EVANN MCINTOSH: INTERVIEW

November 6, 2025

by joann snavely

Kansas-born, Chicago-based artist Evann McIntosh has been carving out their space in the indie scene since their breakout debut at just sixteen. With influences from classic rock icons and up-and-coming indie artists, McIntosh has curated a catalog plentiful in introspection and upfront experimentation. McIntosh is back with their most experimental single yet. “Free Ride” is a track born from dorm parties, chance encounters, and the encapsulation of youth. Unclear Magazine got to catch up with McIntosh about the making of "Free Ride," Thelma & Louise, their growth as an artist, and more!

Congrats on your latest single, "Free Ride." Walk us through the making of the song and what inspired you to make the track.

Evann: “Thank you! When I was 18 I moved out to Chicago and everyone else my age was going to school so I’d make these friends at shows who were going to Columbia or UIC and the song is about attending dorm parties and being the only person with a car.”

Musically, were there any artists in particular who inspired you to make the single?

Evann: “I saw Madison Cunningham at Thalia Hall in 2023 maybe and that Revealer album had me in a chokehold for a few months thereafter. Abe Rounds who produced the song asked if she would be down to play on it and she did! That's surreal. Madison Cunningham and 70s classic rock artists like Fleetwood Mac, Steely Dan, Tom Petty. I was in a dark place and I was listening to this song by The Time called ‘The Stick’ a lot. I don’t know what was up with that. Only to say that I must’ve had cars on the brain.”

What does "Free Ride" mean for the future of your music?

Evann: “‘Free Ride,’ for the future of my music, means greatness, realness, and awesomeness forever.”

How would you describe "Free Ride" to someone listening to your music for the first time?

Evann: “It definitely stands out in my catalog. It’s the most guitar heavy for sure, I think a lot of my stuff I’ve got out is based around synths, the MOJO album is a bunch of keys and synths on GarageBand. But I think the attitude fits with everything else, it’s still very me. Probably my coolest song. I feel very cool when I play that song.”

Is there any specific lyric on "Free Ride" that stands out from the rest of the song?

Evann: “The verses are pretty clever. I’m proud of that line, ‘Got to burn some bridges to keep warm sometimes.’ I don’t know if anything in particular stands out from the rest. Maybe at the end where I spell out the sentiment, ‘Everybody they want something, if you can take it, if you want it.’ I get in the habit of being suspicious of things that are too easy, or I think I don’t deserve them. As one should be suspicious of a stranger offering a free ride. I think that thought process stops me from enjoying good things. Not that people should not be weary of strange people offering them rides! You should! I need a better metaphor.”

If you could include "Free Ride" on any movie's soundtrack, which would it be and why?

Evann: “Probably like Thelma & Louise. They could drive off the cliff to ‘Free Ride.’”

You've been releasing music for quite some time. How have you seen your sound evolve over the years?

Evann: “I grow, I listen to more music and learn more. It’s a journey in self discovery, everytime I release music or move into a new era it feels truer to me. That is a big motivating factor in learning more is the more knowledge I’ve got the more control I have and the easier it is to communicate what I’ve got in my head. That’s also just life probably. Sonically this new stuff is objectively the best sounding music I’ve released. Very beautifully mixed by Chris Connors.”

What has been the most important piece of advice you've been given as a musician so far?

Evann: “Chill out!!! It’s not that serious. And practice.”

If your music were any inanimate object, what would it be, and why?

Evann: “This is hard to say. I’ve never thought about this before. I want to say a disco ball? Might be a lame answer. It’s a pretty standard cool object. But it’s fitting for any ambiance. A disco ball you can spin for any song really, if you want. Slow disco ball, fast disco ball. Multicolor disco ball. Pretty versatile.”

Are there any additional upcoming events or projects fans should be aware of?

