which part of this release are you most excited for?

DARUMAS: “We are very excited that you can listen to the entire album so that we can finish showing you the different nuances that we have with DARUMAS, always following the same line and sound but in different ways in each song.”

What are some of your biggest goals for your future as a band?

DARUMAS: “To leave a mark on music and open paths. Being able to connect and also make history in the music industry by leaving a mark.”

Is there anything else you’d like to tell us about the single or anything you’d like to make our readers aware of?

DARUMAS: “We are musicians making music, wanting to bring freshness and something new to the current Latin music scene. DARUMAS is coming to make you happy.”

 

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APRIL JUNE: INTERVIEW


by martina rexrode

photo by ana albores prejigueiro

Rising dream-pop artist april june’s newest single “starstruck” is out on May 10th. Evoking a sense of clarity accompanied by a piano-driven instrumental, “starstruck” is just one of april’s film-inspired tracks from her forthcoming EP out this August. She taps into themes everyone is familiar with in a unique and refreshing way, making her an artist to keep an eye on this year. To keep up with april, follow her on social media (@apriljune19) and be on the lookout for her spring and summer releases!

You’re gearing up to release a new single! What can you tell us about “starstruck” and what this release adds to your growing discography?

april: “‘starstruck’ is a departure from my usual production style, as it's quite minimalistic and revolves around embracing the simplicity of its elements. The backbone consists solely of the folk-inspired acoustic guitar and slightly pitched-down vocals, which set the direction for the entire song.”

How did the film True Romance inspire the atmosphere and the lyrics of this single?

april: “I never grow tired of the final scene; Patricia Arquette's character's monologue is perfect.”

Following that same thread, I read that you have this writing exercise where you compose a song while watching a film on mute. When did you first start using this method?

april: “I remember reading an interview with Dev Hynes where he mentioned this method, and I thought it was absolutely genius. I've been using it ever since.”

Which types of films produce the songs you’re proudest of? Is there a certain cinematic vibe that you find yourself returning to again and again?

april: “Anything by Sofia Coppola or Eric Rohmer is almost always guaranteed to be a good starting point.”

Where else do you pull inspiration from for your songwriting?

april: “The way people talk about things, I always keep a little notebook on me where I try to jot down anything that catches my attention when I'm out and about.”

I don’t know how much you can tell us about your upcoming EP, but I’d love to hear a bit about the process of putting together a longer project after focusing on singles for so long. How easy or difficult was it for you to collect a solid group of songs for an EP?

april: “I've never been into highly conceptual albums. Instead, I tend to prefer albums that read like a collection of thoughts and diary entries from a certain period of time in the life of a musician.”

Which themes does the EP tap into?

april: “Obsessive love, luck, gambling, and destiny; a bit of nostalgia (is that ever not a theme in music?); addictive personality; objects of desire.”

How are you feeling about the thought of releasing “starstruck” soon?

april: “Just like with any release, it's a mix of feeling nervous and excited at the same time.”

 

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THE BAND LIGHT: INTERVIEW


by sara welden

photo courtesy of the band light

From high school theater practice to now rehearsing for shows playing alongside artists like Quarters of Change and the Jonas Brothers, THE BAND LIGHT is a Nashville based pop-rock group who are rolling out their unique and vintage sound across the country. The band took the time to chat with us about early beginnings, touring, their brand new singles, and more which you can read below!

I read that you all met through your high school’s student production of Footloose. Who or what initially prompted the conversation about starting a band and making music together?

THE BAND LIGHT: “When Footloose was canceled due to Covid, we all decided to get together and make our own versions of the songs while in quarantine to honor the excitement we all had for wanting to do the show. When that was finished, we just started writing a few songs together, and that felt so right. We knew that the connection we had through the music was special, so we just started to write more and more and build the connection with each other more and more, and then THE BAND LIGHT was a genuine product of our shared love of music and connection.”

What does your friendship look like outside of work? What do you guys do when you aren’t performing or making music?

THE BAND LIGHT: “We have the type of friendship where ‘doing things’ together isn’t a necessity. We can do anything together and it’s a blast because it’s each other, you know. But we enjoy seeing movies together, obviously making music and just jamming, and we love to go to Jack’s house to hang out. His fianceé always cooks for us and we heavily look forward to those nights. Shout out Lydia!”

Because of your theater background, I have to ask, if your music could have been the soundtrack of any musical or movie, which would it be?

THE BAND LIGHT: “Well, I think it would be wrong to not say Footloose, right? But honestly, I would say our own. It has always been a dream of ours to make a movie or musical and write the music for it. We have so many plans outside of just music that hopefully will come to fruition one day.”

