BATHE ALONE: INTERVIEW


by martina rexrode

photo by lindsay thomaston

Bathe Alone is the musical amalgamation of artist Bailey Crone’s ideas and inspirations. Working closely with producer Damon Moon, Crone dropped Bathe Alone’s sophomore album I Don’t Do Humidity just a few weeks ago. The album is filled to the brim with material pulled directly from Crone’s personal life that surrounds this release with an incredible authenticity and a hazy sonic atmosphere. We talked to Bathe Alone not long after the album release, touching on the creative process, the influences of a background in classical music, and future goals.

It’s been just over a month since your album I Don’t Do Humidity dropped. How are you feeling? What was the first emotion you felt on release night?

Bathe Alone: “So the day the record dropped, we were actually on the road and playing a festival in Nashville. To be honest, show days are so crazy, I didn’t have a real chance to process that the whole thing was out! We had decided to play some new songs from the record that we’ve never played live before, so that was one small way to soak it in. It was nice to be able to spend this day in the sun with my friends.”

Which song were you the most excited for listeners to hear?

Bathe Alone: “I feel like ‘Victims’ is the song I’ve been most excited to see out in the world. I’m really proud of that one, and it tells such a huge part of the story of this album. During the rollout of the album, it’s been hard to keep that one a secret.”

What made you choose a lyric from the opening song “Lake Sympathy” as the album title?

Bathe Alone: “The album ended up having so many references to water, but in a negative way. Toxic relationships and divorce, things that really weigh you down. When we were trying to title the record, ‘Lake Sympathy’ had already been written, and reading that line back just felt like the right thing to tie all those concepts together, but with the attitude I want to carry from here on out. I don’t want to feel weighed down by those things anymore. Despite how serious the content of this record is, I’m actually a big troll in real life, so the title sounds almost as snarky as I would say it in real life.”

What was the creative process like? Did you pull in any collaborators or try any new techniques throughout the making of the album?

Bathe Alone: “This record took a long time, but it was just me and Damon doing what we do at his studio, but for a lot longer. We don’t allow a lot of people to be in the studio when we’re cooking, just so we can stay hyper focused and in the tone zone. As far as new techniques, we’re constantly trying to keep the process inspired, so there’s almost always a new thing we’re experimenting with, sonically. On this record specifically, it feels like every time we got a new piece of gear, we used it heavily on a song, and that has a big impact on my memory of it. Like ‘Victims’ has this fretless jazz bass and a Mellotron, and ‘Fresh Start’ was a Microcosm Hologram doing really weird things to drum machines and vocals.”

How has your background in classical music affected the sound you’ve created for yourself today?

Bathe Alone: “I think I have a good grasp on harmonic movement and how to support chords to get the right emotion based on the surrounding arrangement. In other words, I try not to think like a player in a band. I try to think from the bird's eye view. I want to see the picture as a whole. I feel like if you think like a player in the band, then ego gets involved. You may want to show off because you can, but that doesn’t always serve the song. I try to do things that are appropriate for the vision as a whole. Dynamics are the most important thing that I learned growing up in all those ensembles and bandy bands — it helps in deciding what the most important instrument is to be heard at any given point.”

What is the biggest incentive you’ve discovered for delving into such personal material in your music?

Bathe Alone: “I can’t afford therapy.”

Are there any goals you have for yourself or your music for the second half of this year?

Bathe Alone: “I’m looking forward to getting back on the road and really giving the songs on this album their own lives on stage. I feel like they always take on a brand new energy with the band, so I’m really pumped to play some shows and connect with our fans!”

 

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LYDIA THE BARD: INTERVIEW


by abby crabill

photo by lydia the bard

Lydia the Bard is a London based singer-songwriter, who broke into the industry by sharing her music on social media. While she enjoys sharing music covers, Lydia also stays busy writing her own music. Though her music is personal, she keeps it relatable with themes of anxiety and inner peace. Lydia recently released her debut EP, with her main track, “Afraid of Quiet.”

When was the first moment you knew that you wanted to pursue a music career?