Evann: “It’s hard to say… but something in me says… yes there is… but it’s too soon… to say…”

FIND EVANN ONLINE

WEBSITE TWITTER INSTAGRAM FACEBOOK

SEVENTEEN IN SUNRISE, FL

November 5, 2025

by ryan-samuel borromeo

K-pop group SEVENTEEN makes their return to the world stage on October 26, 2025, at the Amerant Bank Arena in Sunrise, FL. Even before doors opened for the show, SEVENTEEN’s fandom, AKA Carat, was excited to see their favorite Korean boy band. Fans lined up as early as five in the morning to purchase merchandise and share in the show's hype. As soon as the doors opened, fans packed out the frigid venue clad in cute, pastel-themed concert fits that reflect the Seventeen Carat aesthetic.

At the peak of audience anticipation, SEVENTEEN takes the stage with their remixed song “Bad Influence” to a vibe much reminiscent of a vogue runway. No words can honestly describe the environment at this time, except maybe 'aura.' Fans screaming their hearts out whenever their boy band bias appeared on the venue’s jumbo-sized screens. This level of intensity remained consistent throughout the two days. SEVENTEEN’s tour at Sunrise is a true testament to their talent and the fun energy they bring to their fans.

A pleasant surprise for the writer, along with a plethora of group-centered songs that SEVENTEEN performs, the group also gives its members a chance to shine as individual artists, with solo performances sprinkled throughout. Each individual member has the opportunity to showcase their own artistry; however, I was most impressed by Joshua’s solo performance of “Fortunate Change.” A poetic and heartfelt song about how new love can transform one’s view of the world. Something that reflects how I view the band as a whole now, through exploring each member’s personal musical style.

I can say that there isn’t a boy band quite like SEVENTEEN, especially when it comes to interacting with fans. Their fan interactions are truly unique, and I’m sure it was worth every penny for Carats to get seats as close to the barricade as possible. But the love doesn’t stop there for SEVENTEEN; they made the whole arena truly feel special those two days, which was quite pleasing to witness.

Overall, SEVENTEEN is a must-see talent not only for K-pop fans but for general audiences alike. Their music truly transcends language barriers, and the aura can be felt by everyone. They continue to leave it all on stage for the fans, and I can’t wait to see them return to South Florida.

MICHELLE NÚÑEZ: INTERVIEW

October 16, 2025

by kristen case

Michelle Núñez is evolving, and on her latest single “california, home” is proven to empower vulnerability with the push and pull of choosing freedom and staying afloat amidst constant change. “california, home” has nature infused instrumentation and evocative vocals in this soulful ballad. The single gives an introspective look into where Michelle Núñez is and where she is going next. She took a moment to give us a closer look as we discussed the creative process of “california, home,” what she discovered while creating it, and the story behind the song.

Congratulations on the release of “california, home!” What inspired the themes and the sound of the single?

Michelle: “Thanks. :) My biggest inspiration is my family and the longing that comes with missing them while living across the country. The sound came to life on a sunny day in LA, sitting on my back patio, strumming my guitar, and seeking solace in homesickness.”

What is the story behind the song?

Michelle: “It’s a homage to California’s beauty and the bittersweet feeling of living in such a vibrant place while feeling a tug in my heart for home, for my family.”

What was the writing and recording process for the song like?

Michelle: “The writing process came naturally. The line ‘the California coast never looked so beautiful, I miss my folks back home’ came first, and the rest of the song grew around it. My friend and producer Yoosuf and I spent a lot of time in the studio reworking certain moments and experimenting with sounds to create the song’s all-encompassing, almost surreal tone. It was a joyful, collaborative process.”

What was the creative process like for “california, home?” Have there been any new rituals when you have creativity spark?

Michelle: “My creative process is very free-flowing. It often starts with strumming a few chords, letting a verse emerge, and then building a story around the emotions I’m feeling, drawing from past experiences that have shaped me.”

If you had three words to describe your sound, what would they be?

Michelle: “Free, open, alive.”