You guys recently supported Quarters of Change on a few stops of their “The Portraits Tour.” What was that experience like? Can we expect some more live shows or a tour in the future from you?

THE BAND LIGHT: “The Portraits Tour was a fantastic experience. The QOC guys are the best and we really look up to them a lot. We relate to them in a lot of ways, and so it was fun to get to hang out with them and get to play some of the best shows we’ve ever played in the meantime. We are itching to get back on the road and play more as soon as we possibly can!”

Your two most recent singles “Lover Girl” and “Flower Song” are really great! What does your typical creative process look like when it comes to making songs? Who typically contributes what?

THE BAND LIGHT: “Thank you so much! Our creative process really changes with the seasons, but this upcoming cycle of songs mostly started with Konnor and Trevor; since they live together they come up with the initial rough ideas, and then they bring them to Garrett and Jack and they are fantastic at helping mold those rough ideas into fleshed out bodies of work. Sometimes the process is the other way around too. We have a very piecey creative process, but it has worked in a beautiful way.”

If you could go back and visit your high school theater selves now after all you’ve accomplished so far as a band, what would you say?

THE BAND LIGHT: “Keep going, and keep pushing. The best is yet to come. :)”

With your 2024 already off to an amazing start, what can we expect next from THE BAND LIGHT? Any items on your bucket list as a band?

THE BAND LIGHT: “We have plenty of new music to share in this next year and are extremely excited for everyone to hear it! We are also looking forward to being on the road and being able to give something to the people that have been supporting us! As for our bucket list, I know we all would love to play stadiums, get our own pinball machine, and have our own Fortnite skins.”

 

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'THE TORTURED POETS DEPARTMENT' / TAYLOR SWIFT: REVIEW


by abby crabill

Somehow always knowing what her fans need, Taylor Swift has done it again. On April 19th, Taylor released her eleventh album, The Tortured Poets Department, as a surprise double album. Taylor shares her new album as a form of closure for herself from past heartaches, leaving her fans feeling as if they are getting a sneak-peek inside of her personal journal. As expected, she intertwines allusions to many other artists and works throughout her poetic tracks. While a feeling of angst and drama sets the overall tone throughout the album, each song leaves listeners trying to cope with understanding different emotions. In traditional Taylor fashion, there is plenty of room for speculation among her tracks. Any attempt to decode her music could go on forever, but here are a few thoughts to recognize and consider when listening to her newest album (for the first time, or the 100th time).

A large part of the album takes listeners deeper into feelings of heartache, loss, and not being enough. For example, songs like “So Long, London,” “loml,” and “Peter,” tend to represent loss and the pain that comes with reminiscing on moments that once brought joy. Taylor seems to recall several moments of unhappiness that she felt as she left a relationship and the town she spent much of her time in with the lines from “So Long, London,”

“I didn't opt in to be your odd man out, I founded the club she's heard great things about. I left all I knew, you left me at the house by the Heath”

Her song “Peter” seems to be an interesting telling of Peter Pan from the character Wendy's perspective. The song explores Wendy reminiscing on the promises that Peter made to her when they were younger, that have never come to fruition.

“You said you were gonna grow up, then you were gonna come find me. Said you were gonna grow up, thеn you were gonna come find mе. Said you were gonna grow up, then you were gonna come find me. Words from the mouths of babes, promises oceans deep but never to keep, oh, never to keep.”

If listeners don't want to spend all of their time alone under a fuzzy blanket wallowing in sadness, the album also explores themes of hope, freedom, and prevailing despite the odds. Some of these tracks include, “Florida!!!,” “Who’s Afraid of Little Old Me?,” “Clara Bow,” and “So High School.”

There is a final overall theme to the album, which strongly represents Taylor exploring all of the instances that have not only made her a better singer-songwriter, but a stronger woman.

This is best presented in her track, “Who’s Afraid of Little Old Me?” with the repetition of lyrics like, “Who's afraid of little old me? Well, you should be,” and “You wouldn't last an hour in the asylum where they raised me.” It can also be seen in her track, “Clara Bow,” when the lyrics change from comparisons made between Taylor and other famous artists, including: Clara Bow and Stevie Nicks to simply making it as a star for being herself.

“You look like Taylor Swift, in this light. We're loving it. You've got edge she never did, the future's bright... dazzling.”

As a whole collection, both The Tortured Poets Department and The Anthology, can be considered some of Taylor Swift's most personal, raw, and poetic work so far. Once again, she delivered, both for her fans and herself.