Lydia: “I knew I wanted to pursue a music career from a very young age, around eight years old. Growing up, artists like Taylor Swift and Lea Salonga were significant inspirations and listening to them definitely spurred me to take up singing.”

Who or what inspired you to start sharing your music and covers on social media? 

Lydia: “During the pandemic, I had more time on my hands, which allowed me to play about with recording covers and writing my own music more. I started sharing my music on social media, mostly just covers of songs I enjoyed, then I began reimagining songs and then I began writing my own music! It all kinda snowballed.”

How would you describe your sound to new listeners? 

Lydia: “It’s a big old melting pot of sounds! I really make whatever I want and I enjoy so many different styles of music that mean this can look very different from week to week. If I had to drill it down I would say my sound sits mostly in a theatrical indie folk space.”

What does your name, Lydia the Bard, represent? 

Lydia: “My name, ‘Lydia the Bard,’ is inspired by my love for D&D, where a bard is a character known for storytelling and music. I began playing D&D with my friends a few years ago and fell in love with it! Just going by Lydia felt a little boring, so Lydia the Bard it is!”

Can you tell me a bit about your debut EP?

Lydia: “I began writing my EP at the end of 2023 and probably wrote about 30 different songs before settling on the three that made it into the EP. This is the first time I’ve released songs that were this personal and meant so much to me so it was really important to me that I got it right. Along with my writing partner Ben, we selected the three songs that would make their way onto the EP and spent the next few months fleshing them out and moulding them into what you hear today! My EP takes heavy influence from folk/indie pop artists and documents my experience with anxiety and the patriarchy.”

What does your process look like for choosing which songs to cover and post? 

Lydia: “I choose songs primarily on what I enjoy singing and what I think would be fun to create or sing to! A lot of the time these might be songs from films or TV shows or musicals that I enjoy!”

What is your favorite part of the songwriting process? Why?

Lydia: “My favorite part of the songwriting process is the lyric writing. When I think of really good lyrics it makes me feel smart and I like feeling smart.”

Besides music, what are some of your favorite hobbies?

Lydia: “Besides music, I love my plants, I started collecting them during the pandemic and am very proud of my collection. I'm also a big reader and love finding a new book series to devour!”

So far, what has been your favorite song to cover? Why?

Lydia: “Oooh, that’s a very hard question! I enjoyed all the songs I’ve covered for different reasons! At the moment I think my favorite thing to do is record my own original songs though, recording my EP and the original song I wrote for Tinkerbell was a really enjoyable process because I wasn’t just covering a song I was performing my song!”

What do you consider your biggest accomplishment so far?

Lydia: “I consider my EP my biggest accomplishment so far. As someone who began as a cover artist it was something I truly didn’t think I’d ever be able to do, so it’s definitely my proudest achievement and the most rewarding thing I’ve done.”

What projects can we look forward to seeing from you in the future?

Lydia: “Lots and lots of original songs in various genres and telling various stories! Definitely more songs in the style of my EP and more MT originals too!”

 

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GOV BALL 2024: A FESTIVAL TO REMEMBER


by janae stewart

The 2024 Governors Ball flew by in a whirlwind of music, sunshine, and free stuff. Held over three glorious days at Flushing Meadows Corona Park in Queens, Gov Ball boasted an impeccable lineup and an atmosphere that made it a truly unforgettable experience.

The anticipation was palpable as I joined the throngs of festivalgoers, the iconic Unisphere looming majestically in the distance. The sound of pounding amplifiers echoed through the gates, a delicious taste of the musical smorgasbord that awaited us. Conversations crackled with excitement as everyone strategized their must-see sets and the best ways to navigate the festival grounds

Beyond the Music: Interactive Delights

Gov Ball wasn't just about the music; it offered a variety of interactive experiences that added to the overall festival fun. Here are a few highlights that stood out:

The Coke Studio Experience transported attendees to a cool summer cabana with its sleek black and red design. Free Coke was a welcome refreshment, but the real draw was the AI DJ experience. With only our pictures taken, the experience produced an AI-generated music video that made it seem like we were actually singing. We walked away with high-quality hand fans – perfect for beating the heat and showing off our Coke Studio swagger.

