FUTURE HUSBAND: INTERVIEW


by mariah estran

photo by renée meijer

When pausing an episode of How I Met Your Mother, Adura Sulaiman saw the words: “Future Husband” stretch across the screen. The singer jotted the phrase, saving it for a potential song title. However, now, it’s become the name of the band she has created.

“I realized I need to be my own,” she says about the name. “I liked the idea of naming myself ‘Future Husband,’ I want it to be me.”

She’s finding solace in self-reliance and doing so in her music. Releasing her debut single, “Ritual,” Sulaiman is letting go while recognizing the hurt that comes from a rocky relationship. Each emotive lyric bounces off the heavenly chords and cadence. An introduction to a story of love songs that will fill an upcoming EP.

We spoke with Future Husband to learn more about “Ritual,” the inspirations for the track, why she chose music, and what we can expect from the debut EP.

You have just recently released your debut single “Ritual.” What can you tell us about the story behind the track and how it came to fruition?

Future Husband: “My first relationship was pretty tough and pretty long. The process of letting that go was intense. So intense that years after, I even had dreams about it. Even while I was deep into the next relationship, I started dreaming about it again. At some point, I thought: 'I have to start writing some songs about this to let it go.' ‘Ritual’ is one of them.

I wrote ‘Ritual’ about the limbo between where you’re letting go of someone. You’re already kind of celebrating, but you’re also still hurting about what happened. So, I wanted the music to be happy and celebratory, but the lyrics were dark and intense.”

The song has such a heavenly nature, what was the process like while developing the sound for this song?

FH: “I wrote the demos in my bedroom. They were really dark and acoustic with a piano. Then, we went to a teepee tent in the village where we grew up (with four of my best friends). I went there because I didn’t know where to take the songs further. So, I decided to arrange them together with them. Because we were outdoors and in nature, it was easy to be apart from the real world. Which made it nice to look for sounds as close to nature as possible. As close to the feeling we had — also because our friendships were flourishing in that week developing those sounds.”

Who have been some of your inspirations while shaping your own work?

FH: “I really love the classic songwriters. So, Stevie Nicks, for example. More recently, what I am listening to is R&B influenced and soulful. People like Frank Ocean and Kevin Abstract.

More of the people I can hear also listened to those old classic songwriters, but also try to go further on that. What I really like to do is combine as much of those influences as possible. I think that a good song is always just bigger sounds. And the sounds are just what inspires you at the moment.”

You’ve spent time touring with other bands. Now, you’re starting your own project. Why was this the perfect time to pursue something of your own?

FH: “Covid made it so that we couldn’t really tour anymore. So, I was home a lot. That gave me time to think. I wanted to start this project for a long time. The name ‘Future Husband’ has been there since I was 20.

When Covid came, I had the time to develop the songs. Then, I realized I didn't want to go back to writing for other people because I fell in love with the process. Thinking of a concept for a record and going for it without any compromise.”

What’s the meaning behind the name Future Husband?

FH: “I had a bad day way back. I was watching How I Met Your Mother. I stopped the episode, got something to drink. I came back, and I saw ‘Future Husband’ in the subtitles. I was like, ‘Oh, this is very cool, it’s gonna be the name of a song or something.’ I wrote it down somewhere in a book. While I was writing the songs, I realized I needed to be my own. I was thinking about who I should be with. What is a better alternative to this terrible love I’m writing about? I think it's me.

I liked the idea of naming myself ‘Future Husband,’ I want it to be me.”

Music seems to have been a large part of your life thus far. But what made you want to become a performer and songwriter?

FH: “I kind of tried to get out of it for a very long time. I was always in these choirs. Music was a big part of my life since I was young. But I was scared of performing. I got close to being in this famous Dutch children’s choir. I came to the last round, and I was too scared to go on stage.

So, I thought, I can’t do it, I’m going to be a music manager. I started on this course to study business and music. After a while, I realized, who am I kidding? I have to go try this out. The friends in this band convinced me, ‘You’re not a tour manager; you should just go and sing.’ I auditioned for this music school, and after a while, I was like, okay, this is it. Now, I can’t think of anything else to do.”

I know this is just the beginning, but what can we expect from you next? More singles? What will those sound like?