 

5 ARTISTS WE'RE EXCITED TO SEE AT PITCHFORK MUSIC FESTIVAL


by isabel dowell

Pitchfork, one of the most trusted voices in music, just released their lineup for their 2024 Pitchfork Musical Festival. Taking over Union Park in Chicago, Illinois from July 19th - 21st, music lovers from across the globe will be traveling to see their favorite artists, explore the city, and take in all of what these Pitchfork-backed artists have to offer. Black Pumas, Jamie XX, and Alanis Morissette are set to headline, with Jai Paul, 100 gecs, Carly Rae Jepsen, Jessie Ware, Brittany Howard, and MUNA also holding prominent spots on the initial lineup. Whether you’re a Pitchfork alum or visiting for the first time, here are a few artists we are most excited to see and recommend you check out too!

1. MUNA

Seeing MUNA on the lineup was the greatest gift we could’ve been given this summer. If you aren’t already familiar, this indie-pop band of Katie Gavin, Josette Maskin, and Naomi McPherson has been absolutely crushing the sapphic hearts and playlists of queer folks everywhere. Kidding… but not really. They toured with Taylor Swift, Harry Styles, Phoebe Bridgers, and Kacey Musgraves, so if they aren’t already a household name they will be. Their latest album, MUNA, was their first album as an independent artist and first being signed to Phoebe Bridges’ label, Saddest Factory Records. MUNA is known for their genre mixing experimentation, celebration of queer love, and thrilling and empowering tracks. We can expect to see all of that and so much more as they take over the Pitchfork stage on Sunday, July 21. Life definitely is so fun if MUNA is involved. 

2. Wednesday

Wednesday, an alt-rock band from North Carolina, originally started as a solo project led by Karly Hartzman (vocals/guitar). Growing to accompany Jake Lenderman (vocals/guitar), Xandy Chelmis (pedal/lap steel/banjo), Ethan Baechtold (bass), and Alan Miller (drums) allowed Wednesday to truly thrive and encompass the genre of alt-rock music that we all know and love. We are very excited to witness their set on Saturday, July 20th and experience the unique live show so many fans talk about. In just a few words, Wednesday rocks and we can’t wait to see them!

3. Akenya

Well-versed in the Chicago music scene, multi-genre vocalist, pianist, composer, and arranger Akenya will be making her Pitchfork debut following the release of her forthcoming debut album, Moon in the 4th, hinted to be releasing in May 2024. Akenya has worked alongside acclaimed musicians like Smino, Chance the Rapper, Anderson .Paak, and Hayley Williams, just to name a few. As a solo artist, Akenya’s music is unique and versatile. The lead single off of Moon in the 4th, “Hades Moon,” is now available and was coined “an excellent pop song” with “a testament to her skill as an artist” by Atwood Magazine. We are excited to experience Akena’s masterful talents on Sunday, July 21st. 

4. feeble little horse

Repping the Pittsburgh DIY-music scene, feeble little horse was born out of college dorm rooms and grew through basement shows and apartments that doubled as recording studios and producing spaces. Beginning in 2021, Lydia Slocum (vocals/bass), Sebastian Kinsler (vocals/guitar), Ryan Walchonski (guitar), and Jake Kelley (drums) have grown exponentially because of their “commitment to adventurous guitar tones, catchy hooks, noisy atmospheres, and dry, cutting lyrics,” according to Pitchfork. With this description backing them, they are set to bring an exciting energy to the Pitchfork stage on Saturday, July 20th. As their beginnings show, feeble little horse is fiercely independent and scrappy. We have no doubt that their set will gain them a slew of new fans to join in on their adrenaline spiking hooks and mesmerizing experimentation. 

5. Kara Jackson

Kara Jackson is also an Illinois-native known for her poetry, singing, and songwriting. Her musical debut came in 2019 with the release of her EP, A Song for Every Chamber of the Heart, and just last year she released her first full-length LP, Why Does the Earth Give Us People to Love?. Her debut album was also named Best New Music by Pitchfork which makes it no surprise that she’ll be gracing the Pitchfork stage on Saturday, July 20th. Her folk music is playful yet raw and observant, allowing you to live within her narrative. Her lyricism reads like spoken word poetry, clear and to the point, but combines beautiful melodies and layered instrumentals that bring a new level to her artistry. 

Bonus: Carly Rae Jepsen

Of course we can’t wait to sing our hearts out to “Call Me Maybe,” the single that catapulted this Canadian singer’s career into the limelight in 2011. Jepsen is known for her pop experimentation and catchy lyrics compelling listeners to sing along whether they realize it or not. Her latest back to back albums, The Loneliest Time (2022) and The Loveliest Time (2023), received endless accolades for their portrayal of isolation we all felt during the COVID-19 pandemic and the eventual freedom we were able to express after many years of separation, masks, and canceled events. Carly Rae Jepsen is known for her upbeat stage presence and contagious tunes. We can’t wait to dance with her on Saturday, July 20th.