You have such heartfelt lyricism and really nurturing your work like a quiet whisper of hope but also so raw in emotions. How do you balance the evolution of your artistry?

Michelle: “Sometimes the hardest part of being an artist is feeling life so deeply. It’s also a gift I wouldn’t trade for anything. Balance comes from allowing myself to feel fully, even when it’s intense, and learning to navigate those extremes daily.”

What is your favorite lyric/verse from “california, home” that you feel best captures where you're at right now?

Michelle: “‘Visions in my heart, prayers in my soul, The Almighty whispers, reminding me I’m whole.’”

What would you say to someone who has never heard your music before?

Michelle: “Here’s a piece of my heart and my soul exposed. I hope it makes you feel something good.”

You described “california, home” as the pull from longing for home and the bittersweet act of leaving loved ones behind. Reflecting back, what part of yourself did you discover while creating it?

Michelle: “I discovered a part of myself that can let go of safety and embrace the unknown, trusting it will lead me exactly where I’m meant to be.”

What projects can we look forward to seeing from you in the future?

Michelle: “Live studio acoustic versions of my releases this year and new music next year, and hopefully some live shows. :)”

FIND MICHELLE ONLINE

WEBSITE INSTAGRAM

BLACK POLISH: INTERVIEW

September 26, 2025

by joann snavely

Black Polish has built a reputation based on genre-bending experimentation, blending the intensity of punk with electronic textures that feel both raw and cinematic. Their latest single, "BONDAGE," is that first step outside of the indie genre they once resided in. With influences spanning from Fleetwood Mac to Crystal Castles, this project is a beautiful contradiction of dark yet playful, and intimate yet exaggerated. In this interview with Unclear Magazine, Black Polish unpacks the creation of their latest projects, giving fans a glimpse of what's to be expected from their upcoming album.

First off, congrats on the release of "Bondage." Was there any specific moment or feeling that sparked the idea for the track?

Black Polish: “When I was in the studio with Jack Laboz, we originally were making something from scratch with zero direction. We laid down synths, drums, and some guitars that sounded beautiful. However, it was a ‘classic Black Polish sound’ with live punk drums and acoustic guitars. After I sat with it, I realized I could do something completely different and step out of my indie comfort zone. The next time we met up, I told him to get rid of the drums and guitars and to let me mess around on the drum pad. It turned into the beat you hear today which inspired the rest of the album's electronic feel.”

The song explores this world of self-growth in a bold, erotic way. When you're writing something with so much emotional power, how do you balance vulnerability with artistic control?

Black Polish: “I write lyrics filled with fantasy and obvious exaggeration such as the ‘cuddle with blood and guts gore’ line. It allows me to describe the feeling of what I’m going through while not flat out saying what it is.”

You pull influence from so many different genres and artists, ranging from Fleetwood Mac and Nicki Minaj — what artists did you find influencing you the most in the creation of "BONDAGE?"

Black Polish: “Pastel Ghost, Crystal Castles, and public memory helped a lot.”

If "BONDAGE" could join the soundtrack for any film, what film would it join and why?

Black Polish: “It would have to be a horror anime about a yandere for sure. That’s all I was thinking about when writing it.”

Walk us through the making of "BE WITH YOU." What was the production process like on the track?

Black Polish: “I wanted to have one really fun song on the album that’s lighthearted before we get into the deep story part. The lyrics were inspired by ‘Blister in the Sun’ which combines indie with vulgar, out of place lyrics. I remember me and Stolen Nova giggling about what we were writing down in the studio. Sonically, the goal was to combine raw energy with an ethereal atmosphere. Out of tune choppy guitars and perfect synths were mandatory.”

What do you want fans to take away from your music? How do you aim to make them feel?

Black Polish: “My music is for you to escape to. Seen, freed, and healed.”

If your music were any inanimate object, what would it be and why?

Black Polish: “A dirty school notebook filled with half assed drawings and an attempt to pay attention in class. It’s honesty with effort.”