M&Ms Sweet Tour: As a self-proclaimed M&M fanatic since my Halloween costume days, this stop was mandatory. The booth offered a chance to snap photos with the colorful characters, indulge in free samples of the surprisingly delicious Peanut Butter M&Ms, and score some cool M&M swag like temporary tattoos and bucket hats.

Dunkin' Donuts Lounge: As an honorary Bostonian, I couldn't resist the Dunkin' experience, especially after a long day on my feet. They offered free iced coffee samples, Munchkins, and festival swag –  including fanny packs, bucket hats, and sunglasses. Refueled and rehydrated, I was ready to conquer Day 3.

The American Apparel Tee Lab: Who doesn't love free festival merch, especially when you can customize it? The American Apparel Tee Lab offered a choice of crewnecks, v-necks, and tanks, along with four awesome designs. The best part?  They screen-printed the design right on the spot! The line was long, but the wait was totally worth the unique souvenir.

Musical Highlights

Gov Ball's lineup was stellar, and here are some of the performances that stole the show:

FLO 

The British girl group FLO has been on my radar since their single "Cardboard Box" went viral. Their stage presence was electrifying, and they delivered a high-energy set filled with their hits and killer covers of iconic girl group anthems like "Don't Let Go" and "Bootylicious." The future is looking bright for these rising stars.

Reneé Rapp 

Who knew the voice that captivated audiences on the Jimmy Awards stage would translate so perfectly to the Gov Ball main stage? Reneé Rapp commanded the crowd with her powerful vocals and captivating stage presence, performing hits like "Tummy Hurts" and "Snow Angel." Her effortless transition from theater to mainstream music is sure to inspire aspiring artists everywhere. 

Sabrina Carpenter 

Though we missed the whimsical pink motel set design from Coachella, Sabrina Carpenter's Gov Ball performance was no less captivating. With her dancers and signature "girl cat from Tom and Jerry" aesthetic, she created a truly immersive experience.  The crowd roared for her brand new single "Please, Please, Please," and she closed the show with a powerful rendition of "Nonsense," complete with a festival-appropriate outro change that had everyone cheering. “Do I text him back? It’s such a tough call / That won’t fit inside me, bro, I’m dumb small / People who hate Pride can suck my Gov Balls.” 

Chappell Roan 

The undisputed queen of the festival circuit, Chappell Roan did not disappoint. Her performance was pure spectacle, from the smoking apple chariot entrance to her iconic Statue of Liberty outfit. She delivered a powerful set filled with fan favorites like "Good Luck, Babe!" and "Femininomenon," and even debuted a brand new song, "The Subway."  The crowd erupted when pizza boxes with the phrase "HOT TO GO!" were passed out, leading to a festival-wide dance party that solidified her place as a true festival powerhouse.

Thirteen years in, Governors Ball remains a cornerstone of the summer festival scene. Their dedication to booking incredible artists, creating unforgettable experiences, and offering little extras like freebies and interactive booths makes it a festival you won't want to miss. Here's to many more years of Gov Ball!

 

THE WARNING: INTERVIEW


by emma schoors

photo by danielle ernst

Monterrey sister trio The Warning return today with their knockout fourth studio album Keep Me Fed, which ensures their continued standing as one of the strongest, most undeterred rock outfits of the decade.

Daniela, Paulina, and Alejandra Villarreal Vélez broke onto the metal scene in 2013 with a rocking cover of Metallica’s “Enter Sandman,” which racked up over 20 million views on YouTube and earned the sisters praise not just from millions of new fans, but the band themselves, with guitarist Kirk Hammett hailing Paulina as a drummer who “kicks maximum ass.” It’s been over a decade since that video turned all eyes to The Warning, and they’ve all but squandered the opportunities it presented to them. The sisters — guitarist Daniela “Dany,” drummer Paulina “Pau,” and bassist Alejandra “Ale” — have since released two EPs, four albums, and recorded a whopping fifteen music videos to support their material.

On Keep Me Fed, they hope to reach fans on an even deeper level than previously imagined. “[This album] is the result of us letting ourselves go, and writing stuff we didn’t even know we had to express,” Dany says. “Our biggest wish is that the people who listen will also find themselves and what they need in our music.”