FH: “Well, there’s a couple of singles coming that are a part of the full story. There’s an EP coming that tells the story of meeting that first love, which I’ve known since I was a kid. It starts at the end of the story and ends at the beginning. We’re going through all the emotions that I’ve had while trying to get over the breakup. But, also during the relationship, things that happened in between that. I really tried to grasp as much of the influences I could find, or that really spoke to me when it comes to love songs. So, it’s going to be very long love songs.”

 

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SLEEP HOUSE: INTERVIEW


by danielle holian

photo courtesy of sleep house

Sleep House is a four-piece outfit based out of the Philadelphia/South Jersey region. The band formed during their freshman year in high school in 2016. Bonding over the likes of musical artists of The Strokes, Hippo Campus, and John Mayer, this led the combination of two former bandmates and two brothers to begin writing music and playing at local open mics.

To date, they have released two EP's independently, multiple singles, and have toured the east coast. They have recently released their brand new single “Funny, Funny” which encapsulates the feelings of uncertainty and irony that most people have felt over the past year towards themselves and society. In many ways, this new single marks a glimpse at what is yet to come from the band.

We caught up with Sleep House to discuss all things music below.

Who or what are your musical influences as a band?

Sleep House: “The Beatles have always been a foundational influence for us, along with bands like The Strokes and Hippo Campus.”

What inspired your latest single “Funny, Funny?”

SH: “The inspiration came mostly from what was going on in the world for the past year and a half. Mental health, world events, what’s going on in our daily lives etc. It’s an observation on right now.”

Can you describe what your songwriting process is like? And how do you divide the creative process between you?

SH: “Our process has always been really free-flowing. An idea could start with Adam or G$ bringing something to the four of us, or we start jamming something random in the middle of practice, or we just crank out something new in Logic together. Whatever we’re making usually determines what each of us are gonna do, and it’s never the same which makes it a lot of fun.”

How has your sound, taste and energy progressed since the band began?

SH: “I think it’s really progressed with our age. We started when we were 15 years old and all of us had been doing music before that. It’s like the root of Sleep House started when we were 15, and every year we add more influences and life experiences into our sound that make it grow. Now that we’re a bit older we definitely have gotten comfortable being ourselves in every aspect of the band.”

What would you say was your biggest challenge breaking into the music industry?

SH: “Starting out at 15-16 years old and trying to get gigs and figure out how to get there [laughs]. We felt like we had to act more mature than how we really were when it came to playing gigs or talking to people in the industry cause we didn’t want to come off as just a group of kids.”

What do you want the listeners to take away from your music?

SH: “We’re music lovers first and foremost, so everything we make is for the love of the music. We love songs that can transport us back to a time in our life or a specific memory, we hope our songs can provide that feeling as well.”

And finally, what's one fun fact about the band for our readers?

SH: “Adam is 6’4.”

 

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'SKIN' / COLBY BROCK: REVIEW


by abby crabill

Colby Brock is best known for his ghost hunting and abandoned exploration videos on the YouTube channel, Sam and Colby, that he shares with his friend, Sam Golbach. Colby has some previous experience in creating music with his friends, though these were mostly fun joke songs. These include, "Country Road" that he performed alongside his friend and fellow creator, Aryia, as well as "Wah Wah Wah" that he performed with his friends Sam Golbach, Jake Webber, and Corey Sherer. Music isn't a totally new option for Colby, as both his father and older brother have experience creating music as well. While continuing to create for their shared channel, Colby has made the decision to dive in and further explore the music world with his new single, "Skin."

The new single immediately brings on the nostalgia of early 2000s pop punk artists. Colby's heavy vocals also add to the overall angsty vibes that encompass the song. The pop punk sound partnered with lyrics such as "She said you don't know me // Sharp words that I just can't believe // Fake friends or wannabes? // We smile and lie behind our teeth" introduce his fans to a more intimate side of Colby. The song appears to describe the fake lifestyle that goes along with being an influencer in California, and Colby's attempt to finally be himself, despite the fakeness that surrounds him. Through lyrics like "And you'll never know what's real // You're on the outside looking in // To only what I reveal // You're not gonna get under my skin," the song discusses the "fake" life that is often portrayed and partnered with life in California. Collectively, the song is both intimate and a nostalgic trip through the world of pop punk and mosh pits.

Hopefully, as he grows and gains more confidence in his musical abilities, we can expect more music, along with videos, from Colby Brock down the road. The music video for "Skin" is set to release on his personal YouTube channel on Friday, December 3rd.