You've been playing some live shows lately. What's your pre-show ritual?

Black Polish: “I hermit in a dark room, chant dark scriptures, and do vocal warmups.”

What is the most meaningful piece of advice you've been given in your artistic career?

Black Polish: “Have fun with it. If you’re not having fun then change something.”

You have a new album on the way. What can fans expect from your upcoming LP?

Black Polish: “Trauma.”

What can fans expect from Black Polish? Any upcoming events or projects that fans should be aware of?

Black Polish: “I’ll be traveling a lot more to see my fanbase in person.”

FIND BLACK POLISH ONLINE

TWITTER INSTAGRAM FACEBOOK

'WHISTLING PIE' / MITCH ROWLAND: REVIEW

September 13, 2025

by olivia powell

Mitch Rowland’s sophomore album Whistling Pie is a timeless testament to dichotomies. It’s a cohesive patchwork of sentiments, mostly those that inevitably come along with being a father and husband in an ever-evolving life, all sewn together to form a vignette of his story. His first album Come June successfully achieved the goal of any debut album, setting the stage for who Mitch Rowland is apart from being Harry Styles’ guitarist (a standout one at that). Now, time has gone on and time itself is the thing to treasure. It could easily be made frenetic, but instead takes on a rather contemplative and self-aware energy. The album begins with “Cabin,” an instrumental piece of tone-setting music, that leaves the words for track two. These moments without lyrics give the words he sings more weight. Each word sounds intentional and rife with meaning. It’s contemplative, even when expressing contrasting feelings.

The influence of artists like Elliot Smith is apparent on whispered, close-mic’d songs like “One In One Out,” and “Honeybabe.” The former track establishes a sonic tension that exists through the album. Rowland’s occasional use of lilting vocals creates a sense of unpredictability mirrored in the lyrics themselves; lines like “moldy apple of my eye” are an unexpected twist on a sweet cliché. Often ambiguous, the interpretation is somewhat open. On “Take 2” and “You Could (Be Good)” the lyrics from the previous song “you can do anything,” become “you can be anything” on the latter, in an ode to family and his wife. It has the softness of a Jack Johnson song, with guitar riffs that brightly sound like a call-and-response.

There often seem to be two ways to interpret one song. “Nothing Is True” may seem titled to reflect some kind of despair, but by the song’s conclusion, the phrase sounds more like a mantra. It’s a suitable example of the album’s theme, which is one of making peace or at least comfort with the way things are. The songs themselves are comforting, fitting for the countryside where they were created. Though it could be best described as a folk album, there are surprises in store. The use of a drum machine on “Do It For Real” adds a DIY texture to the song. Instrumental interlude “Carrot & Wine” features a reversed guitar, brief enough to pique interest and short enough to segue from the previous track. The local grocery mart that inspired the track’s title is a wholesome reference for his family.

The psychedelic rock edge that Harry Styles fans have come to love on songs like Styles’ “She” (Rowland solos) makes an appearance in folk form on “Take Two,” then again in full-force on “Carry On With Your Tea.” Starting off soft as a lullaby, the guitar soon strums in heavy. An electric guitar solo adds some grit, while building to the ending lyric, “it will all come back to me someday.” That sense of blues-guitar confidence continues on through “Honeybabe,” a nostalgic tune with a bit of quirky darkness reflected in the music video, wherein a mostly stone-faced Rowland witnesses a woman killing her cheating husband. It contains the same sure-footed storytelling as any classic country song. A steady beat anchors “Standard Size Knife" as the album’s closing track, which feels a bit like the end credits to a coming-of-age film. As the credits roll, a genuine glimpse of Rowland’s narrative has been shown to those who have listened. It ends sounding hopeful in saying “I try,” while simultaneously questioning “are we dying alone.” On Whistling Pie, Mitch Rowland has shared the things he’s still questioning, giving the rest over to time.