We had the chance to sit down with the band to discuss Keep Me Fed, their upcoming Canadian tour with Evanescence and Halestorm, what keeps them motivated, and their dream collaboration! 

Thank you for joining us! Before we get into your brand new record Keep Me Fed, we’d love to know what sparked the inspiration for its lead single, “MORE.” Why did you choose this track as the first glimpse into the album?

Dany: “To be completely honest with you, it was the song that we wrote and recorded first! We felt it was time to let people know we were working on new music and we were preparing a new album for everybody as well. And ‘MORE’ was such a fun song to write… we also had a focus on making a cool song for our participation in a Pepsi campaign in Mexico, and we are proud to say that ‘MORE’ was the focus song of the whole campaign in 2023.”

Considering you were all so young when your “Enter Sandman” cover went mega viral, you must’ve grown up immersed in music. When did you first decide to pick up instruments and form the band, and what types of music did you find yourselves drawn to early on?

Ale: “You are correct! We grew up in a very musical household. We would see live concerts on DVD all the time and some type of music would always be playing around the house. We grew up listening to a lot of Queen, Muse, Elton John, Billy Joel, Pink Floyd, AC/DC and many others. Even though our parents are not musicians, they are very much music lovers. We started playing the piano and learning to play classical music, then the Rock Band changed everything. We played that video game non-stop and it was the inspiration for what we do today! Still at that point, each of us did our own thing for a while until the fateful day we decided to play a song together for fun… safe to say, we loved it.”

What significance does the new record’s title, Keep Me Fed, hold to you all?

Pau: “The title Keep Me Fed represents this constant need of being fed by something, anything really, whether it be from social media, music, comedy, reading. It represents how nowadays living a single second without consuming something is unthinkable, and the need for constant stimulation is equally expected of everyone.”

You described another of the album’s fantastic singles, “Burnout,” as about “being tired of being dragged down by someone who just stopped trying in life.” On the contrary, what keeps you motivated to try, especially in the band?

Dany: “Love this question! There’s lots of things that motivate us, but specifically I think it’s the people around us: our parents who support us and work so hard for our well being and happiness as well as our success, our whole team that have stuck with us through every rehearsal and show around the world and always inspire us to be better, every single person who listens to our music and shows up to rock out with us in our shows, and especially each other. As sisters, we know we have our backs in this crazy and incredible journey. We are very grateful for all of these things that give us motivation, because following your dreams is hard and it will make you work harder than you’ve ever done before, so we’re lucky.”

How does a typical The Warning songwriting session go? Do you start with lyrics and lay down instruments from there, or vice versa?

Ale: “It depends a lot on the song and where the inspiration to write it came from, but Pau who is the main song starter in the band, pulls a lot of inspiration from visual stuff. She will usually have a theme and a mood board to accompany it and then sit in the piano. Sometimes music comes out first, sometimes lyrics… sometimes both at the same time. We all are very involved in the songwriting process and the end result. Rockafying songs that are born as piano ballads is always fun.”

So many of rock’s greatest groups have included siblings — Van Halen, Allman Bros, Kings of Leon, AC/DC, the list goes on. Why do you think that is? Is there an element to performing with family that gives the music extra meaning?

Pau: “We can’t speak for all of those bands, but being siblings in a band together for us is the coolest thing ever. We’ve always been very close, and music is all about sharing feelings and ideas in a very special way. To have the opportunity to do that with the people who understand you and love you the most is definitely a blessing. Plus, you will have the most unfiltered honesty that siblings have [laughs].”

Later this year, you’ll join Evanescence and Halestorm for a string of live dates in Canada! What are some essential items you keep with you on tour?

Dany: “Yes, we can’t wait to be on that tour! Essentials for tour for us are… now don’t laugh, but tortillas [laughs]. We travel with tortillas everywhere. As good Mexicans, we need some quesadillas for breakfast, and it helps a lot to have something that reminds us of home, especially since we are away for very long periods of time.”