 

KIM!: INTERVIEW


by mariah estran

I just want to inspire people,” says KIM!, the fifteen-year-old rising artist from Indonesia. “I hope that when they listen to this album, they’ll get inspired, get empowered.”

Recently releasing her debut, Cute Little Savage, Vol. 1, she’s tackling the lessons of heartbreak and finding strength in empowering anthems. With help from producer NSG, the pop singer learned how to share her stories. The result became an eleven-track record ranging from silky R&B to feisty, hype-inducing beats.

We spoke with KIM! to learn more about the album. She tells us about her first experience in the studio, finding her inspirations, songwriting, and how music has aided her mental health.

You have just released your debut album Cute Little Savage, Vol.1. The LP takes the listener through stories of heartbreak and moments of empowerment. What was the writing process like when developing these tracks?

KIM!: “I prefer to say mixtape because I made it when I was thirteen. When I was just exploring new things that I liked, making music that I personally liked. The writing process was super fun, and I wrote this whole album with my producer, NSG. Basically, I just told my experiences and what I want to sing about. He made the music and wrote the lyrics because I am still learning how to songwrite.”

This was your first time recording an album! What was that experience like for you? What did you learn along the way?

K: “I honestly learned so much throughout the whole process. I learned how to develop sounds for my voice a lot more and how to story tell for my listeners, just to develop a feeling — it’s amazing.”

You got to work with producer NSG. You two managed to mix this great combo of 80s type vibes, to very pop, to feisty hip-hop. How did you two work to find the sounds you wanted to incorporate in this album?

K: “Both of us like hip-hop. We are just into the same type of music. When I met him, I honestly felt our connection and chemistry right away. I immediately knew he was the person I wanted to work with. Throughout the whole process, I began to learn so much about myself and what music I wanted to make in the future.”

What artists inspired you while mapping out the sounds for this record?

K: “Billie Eilish because when I was thirteen, I was such a big fan of hers. A bit of Dua Lipa, I also love beabadoobee right now. I’m still exploring a lot of genres. It’s really just everyone, honestly.”

Songs like “Take Control” and chant-worthy numbers like “ALL MY GIRLS” display those moments of empowerment that are a huge part of your work. Why is it important to you to make these types of tracks for your listeners?

K: “It was important to me to talk about issues that are happening right now in the world. I feel it's important to empower other women — especially people my age — to be more confident with themselves and love themselves more. In today's world, there’s just too much hate already. I know that teenagers my age are mostly affected by what other people say on the internet. It's harmful. I wanted to spread a message to everyone to just love themselves and support each other.”

Which song on the album would you say is your favorite and why?

K: “From this whole album, I guess my favorite would be ‘Sad Boi.’ It was a special song for me because it is about mental health. It’s about how words can affect a person's feelings. When I wrote this, I wanted people to know it's important to take care of themselves, their own mental health, and not let other people's words get stuck in your head because it is harmful.”

Would you say music is something that helps your mental state and processing these emotions?

K: “Music has helped me with my mental health and how I express myself, my feelings. I grew up with music. I am not the type of person who can express myself very well. I express myself through music. Writing, and always listening, getting inspired by other people's music is what keeps me going.”

Lastly, what do you hope people are learning about you after listening to your debut project?

K: “I just want to inspire people. I hope that when they listen to this album, they’ll get inspired, get empowered. I hope people feel happy when they hear it and like it as much as I do.”

 

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MARC E. BASSY: INTERVIEW


by kaylee pickens

Marc Griffin, professionally known as Marc E. Bassy, is the lover boy everyone dreams about. From his soulful melodies to heartfelt lyrics, Griffin is not your typical musical heartthrob. The release of his album Little Men has taken the music industry for a ride through the ups and downs of love and relationships. You can follow Griffin along in his heart’s fleeting journey with the 15-track project that’s out now! Unclear had the pleasure of speaking with the 34-year-old California-native, where he discussed his latest release, shooting in a haunted mansion, and things he’s learned from colleagues and friends alone the way. Interested in what Marc E. Bassy is up to? You can find him on Instagram and Twitter (@marcebassy), along with tour updates, and more!

Hey Marc, thanks so much for joining us! To jump right in, I was on Instagram looking at what you've been doing and what you've been up to. I noticed that you've been posting some great pictures from collaborating with G-Eazy recently — what has performing and working with G-Eazy on various projects been like? How how have those projects or how has your relationship evolved since your first release together?