You’ve also performed alongside Foo Fighters, Muse, Royal Blood, Guns N’ Roses and more. What’s the best advice you’ve been given by an artist you’ve played with?

Pau: “We have, and every single one of these experiences have been amazing. On the Muse tour we received advice that said ‘always be kind,’ and yes, the most amazing thing these performances have shown us is the kindness of all the people that make a band shine, whether it’s the artist themselves or all of their crew. We hope we can be a band like all of them and show the same kindness to the new band of the next generation when the time comes.”

What are some of the main themes on Keep Me Fed? Maybe a message you’d like listeners to take away at the end of it?

Dany: Keep Me Fed is the result of us letting ourselves go, and writing stuff we didn’t even know we had to express. It was an album of a lot of self-discovery, as well as letting ourselves have fun writing our songs. Our biggest wish is that the people who listen will also find themselves and what they need in our music. Let Keep Me Fed be a safe space to let yourself feel what you need to feel.”

Finally, who are some artists you’d love to collaborate or tour with in the future?

Pau: “Well, we haven’t collaborated much as a band, but we’ve had so much fun on the ones we’ve had! The Metallica Blacklist project with Alessia Cara was an absolute blast, and we’re participating on a song with Band-Maid on their new upcoming album. We love sharing the creative process with other artists and in the process enrich ours and open our minds to new ways of songwriting. If we were to shoot the rocket to the moon, we’d say we would love to collaborate with Muse. That would be a dream come true, let’s manifest it!”

 

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5 NEW ARTISTS TO SEE AT NORTH COAST THIS YEAR


by emma zanger

North Coast Music Festival is on its way back to the Chicagoland area for its 14th year, and we’re so excited to see some of our favorites! Taking place August 30th through September 1st at Seatgeek Stadium in Bridgeview, IL, the festival is set to have its largest year yet. Complete with an immense seven stages, hosting a broad lineup of artists, as well as an extensive collection of art installations, the festival’s attendees are in for a phenomenal experience.

The dazzling three-day festival includes powerhouse headliners such as Illenium, Above & Beyond, and Alan Walker. We’re excited to see popular artists like Seven Lions, Slander, Diesel, and Sullivan King, but let’s take a look at some of the newer artists on the NCMF scene. Make sure to take a break from the heat this Labor Day weekend to go see their sets!

TOMBZ

Bringing a bit of dark house to the festival scene, this Milwaukee artist is one we don’t want to miss. Known for an immersive mood that creates entire experiences for their listeners, Tombz is set to play day two of the festival. Be sure to head over to the Club Coast stage to hear their latest single “That’s What’s Up.”

PATRICK COLES

This Florida artist, who’s been releasing quite a handful of singles in 2024, brings a fresh and fast paced sound. Patrick Coles has an uplifting and euphoric sound, perfectly matched to the exhilarating festival experience. 2024 singles “Hypnotize,” “Falling 4 U,” and “Break A Sweat are ones we can’t wait to add to our festival memories list! See you at the silent disco.

MAX WAGNER

New to North Coast but definitely not to Chicago, local house artist Max Wagner is set to bring a punchy, fast, and uplifted summertime vibe into the festival this year. Grab some friends and catch Max at the Shipyard on day two. His enthusiastic and popular presence around the Chicago scene is sure to bring your Labor Day weekend to the next level.

CAPOZZI

The Shipyard stage is due for an amazing performance by electronic artist Capozzi. Known for her collaboration with artists like Tchami, this girl is no stranger to the electronic scene. Her rounded dark electro mix between techno and spacey samples, sets up her own sound. Be sure to catch her on day two.

RAVENSCOON

Electronic force of nature Paul Conversano is set to play the Vega stage at North Coast this year, and there are several hits of his we can’t wait to catch. Having a reputation for combining many different genres (dubstep, trance, rap, DnB, etc.) in a seamless blend that reaches vast audiences, North Coast is blessed to have the sounds of Ravenscoon on day two. Ravenscoon sets are known for being enticingly experimental, and we can’t wait to experience it with you.

Tickets are selling fast, so make sure to grab your tickets to this incredible festival now. See you there!