Marc: “Well, me and G have been through a lot in the past. I met him when he was kind of on the uptick turning into G-Eazy, you know, before he had a mega smash, I guess. He met me when I wasn't anybody. I didn't even have any type of solo career whatsoever. So we've kind of seen each other develop our careers and the glory and the pitfalls that come with that, and I took a lot like — the way that my team and I operate on tour, the way we work, I kind of got that from him. He was my role model in this business. I've been around some really good people. Him, Ty Dolla Sign, people that were ahead of me — above me — I was able to learn from. But with G, just the way that he moves has always been my ideal of how I want to move through the industry. You know, even though I’m probably like a year older or something, he was always kind of like a big brother in a way. He’s really worked harder than everyone and has this positive mental attitude that leads him to success. And I admire that a lot because I can get caught up in my head.”

Yeah, you’re human. It’s very admirable to hear about you talk about your relationship like that. I know you'd mentioned that you guys had met when you were just kind of coming up and getting your name out there. But you made a post, or a TikTok repost, where you said you can’t stand when people say that you're underrated. So I'm just curious, was that a joke? Does it does it bother you? What does “underrated” mean to you?

M: “I mean, I'm still trying to understand what's going on, in my own mind. Not really sure most of the time, but it does not bother me for some reason like that. I think it's good to have a chip on your shoulder to an extent. And I would say that I have that. Me being underrated is frustrating only because I want more from me and my team, you know, and I want bigger shows all day. So it's frustrating in that sense, but it doesn't make me feel like I'm less or something.”

So, let’s flip to your latest work. Jumping into that, I know you had posted that the video for “Trouble” was shot in a haunted mansion. What was the preparation and planning for that? And, did the haunted mansion have any effect on the video? I don't know if you guys had to do anything differently because of its age and value.

Marc: “The best story from the haunted mansion is that a supernatural force locked me in my room. I was getting ready. It was in this old, 100 year plus, old mansion right outside of L.A. But it was like, I walked in and the door just locked and I couldn't get out. I was just locked inside for like 20 minutes and it was inexplicable, no one knew what to do. And then some guy came up and was like, ‘Oh, yeah, this is normal.’ He figured it out, but it was weird. It was like, during the day, it wasn't bad. But while we were on set, I knew I wouldn't be able to be there [at night], I would cry.”

Did you guys wrap up before the night came?

Marc: “I mean, not right as night came. You know, we were a few hours into it before we finished.”

Moving on from “Trouble” and more into Little Men. Is there anything that kind of reoccurs or repopulates with your visuals? Or even, within any of the songs off of LM?

Marc: “Yeah, a lot of the the songs are relationship songs, you know, most of the time, and they're about trying to figure out who you are in a relationship. And through a relationship. And in the beginning, there's a quote that I put it by Nikki Giovanni, and she's talking about all that works as a relationship. And it's true, like this whole human experience, all the information you get out of it, most of it, especially when it comes to love, emotional information you get through other people through relationships. So I think the common theme, for me, is learning about myself, you know, through the relationships that I've been in. Sometimes it's like a romantic relationship, it doesn't have to be, there's also camaraderie, and, you know, other family relationships too. And I think the reason [the album is] called Little Men was talking about kind of trying to grow up and get out of out of your own way, get out of your ego, get out of your little mind and into a bigger mind. And the way that I process that and try to do that is always, for better or worse, through relationships that I have, and learning about myself, and it was very easy to kind of get kind of swept up in.”

I really appreciate your honesty on that. To keep it going, let’s talk about the album artwork. What was the story behind the cover photo?

M: “One of the producers that I work with, we we had this idea to get all of my friends, all the little men around me, to go into the woods and dress up like Lost Boys and take a photo. So we did that, we had a horse and a falcon in the budget. Like, it was almost like a Lord of the Flies vibe, but that part we didn't execute. The photo of me and all the boys was great, but it was distracting. So then we were like, ‘maybe we use this horse.’ So I just took some photos on the horse. And then that turned into the actual image that we liked the most. But it was kind of like the idea that really went with Little Men. So this was the thing that we had that just kept calling us and what we ended up going with. It works like that sometimes in music, you know, you have an idea. ‘It's got to be like this.’ And then the thing adjacent to it ends up being the thing.”

Looking at the featured artists on Little Men — what was it like working with artists like Syd and Cory Henry? How they have helped developed your writing or music styles?

M: “Well Cory Henry just reminds me to be grateful for music in general. I don't know if you're familiar with him. But he has such an extraordinary talent. And just watching him play is like, you're witnessing true genius. Like, this human being’s brain is wired different, and it comes from church. So everything he does is for the universe, it's just wild. And I was really intimidated when I first met him. I know this man is an actual genius. So it was cool. To work with someone like him, for me to bring something to the table, it had to be lyrical [for it] to really be saying something. He can play every instrument, he can arrange everything. So like, what am I going to do that is actually worthy of this collaboration? With Cory, it was like making the lyrics really f***ing good; To make a really good song that makes him excited. And we kind of hung out for a week and a half, almost two weeks in LA. With ‘Free Like Me,’ we rented Westlake — the Michael Jackson studio. And he just played. It was like 6:45 in the morning, we’d been up all night and he just played two takes and it was perfect. I’ve never seen someone so good in the studio, it was mind blowing. And Syd, she’s a homie, she's great and amazing too. But with her honestly, I don't really know. We communicated on Instagram and we have a lot of mutual friends. And so, I think her girlfriend liked my music and suggested [a collaboration] to her.

I know you've talked about how you normally don't get intimidated by people. Is there someone out there who would intimidate you in this moment?

M: “I mean, I've met everyone. I met Drake and Kendrick, all the biggest and best people. I'll be intimidated to meet like Michael Jordan. I met Stevie Wonder one time, and I was very intimidated. But that was when I was younger. That was like, ten years ago, actually. And I was so intimidated. I couldn't even shake his hand. I was hanging out with his daughter and she was just laughing at me. I literally couldn't do it. It was his birthday and everyone was doing their thing and singing ‘Happy Birthday.’ So, at the end of the dinner, he sits at the end of the table and people just line up. Even though it's his friends and family, anywhere he goes, someone’s brought someone that he doesn't know or whatever. They’re like, ‘you can go say hi — shake his hand, kiss the ring’ type of thing. And I was literally too scared for some reason. And she was laughing, like ‘you're being so ridiculous.’”

Can you do it now though?

M: “Now, I would 100% do it. But I mean, I can't even imagine how many times a day some tipsy person runs up to him and tried to sing his songs in his ear.”

I saw when I was on your Instagram that you posted a picture of a tattoo that you got back in July that says “Beginners Mind.” What inspired you to get that tattoo? Because it kind of just stands out amongst the other things you have on your Instagram. 

M: “Beginner's Mind is, like a principle in Zen Buddhism. It’s been around my whole life where it's in any situation, you want to be fresh and new, you don't want to think that you know about anything. Because the second you do, you're tied to that. And you know, you're attached; you suffer from that. And so, it's kind of about like, for example, I've been in the music industry now for 10 years. And I don't take anything from my past with me. I don't think it would serve me to be like, ‘I know those guys at this label.’ I mean, look at how much the whole s**t has changed. When I started, people had MySpace pages. So, one of the things they say is like, ‘whatever you're doing, burn yourself’ and be so present that whatever you're doing, there's nothing left of that action, because you burned it all up, and it's just ashes now. So it's a reminder to stay fresh and be new, as much as possible.”

So to kind of finalize this last bit, I wanted to know, what's it like preparing for a tour after not being able to perform for so long? Is there anything you're looking forward to anything? Dreading? How do you feel about tour life?

M: “I'm very excited. To be honest, I don't really know yet. We go on tour in February — after I do this, I'm about to go to my first rehearsal. So I don't really know how I feel yet. But I'm definitely very excited. I've been playing shows since I was in high school. This was the longest period of time that I wasn't on stage. And I think that was more profound, you know. I ended tour, went from the tour bus to lockdown. The first six months felt fine, because I go super hard during tour. And by the end of the tour, I'm tired and ready to just chill. But it was crazy. My manager picked me up from the tour bus and he's like, ‘Yo, this COVID thing is f***ing real. Like, we're not even allowed to go outside right now.’ And it was such a mindf***, like it was for everyone. So I’m very excited to do this. And I'm kind of getting back into that mentality already. But yeah, I really don't know how it's gonna feel when we actually begin. But I'm excited to find out.”

 

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